UPC · Release
Masses - Messen
Mozart, Haydn, Schubert, Weber, Beethoven, Cherubini, Gounod
845221071619
125 tracksReleased 2013-03-26
Last verified:
845221071619 is the Universal Product Code (UPC barcode) for the release “Masses - Messen” by Mozart, Haydn, Schubert, Weber, Beethoven, Cherubini, Gounod, released 2013-03-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 125 tracks, each with its own ISRC. Tracks include DEB261401002, US5541402823, ATPD50800171.
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UPCMasses - Messen
ISRC16 recordings
ISWC2 works
IPI1 songwriter
Track List (125)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in C Major, K. 317 “Krönungsmesse”: Kyrie | — | ||
| 2 | Mass in C Major, K. 317 “Krönungsmesse”: Gloria | — | ||
| 3 | Mass in C Major, K. 317 “Krönungsmesse”: Credo | — | ||
| 4 | Mass in C Major, K. 317 “Krönungsmesse”: Sanctus | — | ||
| 5 | Mass in C Major, K. 317 “Krönungsmesse”: Benedictus | — | ||
| 6 | Mass in C Major, K. 317 “Krönungsmesse”: Agnus Dei | — | ||
| 7 | Ave verum Corpus, KV 618 | Chorus Viennensis, Wiener Sängerknaben, Symphonieorchester der Volksoper Wien, Peter Marschik | — | |
| 8 | Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Kyrie | — | ||
| 9 | Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Gloria | — | ||
| 10 | Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Credo | — | ||
| 11 | Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Sanctus | — | ||
| 12 | Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Benedictus | — | ||
| 13 | Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Agnus Dei | — | ||
| 14 | Vesperae Solennes de Confessore, K. 339: Laudate Dominum | Mária Zádori, Budapest Philharmonic Orchestra, Iván Fischer | — | |
| 2-1 | Mass in C minor, KV 427: Kyrie | Arleen Augér, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | T-905.386.342-6 | |
| 2-2 | Mass in C minor, KV 427: Gloria: Gloria in excelsis Deo | WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | T-922.061.546-3 | |
| 2-3 | Mass in C minor, KV 427: Gloria: Ladamus te | Arleen Augér, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-4 | Mass in C minor, KV 427: Gloria: Gratias | WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-5 | Mass in C minor, KV 427: Gloria: Domine | Arleen Augér, Doris Soffel, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-6 | Mass in C minor, KV 427: Gloria: Qui tollis | WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-7 | Mass in C minor, KV 427: Gloria: Quoniam | Arleen Augér, Doris Soffel, Thomas Moser, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-8 | Mass in C minor, KV 427: Gloria: Jesu Christe | WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-9 | Mass in C minor, KV 427: Gloria: Cum Sancto Spiritu | WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-10 | Mass in C minor, KV 427: Credo: Credo in unum Deum | WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-11 | Mass no. 18 in C Minor, K. 427, “Great”: Credo. Et incarnatus est | — | ||
| 2-12 | Mass in C minor, KV 427: Sanctus | WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-13 | Mass in C minor, KV 427: Benedictus | Arleen Augér, Doris Soffel, Thomas Moser, Stephen Roberts, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | — | |
| 2-14 | Missa brevis in C Major, K. 259, “Organ solo”: Kyrie | — | ||
| 2-15 | Missa brevis in C Major, K. 259, “Organ solo”: Gloria | — | ||
| 2-16 | Missa brevis in C Major, K. 259, “Organ solo”: Credo | — | ||
| 2-17 | Missa brevis in C Major, K. 259, “Organ solo”: Sanctus | — | ||
| 2-18 | Missa brevis in C Major, K. 259, “Organ solo”: Benedictus | — | ||
| 2-19 | Missa brevis in C Major, K. 259, “Organ solo”: Agnus Dei | — | ||
| 2-20 | Missa brevis in C Major, K. 259, “Organ solo”: Dona nobis pacem | — | ||
| 3-1 | Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Kyrie | — | ||
| 3-2 | Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Gloria | — | ||
| 3-3 | Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Credo | — | ||
| 3-4 | Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Sanctus | — | ||
| 3-5 | Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Benedictus | — | ||
| 3-6 | Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Agnus Dei | — | ||
| 3-7 | Missa Sancti Joannis Nepomuceni, MH 182: Kyrie | — | ||
| 3-8 | Missa Sancti Joannis Nepomuceni, MH 182: Gloria | — | ||
| 3-9 | Missa Sancti Joannis Nepomuceni, MH 182: Credo | — | ||
| 3-10 | Missa Sancti Joannis Nepomuceni, MH 182: Sanctus | — | ||
| 3-11 | Missa Sancti Joannis Nepomuceni, MH 182: Benedictus | — | ||
| 3-12 | Missa Sancti Joannis Nepomuceni, MH 182: Agnus dei | — | ||
| 4-1 | Mass in A Major: Kyrie | — | ||
| 4-2 | Mass in A Major: Gloria | — | ||
| 4-3 | Mass in A Major: Credo | — | ||
| 4-4 | Mass in A Major: Offertorium | — | ||
| 4-5 | Mass in A Major: Sanctus | — | ||
| 4-6 | Mass in A Major: O salutaris hostias | — | ||
| 4-7 | Mass in A Major: Agnus Dei | — | ||
| 4-8 | Te Deum in D Major, MH 829: I. Vivace | — | ||
| 4-9 | Te Deum in D Major, MH 829: II. Largo | — | ||
| 4-10 | Te Deum in D Major, MH 829: III. Allegretto | — | ||
| 4-11 | Te Deum in D Major, MH 829: IV. Vivace | — | ||
| 5-1 | Missa solemnis, op. 123: Kyrie. Assai sostenuto (Mit Andancht) | — | ||
| 5-2 | Missa solemnis, op. 123: Gloria. Allegro vivace | — | ||
| 5-3 | Missa solemnis, op. 123: Credo. Allegro ma non troppo | — | ||
| 5-4 | Missa solemnis, op. 123: Sanctus: Adagio (Mit Andacht) | — | ||
| 5-5 | Missa solemnis, op. 123: Agnus Dei: Adagio | — | ||
| 6-1 | Mass no. 5 in A‐Flat Major, D. 678: Kyrie | — | ||
| 6-2 | Mass no. 5 in A‐Flat Major, D. 678: Gloria | — | ||
| 6-3 | Mass no. 5 in A‐Flat Major, D. 678: Credo | — | ||
| 6-4 | Mass no. 5 in A‐Flat Major, D. 678: Sanctus | — | ||
| 6-5 | Mass no. 5 in A‐Flat Major, D. 678: Benedictus | — | ||
| 6-6 | Mass no. 5 in A‐Flat Major, D. 678: Agnus Dei | — | ||
| 6-7 | Deutsche Messe, D. 872: Zum Eingang: Wohin soll ich mich wenden | — | ||
| 6-8 | Deutsche Messe, D. 872: Zum Gloria. Ehre, Ehre sei Gott in der Hohe | — | ||
| 6-9 | Deutsche Messe, D. 872: Zum Evangelium und Credo. Noch lag die Schöpfung formlos da | — | ||
| 6-10 | Deutsche Messe, D. 872: Zum Offertorium: Du gabst, o Herr, mir Sein und Leben | — | ||
| 6-11 | Deutsche Messe, D 872: Zum Sanctus: Heilig, heilig ist der Herr | Walton Grönroos, Werner Hollweg, Celina Lindsley, RIAS-Kammerchor, Gabriele Schreckenbach, Rundfunk-Symphonie-Orchester Berlin, Marcus Creed | — | |
| 6-12 | Deutsche Messe, D. 872: Nach der Wandlung: Betrachtend Deine Huld und Gute | — | ||
| 6-13 | Deutsche Messe, D. 872: Zum Agnus Dei: Mein Heiland, Herr und Meister | — | ||
| 6-14 | Deutsche Messe, D. 872: Schlussgesang - Finale. Herr, Du hast mein Flehn vernommen | — | ||
| 7-1 | Mass no. 2 in G Major, D. 167: Kyrie | — | ||
| 7-2 | Mass no. 2 in G Major, D. 167: Gloria | — | ||
| 7-3 | Mass no. 2 in G Major, D. 167: Credo | — | ||
| 7-4 | Mass no. 2 in G Major, D. 167: Sanctus | — | ||
| 7-5 | Mass no. 2 in G Major, D. 167: Benedictus | — | ||
| 7-6 | Mass no. 2 in G Major, D. 167: Agnus Dei | — | ||
| 7-7 | Messe no. 6, D 950: Kyrie | Bernarda Fink, Hugo-Distler-Chor, Herbert Lippert, Ildikó Raimondi, Franz-Josef Selig, Helmut Wildhaber, Wiener Akademie, Martin Haselböck | — | |
| 7-8 | Mass no. 6 in E‐Flat Major, D. 950: Gloria | — | ||
| 7-9 | Mass no. 6 in E‐Flat Major, D. 950: Credo | — | ||
| 7-10 | Mass no. 6 in E‐Flat Major, D. 950: Sanctus | — | ||
| 7-11 | Mass no. 6 in E‐Flat Major, D. 950: Benedictus | — | ||
| 7-12 | Mass no. 6 in E‐Flat Major, D. 950: Agnus Dei | — | ||
| 8-1 | Missa sacra, op. 147: Kyrie | — | ||
| 8-2 | Missa sacra, op. 147: Gloria | — | ||
| 8-3 | Missa sacra, op. 147: Credo | — | ||
| 8-4 | Missa sacra, op. 147: Offertorium | — | ||
| 8-5 | Missa sacra, op. 147: Sanctus | — | ||
| 8-6 | Missa sacra, op. 147: Agnus Dei | — | ||
| 8-7 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Kyrie | — | ||
| 8-8 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Gloria | — | ||
| 8-9 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Credo | — | ||
| 8-10 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Offertorium | — | ||
| 8-11 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus | — | ||
| 8-12 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus: Hosanna | — | ||
| 8-13 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus: Benedictus | — | ||
| 8-14 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus: Hosanna de capo | — | ||
| 8-15 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Agnus Dei | — | ||
| 8-16 | Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Agnus Dei: Dona nobis pacem | — | ||
| 9-1 | Missa solemnis, op. 40: Kyrie | — | ||
| 9-2 | Missa solemnis, op. 40: Gloria | — | ||
| 9-3 | Missa solemnis, op. 40: Credo | — | ||
| 9-4 | Missa solemnis, op. 40: Sanctus | — | ||
| 9-5 | Missa solemnis, op. 40: Agnus Dei | — | ||
| 9-6 | Omnes de Saba venient | — | ||
| 9-7 | Terra tremuit | — | ||
| 9-8 | Jubilate Deo omnis terra | — | ||
| 10-1 | Messe solennelle de Sainte Cécile: Kyrie | — | ||
| 10-2 | Messe solennelle de Sainte Cécile: Gloria | — | ||
| 10-3 | Messe solennelle de Sainte Cécile: Credo | — | ||
| 10-4 | Messe solennelle de Sainte Cécile: Offertorium | — | ||
| 10-5 | Messe solennelle de Sainte Cécile: Sanctus | — | ||
| 10-6 | Messe solennelle de Sainte Cécile: Benedictus | — | ||
| 10-7 | Messe solennelle de Sainte Cécile: Agnus Dei | — | ||
| 10-8 | Messe solennelle de Sainte Cécile: Domine salvum | — | ||
| 10-9 | Te Deum, WAB 45: Te Deum laudamus | — | ||
| 10-10 | Te Deum, WAB 45: Te ergo quaesumus | — | ||
| 10-11 | Te Deum, WAB 45: Aeterna fac | — | ||
| 10-12 | Te Deum, WAB 45: Salvum fac populum tuum | — | ||
| 10-13 | Te Deum, WAB 45: In te Domine speravi | — |
Mass in C Major, K. 317 “Krönungsmesse”: Kyrie
—
Mass in C Major, K. 317 “Krönungsmesse”: Gloria
—
Mass in C Major, K. 317 “Krönungsmesse”: Credo
—
Mass in C Major, K. 317 “Krönungsmesse”: Sanctus
—
Mass in C Major, K. 317 “Krönungsmesse”: Benedictus
—
Mass in C Major, K. 317 “Krönungsmesse”: Agnus Dei
—
Ave verum Corpus, KV 618
Chorus Viennensis, Wiener Sängerknaben, Symphonieorchester der Volksoper Wien, Peter Marschik
—
Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Kyrie
—
Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Gloria
—
Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Credo
—
Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Sanctus
—
Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Benedictus
—
Missa solemnis in C Minor, K. 139, “Waisenhausmesse” (Orphanage): Agnus Dei
—
Vesperae Solennes de Confessore, K. 339: Laudate Dominum
Mária Zádori, Budapest Philharmonic Orchestra, Iván Fischer
—
Arleen Augér, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
Mass in C minor, KV 427: Gloria: Ladamus te
Arleen Augér, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Gloria: Gratias
WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Gloria: Domine
Arleen Augér, Doris Soffel, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Gloria: Qui tollis
WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Gloria: Quoniam
Arleen Augér, Doris Soffel, Thomas Moser, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Gloria: Jesu Christe
WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Gloria: Cum Sancto Spiritu
WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Credo: Credo in unum Deum
WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass no. 18 in C Minor, K. 427, “Great”: Credo. Et incarnatus est
—
Mass in C minor, KV 427: Sanctus
WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
—
Mass in C minor, KV 427: Benedictus
Arleen Augér, Doris Soffel, Thomas Moser, Stephen Roberts, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini
—
Missa brevis in C Major, K. 259, “Organ solo”: Kyrie
—
Missa brevis in C Major, K. 259, “Organ solo”: Gloria
—
Missa brevis in C Major, K. 259, “Organ solo”: Credo
—
Missa brevis in C Major, K. 259, “Organ solo”: Sanctus
—
Missa brevis in C Major, K. 259, “Organ solo”: Benedictus
—
Missa brevis in C Major, K. 259, “Organ solo”: Agnus Dei
—
Missa brevis in C Major, K. 259, “Organ solo”: Dona nobis pacem
—
Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Kyrie
—
Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Gloria
—
Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Credo
—
Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Sanctus
—
Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Benedictus
—
Mass no. 14 in B‐Flat Major, Hob. XXII:14, “Harmoniemesse”: Agnus Dei
—
Missa Sancti Joannis Nepomuceni, MH 182: Kyrie
—
Missa Sancti Joannis Nepomuceni, MH 182: Gloria
—
Missa Sancti Joannis Nepomuceni, MH 182: Credo
—
Missa Sancti Joannis Nepomuceni, MH 182: Sanctus
—
Missa Sancti Joannis Nepomuceni, MH 182: Benedictus
—
Missa Sancti Joannis Nepomuceni, MH 182: Agnus dei
—
Mass in A Major: Kyrie
—
Mass in A Major: Gloria
—
Mass in A Major: Credo
—
Mass in A Major: Offertorium
—
Mass in A Major: Sanctus
—
Mass in A Major: O salutaris hostias
—
Mass in A Major: Agnus Dei
—
Te Deum in D Major, MH 829: I. Vivace
—
Te Deum in D Major, MH 829: II. Largo
—
Te Deum in D Major, MH 829: III. Allegretto
—
Te Deum in D Major, MH 829: IV. Vivace
—
Missa solemnis, op. 123: Kyrie. Assai sostenuto (Mit Andancht)
—
Missa solemnis, op. 123: Gloria. Allegro vivace
—
Missa solemnis, op. 123: Credo. Allegro ma non troppo
—
Missa solemnis, op. 123: Sanctus: Adagio (Mit Andacht)
—
Missa solemnis, op. 123: Agnus Dei: Adagio
—
Mass no. 5 in A‐Flat Major, D. 678: Kyrie
—
Mass no. 5 in A‐Flat Major, D. 678: Gloria
—
Mass no. 5 in A‐Flat Major, D. 678: Credo
—
Mass no. 5 in A‐Flat Major, D. 678: Sanctus
—
Mass no. 5 in A‐Flat Major, D. 678: Benedictus
—
Mass no. 5 in A‐Flat Major, D. 678: Agnus Dei
—
Deutsche Messe, D. 872: Zum Eingang: Wohin soll ich mich wenden
—
Deutsche Messe, D. 872: Zum Gloria. Ehre, Ehre sei Gott in der Hohe
—
Deutsche Messe, D. 872: Zum Evangelium und Credo. Noch lag die Schöpfung formlos da
—
Deutsche Messe, D. 872: Zum Offertorium: Du gabst, o Herr, mir Sein und Leben
—
Deutsche Messe, D 872: Zum Sanctus: Heilig, heilig ist der Herr
Walton Grönroos, Werner Hollweg, Celina Lindsley, RIAS-Kammerchor, Gabriele Schreckenbach, Rundfunk-Symphonie-Orchester Berlin, Marcus Creed
—
Deutsche Messe, D. 872: Nach der Wandlung: Betrachtend Deine Huld und Gute
—
Deutsche Messe, D. 872: Zum Agnus Dei: Mein Heiland, Herr und Meister
—
Deutsche Messe, D. 872: Schlussgesang - Finale. Herr, Du hast mein Flehn vernommen
—
Mass no. 2 in G Major, D. 167: Kyrie
—
Mass no. 2 in G Major, D. 167: Gloria
—
Mass no. 2 in G Major, D. 167: Credo
—
Mass no. 2 in G Major, D. 167: Sanctus
—
Mass no. 2 in G Major, D. 167: Benedictus
—
Mass no. 2 in G Major, D. 167: Agnus Dei
—
Messe no. 6, D 950: Kyrie
Bernarda Fink, Hugo-Distler-Chor, Herbert Lippert, Ildikó Raimondi, Franz-Josef Selig, Helmut Wildhaber, Wiener Akademie, Martin Haselböck
—
Mass no. 6 in E‐Flat Major, D. 950: Gloria
—
Mass no. 6 in E‐Flat Major, D. 950: Credo
—
Mass no. 6 in E‐Flat Major, D. 950: Sanctus
—
Mass no. 6 in E‐Flat Major, D. 950: Benedictus
—
Mass no. 6 in E‐Flat Major, D. 950: Agnus Dei
—
Missa sacra, op. 147: Kyrie
—
Missa sacra, op. 147: Gloria
—
Missa sacra, op. 147: Credo
—
Missa sacra, op. 147: Offertorium
—
Missa sacra, op. 147: Sanctus
—
Missa sacra, op. 147: Agnus Dei
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Kyrie
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Gloria
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Credo
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Offertorium
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus: Hosanna
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus: Benedictus
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Sanctus: Hosanna de capo
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Agnus Dei
—
Missa sancta no. 2, op. 76, J. 251, “Jubelmesse”: Agnus Dei: Dona nobis pacem
—
Missa solemnis, op. 40: Kyrie
—
Missa solemnis, op. 40: Gloria
—
Missa solemnis, op. 40: Credo
—
Missa solemnis, op. 40: Sanctus
—
Missa solemnis, op. 40: Agnus Dei
—
Omnes de Saba venient
—
Terra tremuit
—
Jubilate Deo omnis terra
—
Messe solennelle de Sainte Cécile: Kyrie
—
Messe solennelle de Sainte Cécile: Gloria
—
Messe solennelle de Sainte Cécile: Credo
—
Messe solennelle de Sainte Cécile: Offertorium
—
Messe solennelle de Sainte Cécile: Sanctus
—
Messe solennelle de Sainte Cécile: Benedictus
—
Messe solennelle de Sainte Cécile: Agnus Dei
—
Messe solennelle de Sainte Cécile: Domine salvum
—
Te Deum, WAB 45: Te Deum laudamus
—
Te Deum, WAB 45: Te ergo quaesumus
—
Te Deum, WAB 45: Aeterna fac
—
Te Deum, WAB 45: Salvum fac populum tuum
—
Te Deum, WAB 45: In te Domine speravi
—
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000000002303428X000000005117533800000000551613120000000055189497000000005553231200000000724800910000000077789530000000007839722100000000784131560000000079842454
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What is UPC 845221071619?
845221071619 is a Universal Product Code (UPC) assigned to Masses - Messen by Mozart, Haydn, Schubert, Weber, Beethoven, Cherubini, Gounod. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 125 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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