UPC · Release
Various Artists
Last verified:
The UPC for “The Greatest Classical Collection, Volume 2” by Various Artists is 8711638070120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Masters Classic (2). This release contains 131 tracks, each with its own ISRC. Tracks include US2TL0932814, USBC19200212.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestra Suite No. 1 in C major, BWV. 1066: I. Ouverture | — | ||
| 2 | Orchestra Suite No. 1 in C major, BWV. 1066: II. Courante | — | ||
| 3 | Orchestra Suite No. 1 in C major, BWV. 1066: III. Gavotte 1 & 2 | — | ||
| 4 | Orchestra Suite No. 1 in C major, BWV. 1066: IV. Forlane | — | ||
| 5 | Orchestra Suite No. 1 in C major, BWV. 1066: V. Menuett | — | ||
| 6 | Orchestra Suite No. 1 in C major, BWV. 1066: VI. Bourrée | — | ||
| 7 | Orchestra Suite No. 1 in C major, BWV. 1066: VII. Passepied | — | ||
| 8 | Orchestra Suite No. 2 in B minor, BWV. 1067: I. Ouverture | — | ||
| 9 | Orchestra Suite No. 2 in B minor, BWV. 1067: II. Rondeau | — | ||
| 10 | Orchestra Suite No. 2 in B minor, BWV. 1067: III. Sarabande | — | ||
| 11 | Orchestra Suite No. 2 in B minor, BWV. 1067: IV. Bourrée 1 | — | ||
| 12 | Orchestra Suite No. 2 in B minor, BWV. 1067: V. Bourrée 2 | — | ||
| 13 | Orchestra Suite No. 2 in B minor, BWV. 1067: VI. Polonaise-Double | — | ||
| 14 | Orchestra Suite No. 2 in B minor, BWV. 1067: VII. Menuett | — | ||
| 15 | Orchestra Suite No. 2 in B minor, BWV. 1067: VIII. Badinerie | — | ||
| 16 | Orchestra Suite No. 3 in D major, BWV. 1068: I. Ouverture | — | ||
| 17 | Orchestra Suite No. 3 in D major, BWV. 1068: II. Air | — | ||
| 18 | Orchestra Suite No. 3 in D major, BWV. 1068: III. Gavotte 1 & 2 | — | ||
| 19 | Orchestra Suite No. 3 in D major, BWV. 1068: IV. Bourrée | — | ||
| 20 | Orchestra Suite No. 3 in D major, BWV. 1068: V. Gigue | — | ||
| 2-1 | Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace | — | ||
| 2-2 | Symphony No. 4 in B-flat major, Op. 60: II. Adagio | — | ||
| 2-3 | Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace | — | ||
| 2-4 | Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo | — | ||
| 2-5 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 2-6 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 2-7 | Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro | — | ||
| 2-8 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 3-1 | Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso | — | ||
| 3-2 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 3-3 | Piano Concerto No. 21 in C major, K. 467: III. Andante vivo assai | — | ||
| 3-4 | Violin Concerto in D major, K. 218: I. Allegro | — | ||
| 3-5 | Violin Concerto in D major, K. 218: II. Andante cantabile | — | ||
| 3-6 | Violin Concerto in D major, K. 218: III. Rondeau. Andante gracioso | — | ||
| 3-7 | Horn Concerto No. 2 in E flat major, K. 417: I. Allegro maestoso | — | ||
| 3-8 | Horn Concerto No. 2 in E flat major, K. 417: II. Andante | — | ||
| 3-9 | Horn Concerto No. 2 in E flat major, K. 417: III. Rondo. Allegro | — | ||
| 4-1 | Carmina Burana: I. Fortuna Imperatrix Mundi: O Fortuna | — | ||
| 4-2 | Carmina Burana: I. Fortuna Imperatrix Mundi: Fortune plango vulnera | — | ||
| 4-3 | Carmina Burana: II. Primo Vere: Veris leta facies | — | ||
| 4-4 | Carmina Burana: II. Primo Vere: Omnia sol temperat | — | ||
| 4-5 | Carmina Burana: II. Primo Vere: Ecce gratum | — | ||
| 4-6 | Carmina Burana: III. Uf dem Anger: Tanz | — | ||
| 4-7 | Carmina Burana: III. Uf dem Anger: Floret silva | — | ||
| 4-8 | Carmina Burana: III. Uf dem Anger: Chramer, gip die varwe mir | — | ||
| 4-9 | Carmina Burana: III. Uf dem Anger: Reie | — | ||
| 4-10 | Carmina Burana: III. Uf dem Anger: Swaz hie gat umbe | — | ||
| 4-11 | Carmina Burana: III. Uf dem Anger: Chume, chum geselle min | — | ||
| 4-12 | Carmina Burana: III. Uf dem Anger: Swaz hat gat umbe | — | ||
| 4-13 | Carmina Burana: III. Uf dem Anger: Were diu werlt alle min | — | ||
| 4-14 | Carmina Burana: IV. In Taberna: Estuans interius | — | ||
| 4-15 | Carmina Burana: IV. In Taberna: Olim lacus colueram | — | ||
| 4-16 | Carmina Burana: IV. In Taberna: Ego sum abbas | — | ||
| 4-17 | Carmina Burana: IV. In Taberna: In taberna quando sum | — | ||
| 4-18 | Carmina Burana: V. Cour d'amours: Amor volat undique | — | ||
| 4-19 | Carmina Burana: V. Cour d'amours: Dies, nox et omnia | — | ||
| 4-20 | Carmina Burana: V. Cour d'amours: Stetit puella | — | ||
| 4-21 | Carmina Burana: V. Cour d'amours: Circa mea pectora | — | ||
| 4-22 | Carmina Burana: V. Cour d'amours: Si puer cum puelluia | — | ||
| 4-23 | Carmina Burana: V. Cour d'amours: Veni, veni, venias | — | ||
| 4-24 | Carmina Burana: III. Cour d’amours: XXI. In trutina | Mozarteum Orchester, Chor Salzburg, Kurt Prestel | T-800.639.771-4 | |
| 4-25 | Carmina Burana: V. Cour d'amours: Tempus est iocundum | — | ||
| 4-26 | Carmina Burana: V. Cour d'amours: Dulcissime | — | ||
| 4-27 | Carmina Burana: VI. Blanziflor et Helena: Ave formosissima | — | ||
| 4-28 | Carmina Burana: VII. Fortuna Imperatrix Mundi: O Fortuna | — | ||
| 5-1 | Water Music Suite No.1 in F major - Overture | — | ||
| 5-2 | Water Music Suite No.1 in F major - Adagio e staccato | — | ||
| 5-3 | Water Music Suite No.1 in F major - Allegro - Andante - Allegro | — | ||
| 5-4 | Water Music Suite No.1 in F major - A Tempo di Menuetto | — | ||
| 5-5 | Water Music Suite No.1 in F major - Air | — | ||
| 5-6 | Water Music Suite No.1 in F major - Menuett | — | ||
| 5-7 | Water Music Suite No.1 in F major - Bourree | — | ||
| 5-8 | Water Music Suite No.1 in F major - Hornpipe | — | ||
| 5-9 | Water Music Suite No.1 in F major - Allegro moderato | — | ||
| 5-10 | Water Music Suite No.2 in D major - Andante | — | ||
| 5-11 | Water Music Suite No.2 in D major - Allegro: All Hornpipe | — | ||
| 5-12 | Water Music Suite No.2 in D major - Coro | — | ||
| 5-13 | Water Music Suite No.2 in D major - Loure | — | ||
| 5-14 | Water Music Suite No.2 in D major - Bourree | — | ||
| 5-15 | Water Music Suite No.3 in G major - Menuett | — | ||
| 5-16 | Water Music Suite No.3 in G major - Rigaudon | — | ||
| 5-17 | Water Music Suite No.3 in G major - Menuett | — | ||
| 5-18 | Water Music Suite No.3 in G major - Menuett | — | ||
| 5-19 | Water Music Suite No.3 in G major - Affettuoso | — | ||
| 5-20 | Water Music Suite No.3 in G major - Cantabile | — | ||
| 5-21 | Fireworks Music in D major - Overture | — | ||
| 5-22 | Fireworks Music in D major - Bourree | — | ||
| 5-23 | Fireworks Music in D major - La paix (Largo alla Siciliana) | — | ||
| 5-24 | Fireworks Music in D major - La rejouissance (Allegro) | — | ||
| 5-25 | Fireworks Music in D major - Menuet I | — | ||
| 5-26 | Fireworks Music in D major - Menuet II | — | ||
| 6-1 | Sheherazade, Symphonic Suite, Op. 35: I. The Sea and Sinbad's ship. Largo e maestoso | — | ||
| 6-2 | Sheherazade, Symphonic Suite, Op. 35: II. The Story of Prince Kalender. Lento - Adagio | — | ||
| 6-3 | Sheherazade, Symphonic Suite, Op. 35: III. The Young Prince and Princess. Andantino quasi Allegretto | — | ||
| 6-4 | Sheherazade, Symphonic Suite, Op. 35: IV. Festival at Baghdad / The Sea / The Shipwreck and Magnetberg. Final: Allegro molto | — | ||
| 6-5 | Pictures at an Exhibition: I. Promenade | — | ||
| 6-6 | Pictures at an Exhibition: II. The Gnome | — | ||
| 6-7 | Pictures at an Exhibition: III. Bydło | — | ||
| 6-8 | Pictures at an Exhibition: IV. Promenade | — | ||
| 6-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chickens | — | ||
| 6-10 | Pictures at an Exhibition: VI. Market Place of Limoges | — | ||
| 6-11 | Pictures at an Exhibition: VII. Catacombs of Roma | — | ||
| 6-12 | Pictures at an Exhibition: VIII. Cum mortuis in lingua mortua | — | ||
| 6-13 | Pictures at an Exhibition: IX. The Cottage of Baba-Yaga | — | ||
| 6-14 | Pictures at an Exhibition: X. Great Gate of Kiev | — | ||
| 7-1 | A Midsummer Night's Dream: I. Overture, Op. 21 | — | ||
| 7-2 | A Midsummer Night's Dream: II. Scherzo, Op. 61 No. 1 | — | ||
| 7-3 | A Midsummer Night's Dream: III. Nocturne, Op. 61 No. 7 | — | ||
| 7-4 | A Midsummer Night's Dream: IV. Wedding March, Op. 61 No. 9 | — | ||
| 7-5 | A Midsummer Night's Dream: V. Dance of the Clowns, Op. 61 No. 11 | — | ||
| 7-6 | Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace | — | ||
| 7-7 | Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto | — | ||
| 7-8 | Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato | — | ||
| 7-9 | Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto | — | ||
| 8-1 | Symphony No. 5: I. Trauermarch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 8-2 | Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 8-3 | Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell | — | ||
| 8-4 | Symphony No. 5: IV. Adagietto. Sehr langsam | — | ||
| 8-5 | Symphony No. 5: V. Rondo-Finale. Allegro giocoso | — | ||
| 9-1 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 1. Allegro vivace / 2. Andante | — | ||
| 9-2 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 3. Scherzo: Presto | — | ||
| 9-3 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 4. Thema con variazioni: Andantino - Allegretto | — | ||
| 9-4 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 5. Finale: Allegro giusto | — | ||
| 9-5 | Fantasie in C major, Op. 15 D. 760 "Wanderer Fantasy" | — | ||
| 9-6 | Waltzes from Valses nobles, Op. 77 D. 969 | — | ||
| 10-1 | Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 10-2 | Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andante semplice – Prestissimo – Tempo | — | ||
| 10-3 | Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco | — | ||
| 10-4 | Violin Concerto in D major, Op. 35: I. Allegro moderato | — | ||
| 10-5 | Violin Concerto in D major, Op. 35: II. Canzonetta. Andante | — | ||
| 10-6 | Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
8711638070120 is a Universal Product Code (UPC) assigned to The Greatest Classical Collection, Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 131 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
The UPC for “The Greatest Classical Collection, Volume 2” by Various Artists is 8711638070120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Masters Classic (2). This release contains 131 tracks, each with its own ISRC. Tracks include US2TL0932814, USBC19200212.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestra Suite No. 1 in C major, BWV. 1066: I. Ouverture | — | ||
| 2 | Orchestra Suite No. 1 in C major, BWV. 1066: II. Courante | — | ||
| 3 | Orchestra Suite No. 1 in C major, BWV. 1066: III. Gavotte 1 & 2 | — | ||
| 4 | Orchestra Suite No. 1 in C major, BWV. 1066: IV. Forlane | — | ||
| 5 | Orchestra Suite No. 1 in C major, BWV. 1066: V. Menuett | — | ||
| 6 | Orchestra Suite No. 1 in C major, BWV. 1066: VI. Bourrée | — | ||
| 7 | Orchestra Suite No. 1 in C major, BWV. 1066: VII. Passepied | — | ||
| 8 | Orchestra Suite No. 2 in B minor, BWV. 1067: I. Ouverture | — | ||
| 9 | Orchestra Suite No. 2 in B minor, BWV. 1067: II. Rondeau | — | ||
| 10 | Orchestra Suite No. 2 in B minor, BWV. 1067: III. Sarabande | — | ||
| 11 | Orchestra Suite No. 2 in B minor, BWV. 1067: IV. Bourrée 1 | — | ||
| 12 | Orchestra Suite No. 2 in B minor, BWV. 1067: V. Bourrée 2 | — | ||
| 13 | Orchestra Suite No. 2 in B minor, BWV. 1067: VI. Polonaise-Double | — | ||
| 14 | Orchestra Suite No. 2 in B minor, BWV. 1067: VII. Menuett | — | ||
| 15 | Orchestra Suite No. 2 in B minor, BWV. 1067: VIII. Badinerie | — | ||
| 16 | Orchestra Suite No. 3 in D major, BWV. 1068: I. Ouverture | — | ||
| 17 | Orchestra Suite No. 3 in D major, BWV. 1068: II. Air | — | ||
| 18 | Orchestra Suite No. 3 in D major, BWV. 1068: III. Gavotte 1 & 2 | — | ||
| 19 | Orchestra Suite No. 3 in D major, BWV. 1068: IV. Bourrée | — | ||
| 20 | Orchestra Suite No. 3 in D major, BWV. 1068: V. Gigue | — | ||
| 2-1 | Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace | — | ||
| 2-2 | Symphony No. 4 in B-flat major, Op. 60: II. Adagio | — | ||
| 2-3 | Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace | — | ||
| 2-4 | Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo | — | ||
| 2-5 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 2-6 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 2-7 | Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro | — | ||
| 2-8 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 3-1 | Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso | — | ||
| 3-2 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 3-3 | Piano Concerto No. 21 in C major, K. 467: III. Andante vivo assai | — | ||
| 3-4 | Violin Concerto in D major, K. 218: I. Allegro | — | ||
| 3-5 | Violin Concerto in D major, K. 218: II. Andante cantabile | — | ||
| 3-6 | Violin Concerto in D major, K. 218: III. Rondeau. Andante gracioso | — | ||
| 3-7 | Horn Concerto No. 2 in E flat major, K. 417: I. Allegro maestoso | — | ||
| 3-8 | Horn Concerto No. 2 in E flat major, K. 417: II. Andante | — | ||
| 3-9 | Horn Concerto No. 2 in E flat major, K. 417: III. Rondo. Allegro | — | ||
| 4-1 | Carmina Burana: I. Fortuna Imperatrix Mundi: O Fortuna | — | ||
| 4-2 | Carmina Burana: I. Fortuna Imperatrix Mundi: Fortune plango vulnera | — | ||
| 4-3 | Carmina Burana: II. Primo Vere: Veris leta facies | — | ||
| 4-4 | Carmina Burana: II. Primo Vere: Omnia sol temperat | — | ||
| 4-5 | Carmina Burana: II. Primo Vere: Ecce gratum | — | ||
| 4-6 | Carmina Burana: III. Uf dem Anger: Tanz | — | ||
| 4-7 | Carmina Burana: III. Uf dem Anger: Floret silva | — | ||
| 4-8 | Carmina Burana: III. Uf dem Anger: Chramer, gip die varwe mir | — | ||
| 4-9 | Carmina Burana: III. Uf dem Anger: Reie | — | ||
| 4-10 | Carmina Burana: III. Uf dem Anger: Swaz hie gat umbe | — | ||
| 4-11 | Carmina Burana: III. Uf dem Anger: Chume, chum geselle min | — | ||
| 4-12 | Carmina Burana: III. Uf dem Anger: Swaz hat gat umbe | — | ||
| 4-13 | Carmina Burana: III. Uf dem Anger: Were diu werlt alle min | — | ||
| 4-14 | Carmina Burana: IV. In Taberna: Estuans interius | — | ||
| 4-15 | Carmina Burana: IV. In Taberna: Olim lacus colueram | — | ||
| 4-16 | Carmina Burana: IV. In Taberna: Ego sum abbas | — | ||
| 4-17 | Carmina Burana: IV. In Taberna: In taberna quando sum | — | ||
| 4-18 | Carmina Burana: V. Cour d'amours: Amor volat undique | — | ||
| 4-19 | Carmina Burana: V. Cour d'amours: Dies, nox et omnia | — | ||
| 4-20 | Carmina Burana: V. Cour d'amours: Stetit puella | — | ||
| 4-21 | Carmina Burana: V. Cour d'amours: Circa mea pectora | — | ||
| 4-22 | Carmina Burana: V. Cour d'amours: Si puer cum puelluia | — | ||
| 4-23 | Carmina Burana: V. Cour d'amours: Veni, veni, venias | — | ||
| 4-24 | Carmina Burana: III. Cour d’amours: XXI. In trutina | Mozarteum Orchester, Chor Salzburg, Kurt Prestel | T-800.639.771-4 | |
| 4-25 | Carmina Burana: V. Cour d'amours: Tempus est iocundum | — | ||
| 4-26 | Carmina Burana: V. Cour d'amours: Dulcissime | — | ||
| 4-27 | Carmina Burana: VI. Blanziflor et Helena: Ave formosissima | — | ||
| 4-28 | Carmina Burana: VII. Fortuna Imperatrix Mundi: O Fortuna | — | ||
| 5-1 | Water Music Suite No.1 in F major - Overture | — | ||
| 5-2 | Water Music Suite No.1 in F major - Adagio e staccato | — | ||
| 5-3 | Water Music Suite No.1 in F major - Allegro - Andante - Allegro | — | ||
| 5-4 | Water Music Suite No.1 in F major - A Tempo di Menuetto | — | ||
| 5-5 | Water Music Suite No.1 in F major - Air | — | ||
| 5-6 | Water Music Suite No.1 in F major - Menuett | — | ||
| 5-7 | Water Music Suite No.1 in F major - Bourree | — | ||
| 5-8 | Water Music Suite No.1 in F major - Hornpipe | — | ||
| 5-9 | Water Music Suite No.1 in F major - Allegro moderato | — | ||
| 5-10 | Water Music Suite No.2 in D major - Andante | — | ||
| 5-11 | Water Music Suite No.2 in D major - Allegro: All Hornpipe | — | ||
| 5-12 | Water Music Suite No.2 in D major - Coro | — | ||
| 5-13 | Water Music Suite No.2 in D major - Loure | — | ||
| 5-14 | Water Music Suite No.2 in D major - Bourree | — | ||
| 5-15 | Water Music Suite No.3 in G major - Menuett | — | ||
| 5-16 | Water Music Suite No.3 in G major - Rigaudon | — | ||
| 5-17 | Water Music Suite No.3 in G major - Menuett | — | ||
| 5-18 | Water Music Suite No.3 in G major - Menuett | — | ||
| 5-19 | Water Music Suite No.3 in G major - Affettuoso | — | ||
| 5-20 | Water Music Suite No.3 in G major - Cantabile | — | ||
| 5-21 | Fireworks Music in D major - Overture | — | ||
| 5-22 | Fireworks Music in D major - Bourree | — | ||
| 5-23 | Fireworks Music in D major - La paix (Largo alla Siciliana) | — | ||
| 5-24 | Fireworks Music in D major - La rejouissance (Allegro) | — | ||
| 5-25 | Fireworks Music in D major - Menuet I | — | ||
| 5-26 | Fireworks Music in D major - Menuet II | — | ||
| 6-1 | Sheherazade, Symphonic Suite, Op. 35: I. The Sea and Sinbad's ship. Largo e maestoso | — | ||
| 6-2 | Sheherazade, Symphonic Suite, Op. 35: II. The Story of Prince Kalender. Lento - Adagio | — | ||
| 6-3 | Sheherazade, Symphonic Suite, Op. 35: III. The Young Prince and Princess. Andantino quasi Allegretto | — | ||
| 6-4 | Sheherazade, Symphonic Suite, Op. 35: IV. Festival at Baghdad / The Sea / The Shipwreck and Magnetberg. Final: Allegro molto | — | ||
| 6-5 | Pictures at an Exhibition: I. Promenade | — | ||
| 6-6 | Pictures at an Exhibition: II. The Gnome | — | ||
| 6-7 | Pictures at an Exhibition: III. Bydło | — | ||
| 6-8 | Pictures at an Exhibition: IV. Promenade | — | ||
| 6-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chickens | — | ||
| 6-10 | Pictures at an Exhibition: VI. Market Place of Limoges | — | ||
| 6-11 | Pictures at an Exhibition: VII. Catacombs of Roma | — | ||
| 6-12 | Pictures at an Exhibition: VIII. Cum mortuis in lingua mortua | — | ||
| 6-13 | Pictures at an Exhibition: IX. The Cottage of Baba-Yaga | — | ||
| 6-14 | Pictures at an Exhibition: X. Great Gate of Kiev | — | ||
| 7-1 | A Midsummer Night's Dream: I. Overture, Op. 21 | — | ||
| 7-2 | A Midsummer Night's Dream: II. Scherzo, Op. 61 No. 1 | — | ||
| 7-3 | A Midsummer Night's Dream: III. Nocturne, Op. 61 No. 7 | — | ||
| 7-4 | A Midsummer Night's Dream: IV. Wedding March, Op. 61 No. 9 | — | ||
| 7-5 | A Midsummer Night's Dream: V. Dance of the Clowns, Op. 61 No. 11 | — | ||
| 7-6 | Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace | — | ||
| 7-7 | Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto | — | ||
| 7-8 | Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato | — | ||
| 7-9 | Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto | — | ||
| 8-1 | Symphony No. 5: I. Trauermarch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 8-2 | Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 8-3 | Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell | — | ||
| 8-4 | Symphony No. 5: IV. Adagietto. Sehr langsam | — | ||
| 8-5 | Symphony No. 5: V. Rondo-Finale. Allegro giocoso | — | ||
| 9-1 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 1. Allegro vivace / 2. Andante | — | ||
| 9-2 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 3. Scherzo: Presto | — | ||
| 9-3 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 4. Thema con variazioni: Andantino - Allegretto | — | ||
| 9-4 | Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 5. Finale: Allegro giusto | — | ||
| 9-5 | Fantasie in C major, Op. 15 D. 760 "Wanderer Fantasy" | — | ||
| 9-6 | Waltzes from Valses nobles, Op. 77 D. 969 | — | ||
| 10-1 | Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 10-2 | Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andante semplice – Prestissimo – Tempo | — | ||
| 10-3 | Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco | — | ||
| 10-4 | Violin Concerto in D major, Op. 35: I. Allegro moderato | — | ||
| 10-5 | Violin Concerto in D major, Op. 35: II. Canzonetta. Andante | — | ||
| 10-6 | Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
