UPC · Release
Definite 60’s, Volume 3
Various Artists
8712089100626
72 tracksReleased 1992-01-01
Last verified:
8712089100626 is the Universal Product Code (UPC barcode) for the release “Definite 60’s, Volume 3” by Various Artists, released 1992-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 72 tracks, each with its own ISRC. Tracks include USDEI8105103, GB01A0800374, USSM16201323.
Format
871GS1 prefix
2089Company prefix
10062Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDefinite 60’s, Volume 3
ISRC31 recordings
ISWC79 works
IPI21 songwriters
Track List (72)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini | Brian Hyland | T-070.907.729-1 | |
| 2 | Because They’re Young | — | ||
| 3 | Green Leaves of Summer | — | ||
| 4 | Runaway | Del Shannon | T-071.212.403-2 | |
| 5 | Mexico | — | ||
| 6 | Norman | — | ||
| 7 | Roses Are Red (My Love) | Bobby Vinton | T-070.127.581-1 | |
| 8 | Like I Do | — | ||
| 9 | Speedy Gonzales | — | ||
| 10 | Telstar | The Tornados | T-010.162.623-6 | |
| 11 | The Night Has a Thousand Eyes | Bobby Vee, The Johnny Mann Singers | T-070.271.797-2 | |
| 12 | The End of the World | Skeeter Davis | T-031.531.123-9 | |
| 13 | Twenty Four Hours From Tulsa | Gene Pitney | T-070.182.220-9 | |
| 14 | Lips Are Redder on You | — | ||
| 15 | Concrete and Clay | Unit 4+2 | T-011.280.453-1 | |
| 16 | Down in the Boondocks | Billy Joe Royal | T-070.881.225-2 | |
| 17 | Action | — | ||
| 18 | You Were on My Mind | — | ||
| 2-1 | Elusive Butterfly | Bob Lind | T-070.233.882-6 | |
| 2-2 | That’s Nice | — | ||
| 2-3 | A Touch of Velvet | — | ||
| 2-4 | Early Bird | André Brasseur | — | |
| 2-5 | When a Man Loves a Woman | — | ||
| 2-6 | Summer in the City | The Lovin’ Spoonful | T-070.145.636-1 | |
| 2-7 | Mr. Spaceman | The Byrds | T-070.242.327-5 | |
| 2-8 | Big Fat Spiritual | — | ||
| 2-9 | Happy Together | The Turtles | T-070.234.423-7 | |
| 2-10 | I Can Fly | — | ||
| 2-11 | Music to Watch Girls By | Andy Williams | T-071.066.664-0 | |
| 2-12 | She’d Rather Be With Me | The Turtles | T-070.940.192-2 | |
| 2-13 | San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | T-070.248.479-4 | |
| 2-14 | Thinkin’ Ain’t for Me | — | ||
| 2-15 | Baby Come Back | — | ||
| 2-16 | Everlasting Love | Love Affair | T-070.050.551-6 | |
| 2-17 | Green Tambourine | The Lemon Pipers | T-070.234.360-9 | |
| 2-18 | Everything I Am | — | ||
| 3-1 | Turn Around and Start Again | — | ||
| 3-2 | Delilah | Tom Jones | T-010.597.101-4 | |
| 3-3 | Ups and Downs | — | ||
| 3-4 | If I Only Had Time | John Rowles | T-900.008.796-7 | |
| 3-5 | Abergavenny | — | ||
| 3-6 | Someone Out There | — | ||
| 3-7 | Lady Willpower | — | ||
| 3-8 | Alice Long | — | ||
| 3-9 | Brown Eyed Girl | — | ||
| 3-10 | Little Arrows | — | ||
| 3-11 | Need Your Love So Bad | Fleetwood Mac | T-070.242.437-0 | |
| 3-12 | Battle Hymn of the Republic | — | ||
| 3-13 | Elenore | The Turtles | — | |
| 3-14 | Cherie | — | ||
| 3-15 | Nothing but a Heartache | The Flirtations | T-010.319.668-4 | |
| 3-16 | Atlantis | Donovan | T-010.119.368-3 | |
| 3-17 | Ain’t Got No / I Got Life | Nina Simone | — | |
| 3-18 | Baby Won’t You Leave Me Alone | The Web | T-010.483.125-5 | |
| 4-1 | Sorry Suzanne | — | ||
| 4-2 | In a Moment of Madness | — | ||
| 4-3 | The Last Seven Days | — | ||
| 4-4 | Welcome to My House | — | ||
| 4-5 | Feelin’ Better | — | ||
| 4-6 | Oh Happy Day | Edwin Hawkins Singers | T-902.910.216-7 | |
| 4-7 | Stop the Machine | — | ||
| 4-8 | Let Me | — | ||
| 4-9 | I’d Rather Go Blind | — | ||
| 4-10 | Scarlet Ribbons | — | ||
| 4-11 | I’m Gonna Make You Mine | — | ||
| 4-12 | Mary Ann | — | ||
| 4-13 | Early in the Morning | Vanity Fare | T-010.433.556-9 | |
| 4-14 | Little Green Bag | George Baker Selection | T-900.803.074-8 | |
| 4-15 | Made in Hong Kong | — | ||
| 4-16 | Fat Jack | — | ||
| 4-17 | Beautiful People | Melanie | T-070.013.904-3 | |
| 4-18 | Do It All Over Again | — |
Because They’re Young
—
Green Leaves of Summer
—
Mexico
—
Norman
—
Like I Do
—
Speedy Gonzales
—
Lips Are Redder on You
—
Action
—
You Were on My Mind
—
That’s Nice
—
A Touch of Velvet
—
Early Bird
André Brasseur
—
When a Man Loves a Woman
—
Big Fat Spiritual
—
I Can Fly
—
Thinkin’ Ain’t for Me
—
Baby Come Back
—
Everything I Am
—
Turn Around and Start Again
—
Ups and Downs
—
Abergavenny
—
Someone Out There
—
Lady Willpower
—
Alice Long
—
Brown Eyed Girl
—
Little Arrows
—
Battle Hymn of the Republic
—
Elenore
The Turtles
—
Cherie
—
Ain’t Got No / I Got Life
Nina Simone
—
Sorry Suzanne
—
In a Moment of Madness
—
The Last Seven Days
—
Welcome to My House
—
Feelin’ Better
—
Stop the Machine
—
Let Me
—
I’d Rather Go Blind
—
Scarlet Ribbons
—
I’m Gonna Make You Mine
—
Mary Ann
—
Made in Hong Kong
—
Fat Jack
—
Do It All Over Again
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Elenore | The Turtles | T-070.881.289-8 |
| Ain’t Got No / I Got Life (from “Hair”) | Nina Simone | — |
| Elenore | The Turtles | T-070.881.289-8 |
The Turtles
Ain’t Got No / I Got Life (from “Hair”)
Nina Simone
—
The Turtles
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.119.368-3T-010.162.623-6T-010.319.668-4T-010.433.556-9T-010.483.125-5T-010.597.101-4T-010.119.368-3T-010.162.593-7T-010.162.623-6T-010.319.668-4
+69 more
T-010.433.401-1T-010.433.556-9T-010.433.775-8T-010.471.896-8T-010.483.125-5T-010.597.101-4T-011.280.453-1T-011.280.453-1T-031.531.123-9T-031.531.123-9T-031.715.796-2T-060.220.773-7T-070.013.904-3T-070.050.551-6T-070.127.581-1T-070.145.636-1T-070.182.220-9T-070.233.882-6T-070.234.360-9T-070.234.423-7T-070.242.327-5T-070.242.437-0T-070.248.479-4T-070.271.797-2T-070.881.225-2T-070.907.729-1T-070.940.192-2T-070.013.904-3T-070.050.035-1T-070.050.551-6T-070.065.351-5T-070.127.581-1T-070.137.271-5T-070.145.636-1T-070.182.220-9T-070.211.608-2T-070.231.836-2T-070.233.882-6T-070.234.360-9T-070.234.423-7T-070.240.765-5T-070.242.327-5T-070.242.437-0T-070.242.562-4T-070.248.479-4T-070.271.797-2T-070.880.585-9T-070.881.225-2T-070.881.322-2T-070.907.729-1T-070.940.192-2T-071.066.664-0T-071.212.403-2T-071.066.664-0T-071.070.239-8T-071.212.403-2T-801.185.608-0T-900.008.796-7T-900.803.074-8T-900.008.796-7T-900.190.247-2T-900.306.372-7T-900.757.266-9T-900.803.074-8T-901.289.652-5T-902.910.216-7T-902.154.796-6T-902.649.618-4T-070.881.289-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551515010000000063885003000000007357926100000000783956210000000079621002000000008111612800000000812329700000000084034304000000008844284X0000000093451732
+38 more
0000000105463336000000010663115100000001066424590000000106714117000000010676125500000001072490770000000107759050000000010785025X000000010796821500000001079918960000000108000732000000010802612300000001080480150000000112090777000000011292124300000001144775960000000114746346000000011476241800000001151984760000000115236911000000011646835100000001170404100000000118753180000000011955184700000001202683280000000120349312000000012136878500000001224312050000000123028637000000036846866500000003685334200000000372410343000000037245202500000003730324440000000381319891000000046942062800000004703997230000000471274332
Identifier Graph
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What is UPC 8712089100626?
8712089100626 is a Universal Product Code (UPC) assigned to Definite 60’s, Volume 3 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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