UPC · Release
Návštěvní den 4
Šimek & Grossmann
Last verified:
8596972105918 is the Universal Product Code (UPC barcode) for the release “Návštěvní den 4” by Šimek & Grossmann, released 1997-01-01 on Bonton. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Úvod | — | ||
| 2 | Pratety | — | ||
| 3 | Jak jsme převzali dům do společné péče nájemníků | — | ||
| 4 | První host - Karel Kryl Marat ve vaně | — | ||
| 5 | Bratříčku, zavírej vrátka | — | ||
| 6 | Honky Tonky Man | — | ||
| 7 | Ali Bobek a 40 loupežníků | — | ||
| 8 | Jackson | — | ||
| 9 | Úvod druhé části Návštěvního dne 4 - Jamboree | — | ||
| 10 | Strýček Mao | — | ||
| 11 | Jak jsem se učil plavat | — | ||
| 12 | Druhý host - Eva Olmerová Pojď | — | ||
| 13 | Pupák na volební schůzi | — | ||
| 14 | Daydream | — | ||
| 15 | Píseň navrch | — | ||
| 16 | Strýček Mao | — | ||
| 17 | Poděkování | — |
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People also ask
What is UPC 8596972105918?
8596972105918 is a Universal Product Code (UPC) assigned to Návštěvní den 4 by Šimek & Grossmann. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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