UPC · Release
Die kompletten Werke, Volume 23: Magnificat / Ein Choralbuch
Johann Sebastian Bach, Helmuth Rilling
8590646419424
32 tracksReleased 2004-01-01
Last verified:
8590646419424 is the Universal Product Code (UPC barcode) for the release “Die kompletten Werke, Volume 23: Magnificat / Ein Choralbuch” by Johann Sebastian Bach, Helmuth Rilling, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include DEA550004233, DEA550004234, DEA550004235.
Format
859GS1 prefix
0646Company prefix
41942Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDie kompletten Werke, Volume 23: Magnificat / Ein Choralbuch
ISRC32 recordings
ISWC5 works
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Magnificat Es‐Dur, BWV 243a: I. Coro „Magnificat anima mea Dominum“ | Bach-Collegium Stuttgart, Helmuth Rilling | T9050297831 | |
| 2-2 | Magnificat Es‐Dur, BWV 243a: IIa. Aria (Sopran II) „Et exsultavit“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-3 | Magnificat Es‐Dur, BWV 243a: IIb. Coro (a‐cappella) „Vom Himmel hoch“ | Gächinger Kantorei Stuttgart, Helmuth Rilling | T9261561119 | |
| 2-4 | Magnificat Es‐Dur, BWV 243a: III. Aria (Sopran I) „Quia respexit“ | Bach-Collegium Stuttgart, Helmuth Rilling | T0025928362 | |
| 2-5 | Magnificat Es‐Dur, BWV 243a: IV. Coro „Omnes generationes“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-6 | Magnificat Es‐Dur, BWV 243a: Va. Aria (Bass) „Quia fecit mihi magna“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-7 | Magnificat Es‐Dur, BWV 243a: Vb. Coro „Freut euch und jubiliert“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-8 | Magnificat Es‐Dur, BWV 243a: VI. Aria (Alt, Tenor) „Et misericordia“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-9 | Magnificat Es‐Dur, BWV 243a: VIIa. Coro „Fecit potentiam“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-10 | Magnificat Es‐Dur, BWV 243a: VIIb. Coro „Gloria in excelsis Deo“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-11 | Magnificat Es‐Dur, BWV 243a: VIII. Aria (Tenor) „Deposuit potentes“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-12 | Magnificat Es‐Dur, BWV 243a: IXa. Aria (Alt) „Esurientes implevit bonis“ | Bach-Collegium Stuttgart, Helmuth Rilling | T9030293244 | |
| 2-13 | Magnificat Es‐Dur, BWV 243a: IXb. Aria (Sopran, Bass) „Virga Jesse floruit“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-14 | Magnificat Es‐Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) „Suscepit Israel“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-15 | Magnificat Es‐Dur, BWV 243a: XI. Coro „Sicut locutus est“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-16 | Magnificat Es‐Dur, BWV 243a: XII. Coro „Gloria Patri et filio“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-17 | h‐Moll‐Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro „Credo in unum Deum“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-18 | h‐Moll‐Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) „Et in unum Dominum“ | Bach-Collegium Stuttgart, Helmuth Rilling | T9001473229 | |
| 2-19 | Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: II. Recitativo (Bass) „Wie, daß der Liebe hohe Kraft“ | Michael Volle, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-20 | Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: III. Aria (Tenor) e Recitativo (Alt) „Siehe, also wird gesegnet“ | Christoph Prégardien, Anke Vondung, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-21 | Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: VI. Recitativo (Sopran) „Das ist vor dich, o ehrenwürdger Mann“ | Sibylla Rubens, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-22 | Kantate, BWV 69a „Lobe den Herrn, meine Seele“: II. Recitativo (Sopran) „Ach, daß ich tausend Zungen hätte“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-23 | Kantate, BWV 69a „Lobe den Herrn, meine Seele“: III. Aria (Tenor) „Meine Seele, auf, erzähle“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-24 | Kantate, BWV 69a „Lobe den Herrn, meine Seele“: IV. Recitativo (Alt) „Gedenk ich nur zurück“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-25 | Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: II. Recitativo (Bass, Tenor) e Coro „Wie wunderbar, o Gott, sind deine Werke“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-26 | Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: V. Recitativo (Tenor, Coro) „Herr Zebaoth“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-27 | Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VI. Aria (Alt, Tenor) „Herr, fange an und sprich den Segen“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-28 | Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VII. Recitativo (Bass) „Der Herr, Herr unser Gott“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-29 | Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VIII. Choral „Lobe den Herren“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-30 | Kantate, BWV 197a „Ehre sei Gott in der Höhe“: V. Recitativo (Bass) „Das Kind ist mein“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-31 | Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VI. Aria (Bass) „Ich lasse dich nicht“ | Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-32 | Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VII. Choral „Wohlan! so will ich mich“ | Bach-Collegium Stuttgart, Helmuth Rilling | — |
Bach-Collegium Stuttgart, Helmuth Rilling
Magnificat Es‐Dur, BWV 243a: IIa. Aria (Sopran II) „Et exsultavit“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Gächinger Kantorei Stuttgart, Helmuth Rilling
Bach-Collegium Stuttgart, Helmuth Rilling
Magnificat Es‐Dur, BWV 243a: IV. Coro „Omnes generationes“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: Va. Aria (Bass) „Quia fecit mihi magna“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: Vb. Coro „Freut euch und jubiliert“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: VI. Aria (Alt, Tenor) „Et misericordia“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: VIIa. Coro „Fecit potentiam“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: VIIb. Coro „Gloria in excelsis Deo“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: VIII. Aria (Tenor) „Deposuit potentes“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Bach-Collegium Stuttgart, Helmuth Rilling
Magnificat Es‐Dur, BWV 243a: IXb. Aria (Sopran, Bass) „Virga Jesse floruit“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) „Suscepit Israel“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: XI. Coro „Sicut locutus est“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat Es‐Dur, BWV 243a: XII. Coro „Gloria Patri et filio“
Bach-Collegium Stuttgart, Helmuth Rilling
—
h‐Moll‐Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro „Credo in unum Deum“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: II. Recitativo (Bass) „Wie, daß der Liebe hohe Kraft“
Michael Volle, Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: III. Aria (Tenor) e Recitativo (Alt) „Siehe, also wird gesegnet“
Christoph Prégardien, Anke Vondung, Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 34a „O ewiges Feuer, o Ursprung der Liebe“: VI. Recitativo (Sopran) „Das ist vor dich, o ehrenwürdger Mann“
Sibylla Rubens, Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 69a „Lobe den Herrn, meine Seele“: II. Recitativo (Sopran) „Ach, daß ich tausend Zungen hätte“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 69a „Lobe den Herrn, meine Seele“: III. Aria (Tenor) „Meine Seele, auf, erzähle“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 69a „Lobe den Herrn, meine Seele“: IV. Recitativo (Alt) „Gedenk ich nur zurück“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: II. Recitativo (Bass, Tenor) e Coro „Wie wunderbar, o Gott, sind deine Werke“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: V. Recitativo (Tenor, Coro) „Herr Zebaoth“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VI. Aria (Alt, Tenor) „Herr, fange an und sprich den Segen“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VII. Recitativo (Bass) „Der Herr, Herr unser Gott“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 120a „Herr Gott, Beherrscher aller Dinge“: VIII. Choral „Lobe den Herren“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 197a „Ehre sei Gott in der Höhe“: V. Recitativo (Bass) „Das Kind ist mein“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VI. Aria (Bass) „Ich lasse dich nicht“
Bach-Collegium Stuttgart, Helmuth Rilling
—
Kantate, BWV 197a „Ehre sei Gott in der Höhe“: VII. Choral „Wohlan! so will ich mich“
Bach-Collegium Stuttgart, Helmuth Rilling
—
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What is UPC 8590646419424?
8590646419424 is a Universal Product Code (UPC) assigned to Die kompletten Werke, Volume 23: Magnificat / Ein Choralbuch by Johann Sebastian Bach, Helmuth Rilling. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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