UPC · Release
The Limited Series
Garth Brooks
Last verified:
854206001015 is the Universal Product Code (UPC barcode) for the release “The Limited Series” by Garth Brooks, released 2005-01-01 on Pearl Records (8). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC. Tracks include USCN19700113, USCN19700111, USCN19700115.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (77)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Longneck Bottle | Garth Brooks, Steve Wariner | T-070.913.061-9 | |
| 2 | How You Ever Gonna Know | Garth Brooks | T-070.249.724-2 | |
| 3 | She’s Gonna Make It | Garth Brooks | T-070.251.839-5 | |
| 4 | I Don’t Have to Wonder | Garth Brooks | T-070.249.688-5 | |
| 5 | Two Piña Coladas | Garth Brooks | T-070.249.663-6 | |
| 6 | Cowboy Cadillac | Garth Brooks | — | |
| 7 | Fit for a King | Garth Brooks | T-070.263.448-7 | |
| 8 | Do What You Gotta Do | Garth Brooks | T-071.869.031-3 | |
| 9 | You Move Me | Garth Brooks | T-070.213.755-0 | |
| 10 | In Another’s Eyes | Trisha Yearwood, Garth Brooks | T-070.942.417-8 | |
| 11 | When There’s No One Around | Garth Brooks | — | |
| 12 | A Friend to Me | Garth Brooks | — | |
| 13 | Take the Keys to My Heart | Garth Brooks | — | |
| 14 | Belleau Wood | Garth Brooks | — | |
| 2-1 | Why Ain’t I Running | Garth Brooks | T-030.065.137-9 | |
| 2-2 | Beer Run | Garth Brooks, George Jones | T-030.123.631-6 | |
| 2-3 | Wrapped Up in You | Garth Brooks | T-911.386.666-3 | |
| 2-4 | The Storm | Garth Brooks | T-071.608.648-4 | |
| 2-5 | Thicker Than Blood | Garth Brooks | — | |
| 2-6 | Big Money | Garth Brooks | — | |
| 2-7 | Squeeze Me In | Garth Brooks, Trisha Yearwood | — | |
| 2-8 | Mr. Midnight | Garth Brooks | — | |
| 2-9 | Pushing Up Daisies | Garth Brooks | — | |
| 2-10 | Rodeo or Mexico | Garth Brooks | — | |
| 2-11 | Don’t Cross the River | Garth Brooks | — | |
| 2-12 | When You Come Back to Me Again (theme from the movie Frequency) | Garth Brooks | T-071.288.175-8 | |
| 3-1 | Callin’ Baton Rouge | Garth Brooks | T-070.233.220-4 | |
| 3-2 | Two of a Kind, Workin’ on a Full House | Garth Brooks | T-070.186.778-8 | |
| 3-3 | Shameless | Garth Brooks | T-070.167.940-4 | |
| 3-4 | Papa Loved Mama | Garth Brooks | T-070.121.215-8 | |
| 3-6 | We Shall Be Free | Garth Brooks | T-700.078.107-9 | |
| 3-7 | Unanswered Prayers | Garth Brooks | T-070.194.291-7 | |
| 3-8 | Standing Outside the Fire | Garth Brooks | — | |
| 3-9 | Longneck Bottle | Garth Brooks, Steve Wariner | T-070.913.061-9 | |
| 3-10 | It’s Your Song | Garth Brooks | T-070.943.137-7 | |
| 3-11 | Much Too Young (To Feel This Damn Old) | Garth Brooks | — | |
| 3-12 | The River | Garth Brooks | T-070.130.477-9 | |
| 3-13 | [silence] | — | ||
| 3-14 | Tearin’ It Up (and Burnin’ It Down) | Garth Brooks | T-070.279.586-5 | |
| 4-1 | Ain’t Goin’ Down (’til the Sun Comes Up) | Garth Brooks | T-070.006.661-0 | |
| 4-2 | Rodeo | Garth Brooks | — | |
| 4-3 | The Beaches of Cheyenne | Garth Brooks | — | |
| 4-4 | Two Piña Coladas | Garth Brooks | T-070.249.663-6 | |
| 4-5 | Wild as the Wind | Garth Brooks, Trisha Yearwood | T-700.164.547-4 | |
| 4-6 | To Make You Feel My Love | Garth Brooks | T-070.250.390-9 | |
| 4-7 | That Summer | Garth Brooks | T-070.188.380-8 | |
| 4-8 | American Honky‐Tonk Bar Association | Garth Brooks | T-070.006.679-0 | |
| 4-9 | If Tomorrow Never Comes | Garth Brooks | T-070.084.530-2 | |
| 4-10 | The Fever | Garth Brooks | T-070.060.921-7 | |
| 4-12 | The Dance | Garth Brooks | T-070.261.324-8 | |
| 5-1 | Fishin’ in the Dark | — | ||
| 5-2 | That Girl is a Cowboy | — | ||
| 5-3 | Good Ride Cowboy | Garth Brooks | — | |
| 5-4 | For a Minute There | — | ||
| 5-5 | Please Operator (Could You Trace This Call) | — | ||
| 5-6 | I’d Rather Have Nothing | — | ||
| 5-7 | American Dream | — | ||
| 5-8 | I’ll Be the Wind | — | ||
| 5-9 | My Baby No Esta Aqui | — | ||
| 5-10 | Allison Miranda | — | ||
| 5-11 | Last Night I Had the Strangest Dream | — | ||
| 6-1 | Tearin’ It Up - Intro | — | ||
| 6-2 | Tearin’ It Up | — | ||
| 6-3 | Two of a Kind, Workin’ on a Full House - Intro | — | ||
| 6-4 | Two of a Kind, Workin’ on a Full House | — | ||
| 6-5 | Papa Loved Mama - Intro | — | ||
| 6-6 | Papa Loved Mama | — | ||
| 6-7 | Standing Outside the Fire - Intro | — | ||
| 6-8 | Standing Outside the Fire | — | ||
| 6-9 | Callin’ Baton Rouge - Intro | — | ||
| 6-10 | Callin’ Baton Rouge | — | ||
| 6-11 | Friends in Low Places -Intro | — | ||
| 6-12 | Friends in Low Places | — | ||
| 6-13 | Wrapped Up in You - Intro | — | ||
| 6-14 | Wrapped Up in You | — | ||
| 6-15 | Ain’t Goin’ Down (’til the Sun Comes Up) - Intro | — | ||
| 6-16 | Ain’t Goin’ Down (’til the Sun Comes Up) | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Friends in Low Places (the long version) | Garth Brooks | T-070.059.581-8 |
| The Thunder Rolls (the long version) | Garth Brooks | T-070.187.678-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 854206001015?
854206001015 is a Universal Product Code (UPC) assigned to The Limited Series by Garth Brooks. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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