UPC · Release
Masters from Flanders: Polyphony from the 15th & 16th Century
Various Artists
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8711801102184 is the Universal Product Code (UPC barcode) for the release “Masters from Flanders: Polyphony from the 15th & 16th Century” by Various Artists, released 2008-01-01 on Etcetera (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 189 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (189)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Canzona Alla Francese No. 1 | — | ||
| 2 | Motecta Liber Primus: Ave Virgo | — | ||
| 3 | I Sacri E Santi Salmi: Lauda Ierusalem (Psalm 147) | — | ||
| 4 | Signor Mio Caro (Diminution for Strings) | — | ||
| 5 | Il Secondo Libro de Madregali, 4vv: Schiet' Arbuscel | — | ||
| 6 | Douleur Me Bat | — | ||
| 7 | Canzone Villanesche Alla Napolitana: Vecchie Letrose | — | ||
| 8 | Saule, Saule | — | ||
| 9 | Modulationum Liber Primus: Egressus Iesus, W Xvi/88 | — | ||
| 10 | Capriccio Sopra Re Fa Mi Sol | — | ||
| 11 | Il Settimo Libro de Madrigali: Giunto a La Tomba, W Vii/38 | — | ||
| 12 | Il Decimo Libro de Madrigali: Tu Canti, W X/3 | — | ||
| 13 | Quante Volte Diss'Io | — | ||
| 14 | Il Secondo Libro de Madregali, 4vv: Mia Benigna Fortuna | — | ||
| 15 | Vous Sçavez Bien | — | ||
| 16 | Canzona Alla Francese No. 2 | — | ||
| 17 | Fratres, Scitote | — | ||
| 18 | Il Secondo Libro de Motetti: Amen, Amen Dico Vobis, W Xiii/53 | — | ||
| 19 | Modulationum Liber Primus: Vox Clamantis, W Xvi/55 | — | ||
| 20 | Agimus Tibi Gratias | — | ||
| 2-1 | Missa Philippus II: Kyrie | — | ||
| 2-2 | Asperges me | — | ||
| 2-3 | Mais voyez | — | ||
| 2-4 | Je prens en gré la dure mort | — | ||
| 2-5 | Jouÿsance vous donneray | — | ||
| 2-6 | Neufiesme livre des chansons: Petit Jacquet | — | ||
| 2-7 | Neufiesme livre des chansons: Celle qui a facheulx mari | — | ||
| 2-8 | Neufiesme livre des chansons: Du fond de ma pensée | — | ||
| 2-9 | Vidi speciosam | — | ||
| 2-10 | Regina caeli | — | ||
| 2-11 | Heu mihi, Domine | — | ||
| 2-12 | Amour et la beauté | — | ||
| 2-13 | Lëal amour | — | ||
| 2-14 | Digamos | — | ||
| 2-15 | A la dulce risa | — | ||
| 2-16 | Libera me, Domine | — | ||
| 2-17 | Laudate Dominum | — | ||
| 2-18 | Missa Philippus II: Agnus Dei | — | ||
| 3-1 | Magnificat octavi toni | — | ||
| 3-2 | Ad Dominum, S. xvii/49 | — | ||
| 3-3 | Omnium deliciarum, S. xv/132 | — | ||
| 3-4 | Canzon, la doglia e'l pianto, S. vi/90 | — | ||
| 3-5 | No giorno t'haggio havere, S. x/65 | — | ||
| 3-6 | La nuict froide et sombre, S. xii/34 | — | ||
| 3-7 | II estoit une religieuse "Si j'estoi ou mon ame", S. xii/74 | — | ||
| 3-8 | Timor et tremor, S. xix/6 | — | ||
| 3-9 | In hora ultima, S. xv/151 | — | ||
| 3-10 | Deus, qui sedes, S. ix/12 | — | ||
| 3-11 | Diminution of "Susanne un jour" by Orlande de Lassus | — | ||
| 3-12 | Il grave de l'età, S. vi/126 | — | ||
| 3-13 | Passan vostri triomphi, S. x/53 | — | ||
| 3-14 | S'io fusse ciaul'et tu, S. x/92 | — | ||
| 3-15 | O vin en vigne "Bonte divine, vien et monster", S. xii/67 | — | ||
| 3-16 | Der Wein der schmeckt | — | ||
| 3-17 | Vidi aquam | — | ||
| 3-18 | Hola, Caron, S. svi/81 | — | ||
| 3-19 | Aus tiefer Not schrei ich zu dir | — | ||
| 3-20 | Veni, Sancte Spiritus, S. xiii/53 | — | ||
| 3-21 | Respicit Dominus, S. xvii/37 | — | ||
| 4-1 | Het derde musyck boexken "Danseyre": Pavane II "La dona" / Gaillarde VIII "La dona" | — | ||
| 4-2 | Druck en verdriet | — | ||
| 4-3 | Wie sach oit | — | ||
| 4-4 | Het derde musyck boexken "Danseyre": Pavane III "Mille ducas" / Gaillarde X "Mille ducas" / Ronde VIII "Mille ducas" | — | ||
| 4-5 | Mins hiefkens bruin oghen | — | ||
| 4-6 | Het derde musyck boexken "Danseyre": Bergerette "Dont vient cela" / Reprise (I) | — | ||
| 4-7 | Mijn hert altijt heeft verlanghen | — | ||
| 4-8 | Souterliedekens: Roepen, bidden (Psalm 82) | — | ||
| 4-9 | Liber primus leviorum Carminum: Pavane sur la bataille / Gaillarde sur la bataille / Bransle de la guerre No. 1 / Bransle de la guerre No. 2 | — | ||
| 4-10 | Mij heeft een piperken dagh ghestelt | — | ||
| 4-11 | Tweetste musyck boexken: Noch weet ick een schoen ioffrau fyn | — | ||
| 4-12 | Noch weet ick een schoen ioffrau fyn (diminution) | — | ||
| 4-13 | Liber primus leviorum Carminum: Pavane de garde / Gaillarde de garde / Volte pour iouer à la fin de toutes gaillardes de ce ton | — | ||
| 4-14 | Tsou een meysken gaen om wijn | — | ||
| 4-15 | T'meisken was jonck | — | ||
| 4-16 | Liber primus leviorum Carminum: Almande No. 7 / Almande Courante / Gaillarde au ioly bois | — | ||
| 4-17 | Wilt doch belijen | — | ||
| 4-18 | Ghequetst ben ic van binnen | — | ||
| 4-19 | Liber primus leviorum Carminum: Bransle de Bourgoingne / Chorearum Molliorum Collectania: Bransle de Champaingne No. 1 / Bransle de Champaingne 6 / Ungaresca-Saltarello | — | ||
| 5-1 | O suavitas et dulcedo | — | ||
| 5-2 | Benedictus Deus | — | ||
| 5-3 | O quam gloriosum est regnum | — | ||
| 5-4 | Salve Regina | — | ||
| 5-5 | O Domine, multi dicunt | — | ||
| 5-6 | Adesto, dolori meo | — | ||
| 5-7 | Wie soll ein Herz | — | ||
| 5-8 | Thesauri musici, Volume 4: Litania Deiparae Virginis Mariae | — | ||
| 5-9 | Madrigali a 5 voci: Fu preda d'empio Nume | — | ||
| 5-10 | Madrigali a 5 voci: Assai fervida Amante | — | ||
| 5-11 | Madrigali a 5 voci: Lagrimose mie luci | — | ||
| 5-12 | Madrigali a 5 voci: Io parto o mio fedele | — | ||
| 5-13 | Le premier jour du mois de may | — | ||
| 5-14 | So drincken wir alle | — | ||
| 5-15 | Christ der ist erstanden | — | ||
| 5-16 | Super flumina Babylonis | — | ||
| 5-17 | Canzona | — | ||
| 5-18 | Clamavi de tribulatione mea | — | ||
| 5-19 | Domini est terra | — | ||
| 5-20 | Usquequo, Domine, oblivisceris me? | — | ||
| 5-21 | Hodie Christus natus est | — | ||
| 6-1 | Alleluia, Spiritus Domini | — | ||
| 6-2 | Dum complerentur dies Pentecostes | — | ||
| 6-3 | Factus est repente | — | ||
| 6-4 | Veni, Creator Spiritus | — | ||
| 6-5 | Triste depart | — | ||
| 6-6 | Plaisir n'ay plus | — | ||
| 6-7 | Blaison du laid tetin | — | ||
| 6-8 | Au joly bois | — | ||
| 6-9 | Jaquin Jaquet | — | ||
| 6-10 | Amour an cueur | — | ||
| 6-11 | Hortens-Lutens-Hortens | — | ||
| 6-12 | Forbons | — | ||
| 6-13 | Motecta 5 vocum: Ad te levavi | — | ||
| 6-14 | Motecta 4, 5 et 12 vocum: Regina caeli à 12 | — | ||
| 6-15 | Motecta 5 vocum: Tota pulchra es | — | ||
| 6-16 | Crainte et espoir m'oppressent | — | ||
| 6-17 | Pout ung plaisir | — | ||
| 6-18 | Prestés moy l'ung de ces yeulx | — | ||
| 6-19 | Las, je cognois | — | ||
| 6-20 | Ung gay bergier | — | ||
| 6-21 | Pis ne me peut venir | — | ||
| 6-22 | Missa Pis ne me peut venir: Kyrie / Gloria | — | ||
| 7-1 | Salve Regina | — | ||
| 7-2 | In Gottes Namen | — | ||
| 7-3 | In meinem Sinn | — | ||
| 7-4 | Ach, was will doch mein Herz | — | ||
| 7-5 | Alla battaglia | — | ||
| 7-6 | Mon père m'a donné mari | — | ||
| 7-7 | Es wollt ein Maegdlein grasen gahn | — | ||
| 7-8 | Il viendra le jour désiré | — | ||
| 7-9 | Autant en emporte le vent | — | ||
| 7-10 | Fors seulement | — | ||
| 7-11 | Laudate Dominum, omnes gentes | — | ||
| 7-12 | Beata es, Maria | — | ||
| 7-13 | Parce, Domine | — | ||
| 7-14 | Den haghel ende die calde snee | — | ||
| 7-15 | Weet ghy wat minder jonghen herten deert | — | ||
| 7-16 | Als al de weerelt in vruechden leeft | — | ||
| 7-17 | Rorate, caeli | — | ||
| 7-18 | Virgo prudentissima | — | ||
| 8-1 | Douleur me bat | — | ||
| 8-2 | Plusieurs regretz | — | ||
| 8-3 | Fortune destrange plummaige | — | ||
| 8-4 | Ile fantasies de Joskin | — | ||
| 8-5 | O virgo prudentissima | — | ||
| 8-6 | Domine ne in furore | — | ||
| 8-7 | Si j'avoye Marion | — | ||
| 8-8 | Je ne me puis tenir d'aimer | — | ||
| 8-9 | Allegez moy | — | ||
| 8-10 | Entré je suis en grant pensée à 3 | — | ||
| 8-11 | Faulte d'argent | — | ||
| 8-12 | Adieu mes amours à 4 (diminution) | — | ||
| 8-13 | Adieu mes amours à 4 | — | ||
| 8-14 | Cueurs desolez par toute nation | — | ||
| 8-15 | A l'eure | — | ||
| 8-16 | Absolve quaesumus | — | ||
| 8-17 | Mirabilia testimonia tua | — | ||
| 9-1 | Magnificat | — | ||
| 9-2 | Alma redemptoris mater | — | ||
| 9-3 | Ma bouche rit | — | ||
| 9-4 | S'elle m'amera / Petite camusette | — | ||
| 9-5 | Per lignum | — | ||
| 9-6 | Salve Regina | — | ||
| 9-7 | Gaude prole regia | — | ||
| 9-8 | Vous me faites morir | — | ||
| 9-9 | Je suis amie du fourrier | — | ||
| 9-10 | Scaramella fa la galla | — | ||
| 9-11 | Elle l'a pris | — | ||
| 9-12 | Lamentations of Jeremiah: Zain. Recordata est Ierusalem | — | ||
| 9-13 | Omnium bonorum plena | — | ||
| 9-14 | Missa Fors seulement: Credo | — | ||
| 10-1 | Veni Sancte Spiritus | — | ||
| 10-2 | Salve flos Tuscae gentis | — | ||
| 10-3 | Mirandas parit | — | ||
| 10-4 | La belle se siet | — | ||
| 10-5 | Gloria in excelsis | — | ||
| 10-6 | Anima mea liquefacta est | — | ||
| 10-7 | Amours nous traitte honnestement | — | ||
| 10-8 | Anthoni usque limina | — | ||
| 10-9 | Triste plaisir et douloureuse joye, R. 45 | — | ||
| 10-10 | Amours merchi, R. 49 | — | ||
| 10-11 | Asperges me, K. 29-30 | — | ||
| 10-12 | Magnificat | — | ||
| 10-13 | Ave domina sancta Maria | — | ||
| 10-14 | De tous bien plaine | — | ||
| 10-15 | Amor che sospirar | — | ||
| 10-16 | Fortuna desperate | — | ||
| 10-17 | Regina caeli | — | ||
| 10-18 | Invidia nimica | — | ||
| 10-19 | Hé, compaignons | — |
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What is UPC 8711801102184?
8711801102184 is a Universal Product Code (UPC) assigned to Masters from Flanders: Polyphony from the 15th & 16th Century by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 189 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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