UPC · Release
People! Let's Freak Out! The Irish Rock Rebellion 1963-1970
Various Artists
Last verified:
8690116300839 is the Universal Product Code (UPC barcode) for the release “People! Let's Freak Out! The Irish Rock Rebellion 1963-1970” by Various Artists, released 2019-01-01 on Particles (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 132 tracks, each with its own ISRC. Tracks include GBAJE6400292, GBAJE6400309.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (132)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bad Little Woman | — | ||
| 2 | Let Me In | — | ||
| 3 | Hurtin' All Over | — | ||
| 4 | Dance Again | — | ||
| 5 | I Can Tell | — | ||
| 6 | The Facts of Life | — | ||
| 7 | Just You Wait and See | Greenbeats | — | |
| 8 | Call My Name | — | ||
| 9 | Boys | — | ||
| 10 | Roll Over Beethoven | — | ||
| 11 | Answer Your Phone | — | ||
| 12 | The Friendly Undertaker | — | ||
| 13 | Boney Moroney | — | ||
| 14 | The Fightin' | — | ||
| 15 | A Love of Our Own | — | ||
| 16 | I Got a Woman | — | ||
| 17 | So Fine | — | ||
| 18 | Do What I Want You To | — | ||
| 19 | Well... All Right | — | ||
| 20 | When You Say I Love You | — | ||
| 21 | I Will Have You | — | ||
| 22 | Baby Please Don't Go | — | ||
| 23 | Land of Love | The Blue Aces | — | |
| 24 | On the Waterfront | — | ||
| 25 | Answers Please | — | ||
| 26 | I'm With You | — | ||
| 27 | Well, Don't That Beat Them All | — | ||
| 2-1 | That's All Right | — | ||
| 2-2 | Someone Needs You | — | ||
| 2-3 | People, Let's Freak Out | — | ||
| 2-4 | Money and Love | — | ||
| 2-5 | Something You Got | — | ||
| 2-6 | Gloria | — | ||
| 2-7 | Deep Water | — | ||
| 2-8 | Upgraded | — | ||
| 2-9 | Fortune Teller | — | ||
| 2-10 | Don't You Know | — | ||
| 2-11 | Tell Me What You're Gonna Do | — | ||
| 2-12 | Your One and Only Man | — | ||
| 2-13 | My Little Red Book | — | ||
| 2-14 | Yes Indeed | — | ||
| 2-15 | Turn Out the Light | — | ||
| 2-16 | I'm a Kingbee | — | ||
| 2-17 | So Long | — | ||
| 2-18 | Lovers Lie Sleeping | — | ||
| 2-20 | You Turn Me On (The Turn on Song) | — | ||
| 2-21 | Love Is a Funny Little Game | — | ||
| 2-22 | That's the Way Life Goes | — | ||
| 2-23 | Tell Her | — | ||
| 2-24 | Kicks | — | ||
| 2-25 | C'mon Everybody | — | ||
| 2-26 | Just a Little While Longer | — | ||
| 3-1 | Mary, Mary | — | ||
| 3-2 | California Jazz Club U.S.A. | — | ||
| 3-3 | Mademoiselle Ninette | — | ||
| 3-4 | Hello Memories | — | ||
| 3-5 | Looking at Tomorrow | — | ||
| 3-6 | Stop | — | ||
| 3-7 | Love Is a Toy | — | ||
| 3-8 | Dream World | — | ||
| 3-9 | The Wrong Impression | — | ||
| 3-10 | The Flea Teacher | — | ||
| 3-11 | 1984 | — | ||
| 3-12 | Secret Police (aka the Shadow Chasers) | — | ||
| 3-13 | Head for the Sun | — | ||
| 3-14 | Baby I'm Your Man | — | ||
| 3-15 | I Get So Excited | — | ||
| 3-16 | Hey Gyp (Dig the Slowness) | — | ||
| 3-17 | Cinnamon | — | ||
| 3-18 | Come and See | — | ||
| 3-19 | Gone Away | — | ||
| 3-20 | I Can't Find You | — | ||
| 3-21 | It Must Be Love | — | ||
| 3-22 | Look Out, Here Comes Tomorrow | — | ||
| 3-23 | Thank You Mrs. Gilbert | — | ||
| 3-24 | Sunny Side Sam | — | ||
| 3-25 | She's About a Mover | — | ||
| 3-26 | Lonely, But Free | — | ||
| 4-1 | Softly, Softly | — | ||
| 4-2 | Step Inside | — | ||
| 4-3 | Choo, Choo Charlie | — | ||
| 4-4 | Quick Joey Small (Run, Joey Run) | — | ||
| 4-5 | Spicks and Specks | — | ||
| 4-6 | Follow Me | — | ||
| 4-7 | Just Another Song | — | ||
| 4-8 | Green Veined Orchid | — | ||
| 4-9 | Baby Go Home | — | ||
| 4-10 | Hi Ho Silver Lining | — | ||
| 4-11 | A Good Thing Goin' | — | ||
| 4-12 | Just Hang On | — | ||
| 4-13 | Tea With the Sun | — | ||
| 4-14 | Sing Me Sunshine | — | ||
| 4-15 | Sing Me a Sad Song | — | ||
| 4-16 | Baby, We'll Glide Into Love | — | ||
| 4-17 | Hold Me Closer | — | ||
| 4-18 | Hey You | — | ||
| 4-19 | Loving You | — | ||
| 4-20 | My Jenny | — | ||
| 4-21 | My Girl | — | ||
| 4-22 | Hilda the Bilda | — | ||
| 4-23 | I Believe | — | ||
| 4-24 | Carpet Man | — | ||
| 4-25 | A Boy Needs a Girl | — | ||
| 4-26 | Mr. Man | — | ||
| 4-27 | Smiling Faces | — | ||
| 5-1 | The Story of David | — | ||
| 5-2 | Dr. Crippen's Waiting Room | — | ||
| 5-3 | Locked in a Room | — | ||
| 5-4 | You Got Me Good | — | ||
| 5-5 | Attempted Contact | — | ||
| 5-6 | Midday Sun | — | ||
| 5-7 | Three Jolly Little Dwarfs | — | ||
| 5-8 | One Time Lovers | — | ||
| 5-9 | Saturday Morning Man | — | ||
| 5-10 | Redundancy Blues | — | ||
| 5-11 | Dirty Old Man (At the Age of Sixteen) | — | ||
| 5-12 | Jane | — | ||
| 5-13 | Morning Dew | — | ||
| 5-14 | Real Live Permanent Dream | — | ||
| 5-15 | Julie Don't Love Me Anymore | — | ||
| 5-16 | Shades of Grey | — | ||
| 5-17 | Counting Time My Way | — | ||
| 5-18 | Who Else Can We Blame | — | ||
| 5-19 | Sandy's on the Phone Again | — | ||
| 5-20 | Here I Go Again | — | ||
| 5-21 | But It's Alright | — | ||
| 5-22 | Cinnamon Girl | — | ||
| 5-23 | You Can All Join In | — | ||
| 5-24 | Rock 'n' Roll Band | — | ||
| 5-25 | Sunshine of Your Love | — | ||
| 5-26 | Monday | — | ||
| 5-27 | New Places, Old Faces | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 8690116300839?
8690116300839 is a Universal Product Code (UPC) assigned to People! Let's Freak Out! The Irish Rock Rebellion 1963-1970 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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