UPC · Release
Die Dreigroschenoper: Historische Originalaufnahmen 1928-1931
Kurt Weill
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845221050614 is the Universal Product Code (UPC barcode) for the release “Die Dreigroschenoper: Historische Originalaufnahmen 1928-1931” by Kurt Weill, released 2011-01-01 on Capriccio (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 46 tracks, each with its own ISRC. Tracks include DEA800200110, DEA800200123.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (46)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Dreigroschenoper: Moritat | — | ||
| 2 | Die Dreigroschenoper: Kanonensong | — | ||
| 3 | Die Dreigroschenoper: Der Mensch lebt nur von Missetat allein | — | ||
| 4 | Die Dreigroschenoper: Ballade vom angenehmen Leben | — | ||
| 5 | Die Dreigroschenoper: Die Seeräuberjenny | — | ||
| 6 | Die Dreigroschenoper: Barbara-Song | — | ||
| 7 | Die Dreigroschenoper: Die Songs der Dreigroschenoper | — | ||
| 8 | Die Dreigroschenoper: Kanonensong | — | ||
| 9 | Die Dreigroschenoper: Zuhälterballade | — | ||
| 10 | Die Dreigroschenoper (Kurzfassung): Seeräuberjenny | Lotte Lenya, Lewis Ruth Band, Theo Mackeben | T-801.865.352-7 | |
| 11 | Die Dreigroschenoper: Barbara-Song / Eifersuchtsduett | — | ||
| 12 | Die Dreigroschenoper: Die Moritat von Mackie Messer | — | ||
| 13 | Die Dreigroschenoper: Die Ballade vom angenehmen Leben | — | ||
| 14 | Die Dreigroschenoper: Tango-Ballade | — | ||
| 15 | Die Dreigroschenoper: Kanonensong | — | ||
| 16 | Die Dreigroschenoper: Moritat / Choral | — | ||
| 17 | Die Dreigroschenoper: Tango-Ballade und Kanonensong | — | ||
| 18 | L'Opéra de quat'sous: Chant de Barbara (Barbara-Song) | — | ||
| 19 | L'Opéra de quat'sous: Fiancée du pirate (Die Seeräuberjenny) | — | ||
| 20 | L'Opéra de quat'sous: Chant des canons (Kanonensong) | — | ||
| 21 | Jomfru Dilemma (Barbara-Song) | — | ||
| 22 | Die Dreigroschenoper: Moritat (Slow-Fox) | — | ||
| 23 | Die Dreigroschenoper: Tanz-Potpourri aus "Die Dreigroschenoper" (Slow-Fox) | — | ||
| 2-1 | Alabama-Song | — | ||
| 2-2 | Tango Angèle | — | ||
| 2-3 | Die Muschel von Margate | — | ||
| 2-4 | Surabaya-Johnny | — | ||
| 2-5 | Bilbao-Song | — | ||
| 2-6 | Matrosensong | — | ||
| 2-7 | Surabaya-Johnny | — | ||
| 2-8 | Der Song von Mandelay | — | ||
| 2-9 | Surabaya-Johnny | — | ||
| 2-10 | Surabaya-Johnny | — | ||
| 2-11 | Aufstieg und Fall der Stadt Mahagonny: Alabama Song | Lotte Lenya, The Three Admirals, Theo Mackeben Jazzband, Theo Mackeben | T-071.434.173-7 | |
| 2-12 | Denn wie man sich bettet | — | ||
| 2-13 | Querschnitt aus der Oper "Aufstieg und Fall der Stadt Mahagonny" (medley) | — | ||
| 2-14 | Das Lied vom Schlaraffenland | — | ||
| 2-15 | Der Bäcker backt ums Morgenrot | — | ||
| 2-16 | 6 Songs: 1. Lost in the Stars | — | ||
| 2-17 | 6 Songs: 2. Lover Man | — | ||
| 2-18 | 6 Songs: 3. J'attends un navire | — | ||
| 2-19 | 6 Songs: 4. Complainte de la Seine | — | ||
| 2-20 | 6 Songs: 5. Surabaya-Johnny | — | ||
| 2-21 | 6 Songs: 6. Denn wie man sich bettet | — | ||
| 2-22 | Und was bekam des Soldaten Weib? | — | ||
| 2-23 | Wie lange noch? | — |
What other identifiers does this connect to?
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What is UPC 845221050614?
845221050614 is a Universal Product Code (UPC) assigned to Die Dreigroschenoper: Historische Originalaufnahmen 1928-1931 by Kurt Weill. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 46 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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