UPC · Release
Die kompletten Werke, Volume 29: Orgelwerke
Johann Sebastian Bach, Kay Johannsen, Martin Lücker
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8590646420024 is the Universal Product Code (UPC barcode) for the release “Die kompletten Werke, Volume 29: Orgelwerke” by Johann Sebastian Bach, Kay Johannsen, Martin Lücker, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include DEA559800772, DEA559800773, DEA559800774.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Triosonate für Orgel Nr. 1 Es‐Dur, BWV 525: I. (Allegro) | — | ||
| 2 | Triosonate für Orgel Nr. 1 Es‐Dur, BWV 525: II. Adagio | — | ||
| 3 | Triosonate für Orgel Nr. 1 Es‐Dur, BWV 525: II. Allegro | — | ||
| 4 | Triosonate für Orgel Nr. 2 c‐Moll, BWV 526: I. Vivace | — | ||
| 5 | Triosonate für Orgel Nr. 2 c‐Moll, BWV 526: II. Largo | — | ||
| 6 | Triosonate für Orgel Nr. 2 c‐Moll, BWV 526: III. Allegro | — | ||
| 7 | Triosonate für Orgel Nr. 3 d‐Moll, BWV 527: I. Andante | — | ||
| 8 | Triosonate für Orgel Nr. 3 d‐Moll, BWV 527: II. Adagio e dolce | — | ||
| 9 | Triosonate für Orgel Nr. 3 d‐Moll, BWV 527: III. Vivace | — | ||
| 10 | Triosonate für Orgel Nr. 4 e‐Moll, BWV 528: I. Adagio - Vivace | — | ||
| 11 | Triosonate für Orgel Nr. 4 e‐Moll, BWV 528: II. Andante | — | ||
| 12 | Triosonate für Orgel Nr. 4 e‐Moll, BWV 528: III. Un poc’ allegro | — | ||
| 13 | Triosonate für Orgel Nr. 5 C‐Dur, BWV 529: I. Allegro | — | ||
| 14 | Triosonate für Orgel Nr. 5 C‐Dur, BWV 529: II. Largo | — | ||
| 15 | Triosonate für Orgel Nr. 5 C‐Dur, BWV 529: III. Allegro | — | ||
| 16 | Triosonate für Orgel Nr. 6 G‐Dur, BWV 530: I. Vivace | — | ||
| 17 | Triosonate für Orgel Nr. 6 G‐Dur, BWV 530: II. Lente | — | ||
| 18 | Triosonate für Orgel Nr. 6 G‐Dur, BWV 530: III. Allegro | — | ||
| 2-1 | Präluidum und Fuge h‐Moll, BWV 544: I. Präludium | — | ||
| 2-2 | Präluidum und Fuge h‐Moll, BWV 544: II. Fuge | — | ||
| 2-3 | Fantasie und Fuge (fragment) c‐Moll, BWV 562: I. Fantasie | — | ||
| 2-4 | Fantasie und Fuge (fragment) c‐Moll, BWV 562: II. Fuge | — | ||
| 2-5 | Präludium und Fuge e‐Moll, BWV 548: I. Präludium | — | ||
| 2-6 | Präludium und Fuge e‐Moll, BWV 548: II. Fuge | — | ||
| 2-7 | Ricercar a 6 aus Musicliches Opfer, BWV 1079,5 | — | ||
| 2-8 | Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: I. Canon all’ Ottava. Pedal. Canto fermo (Variatio 1) | — | ||
| 2-9 | Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: II. Canon alla Quinta. Canto fermo in Pedel (Variatio 2) | — | ||
| 2-10 | Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: III. Canto fermo in Canone all Sesta è all’ rovescio (Variatio 3) | — | ||
| 2-11 | Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: IV. Canon alla Settima (Variatio 4) | — | ||
| 2-12 | Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: IV. a 2 clav e Ped. Canon per augmentationem (in canone all’ ottava) (Variatio 5) | — | ||
| 2-13 | Vor deinen Thron tret ich hiermit, BWV 668 | — | ||
| 3-1 | Präludium pro Organo pleno, BWV 552/1 | Kay Johannsen | — | |
| 3-2 | Kyrie, Gott Vater in Ewigkeit, BWV 669 | Kay Johannsen | T-910.295.522-6 | |
| 3-3 | Christe, aller Welt Trost, BWV 670 | Kay Johannsen | — | |
| 3-4 | Kyrie, Gott heiliger Geist, BWV 671 | Kay Johannsen | — | |
| 3-5 | Kyrie, Gott Vater in Ewigkeit alio modo, BWV 672 | Kay Johannsen | — | |
| 3-6 | Christe, aller Welt Trost, BWV 673 | Kay Johannsen | — | |
| 3-7 | Kyrie, Gott heiliger Geist, BWV 674 | Kay Johannsen | — | |
| 3-8 | Allein Gott in der Höh sei Ehr, BWV 675 | Kay Johannsen | — | |
| 3-9 | Allein Gott in der Höh sei Ehr, BWV 676 | Kay Johannsen | — | |
| 3-10 | Fughetta super Allein Gott in der Höh sei Ehr, BWV 677 | Kay Johannsen | — | |
| 3-11 | Dies sind die heiligen zehen Gebot, BWV 678 | Kay Johannsen | — | |
| 3-12 | Fughetta super Dies sind die heiligen zehen Gebot, BWV 679 | Kay Johannsen | — | |
| 3-13 | Wir bläuben all an einen Gott, BWV 680 | Kay Johannsen | — | |
| 4-1 | Fughetta super Wir glauben all an einen Gott, BWV 681 | Kay Johannsen | — | |
| 4-2 | Vater unser im Himmelreich, BWV 682 | Kay Johannsen | — | |
| 4-3 | Vater unser im Himmelreich alio modo, BWV 683 | Kay Johannsen | — | |
| 4-4 | Christ, unser Herr, zum Jordan kam, BWV 684 | Kay Johannsen | — | |
| 4-5 | Christ, unser Herr, zum Jordan kam alio modo, BWV 685 | Kay Johannsen | — | |
| 4-6 | Aus tiefer Not schrei ich zu dir, BWV 686 | Kay Johannsen | — | |
| 4-7 | Aus tiefer Not schrei ich zu dir alio modo, BWV 687 | Kay Johannsen | — | |
| 4-8 | Jesus Christus, unser Heiland, BWV 688 | Kay Johannsen | — | |
| 4-9 | Fuga super Jesus Christus, unser Heiland, BWV 689 | Kay Johannsen | — | |
| 4-10 | Duetto Nr 1 e-Moll, BWV 802 | Kay Johannsen | — | |
| 4-11 | Duetto Nr 2 F-Dur, BWV 803 | Kay Johannsen | — | |
| 4-12 | Duetto Nr 3 G-Dur, BWV 804 | Kay Johannsen | — | |
| 4-13 | Duetto Nr 4 a-Moll, BWV 805 | Kay Johannsen | — | |
| 4-14 | Fuga a 5 con pedale pro Organo pleno, BWV 552/2 | Kay Johannsen | — |
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What is UPC 8590646420024?
8590646420024 is a Universal Product Code (UPC) assigned to Die kompletten Werke, Volume 29: Orgelwerke by Johann Sebastian Bach, Kay Johannsen, Martin Lücker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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