Eugene Onegin [Incidental Music] / The Queen of Spades

UPC · Release

Eugene Onegin [Incidental Music] / The Queen of Spades

Sergei Prokofiev, RIAS Kammerchor, Rundfunk‐Sinfonieorchester Berlin and 1 more

845221005409
21 tracksReleased 2005-01-01

Last verified:

845221005409 is the Universal Product Code (UPC barcode) for the release Eugene Onegin [Incidental Music] / The Queen of Spades by Sergei Prokofiev, RIAS Kammerchor, Rundfunk‐Sinfonieorchester Berlin, Michail Jurowski, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC.

Format

8Number system
45221Manufacturer
00540Product
9Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (21)

Eugene Onegin, Op. 71 (arr. E. Downes): Scene 1: Lensky at Larin’s grave
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 1: Lensky at Larin’s grave
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 2: Onegin and Lensky at Lensky’s country house
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 2: Onegin and Lensky at Lensky’s country house
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 3: At the sister’s home - Scene 7: Tatyanas’s letter
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 3: At the sister’s home - Scene 7: Tatyanas’s letter
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 8: Onegin receives Tatyana’s letter - Scene 10: Lensky and Onegin together in Lensky’s house
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 8: Onegin receives Tatyana’s letter - Scene 10: Lensky and Onegin together in Lensky’s house
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 12: Larin’s ball
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 12: Larin’s ball
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 11: Tatyana’s dream
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 11: Tatyana’s dream
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 13: Duel
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 13: Duel
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 14: Tatyana visits Onegin’s house
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 14: Tatyana visits Onegin’s house
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 15: Waltz
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 15: Waltz
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 15: Tatyanas meet Onegin in Petersburg
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 15: Tatyanas meet Onegin in Petersburg
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 16: Onegin’s letter to Tatyana
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 16: Onegin’s letter to Tatyana
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 16: Closing choir of the students
Eugene Onegin, Op. 71 (arr. E. Downes): Scene 16: Closing choir of the students
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Overture
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Overture
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Lisa
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Lisa
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Der Morgen
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Der Morgen
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Hermann sieht Lisa
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Hermann sieht Lisa
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Der Ball
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Der Ball
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Lisa in ihrem Zimmer
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Lisa in ihrem Zimmer
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Hermann geht ein zweites Mal in den Spielsalon (Zweiter Gewinn)
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Hermann geht ein zweites Mal in den Spielsalon (Zweiter Gewinn)
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Hermann geht zum dritten mal in den Spielsalon (Hermann hat verloren)
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Hermann geht zum dritten mal in den Spielsalon (Hermann hat verloren)
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Letztes Wiedersehen
Pikovaya dama (The Queen of Spades), Op. 70 (arr. M. Jurowski): Letztes Wiedersehen

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People also ask

What is UPC 845221005409?
UPC 845221005409 is the Universal Product Code (barcode) for "Eugene Onegin [Incidental Music] / The Queen of Spades" by Sergei Prokofiev, RIAS Kammerchor, Rundfunk‐Sinfonieorchester Berlin, Michail Jurowski.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 845221005409?
UPC 845221005409 contains 21 tracks.
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Verified on

What is UPC 845221005409?

845221005409 is a Universal Product Code (UPC) assigned to Eugene Onegin [Incidental Music] / The Queen of Spades by Sergei Prokofiev, RIAS Kammerchor, Rundfunk‐Sinfonieorchester Berlin, Michail Jurowski. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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