UPC · Release
The Complete Recordings
Thrush Hermit
844667018387
116 tracksReleased 2010-01-01New Scotland Records
Last verified:
844667018387 is the Universal Product Code (UPC barcode) for the release “The Complete Recordings” by Thrush Hermit, released 2010-01-01 on New Scotland Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 116 tracks, each with its own ISRC. Tracks include USFT19545766.
Format
8Number system
44667Manufacturer
01838Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Complete Recordings
ISRC1 recording
ISWC1 work
Track List (116)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | From the Back of the Film | — | ||
| 2 | (Oh Man!) What to Do? | — | ||
| 3 | Violent Dreams | — | ||
| 4 | The Day We Hit the Coast | — | ||
| 5 | Headin’ South | — | ||
| 6 | Western Dreamz | — | ||
| 7 | Songs for the Gang | — | ||
| 8 | Uneventful | — | ||
| 9 | Oh My Soul! | — | ||
| 10 | We Are Being Reduced | — | ||
| 11 | Before You Leave | — | ||
| 2-1 | Skip the Life | — | ||
| 2-2 | North Dakota | — | ||
| 2-3 | Noosed and Haloed Swear Words | — | ||
| 2-4 | Without You? | — | ||
| 2-5 | Snubbed | — | ||
| 2-6 | Heart Wrenching Man | — | ||
| 2-7 | Puerto Rico | — | ||
| 2-8 | At My Expense | — | ||
| 2-9 | This Week | — | ||
| 2-10 | I’m Sorry If Your Heart Has No More Room | — | ||
| 2-11 | Strange to Be Involved | — | ||
| 2-12 | Darling Don’t Worry | — | ||
| 2-13 | On the Sneak | — | ||
| 2-14 | Came and Went | — | ||
| 3-1 | Hated It | Thrush Hermit | T-071.513.244-7 | |
| 3-2 | French Inhale | — | ||
| 3-3 | All Dressed Up | — | ||
| 3-4 | Pink Is the Colour | — | ||
| 3-5 | Cott | — | ||
| 3-6 | You Got an Answer | — | ||
| 3-7 | Radio Blaster | — | ||
| 3-8 | The Great Pacific Ocean | — | ||
| 3-9 | Every Morning I Reread the Postcards | — | ||
| 3-10 | 25 All Right | — | ||
| 3-11 | Patriot | — | ||
| 3-12 | Claim to Lame | — | ||
| 3-13 | The Great Pacific Ocean (reprise) | — | ||
| 4-1 | In the Morning | — | ||
| 4-2 | Songs for the Gang | — | ||
| 4-3 | Seven Years of Bad Luck and Bad Timing | — | ||
| 4-4 | 1991 | — | ||
| 4-6 | Everybody’s Gotta Move | — | ||
| 4-7 | Tired and True | — | ||
| 4-8 | Several Acrtresses | — | ||
| 4-9 | The Northwest Arm | — | ||
| 4-10 | Break This Back | — | ||
| 4-11 | The Sad Equator | — | ||
| 4-12 | Entirely | — | ||
| 4-13 | Maybe We Should Just Go Home | — | ||
| 4-14 | Mystery and Crime | — | ||
| 4-15 | Entertain Thyself | — | ||
| 4-16 | Bankruptcy | — | ||
| 4-17 | Love in the Air | — | ||
| 4-18 | Burnett vs. Williams | — | ||
| 4-19 | Blood in My Veins | — | ||
| 4-20 | I Want a Cubicle | — | ||
| 4-21 | Come on Teacher | — | ||
| 4-22 | Nude Disintegrating Parachutist Woman | — | ||
| 5-1 | Take Another Drag | — | ||
| 5-2 | Glum Boy | — | ||
| 5-3 | Giddy With the Drugs | — | ||
| 5-4 | The Ugly Details | — | ||
| 5-5 | The Old Fashioned | — | ||
| 5-6 | Layla II | — | ||
| 5-7 | Hung Up on Me | — | ||
| 5-8 | The Glorious Life | — | ||
| 5-9 | When You Failed English | — | ||
| 5-10 | Ex-Wife’s VCR | — | ||
| 5-11 | Ace | — | ||
| 5-12 | Ghost | — | ||
| 5-13 | Marya | — | ||
| 5-14 | Quartermark | — | ||
| 5-15 | Cott | — | ||
| 5-16 | Simple Universal Leader | — | ||
| 5-17 | Airheart | — | ||
| 5-18 | Rosebody | — | ||
| 5-19 | Cookie | — | ||
| 5-20 | Airplane | — | ||
| 5-21 | Pink Is the Colour | — | ||
| 5-22 | You Are Gone | — | ||
| 5-23 | West Island Rockers | — | ||
| 6-1 | This One’s Mine | — | ||
| 6-2 | Picturesque | — | ||
| 6-3 | Nabisco Fonzie: Excerpts From Fonzie’s Favourites | — | ||
| 6-4 | Where Does My Money Go? (Street Cents Theme) | — | ||
| 6-5 | Can I Wait for Pizza? | — | ||
| 6-6 | The Tim Robbins Experience Opening Theme | — | ||
| 6-7 | The Pros and Cons of Living on the Edge | — | ||
| 6-8 | Les Girls’ Last Stand | — | ||
| 6-9 | Nightcap for NSCAD | — | ||
| 6-10 | Six Figure Satellite | — | ||
| 6-11 | Countdown to the Grammys | — | ||
| 6-12 | The Hoods | — | ||
| 6-13 | Hinge | — | ||
| 6-14 | Dresden | — | ||
| 6-15 | I Don’t Know | — | ||
| 6-16 | Blind Children | — | ||
| 6-17 | Round Around | — | ||
| 6-18 | Siren Angel | — | ||
| 6-19 | Thrash Helmet | — | ||
| 6-20 | The Young and the Groomed | — | ||
| 6-21 | The Fastest Sport on Wheels (1-3) | — | ||
| 6-22 | Ordering a Pizza From Goddard’s | — | ||
| 6-23 | N.O.S.T.A.L.G.I.A. | — | ||
| 6-24 | From the Back of the Film (early demo) | — | ||
| 6-25 | The Hoods on CKDU’s Post Industrial Idiocy | — | ||
| 7-1 | Learn to Party Documentary | — | ||
| 7-2 | ’94 Tour | — | ||
| 7-3 | Edgefest ’95 | — | ||
| 8-1 | Building the Bus | — | ||
| 8-2 | North Dakota | — | ||
| 8-3 | Nude Disintegrating Parachutist Woman | — | ||
| 8-4 | Headin’ South / Violent Dreams | — | ||
| 8-5 | Final Show | — | ||
| 8-6 | From the Back of the Film and the Hoods | — |
From the Back of the Film
—
(Oh Man!) What to Do?
—
Violent Dreams
—
The Day We Hit the Coast
—
Headin’ South
—
Western Dreamz
—
Songs for the Gang
—
Uneventful
—
Oh My Soul!
—
We Are Being Reduced
—
Before You Leave
—
Skip the Life
—
North Dakota
—
Noosed and Haloed Swear Words
—
Without You?
—
Snubbed
—
Heart Wrenching Man
—
Puerto Rico
—
At My Expense
—
This Week
—
I’m Sorry If Your Heart Has No More Room
—
Strange to Be Involved
—
Darling Don’t Worry
—
On the Sneak
—
Came and Went
—
French Inhale
—
All Dressed Up
—
Pink Is the Colour
—
Cott
—
You Got an Answer
—
Radio Blaster
—
The Great Pacific Ocean
—
Every Morning I Reread the Postcards
—
25 All Right
—
Patriot
—
Claim to Lame
—
The Great Pacific Ocean (reprise)
—
In the Morning
—
Songs for the Gang
—
Seven Years of Bad Luck and Bad Timing
—
1991
—
Everybody’s Gotta Move
—
Tired and True
—
Several Acrtresses
—
The Northwest Arm
—
Break This Back
—
The Sad Equator
—
Entirely
—
Maybe We Should Just Go Home
—
Mystery and Crime
—
Entertain Thyself
—
Bankruptcy
—
Love in the Air
—
Burnett vs. Williams
—
Blood in My Veins
—
I Want a Cubicle
—
Come on Teacher
—
Nude Disintegrating Parachutist Woman
—
Take Another Drag
—
Glum Boy
—
Giddy With the Drugs
—
The Ugly Details
—
The Old Fashioned
—
Layla II
—
Hung Up on Me
—
The Glorious Life
—
When You Failed English
—
Ex-Wife’s VCR
—
Ace
—
Ghost
—
Marya
—
Quartermark
—
Cott
—
Simple Universal Leader
—
Airheart
—
Rosebody
—
Cookie
—
Airplane
—
Pink Is the Colour
—
You Are Gone
—
West Island Rockers
—
This One’s Mine
—
Picturesque
—
Nabisco Fonzie: Excerpts From Fonzie’s Favourites
—
Where Does My Money Go? (Street Cents Theme)
—
Can I Wait for Pizza?
—
The Tim Robbins Experience Opening Theme
—
The Pros and Cons of Living on the Edge
—
Les Girls’ Last Stand
—
Nightcap for NSCAD
—
Six Figure Satellite
—
Countdown to the Grammys
—
The Hoods
—
Hinge
—
Dresden
—
I Don’t Know
—
Blind Children
—
Round Around
—
Siren Angel
—
Thrash Helmet
—
The Young and the Groomed
—
The Fastest Sport on Wheels (1-3)
—
Ordering a Pizza From Goddard’s
—
N.O.S.T.A.L.G.I.A.
—
From the Back of the Film (early demo)
—
The Hoods on CKDU’s Post Industrial Idiocy
—
Learn to Party Documentary
—
’94 Tour
—
Edgefest ’95
—
Building the Bus
—
North Dakota
—
Nude Disintegrating Parachutist Woman
—
Headin’ South / Violent Dreams
—
Final Show
—
From the Back of the Film and the Hoods
—
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 844667018387?
844667018387 is a Universal Product Code (UPC) assigned to The Complete Recordings by Thrush Hermit. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 116 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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