UPC · Release
Zimmermann, Dallapiccola, Dutilleux, Ginastera, Hindemith, Szymanowski, Antheil, Vaughan Williams, Kabalevsky, Krenek, Deutsche Staatsphilharmonie Rheinland‐Pfalz, Karl‐Heinz Steffens
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The UPC for “Modern Times Edition” by Zimmermann, Dallapiccola, Dutilleux, Ginastera, Hindemith, Szymanowski, Antheil, Vaughan Williams, Kabalevsky, Krenek, Deutsche Staatsphilharmonie Rheinland‐Pfalz, Karl‐Heinz Steffens is 845221073378. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Capriccio (2). This release contains 122 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alagoana: I. Ouvertüre | — | ||
| 2 | Alagoana: II Sertanejo | — | ||
| 3 | Alagoana: III Saudade | — | ||
| 4 | Alagoana: IV Caboclo | — | ||
| 5 | Alagoana: V Finale | — | ||
| 6 | Sinfonie In Einem Satz | — | ||
| 7 | Photoptosis (Prélude Für Großes Orchester) | — | ||
| 8 | Stille Und Umkehr (Orchesterskizzen) | — | ||
| 2-1 | Partita Per Orchestra: I. Passacaglia. Molto Solenne | — | ||
| 2-2 | Partita Per Orchestra: II. Burlesca. Presto Ma Non Troppo – Moderato - Tempo Del Principio | — | ||
| 2-3 | Partita Per Orchestra: III. Recitativo E Fanfara. Violento – Calmo – Molto Mosso - Violento | — | ||
| 2-4 | Partita Per Orchestra: IV. Naenia B. M. V. Molto Tranquillo | — | ||
| 2-5 | Due Pezzi Per Orchestra: I. Sarabanda. Lento, Flessibile | — | ||
| 2-6 | Due Pezzi Per Orchestra: II. Fanfara E Fuga. Mosso, Ma Non Tanto - Allegro Marcato | — | ||
| 2-7 | Piccola Musica Notturna: Molto Tranquillo, Ma Senza Trascinare | — | ||
| 2-8 | Variazioni Per Orchestra: I. Quasi Lento, Misterioso | — | ||
| 2-9 | Variazioni Per Orchestra: II. Allegro Con Fuoco | — | ||
| 2-10 | Variazioni Per Orchestra: III. Mosso, Scorrevole | — | ||
| 2-11 | Variazioni Per Orchestra: IV. Tranquillamente Mosso | — | ||
| 2-12 | Variazioni Per Orchestra: V. Poco Allegretto, «Alla Serenata» | — | ||
| 2-13 | Variazioni Per Orchestra: VI. Molto Lento, Con Espressione Parlante | — | ||
| 2-14 | Variazioni Per Orchestra: VII. Andantino Amoroso, Esitando | — | ||
| 2-15 | Variazioni Per Orchestra: VIII. Allegro, Con Violenza | — | ||
| 2-16 | Variazioni Per Orchestra: IX. Affettuoso, Cullante | — | ||
| 2-17 | Variazioni Per Orchestra: X. Grave | — | ||
| 2-18 | Variazioni Per Orchestra: XI. Molto Lento, Fantastico | — | ||
| 2-19 | Three Questions With Two Answers Per Orchestra: I. Sostenuto, Sottovoce – | — | ||
| 2-20 | Three Questions With Two Answers Per Orchestra: II. Moderato, Tranquillo – | — | ||
| 2-21 | Three Questions With Two Answers Per Orchestra: III. Impetuoso, Violento – | — | ||
| 2-22 | Three Questions With Two Answers Per Orchestra: IV. Largamente, Sostenutissimo – | — | ||
| 2-23 | Three Questions With Two Answers Per Orchestra: V. Molto Sostenuto | — | ||
| 3-1 | Symphony no. 1: I. Passacaille | — | ||
| 3-2 | Symphony no. 1: II. Scherzo molto vivace | — | ||
| 3-3 | Symphony no. 1: III. Intermezzo | — | ||
| 3-4 | Symphony no. 1: IV. Finale, con variazioni | — | ||
| 3-5 | Deux sonnets de Jean Cassou: "Il n’y avait que des troncs déchirés" | — | ||
| 3-6 | Deux sonnets de Jean Cassou: "Jái revé que je vous portais entre mes bras" | — | ||
| 3-7 | Métaboles: I. Incantatoire (Largamente/attacca:) | — | ||
| 3-8 | Métaboles: II. Linéaire (Lento moderato/attacca:) | — | ||
| 3-9 | Métaboles: III. Obsessionel (Scherzando/attacca:) | — | ||
| 3-10 | Métaboles: IV. Torpide (Andantino/attacca:) | — | ||
| 3-11 | Métaboles: V. Flamboyant (Presto) | — | ||
| 4-1 | Obertura para el "Fausto" criollo, Op. 9 | — | ||
| 4-2 | Ollantay, Op. 17: I. Paisaje | — | ||
| 4-3 | Ollantay, Op. 17: II. Los guerreros | — | ||
| 4-4 | Ollantay, Op. 17: III. La muerte de Ollontay | — | ||
| 4-5 | Variaciones concertantes, Op. 23: I. Theme for Cello & Harp | — | ||
| 4-6 | Variaciones concertantes, Op. 23: II. Interlude for strings | — | ||
| 4-7 | Variaciones concertantes, Op. 23: III. Humourous Variation for Flute | — | ||
| 4-8 | Variaciones concertantes, Op. 23: IV. Scherzo Variation | — | ||
| 4-9 | Variaciones concertantes, Op. 23: V. Dramatic Variation | — | ||
| 4-10 | Variaciones concertantes, Op. 23: VI. Canonic Variation | — | ||
| 4-11 | Variaciones concertantes, Op. 23: VII. Rhythmic Variation | — | ||
| 4-12 | Variaciones concertantes, Op. 23: VIII. Perpetual Motion | — | ||
| 4-13 | Variaciones concertantes, Op. 23: IX. Pastoral Variation | — | ||
| 4-14 | Variaciones concertantes, Op. 23: X. Interlude | — | ||
| 4-15 | Variaciones concertantes, Op. 23: XI. Reprise of the Theme | — | ||
| 4-16 | Variaciones concertantes, Op. 23: XII. Finale | — | ||
| 4-17 | Bomarzo Suite, Op. 34a | — | ||
| 5-1 | Concert Overture in E, op. 12 | — | ||
| 5-2 | Symphony no. 4, op. 60: Moderato | — | ||
| 5-3 | Symphony no. 4, op. 60: Andante molto sostenuto | — | ||
| 5-4 | Symphony no. 4, op. 60: Allegro non troppo, ma agitato ad ausioso | — | ||
| 5-5 | Słopiewnie, op. 46bis: Słowisien | — | ||
| 5-6 | Słopiewnie, op. 46bis: Zielone słowa | — | ||
| 5-7 | Słopiewnie, op. 46bis: Święty Franciszek | — | ||
| 5-8 | Słopiewnie, op. 46bis: Kalinowe Dwory | — | ||
| 5-9 | Słopiewnie, op. 46bis: Wanda | — | ||
| 5-10 | Nocturne and Tarantella for Violin and Piano, op. 28: Nocturne | — | ||
| 5-11 | Nocturne and Tarantella for Violin and Piano, op. 28: Tarantella | — | ||
| 6-1 | A Jazz Symphony | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 1 | — | ||
| 6-3 | Capital of the World Orchestral Suite: I. The Tailor Shop | — | ||
| 6-4 | Capital of the World Orchestral Suite: II. Meditation | — | ||
| 6-5 | Capital of the World Orchestral Suite: III. Knife Dance and Farruca | — | ||
| 6-6 | Archipelago, "Rhumba" | — | ||
| 7-1 | The Poisoned Kiss: Overture | — | ||
| 7-2 | In the Fen Country | — | ||
| 7-3 | Bucolic Suite: I. Allegro | — | ||
| 7-4 | Bucolic Suite: II. Andante | — | ||
| 7-5 | Bucolic Suite: III. Intermezzo - Allegretto | — | ||
| 7-6 | Bucolic Suite: IV. Finale - Allegro | — | ||
| 7-7 | Fantasia on Sussex Folk Tunes | — | ||
| 7-8 | 3 Portraits from "The England of Elizabeth" (Arr. for Orchestra): No. 1, The Explorer | — | ||
| 7-9 | 3 Portraits from "The England of Elizabeth" (Arr. for Orchestra): No. 2, Poet | — | ||
| 7-10 | 3 Portraits from "The England of Elizabeth" (Arr. for Orchestra): No. 3, Queen | — | ||
| 8-1 | Pathétique Overture, Op. 64 | — | ||
| 8-2 | Violin Concerto in C Major, Op. 48: I. Allegro molto e con brio | — | ||
| 8-3 | Violin Concerto in C Major, Op. 48: II. Andante cantabile | — | ||
| 8-4 | Violin Concerto in C Major, Op. 48: III. Vivace giocoso | — | ||
| 8-5 | Rhapsody on the Theme of the Song School Years, Op. 75 | — | ||
| 8-6 | Vesna, Symphonic Poem, Op. 65 | — | ||
| 8-7 | Colas Breugnon, Op. 24: I. Overture | — | ||
| 8-8 | Colas Breugnon, Op. 24: II. The People's Feast | — | ||
| 8-9 | Colas Breugnon, Op. 24: III. The People's Calamity | — | ||
| 8-10 | Colas Breugnon, Op. 24: IV. The People's Insurrection | — | ||
| 9-1 | Potpourri, Op. 54 | — | ||
| 9-2 | 7 Orchestra Pieces, Op. 31: No. 1, Moderato | — | ||
| 9-3 | 7 Orchestra Pieces, Op. 31: No. 2, Andante | — | ||
| 9-4 | 7 Orchestra Pieces, Op. 31: No. 3, Allegretto agitato | — | ||
| 9-5 | 7 Orchestra Pieces, Op. 31: No. 4, Allegro moderato e grave | — | ||
| 9-6 | 7 Orchestra Pieces, Op. 31: No. 5, Tranquillo e dolce | — | ||
| 9-7 | 7 Orchestra Pieces, Op. 31: No. 6, Vivace | — | ||
| 9-8 | 7 Orchestra Pieces, Op. 31: No. 7, Allegro giocoso | — | ||
| 9-9 | Symphonie, Op. 137 "Pallas Athene": I. Adagio | — | ||
| 9-10 | Symphonie, Op. 137 "Pallas Athene": II. Allegretto moderato | — | ||
| 9-11 | Symphonie, Op. 137 "Pallas Athene": III. Finale. Andante sostenuto | — | ||
| 9-12 | Tricks and Trifles, Op. 101 | — | ||
| 10-1 | Neues vom Tage Concert Overture | — | ||
| 10-2 | 3 Songs, Op. 9: No. 1, Meine Nächte sind heiser zerschrieen | — | ||
| 10-3 | 3 Songs, Op. 9: No. 2, Weltende | — | ||
| 10-4 | 3 Songs, Op. 9: No. 3, Aufbruch der Jugend | — | ||
| 10-5 | Philharmonic Concerto: Theme. Ruhig schreitend | — | ||
| 10-6 | Philharmonic Concerto: Var. 1, Mäßig schnell | — | ||
| 10-7 | Philharmonic Concerto: Var. 2, Sehr ruhig | — | ||
| 10-8 | Philharmonic Concerto: Var. 3, Mäßig lebhafte Halbe | — | ||
| 10-9 | Philharmonic Concerto: Var. 4, Ruhig bewegte Achtel | — | ||
| 10-10 | Philharmonic Concerto: Var. 5, Leicht bewegt schreitend | — | ||
| 10-11 | Philharmonic Concerto: Var. 6, Im Marschzeitmaß | — | ||
| 10-12 | Nusch-Nuschi Tänze (After Op. 20): I. Sehr lebhaft | — | ||
| 10-13 | Nusch-Nuschi Tänze (After Op. 20): II. Mässig lebhaft - Sehr lebhaft - Breiter | — | ||
| 10-14 | Nusch-Nuschi Tänze (After Op. 20): III. Allegro marziale | — |
Songwriters/Publishers (IPI)
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845221073378 is a Universal Product Code (UPC) assigned to Modern Times Edition by Zimmermann, Dallapiccola, Dutilleux, Ginastera, Hindemith, Szymanowski, Antheil, Vaughan Williams, Kabalevsky, Krenek, Deutsche Staatsphilharmonie Rheinland‐Pfalz, Karl‐Heinz Steffens. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 122 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Modern Times Edition” by Zimmermann, Dallapiccola, Dutilleux, Ginastera, Hindemith, Szymanowski, Antheil, Vaughan Williams, Kabalevsky, Krenek, Deutsche Staatsphilharmonie Rheinland‐Pfalz, Karl‐Heinz Steffens is 845221073378. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Capriccio (2). This release contains 122 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alagoana: I. Ouvertüre | — | ||
| 2 | Alagoana: II Sertanejo | — | ||
| 3 | Alagoana: III Saudade | — | ||
| 4 | Alagoana: IV Caboclo | — | ||
| 5 | Alagoana: V Finale | — | ||
| 6 | Sinfonie In Einem Satz | — | ||
| 7 | Photoptosis (Prélude Für Großes Orchester) | — | ||
| 8 | Stille Und Umkehr (Orchesterskizzen) | — | ||
| 2-1 | Partita Per Orchestra: I. Passacaglia. Molto Solenne | — | ||
| 2-2 | Partita Per Orchestra: II. Burlesca. Presto Ma Non Troppo – Moderato - Tempo Del Principio | — | ||
| 2-3 | Partita Per Orchestra: III. Recitativo E Fanfara. Violento – Calmo – Molto Mosso - Violento | — | ||
| 2-4 | Partita Per Orchestra: IV. Naenia B. M. V. Molto Tranquillo | — | ||
| 2-5 | Due Pezzi Per Orchestra: I. Sarabanda. Lento, Flessibile | — | ||
| 2-6 | Due Pezzi Per Orchestra: II. Fanfara E Fuga. Mosso, Ma Non Tanto - Allegro Marcato | — | ||
| 2-7 | Piccola Musica Notturna: Molto Tranquillo, Ma Senza Trascinare | — | ||
| 2-8 | Variazioni Per Orchestra: I. Quasi Lento, Misterioso | — | ||
| 2-9 | Variazioni Per Orchestra: II. Allegro Con Fuoco | — | ||
| 2-10 | Variazioni Per Orchestra: III. Mosso, Scorrevole | — | ||
| 2-11 | Variazioni Per Orchestra: IV. Tranquillamente Mosso | — | ||
| 2-12 | Variazioni Per Orchestra: V. Poco Allegretto, «Alla Serenata» | — | ||
| 2-13 | Variazioni Per Orchestra: VI. Molto Lento, Con Espressione Parlante | — | ||
| 2-14 | Variazioni Per Orchestra: VII. Andantino Amoroso, Esitando | — | ||
| 2-15 | Variazioni Per Orchestra: VIII. Allegro, Con Violenza | — | ||
| 2-16 | Variazioni Per Orchestra: IX. Affettuoso, Cullante | — | ||
| 2-17 | Variazioni Per Orchestra: X. Grave | — | ||
| 2-18 | Variazioni Per Orchestra: XI. Molto Lento, Fantastico | — | ||
| 2-19 | Three Questions With Two Answers Per Orchestra: I. Sostenuto, Sottovoce – | — | ||
| 2-20 | Three Questions With Two Answers Per Orchestra: II. Moderato, Tranquillo – | — | ||
| 2-21 | Three Questions With Two Answers Per Orchestra: III. Impetuoso, Violento – | — | ||
| 2-22 | Three Questions With Two Answers Per Orchestra: IV. Largamente, Sostenutissimo – | — | ||
| 2-23 | Three Questions With Two Answers Per Orchestra: V. Molto Sostenuto | — | ||
| 3-1 | Symphony no. 1: I. Passacaille | — | ||
| 3-2 | Symphony no. 1: II. Scherzo molto vivace | — | ||
| 3-3 | Symphony no. 1: III. Intermezzo | — | ||
| 3-4 | Symphony no. 1: IV. Finale, con variazioni | — | ||
| 3-5 | Deux sonnets de Jean Cassou: "Il n’y avait que des troncs déchirés" | — | ||
| 3-6 | Deux sonnets de Jean Cassou: "Jái revé que je vous portais entre mes bras" | — | ||
| 3-7 | Métaboles: I. Incantatoire (Largamente/attacca:) | — | ||
| 3-8 | Métaboles: II. Linéaire (Lento moderato/attacca:) | — | ||
| 3-9 | Métaboles: III. Obsessionel (Scherzando/attacca:) | — | ||
| 3-10 | Métaboles: IV. Torpide (Andantino/attacca:) | — | ||
| 3-11 | Métaboles: V. Flamboyant (Presto) | — | ||
| 4-1 | Obertura para el "Fausto" criollo, Op. 9 | — | ||
| 4-2 | Ollantay, Op. 17: I. Paisaje | — | ||
| 4-3 | Ollantay, Op. 17: II. Los guerreros | — | ||
| 4-4 | Ollantay, Op. 17: III. La muerte de Ollontay | — | ||
| 4-5 | Variaciones concertantes, Op. 23: I. Theme for Cello & Harp | — | ||
| 4-6 | Variaciones concertantes, Op. 23: II. Interlude for strings | — | ||
| 4-7 | Variaciones concertantes, Op. 23: III. Humourous Variation for Flute | — | ||
| 4-8 | Variaciones concertantes, Op. 23: IV. Scherzo Variation | — | ||
| 4-9 | Variaciones concertantes, Op. 23: V. Dramatic Variation | — | ||
| 4-10 | Variaciones concertantes, Op. 23: VI. Canonic Variation | — | ||
| 4-11 | Variaciones concertantes, Op. 23: VII. Rhythmic Variation | — | ||
| 4-12 | Variaciones concertantes, Op. 23: VIII. Perpetual Motion | — | ||
| 4-13 | Variaciones concertantes, Op. 23: IX. Pastoral Variation | — | ||
| 4-14 | Variaciones concertantes, Op. 23: X. Interlude | — | ||
| 4-15 | Variaciones concertantes, Op. 23: XI. Reprise of the Theme | — | ||
| 4-16 | Variaciones concertantes, Op. 23: XII. Finale | — | ||
| 4-17 | Bomarzo Suite, Op. 34a | — | ||
| 5-1 | Concert Overture in E, op. 12 | — | ||
| 5-2 | Symphony no. 4, op. 60: Moderato | — | ||
| 5-3 | Symphony no. 4, op. 60: Andante molto sostenuto | — | ||
| 5-4 | Symphony no. 4, op. 60: Allegro non troppo, ma agitato ad ausioso | — | ||
| 5-5 | Słopiewnie, op. 46bis: Słowisien | — | ||
| 5-6 | Słopiewnie, op. 46bis: Zielone słowa | — | ||
| 5-7 | Słopiewnie, op. 46bis: Święty Franciszek | — | ||
| 5-8 | Słopiewnie, op. 46bis: Kalinowe Dwory | — | ||
| 5-9 | Słopiewnie, op. 46bis: Wanda | — | ||
| 5-10 | Nocturne and Tarantella for Violin and Piano, op. 28: Nocturne | — | ||
| 5-11 | Nocturne and Tarantella for Violin and Piano, op. 28: Tarantella | — | ||
| 6-1 | A Jazz Symphony | — | ||
| 6-2 | Concerto for Piano and Orchestra no. 1 | — | ||
| 6-3 | Capital of the World Orchestral Suite: I. The Tailor Shop | — | ||
| 6-4 | Capital of the World Orchestral Suite: II. Meditation | — | ||
| 6-5 | Capital of the World Orchestral Suite: III. Knife Dance and Farruca | — | ||
| 6-6 | Archipelago, "Rhumba" | — | ||
| 7-1 | The Poisoned Kiss: Overture | — | ||
| 7-2 | In the Fen Country | — | ||
| 7-3 | Bucolic Suite: I. Allegro | — | ||
| 7-4 | Bucolic Suite: II. Andante | — | ||
| 7-5 | Bucolic Suite: III. Intermezzo - Allegretto | — | ||
| 7-6 | Bucolic Suite: IV. Finale - Allegro | — | ||
| 7-7 | Fantasia on Sussex Folk Tunes | — | ||
| 7-8 | 3 Portraits from "The England of Elizabeth" (Arr. for Orchestra): No. 1, The Explorer | — | ||
| 7-9 | 3 Portraits from "The England of Elizabeth" (Arr. for Orchestra): No. 2, Poet | — | ||
| 7-10 | 3 Portraits from "The England of Elizabeth" (Arr. for Orchestra): No. 3, Queen | — | ||
| 8-1 | Pathétique Overture, Op. 64 | — | ||
| 8-2 | Violin Concerto in C Major, Op. 48: I. Allegro molto e con brio | — | ||
| 8-3 | Violin Concerto in C Major, Op. 48: II. Andante cantabile | — | ||
| 8-4 | Violin Concerto in C Major, Op. 48: III. Vivace giocoso | — | ||
| 8-5 | Rhapsody on the Theme of the Song School Years, Op. 75 | — | ||
| 8-6 | Vesna, Symphonic Poem, Op. 65 | — | ||
| 8-7 | Colas Breugnon, Op. 24: I. Overture | — | ||
| 8-8 | Colas Breugnon, Op. 24: II. The People's Feast | — | ||
| 8-9 | Colas Breugnon, Op. 24: III. The People's Calamity | — | ||
| 8-10 | Colas Breugnon, Op. 24: IV. The People's Insurrection | — | ||
| 9-1 | Potpourri, Op. 54 | — | ||
| 9-2 | 7 Orchestra Pieces, Op. 31: No. 1, Moderato | — | ||
| 9-3 | 7 Orchestra Pieces, Op. 31: No. 2, Andante | — | ||
| 9-4 | 7 Orchestra Pieces, Op. 31: No. 3, Allegretto agitato | — | ||
| 9-5 | 7 Orchestra Pieces, Op. 31: No. 4, Allegro moderato e grave | — | ||
| 9-6 | 7 Orchestra Pieces, Op. 31: No. 5, Tranquillo e dolce | — | ||
| 9-7 | 7 Orchestra Pieces, Op. 31: No. 6, Vivace | — | ||
| 9-8 | 7 Orchestra Pieces, Op. 31: No. 7, Allegro giocoso | — | ||
| 9-9 | Symphonie, Op. 137 "Pallas Athene": I. Adagio | — | ||
| 9-10 | Symphonie, Op. 137 "Pallas Athene": II. Allegretto moderato | — | ||
| 9-11 | Symphonie, Op. 137 "Pallas Athene": III. Finale. Andante sostenuto | — | ||
| 9-12 | Tricks and Trifles, Op. 101 | — | ||
| 10-1 | Neues vom Tage Concert Overture | — | ||
| 10-2 | 3 Songs, Op. 9: No. 1, Meine Nächte sind heiser zerschrieen | — | ||
| 10-3 | 3 Songs, Op. 9: No. 2, Weltende | — | ||
| 10-4 | 3 Songs, Op. 9: No. 3, Aufbruch der Jugend | — | ||
| 10-5 | Philharmonic Concerto: Theme. Ruhig schreitend | — | ||
| 10-6 | Philharmonic Concerto: Var. 1, Mäßig schnell | — | ||
| 10-7 | Philharmonic Concerto: Var. 2, Sehr ruhig | — | ||
| 10-8 | Philharmonic Concerto: Var. 3, Mäßig lebhafte Halbe | — | ||
| 10-9 | Philharmonic Concerto: Var. 4, Ruhig bewegte Achtel | — | ||
| 10-10 | Philharmonic Concerto: Var. 5, Leicht bewegt schreitend | — | ||
| 10-11 | Philharmonic Concerto: Var. 6, Im Marschzeitmaß | — | ||
| 10-12 | Nusch-Nuschi Tänze (After Op. 20): I. Sehr lebhaft | — | ||
| 10-13 | Nusch-Nuschi Tänze (After Op. 20): II. Mässig lebhaft - Sehr lebhaft - Breiter | — | ||
| 10-14 | Nusch-Nuschi Tänze (After Op. 20): III. Allegro marziale | — |
