UPC · Release
TOPAZ
Last verified:
859722096651 is the Universal Product Code (UPC barcode) for the release “Faux Linear” by TOPAZ. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include TCADE1742036, TCADE1742184, TCADE1742188.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Paths | TOPAZ | T-309.943.620-7 | |
| 2 | Bloodshot Eyes | TOPAZ | T-309.943.607-0 | |
| 3 | No Reaction | TOPAZ | T-309.943.534-0 | |
| 4 | Don’t Wait Till Daylight | TOPAZ | T-309.943.552-2 | |
| 5 | Simple Things | TOPAZ | T-309.943.550-0 | |
| 6 | I Can Tell | TOPAZ | T-309.943.574-8 | |
| 7 | Subtlety | TOPAZ | T-309.724.799-5 | |
| 8 | Patterns | TOPAZ | T-309.724.763-3 | |
| 9 | Something Turns to Nothing | TOPAZ | T-309.943.525-9 | |
| 10 | These Days | TOPAZ | T-309.943.548-6 |
Identifier Graph
859722096651 is a Universal Product Code (UPC) assigned to Faux Linear by TOPAZ. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
859722096651 is the Universal Product Code (UPC barcode) for the release “Faux Linear” by TOPAZ. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include TCADE1742036, TCADE1742184, TCADE1742188.
