UPC · Release
Die kompletten Werke, Volume 19: h-Moll-Messe / Lateinische Kirchenmusik
Johann Sebastian Bach, Helmuth Rilling
8590646419028
58 tracksReleased 2004-01-01
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8590646419028 is the Universal Product Code (UPC barcode) for the release “Die kompletten Werke, Volume 19: h-Moll-Messe / Lateinische Kirchenmusik” by Johann Sebastian Bach, Helmuth Rilling, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include DEA550004249, DEA550004250.
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859GS1 prefix
0646Company prefix
41902Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
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Credit Chain
UPCDie kompletten Werke, Volume 19: h-Moll-Messe / Lateinische Kirchenmusik
ISRC2 recordings
ISWC1 work
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | h-Moll-Messe, BWV 232: Kyrie eleison | — | ||
| 2 | h-Moll-Messe, BWV 232: Christe eleison | — | ||
| 3 | h-Moll-Messe, BWV 232: Kyrie eleison | — | ||
| 4 | h-Moll-Messe, BWV 232: Gloria in excelsis Deo | — | ||
| 5 | h-Moll-Messe, BWV 232: Et in terra pax | — | ||
| 6 | h-Moll-Messe, BWV 232: Laudamus te | — | ||
| 7 | h-Moll-Messe, BWV 232: Gratias agimus tibi | — | ||
| 8 | h-Moll-Messe, BWV 232: Domine Deus | — | ||
| 9 | h-Moll-Messe, BWV 232: Qui tollis peccata mundi | — | ||
| 10 | h-Moll-Messe, BWV 232: Qui sedes ad dextram Patris | — | ||
| 11 | h-Moll-Messe, BWV 232: Quoniam tu solus sanctus | — | ||
| 12 | h-Moll-Messe, BWV 232: Cum Sancto Spiritu | — | ||
| 2-1 | h‐Moll‐Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro „Credo in unum Deum“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-2 | h-Moll-Messe, BWV 232: Patrem omnipotentem | — | ||
| 2-3 | h‐Moll‐Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) „Et in unum Dominum“ | Bach-Collegium Stuttgart, Helmuth Rilling | T-900.147.322-9 | |
| 2-4 | h-Moll-Messe, BWV 232: Et incarnatus est | — | ||
| 2-5 | h-Moll-Messe, BWV 232: Crucifixus | — | ||
| 2-6 | h-Moll-Messe, BWV 232: Et resurrexit | — | ||
| 2-7 | h-Moll-Messe, BWV 232: Et in Spiritum Sanctum | — | ||
| 2-8 | h-Moll-Messe, BWV 232: Confiteor | — | ||
| 2-9 | h-Moll-Messe, BWV 232: Et expecto resurrectionem mortuorum | — | ||
| 2-10 | h-Moll-Messe, BWV 232: Sanctus | — | ||
| 2-11 | h-Moll-Messe, BWV 232: Osanna | — | ||
| 2-12 | h-Moll-Messe, BWV 232: Benedictus | — | ||
| 2-13 | h-Moll-Messe, BWV 232: Osanna | — | ||
| 2-14 | h-Moll-Messe, BWV 232: Agnus Dei | — | ||
| 2-15 | h-Moll-Messe, BWV 232: Dona nobis pacem | — | ||
| 3-1 | Messe F-Dur, BWV 233: Kyrie eleison | — | ||
| 3-2 | Messe F-Dur, BWV 233: Gloria in excelsis Deo | — | ||
| 3-3 | Messe F-Dur, BWV 233: Domine Deus | — | ||
| 3-4 | Messe F-Dur, BWV 233: Qui tollis peccata mundi | — | ||
| 3-5 | Messe F-Dur, BWV 233: Quoniam tu solus sanctus | — | ||
| 3-6 | Messe F-Dur, BWV 233: Cum sancto spiritu | — | ||
| 3-7 | Kyrie eleison - Christe, du Lamm Gottes in F-Dur, BWV 233a | — | ||
| 3-8 | Messe A-Dur, BWV 234: Kyrie eleison | — | ||
| 3-9 | Messe A-Dur, BWV 234: Gloria in excelsis Deo | — | ||
| 3-10 | Messe A-Dur, BWV 234: Domine Deus | — | ||
| 3-11 | Messe A-Dur, BWV 234: Qui tollis peccata mundi | — | ||
| 3-12 | Messe A-Dur, BWV 234: Quoniam tu solus sanctus | — | ||
| 3-13 | Messe A-Dur, BWV 234: Cum sancto spiritu | — | ||
| 4-1 | Messe g-Moll, BWV 235: Kyrie eleison | — | ||
| 4-2 | Messe g-Moll, BWV 235: Gloria in excelsis Deo | — | ||
| 4-3 | Messe g-Moll, BWV 235: Gratias agimus tibi | — | ||
| 4-4 | Messe g-Moll, BWV 235: Domine Fili unigenite | — | ||
| 4-5 | Messe g-Moll, BWV 235: Qui tollis peccata mundi | — | ||
| 4-6 | Messe g-Moll, BWV 235: Cum sancto spiritu | — | ||
| 4-7 | Messe G-Dur, BWV 236: Kyrie eleison | — | ||
| 4-8 | Messe G-Dur, BWV 236: Gloria in excelsis Deo | — | ||
| 4-9 | Messe G-Dur, BWV 236: Gratias agimus tibi | — | ||
| 4-10 | Messe G-Dur, BWV 236: Domine Deus | — | ||
| 4-11 | Messe G-Dur, BWV 236: Quoniam tu solus sanctus | — | ||
| 4-12 | Messe G-Dur, BWV 236: Cum sancto spiritu | — | ||
| 4-13 | Sanctus C-Dur, BWV 237 | — | ||
| 4-14 | Sanctus D-Dur, BWV 238 | — | ||
| 4-15 | Sanctus G-Dur, BWV 240 | — | ||
| 4-16 | Sanctus D-Dur, BWV 241 | — | ||
| 4-17 | Christe eleison g-Moll, BWV 242 | — | ||
| 4-18 | Credo in unum Deum, BWV 1081 | — |
h-Moll-Messe, BWV 232: Kyrie eleison
—
h-Moll-Messe, BWV 232: Christe eleison
—
h-Moll-Messe, BWV 232: Kyrie eleison
—
h-Moll-Messe, BWV 232: Gloria in excelsis Deo
—
h-Moll-Messe, BWV 232: Et in terra pax
—
h-Moll-Messe, BWV 232: Laudamus te
—
h-Moll-Messe, BWV 232: Gratias agimus tibi
—
h-Moll-Messe, BWV 232: Domine Deus
—
h-Moll-Messe, BWV 232: Qui tollis peccata mundi
—
h-Moll-Messe, BWV 232: Qui sedes ad dextram Patris
—
h-Moll-Messe, BWV 232: Quoniam tu solus sanctus
—
h-Moll-Messe, BWV 232: Cum Sancto Spiritu
—
h‐Moll‐Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro „Credo in unum Deum“
Bach-Collegium Stuttgart, Helmuth Rilling
—
h-Moll-Messe, BWV 232: Patrem omnipotentem
—
Bach-Collegium Stuttgart, Helmuth Rilling
h-Moll-Messe, BWV 232: Et incarnatus est
—
h-Moll-Messe, BWV 232: Crucifixus
—
h-Moll-Messe, BWV 232: Et resurrexit
—
h-Moll-Messe, BWV 232: Et in Spiritum Sanctum
—
h-Moll-Messe, BWV 232: Confiteor
—
h-Moll-Messe, BWV 232: Et expecto resurrectionem mortuorum
—
h-Moll-Messe, BWV 232: Sanctus
—
h-Moll-Messe, BWV 232: Osanna
—
h-Moll-Messe, BWV 232: Benedictus
—
h-Moll-Messe, BWV 232: Osanna
—
h-Moll-Messe, BWV 232: Agnus Dei
—
h-Moll-Messe, BWV 232: Dona nobis pacem
—
Messe F-Dur, BWV 233: Kyrie eleison
—
Messe F-Dur, BWV 233: Gloria in excelsis Deo
—
Messe F-Dur, BWV 233: Domine Deus
—
Messe F-Dur, BWV 233: Qui tollis peccata mundi
—
Messe F-Dur, BWV 233: Quoniam tu solus sanctus
—
Messe F-Dur, BWV 233: Cum sancto spiritu
—
Kyrie eleison - Christe, du Lamm Gottes in F-Dur, BWV 233a
—
Messe A-Dur, BWV 234: Kyrie eleison
—
Messe A-Dur, BWV 234: Gloria in excelsis Deo
—
Messe A-Dur, BWV 234: Domine Deus
—
Messe A-Dur, BWV 234: Qui tollis peccata mundi
—
Messe A-Dur, BWV 234: Quoniam tu solus sanctus
—
Messe A-Dur, BWV 234: Cum sancto spiritu
—
Messe g-Moll, BWV 235: Kyrie eleison
—
Messe g-Moll, BWV 235: Gloria in excelsis Deo
—
Messe g-Moll, BWV 235: Gratias agimus tibi
—
Messe g-Moll, BWV 235: Domine Fili unigenite
—
Messe g-Moll, BWV 235: Qui tollis peccata mundi
—
Messe g-Moll, BWV 235: Cum sancto spiritu
—
Messe G-Dur, BWV 236: Kyrie eleison
—
Messe G-Dur, BWV 236: Gloria in excelsis Deo
—
Messe G-Dur, BWV 236: Gratias agimus tibi
—
Messe G-Dur, BWV 236: Domine Deus
—
Messe G-Dur, BWV 236: Quoniam tu solus sanctus
—
Messe G-Dur, BWV 236: Cum sancto spiritu
—
Sanctus C-Dur, BWV 237
—
Sanctus D-Dur, BWV 238
—
Sanctus G-Dur, BWV 240
—
Sanctus D-Dur, BWV 241
—
Christe eleison g-Moll, BWV 242
—
Credo in unum Deum, BWV 1081
—
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What is UPC 8590646419028?
8590646419028 is a Universal Product Code (UPC) assigned to Die kompletten Werke, Volume 19: h-Moll-Messe / Lateinische Kirchenmusik by Johann Sebastian Bach, Helmuth Rilling. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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