UPC · Release
Phantasm (Original Motion Picture Music)
Fred Myrow, Malcolm Seagrave
Last verified:
850053152726 is the Universal Product Code (UPC barcode) for the release “Phantasm (Original Motion Picture Music)” by Fred Myrow, Malcolm Seagrave, released 2025-01-01 on Waxwork Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Welcome to Morningside | — | ||
| 2 | Into the Mausoleum | — | ||
| 3 | Tommy's Funeral | — | ||
| 4 | Lifting the Casket | — | ||
| 5 | To the Fortuneteller | — | ||
| 6 | Inside the Fortuneteller's Den | — | ||
| 7 | Don't Fear | — | ||
| 8 | Silver Sphere Disco | — | ||
| 9 | It Wasn't Any Gopher | — | ||
| 10 | Jody in the Graveyard | — | ||
| 11 | Main Street | — | ||
| 12 | Garage | — | ||
| 13 | Phantasm Theme | — | ||
| 14 | Basement Surprise | — | ||
| 15 | I Believe You | — | ||
| 16 | Cuda' Chase | — | ||
| 17 | Tommy Dead Again | — | ||
| 18 | Reggie in the Mausoleum | — | ||
| 19 | Jody's Dream | — | ||
| 20 | Ice Cream Truck | — | ||
| 21 | Running Home | — | ||
| 22 | Hearse Explosion | — | ||
| 23 | Singer's Creek | — | ||
| 24 | We'll Figure It Out When We Get There | — | ||
| 2-1 | Telepathy, Take 1 | — | ||
| 2-2 | Mike Chases Jody on the Dirtbike, Take 1 | — | ||
| 2-3 | Mike Chases Jody on the Dirtbike, Take 2 | — | ||
| 2-4 | Main Street, Take 1 | — | ||
| 2-5 | Mike to Palmist, Take 1 | — | ||
| 2-6 | Jody Chases Michael, Take 1 | — | ||
| 2-7 | The Tall Man Chases Mike, Take 1 | — | ||
| 2-8 | Michael Goes to Morningside, Take 1 | — | ||
| 2-9 | Car Chase, Take 1 | — | ||
| 2-10 | Spacegate, Take 1 | — | ||
| 2-11 | Atmosphere - Slumber Room | — | ||
| 2-12 | Michael's Dwarfs | — | ||
| 2-13 | Michael in Bushes, Take 1 | — | ||
| 2-14 | Reg Meets Purple, Take 1 | — | ||
| 2-15 | Jody Looks for Parents - Jody's Parent's Crypt | — | ||
| 2-16 | Driverless Cuda', Take 1 | — | ||
| 2-17 | X-Palmist Take 1 - Silver Sphere | — | ||
| 2-18 | Bug Fight, Take 1 | — | ||
| 2-19 | Bug Fight, Take 2 | — | ||
| 2-20 | Antique Store | — | ||
| 2-21 | Slumber Room (Transformation) | — | ||
| 2-22 | Jody Goes to Morningside, Take 1 | — | ||
| 2-23 | Jody Goes to Morningside, Take 2 | — | ||
| 2-24 | Mike to Window, Take 1 | — | ||
| 3-1 | Main Title | — | ||
| 3-2 | Welcome to Morningside - Hand in Box | — | ||
| 3-3 | Mineshift Chase | — | ||
| 3-4 | Phantasmagoria - Silver Sphere Disco | — | ||
| 3-5 | Hearse Inferno | — | ||
| 3-6 | Cemetery Spectres | — | ||
| 3-7 | Spacegate to Infinity | — | ||
| 3-8 | Jody at Morningside - Just a Dream | — | ||
| 3-9 | Phantasm Atmosphere | — | ||
| 3-10 | The Tall Man on Main Street | — | ||
| 3-11 | Funeral Organ - Dwarf in Hearse | — | ||
| 3-12 | Under the Car | — | ||
| 3-13 | Mike on the Road | — | ||
| 3-14 | Hearse Chase | — | ||
| 3-15 | Overturned Ice Cream Truck | — | ||
| 3-16 | End of the Game | — | ||
| 3-17 | Or Is It - (outtakes) | — |
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What is UPC 850053152726?
850053152726 is a Universal Product Code (UPC) assigned to Phantasm (Original Motion Picture Music) by Fred Myrow, Malcolm Seagrave. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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