UPC · Release
Blues History
Various Artists
Last verified:
8711539003517 is the Universal Product Code (UPC barcode) for the release “Blues History” by Various Artists, released 1991-01-01 on K West. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include USMC15107413, DEU241502346, USMC15351855.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Louisiana Blues | — | ||
| 2 | Ramblin' by Myself | — | ||
| 3 | They Call Me Muddy Waters | Muddy Waters | T-700.071.620-3 | |
| 4 | Walkin’ the Boogie | John Lee Hooker | — | |
| 5 | Blues With a Feeling | Little Walter | T-070.233.074-2 | |
| 6 | Dust My Broom | — | ||
| 7 | Bad Luck Blues | — | ||
| 8 | Whose Muddy Shoes | — | ||
| 9 | Smokestack Lightnin' | — | ||
| 10 | I've Been Down for So Long | — | ||
| 11 | Just You Fool | — | ||
| 12 | Mamma What About Your Daughter | — | ||
| 13 | 99 | — | ||
| 14 | First Time I Met the Blues (single version) | Buddy Guy | — | |
| 2-1 | One Bourbon, One Scotch, One Beer | — | ||
| 2-2 | Little City Woman | — | ||
| 2-3 | Stormy Monday | — | ||
| 2-4 | Wang Dang Doodle | Koko Taylor | T-060.570.125-4 | |
| 2-5 | Recession Blues | — | ||
| 2-6 | Going Down Slow | Howlin’ Wolf | T-070.881.865-8 | |
| 2-7 | Nine Below Zero | — | ||
| 2-8 | When My Left Eye Jumps | — | ||
| 2-9 | I’m Your Hoochie Coochie Man | Muddy Waters | T-060.569.990-8 | |
| 2-10 | Reconsider Baby | — | ||
| 2-11 | Evil | Howlin’ Wolf | T-060.570.106-1 | |
| 2-12 | Eisenhower Blues | J.B. Lenoir | — | |
| 2-13 | Juke | — | ||
| 2-14 | So Many Roads, So Many Trains | — | ||
| 3-1 | I’d Rather Go Blind | Etta James | T-070.240.525-1 | |
| 3-2 | Mother Earth | — | ||
| 3-3 | I Asked for Water | — | ||
| 3-4 | Honey Bee | Muddy Waters | T-071.063.203-3 | |
| 3-5 | Loving You | — | ||
| 3-6 | Diggin' My Potatoes | — | ||
| 3-7 | Down at the Landing | John Lee Hooker | — | |
| 3-8 | One Way Out | — | ||
| 3-9 | Who's Cheating Who? | — | ||
| 3-10 | Mannish Boy | Muddy Waters | T-071.000.926-9 | |
| 3-11 | Broken Hearted Blues | — | ||
| 3-12 | I Can’t Stop Baby | Albert King, Otis Rush | — | |
| 3-13 | My Babe | — | ||
| 3-14 | Madison Blues | — | ||
| 4-1 | Your Funeral My Trial | — | ||
| 4-2 | My Time After Awhile | Buddy Guy | T-071.001.094-8 | |
| 4-3 | Jacqueline | — | ||
| 4-4 | I'm Ready | — | ||
| 4-5 | In the Mood | — | ||
| 4-6 | If I Can’t Have You | Etta James | T-072.453.987-0 | |
| 4-7 | How Many More Years | Howlin’ Wolf | T-070.240.412-3 | |
| 4-8 | Stone Crazy | — | ||
| 4-9 | Forty Days and Forty Nights | Muddy Waters | — | |
| 4-10 | Louise | John Lee Hooker | — | |
| 4-11 | Don’t Start Me to Talkin’ | Sonny Boy Williamson | T-070.881.193-1 | |
| 4-12 | Moanin’ at Midnight | Howlin’ Wolf | T-700.044.424-8 | |
| 4-13 | Blue Shadows | Lowell Fulson | — | |
| 4-14 | We're Gonna Make It | Little Milton | T-070.247.739-1 |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Louise | John Lee Hooker | — |
| Forty Days and Forty Nights | Muddy Waters | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+32 more
Songwriters/Publishers (IPI)
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People also ask
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What is UPC 8711539003517?
8711539003517 is a Universal Product Code (UPC) assigned to Blues History by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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