UPC · Release
…And Justice for All
Metallica
858978005813
239 tracksReleased 2018-01-01Blackened
Last verified:
858978005813 is the Universal Product Code (UPC barcode) for the release “…And Justice for All” by Metallica, released 2018-01-01 on Blackened. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 239 tracks, each with its own ISRC. Tracks include GBAMC8800003, GBAMC8800004, GBAMC8800005.
Format
8Number system
58978Manufacturer
00581Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC…And Justice for All
ISRC144 recordings
ISWC56 works
IPI1 songwriter
Track List (239)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Blackened | Metallica | T-070.017.431-7 | |
| 2 | …And Justice for All | Metallica | T-070.005.637-6 | |
| 3 | Eye of the Beholder | Metallica | T-070.051.786-7 | |
| 4 | One | Metallica | T-070.162.353-1 | |
| 2-1 | The Shortest Straw | Metallica | T-070.167.847-8 | |
| 2-2 | Harvester of Sorrow | Metallica | T-070.078.772-9 | |
| 2-3 | The Frayed Ends of Sanity | Metallica | T-070.059.283-1 | |
| 2-4 | To Live Is to Die | Metallica | T-070.278.966-9 | |
| 2-5 | Dyers Eve | Metallica | T-070.044.035-2 | |
| 3-1 | One | Metallica | T-070.162.353-1 | |
| 3-2 | Seek & Destroy | Metallica | T-070.147.504-8 | |
| 4-1 | The Ecstasy of Gold | Ennio Morricone | T-005.011.592-8 | |
| 4-2 | Blackened | Metallica | T-070.017.431-7 | |
| 4-3 | For Whom the Bell Tolls | Metallica | T-070.058.613-5 | |
| 4-4 | Welcome Home (Sanitarium) | Metallica | T-070.204.989-5 | |
| 4-5 | Harvester of Sorrow | Metallica | T-070.078.772-9 | |
| 4-6 | The Four Horsemen | Metallica | T-911.574.791-6 | |
| 4-7 | The Thing That Should Not Be | Metallica | T-070.186.595-3 | |
| 5-1 | Bass Solo | Metallica | — | |
| 5-2 | Master of Puppets | Metallica | T-070.115.558-9 | |
| 5-3 | Fade to Black | Metallica | T-070.058.612-4 | |
| 5-4 | Seek & Destroy | Metallica | T-070.147.504-8 | |
| 5-5 | …And Justice for All | Metallica | T-070.005.637-6 | |
| 5-6 | One | Metallica | T-070.162.353-1 | |
| 6-1 | Creeping Death | Metallica | T-070.031.311-6 | |
| 6-2 | Guitar Solo | Metallica | — | |
| 6-3 | Battery | Metallica | T-070.017.067-7 | |
| 6-4 | Encore Jam | Metallica | — | |
| 6-5 | Last Caress | Metallica | — | |
| 6-6 | Am I Evil? | Metallica | T-900.206.444-0 | |
| 6-7 | Whiplash | Metallica | T-070.205.508-0 | |
| 6-8 | Breadfan | Metallica | T-010.455.606-0 | |
| 7-1 | Blackened | Metallica | T-070.017.431-7 | |
| 7-2 | …And Justice for All | Metallica | T-070.005.637-6 | |
| 7-3 | Eye of the Beholder | Metallica | T-070.051.786-7 | |
| 7-4 | One | Metallica | T-070.162.353-1 | |
| 7-5 | The Shortest Straw | Metallica | T-070.167.847-8 | |
| 7-6 | Harvester of Sorrow | Metallica | T-070.078.772-9 | |
| 7-7 | The Frayed Ends of Sanity | Metallica | T-070.059.283-1 | |
| 7-8 | To Live Is to Die | Metallica | T-070.278.966-9 | |
| 7-9 | Dyers Eve | Metallica | T-070.044.035-2 | |
| 8-1 | KSDT Interview With Jason | — | ||
| 8-2 | Circus Magazine Interview With James | — | ||
| 8-3 | KNAC Report From LA Monsters of Rock | — | ||
| 8-4 | KHDX Interview With Kirk | — | ||
| 8-5 | Metal Forces Magazine Interview With Lars | — | ||
| 9-1 | Blackened (1987, from James’ riff tapes) | Metallica | T-070.017.431-7 | |
| 9-2 | Blackened (1987, from James’ riff tapes II) | Metallica | T-070.017.431-7 | |
| 9-3 | …And Justice for All (1987, from James’ riff tapes) | Metallica | T-070.005.637-6 | |
| 9-4 | …And Justice for All (1988, from James’ riff tapes) | Metallica | T-070.005.637-6 | |
| 9-5 | Eye of the Beholder (1987, from James’ riff tapes) | Metallica | T-070.051.786-7 | |
| 9-6 | Eye of the Beholder (1987, from James’ riff tapes II) | Metallica | T-070.051.786-7 | |
| 9-7 | One (1987, from James’ riff tapes) | Metallica | T-070.162.353-1 | |
| 9-8 | The Shortest Straw (1986, from James’ riff tapes) | Metallica | T-070.167.847-8 | |
| 9-9 | The Shortest Straw (1986, from James’ riff tapes II) | Metallica | T-070.167.847-8 | |
| 9-10 | Harvester of Sorrow (1987, from James’ riff tapes) | Metallica | T-070.078.772-9 | |
| 9-11 | The Frayed Ends of Sanity (1987, from James’ riff tapes) | Metallica | T-070.059.283-1 | |
| 9-12 | To Live Is to Die (1986, from James’ riff tapes) | Metallica | T-070.278.966-9 | |
| 9-13 | To Live Is to Die (1988, from James’ riff tapes) | Metallica | T-070.278.966-9 | |
| 9-14 | Dyers Eve (1986, from James’ riff tapes) | Metallica | T-070.044.035-2 | |
| 9-15 | Dyers Eve (1987, from James’ riff tapes) | Metallica | T-070.044.035-2 | |
| 9-16 | Blackened (October 1987, writing in progress) | Metallica | T-070.017.431-7 | |
| 9-17 | …And Justice for All (October 1987, writing in progress) | Metallica | T-070.005.637-6 | |
| 9-18 | …And Justice for All (October 1987, writing in progress II) | Metallica | T-070.005.637-6 | |
| 9-19 | One (October 1987, writing in progress) | Metallica | T-070.162.353-1 | |
| 9-20 | The Shortest Straw (October 1987, writing in progress) | Metallica | T-070.167.847-8 | |
| 9-21 | …And Justice for All (November 1987, writing in progress) | Metallica | T-070.005.637-6 | |
| 9-22 | The Frayed Ends of Sanity (November 1987, writing in progress) | Metallica | T-070.059.283-1 | |
| 9-23 | One (November 1987, writing in progress) | Metallica | T-070.162.353-1 | |
| 9-24 | Dyers Eve (November 1987, writing in progress) | Metallica | T-070.044.035-2 | |
| 9-25 | Eye of the Beholder (November 1987, writing in progress) | Metallica | T-070.051.786-7 | |
| 9-26 | To Live Is to Die (November 1987, writing in progress) | Metallica | T-070.278.966-9 | |
| 9-27 | The Shortest Straw (December 1987, writing in progress) | Metallica | T-070.167.847-8 | |
| 9-28 | Harvester of Sorrow (December 1987, writing in progress) | Metallica | T-070.078.772-9 | |
| 10-1 | Blackened (November 1987 demo) | Metallica | T-070.017.431-7 | |
| 10-2 | …And Justice for All (November 1987 demo) | Metallica | T-070.005.637-6 | |
| 10-3 | Eye of the Beholder (November 1987 demo) | Metallica | T-070.051.786-7 | |
| 10-4 | One | Metallica | T-070.162.353-1 | |
| 10-5 | The Frayed Ends of Sanity (November 1987 demo) | Metallica | T-070.059.283-1 | |
| 10-6 | Eye of the Beholder (January 1988 demo) | Metallica | T-070.051.786-7 | |
| 10-7 | The Shortest Straw (January 1988 demo) | Metallica | T-070.167.847-8 | |
| 10-8 | Harvester of Sorrow (January 1988 demo) | Metallica | T-070.078.772-9 | |
| 10-9 | Dyers Eve (January 1988 demo) | Metallica | T-070.044.035-2 | |
| 10-10 | To Live Is to Die (January 1988 demo) | Metallica | T-070.278.966-9 | |
| 12-1 | Creeping Death | Metallica | T-070.031.311-6 | |
| 12-2 | For Whom the Bell Tolls | Metallica | T-070.058.613-5 | |
| 12-3 | Welcome Home (Sanitarium) | Metallica | T-070.204.989-5 | |
| 12-4 | The Four Horsemen | Metallica | T-911.574.791-6 | |
| 12-5 | Whiplash | Metallica | T-070.205.508-0 | |
| 12-6 | Fade to Black | Metallica | T-070.058.612-4 | |
| 12-7 | Seek & Destroy | Metallica | T-070.147.504-8 | |
| 12-8 | Master of Puppets | Metallica | T-070.115.558-9 | |
| 12-9 | Encore Jam | Metallica | — | |
| 12-10 | Last Caress | Metallica | — | |
| 12-11 | Am I Evil? | Metallica | T-900.206.444-0 | |
| 12-12 | Battery | Metallica | T-070.017.067-7 | |
| 13-1 | Encore Jam #2 | Metallica | — | |
| 13-2 | Harvester of Sorrow | Metallica | T-070.078.772-9 | |
| 13-3 | Leper Messiah | Metallica | T-070.102.257-2 | |
| 13-4 | Blitzkrieg | Metallica | T-900.074.548-2 | |
| 13-5 | Breadfan | Metallica | T-010.455.606-0 | |
| 13-6 | The Prince | Metallica | T-900.021.326-3 | |
| 13-7 | For Whom the Bell Tolls | Metallica | T-070.058.613-5 | |
| 13-8 | Welcome Home (Sanitarium) | Metallica | T-070.204.989-5 | |
| 13-9 | Seek & Destroy | Metallica | T-070.147.504-8 | |
| 13-10 | Creeping Death | Metallica | T-070.031.311-6 | |
| 13-12 | One | Metallica | T-070.162.353-1 | |
| 13-14 | Last Caress | Metallica | — | |
| 14-1 | Welcome Home (Sanitarium) | Metallica | T-070.204.989-5 | |
| 14-2 | The Four Horsemen | Metallica | T-911.574.791-6 | |
| 14-3 | Harvester of Sorrow | Metallica | T-070.078.772-9 | |
| 14-4 | Eye of the Beholder | Metallica | T-070.051.786-7 | |
| 14-5 | Bass Solo | Metallica | — | |
| 14-6 | Master of Puppets | Metallica | T-070.115.558-9 | |
| 14-7 | Damage, Inc. | Metallica | T-070.043.583-1 | |
| 14-8 | One | Metallica | T-070.162.353-1 | |
| 14-9 | Seek & Destroy | Metallica | T-070.147.504-8 | |
| 14-10 | …And Justice for All | Metallica | T-070.005.637-6 | |
| 15-1 | Encore Jam | Metallica | — | |
| 15-2 | Creeping Death | Metallica | T-070.031.311-6 | |
| 15-3 | Fade to Black | Metallica | T-070.058.612-4 | |
| 15-4 | Guitar Solo | Metallica | — | |
| 15-5 | Battery | Metallica | T-070.017.067-7 | |
| 15-6 | Encore Jam #2 | Metallica | — | |
| 15-7 | Last Caress | Metallica | — | |
| 15-8 | Am I Evil? | Metallica | T-900.206.444-0 | |
| 15-9 | Whiplash | Metallica | T-070.205.508-0 | |
| 15-10 | Eye of the Beholder (radio edit) | Metallica | T-070.051.786-7 | |
| 15-11 | One (radio edit) | Metallica | T-070.162.353-1 | |
| 15-12 | …And Justice for All (radio edit) | Metallica | T-070.005.637-6 | |
| 16-1 | Blackened | Metallica | T-070.017.431-7 | |
| 16-2 | For Whom the Bell Tolls | Metallica | T-070.058.613-5 | |
| 16-3 | Welcome Home (Sanitarium) | Metallica | T-070.204.989-5 | |
| 16-4 | Leper Messiah | Metallica | T-070.102.257-2 | |
| 16-5 | Harvester of Sorrow | Metallica | T-070.078.772-9 | |
| 16-6 | Eye of the Beholder | Metallica | T-070.051.786-7 | |
| 16-7 | Bass Solo | Metallica | — | |
| 16-8 | Master of Puppets | Metallica | T-070.115.558-9 | |
| 16-9 | One | Metallica | T-070.162.353-1 | |
| 16-10 | Seek & Destroy | Metallica | T-070.147.504-8 | |
| 17-1 | …And Justice for All | Metallica | T-070.005.637-6 | |
| 17-2 | Encore Jam | Metallica | — | |
| 17-3 | Creeping Death | Metallica | T-070.031.311-6 | |
| 17-4 | Fade to Black | Metallica | T-070.058.612-4 | |
| 17-5 | Guitar Solo | Metallica | — | |
| 17-6 | Battery | Metallica | T-070.017.067-7 | |
| 17-7 | Last Caress | Metallica | — | |
| 17-8 | Am I Evil? | Metallica | T-900.206.444-0 | |
| 17-9 | Whiplash | Metallica | T-070.205.508-0 | |
| 18-2 | Barcelona (featuring "Harvester of Sorrow (live)") | — | ||
| 18-3 | Leiden (featuring "Fade to Black (live)") | — | ||
| 18-4 | San Francisco (featuring "Welcome Home (Sanitarium) (live)") | — | ||
| 18-5 | San Antonio (featuring "Battery (live)") | — | ||
| 18-6 | Dallas (featuring "Eye of the Beholder (live)") | — | ||
| 18-7 | Philadelphia (featuring "Leper Messiah (live)") | — | ||
| 18-8 | Buffalo (featuring "Blackened (live)") | — | ||
| 18-9 | Auckland (featuring "Battery (live)") | — | ||
| 18-10 | Osaka (featuring "…And Justice for All (live)") | — | ||
| 18-11 | Hoffman Estates (featuring "Harvester of Sorrow" & "The Four Horsemen (live)") | — | ||
| 18-12 | Richfield (featuring "Creeping Death (live)") | — | ||
| 18-13 | Thornville (featuring "Blackened (live)") | — | ||
| 18-14 | Greenville | — | ||
| 18-15 | Atlanta (featuring "…And Justice for All (live)") | — | ||
| 18-16 | Biloxi (featuring "One (live)") | — | ||
| 18-17 | Concord (featuring "Seek & Destroy (live)") | — | ||
| 18-18 | Irvine (featuring "For Whom the Bell Tolls (live)") | — | ||
| 18-19 | Irvine (featuring "Battery (live)", "Breadfan (live)" & "Am I Evil? (live)") | — | ||
| 18-20 | São Paulo (featuring "The Frayed Ends of Sanity (live)") | — | ||
| 18-21 | São Paulo (featuring "Master of Puppets (live)" & "Breadfan (live)") | — | ||
| 18-22 | 2 of One Introduction With Lars | — | ||
| 18-23 | “One” Music Video | — | ||
| 18-25 | “One” (live at the 31st Annual Grammy Awards) | — | ||
| 18-26 | "One" B-Roll: Intro | — | ||
| 18-27 | "One" B-Roll: Band | — | ||
| 18-28 | "One" B-Roll: Lars | — | ||
| 18-29 | "One" B-Roll: Kirk | — | ||
| 18-30 | "One" B-Roll: James | — | ||
| 18-31 | "One" B-Roll: Jason | — | ||
| 18-32 | "One" B-Roll: More Band | — | ||
| 19-1 | The Ecstasy of Gold | — | ||
| 19-2 | Blackened (live) | — | ||
| 19-3 | For Whom the Bell Tolls (live) | — | ||
| 19-4 | Welcome Home (Sanitarium) (live) | — | ||
| 19-5 | Harvester of Sorrow (live) | — | ||
| 19-6 | The Four Horsemen (live) | — | ||
| 19-7 | The Thing That Should Not Be (live) | — | ||
| 19-8 | Bass Solo (live) | — | ||
| 19-9 | Master of Puppets (live) | — | ||
| 19-10 | Fade to Black (live) | — | ||
| 19-11 | Seek & Destroy (live) | — | ||
| 19-12 | …And Justice for All (live) | — | ||
| 19-13 | One (live) | — | ||
| 19-14 | Creeping Death (live) | — | ||
| 19-15 | Guitar Solo (live) | — | ||
| 19-16 | Battery (live) | — | ||
| 19-17 | Encore Jam (live) | — | ||
| 19-18 | Last Caress (live) | — | ||
| 19-19 | Am I Evil? (live) | — | ||
| 19-20 | Damage, Inc. (live) | — | ||
| 19-21 | Blitzkrieg (live) | — | ||
| 19-22 | Breadfan (live) | — | ||
| 20-1 | Backstage Shit | — | ||
| 20-2 | The Ecstasy of Gold | — | ||
| 20-3 | Creeping Death (live) | — | ||
| 20-4 | For Whom the Bell Tolls (live) | — | ||
| 20-5 | Welcome Home (Sanitarium) (live) | — | ||
| 20-6 | The Four Horsemen (live) | — | ||
| 20-7 | Harvester of Sorrow (live) | — | ||
| 20-8 | Phantom Lord (live) | — | ||
| 20-9 | Bass Solo (live) | — | ||
| 20-10 | Master of Puppets (live) | — | ||
| 20-11 | Fade to Black (live) | — | ||
| 20-12 | No Remorse (live) | — | ||
| 20-13 | Seek & Destroy (live) | — | ||
| 20-14 | Last Caress (live) | — | ||
| 20-15 | Am I Evil? (live) | — | ||
| 20-16 | Motorbreath (live) | — | ||
| 20-17 | Hit the Lights (live) | — | ||
| 20-18 | Blitzkrieg (live) | — | ||
| 20-19 | Damage, Inc. (live) | — | ||
| 20-20 | Breadfan (live) | — | ||
| 21-1 | Justice on Wheels: Intro | — | ||
| 21-2 | Justice on Wheels: The Road Crew | — | ||
| 21-3 | Justice on Wheels: The Fans | — | ||
| 21-4 | Justice on Wheels: The Band | — | ||
| 21-5 | Justice on Wheels: The Video | — | ||
| 21-6 | Justice on Wheels: Credits | — | ||
| 21-7 | Masa Ito Inteviews: Lars | — | ||
| 21-8 | Masa Ito Inteviews: James | — | ||
| 21-9 | Masa Ito Inteviews: Jason | — | ||
| 21-10 | Masa Ito Inteviews: Kirk | — | ||
| 21-11 | Live at JFK Stadium, Philadelphia, PA - June 11th, 1988: Whiplash | — | ||
| 21-12 | Live at JFK Stadium, Philadelphia, PA - June 11th, 1988: Fade to Black | — | ||
| 21-13 | Live at JFK Stadium, Philadelphia, PA - June 11th, 1988: Seek & Destroy | — | ||
| 21-14 | Live at RPI Field House, Troy, NY - March 15th, 1989: Master of Puppets | — | ||
| 21-15 | Live at RPI Field House, Troy, NY - March 15th, 1989: One | — | ||
| 21-16 | Live at Copps Coliseum, Hamilton, Ontario - April 8th, 1989: Master of Puppets | — | ||
| 21-17 | Live at Copps Coliseum, Hamilton, Ontario - April 8th, 1989: One | — | ||
| 21-18 | Live at Copps Coliseum, Hamilton, Ontario - April 8th, 1989: Seek & Destroy | — |
Bass Solo
Metallica
—
Guitar Solo
Metallica
—
Encore Jam
Metallica
—
Last Caress
Metallica
—
KSDT Interview With Jason
—
Circus Magazine Interview With James
—
KNAC Report From LA Monsters of Rock
—
KHDX Interview With Kirk
—
Metal Forces Magazine Interview With Lars
—
Encore Jam
Metallica
—
Last Caress
Metallica
—
Encore Jam #2
Metallica
—
Last Caress
Metallica
—
Bass Solo
Metallica
—
Encore Jam
Metallica
—
Guitar Solo
Metallica
—
Encore Jam #2
Metallica
—
Last Caress
Metallica
—
Bass Solo
Metallica
—
Encore Jam
Metallica
—
Guitar Solo
Metallica
—
Last Caress
Metallica
—
Barcelona (featuring "Harvester of Sorrow (live)")
—
Leiden (featuring "Fade to Black (live)")
—
San Francisco (featuring "Welcome Home (Sanitarium) (live)")
—
San Antonio (featuring "Battery (live)")
—
Dallas (featuring "Eye of the Beholder (live)")
—
Philadelphia (featuring "Leper Messiah (live)")
—
Buffalo (featuring "Blackened (live)")
—
Auckland (featuring "Battery (live)")
—
Osaka (featuring "…And Justice for All (live)")
—
Hoffman Estates (featuring "Harvester of Sorrow" & "The Four Horsemen (live)")
—
Richfield (featuring "Creeping Death (live)")
—
Thornville (featuring "Blackened (live)")
—
Greenville
—
Atlanta (featuring "…And Justice for All (live)")
—
Biloxi (featuring "One (live)")
—
Concord (featuring "Seek & Destroy (live)")
—
Irvine (featuring "For Whom the Bell Tolls (live)")
—
Irvine (featuring "Battery (live)", "Breadfan (live)" & "Am I Evil? (live)")
—
São Paulo (featuring "The Frayed Ends of Sanity (live)")
—
São Paulo (featuring "Master of Puppets (live)" & "Breadfan (live)")
—
2 of One Introduction With Lars
—
“One” Music Video
—
“One” (live at the 31st Annual Grammy Awards)
—
"One" B-Roll: Intro
—
"One" B-Roll: Band
—
"One" B-Roll: Lars
—
"One" B-Roll: Kirk
—
"One" B-Roll: James
—
"One" B-Roll: Jason
—
"One" B-Roll: More Band
—
The Ecstasy of Gold
—
Blackened (live)
—
For Whom the Bell Tolls (live)
—
Welcome Home (Sanitarium) (live)
—
Harvester of Sorrow (live)
—
The Four Horsemen (live)
—
The Thing That Should Not Be (live)
—
Bass Solo (live)
—
Master of Puppets (live)
—
Fade to Black (live)
—
Seek & Destroy (live)
—
…And Justice for All (live)
—
One (live)
—
Creeping Death (live)
—
Guitar Solo (live)
—
Battery (live)
—
Encore Jam (live)
—
Last Caress (live)
—
Am I Evil? (live)
—
Damage, Inc. (live)
—
Blitzkrieg (live)
—
Breadfan (live)
—
Backstage Shit
—
The Ecstasy of Gold
—
Creeping Death (live)
—
For Whom the Bell Tolls (live)
—
Welcome Home (Sanitarium) (live)
—
The Four Horsemen (live)
—
Harvester of Sorrow (live)
—
Phantom Lord (live)
—
Bass Solo (live)
—
Master of Puppets (live)
—
Fade to Black (live)
—
No Remorse (live)
—
Seek & Destroy (live)
—
Last Caress (live)
—
Am I Evil? (live)
—
Motorbreath (live)
—
Hit the Lights (live)
—
Blitzkrieg (live)
—
Damage, Inc. (live)
—
Breadfan (live)
—
Justice on Wheels: Intro
—
Justice on Wheels: The Road Crew
—
Justice on Wheels: The Fans
—
Justice on Wheels: The Band
—
Justice on Wheels: The Video
—
Justice on Wheels: Credits
—
Masa Ito Inteviews: Lars
—
Masa Ito Inteviews: James
—
Masa Ito Inteviews: Jason
—
Masa Ito Inteviews: Kirk
—
Live at JFK Stadium, Philadelphia, PA - June 11th, 1988: Whiplash
—
Live at JFK Stadium, Philadelphia, PA - June 11th, 1988: Fade to Black
—
Live at JFK Stadium, Philadelphia, PA - June 11th, 1988: Seek & Destroy
—
Live at RPI Field House, Troy, NY - March 15th, 1989: Master of Puppets
—
Live at RPI Field House, Troy, NY - March 15th, 1989: One
—
Live at Copps Coliseum, Hamilton, Ontario - April 8th, 1989: Master of Puppets
—
Live at Copps Coliseum, Hamilton, Ontario - April 8th, 1989: One
—
Live at Copps Coliseum, Hamilton, Ontario - April 8th, 1989: Seek & Destroy
—
Additional database matches (15)
Metallica
Metallica
Metallica
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.455.606-0T-010.455.606-0T-070.005.637-6T-070.017.067-7T-070.017.431-7T-070.031.311-6T-070.043.583-1T-070.058.612-4T-070.058.613-5T-070.059.283-1
+46 more
T-070.078.772-9T-070.102.257-2T-070.115.558-9T-070.147.504-8T-070.162.353-1T-070.167.847-8T-070.186.595-3T-070.204.989-5T-070.205.508-0T-070.278.966-9T-070.005.637-6T-070.017.067-7T-070.017.431-7T-070.031.311-6T-070.043.583-1T-070.058.612-4T-070.058.613-5T-070.059.283-1T-070.078.772-9T-070.102.257-2T-070.115.558-9T-070.116.006-6T-070.120.622-5T-070.147.504-8T-070.155.266-0T-070.162.353-1T-070.167.847-8T-070.186.595-3T-070.204.989-5T-070.205.508-0T-070.278.966-9T-072.558.307-2T-314.459.857-8T-900.021.326-3T-900.074.548-2T-900.206.444-0T-900.021.326-3T-900.074.548-2T-900.206.444-0T-902.126.567-8T-911.574.791-6T-911.574.791-6T-005.011.592-8T-070.005.637-6T-070.044.035-2T-070.051.786-7
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 858978005813?
858978005813 is a Universal Product Code (UPC) assigned to …And Justice for All by Metallica. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 239 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm