200 Tracks From the Super Seventies

UPC · Release

200 Tracks From the Super Seventies

Various Artists

8712155102905
199 tracksReleased 2009-01-01Weton-Wesgram

Last verified:

8712155102905 is the Universal Product Code (UPC barcode) for the release 200 Tracks From the Super Seventies by Various Artists, released 2009-01-01 on Weton-Wesgram. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 199 tracks, each with its own ISRC. Tracks include USAT20300384, USMC30610164, USA560623817.

Format

871GS1 prefix
2155Company prefix
10290Product
5Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPC200 Tracks From the Super Seventies
ISRC39 recordings
ISWC88 works
IPI50 songwriters

Track List (199)

Nutbush City Limits (re-recording)
Nutbush City Limits (re-recording)
Stoned Love (live)
Stoned Love (live)
Greased Lightnin’
Greased Lightnin’
Sugar Baby Love (re-recording)
Sugar Baby Love (re-recording)
Rose Garden (re-recording)
Rose Garden (re-recording)
Ladies Night (live)
Ladies Night (live)
Sweet Talkin’ Woman (live)
Sweet Talkin’ Woman (live)
Blanket on the Ground
Blanket on the Ground
Lonely Boy (re-recording)
Lonely Boy (re-recording)
Heartbeat
Heartbeat
Get Down Tonight (live)
Get Down Tonight (live)
Rainbow (re-recording)
Rainbow (re-recording)
Sacramento (A Wonderful Town) (re-recording)
Sacramento (A Wonderful Town) (re-recording)
Rhinestone Cowboy (live)
Rhinestone Cowboy (live)
Get Dancin’ (re-recording)
Get Dancin’ (re-recording)
Stand by Your Man (live)
Stand by Your Man (live)
My Sweet Rosalie / Oh Boy
My Sweet Rosalie / Oh Boy
Chirpy Chirpy Cheep Cheep (re-recording)
Chirpy Chirpy Cheep Cheep (re-recording)
Love Really Hurts Without You (re-recording)
Love Really Hurts Without You (re-recording)
Boogie Oogie Oogie
Boogie Oogie Oogie
Beg, Steal or Borrow (re-recording)
Beg, Steal or Borrow (re-recording)
Summer (The First Time) (re-recording)
Summer (The First Time) (re-recording)
Rosetta
Rosetta
Nathan Jones (re-recording)
Nathan Jones (re-recording)
You Little Trustmaker (re-recording)
You Little Trustmaker (re-recording)
Don’t Bring Me Down (live)
Don’t Bring Me Down (live)
The Rubberband Man (live)
The Rubberband Man (live)
Keeper of the Castle (live)
Keeper of the Castle (live)
Confusion (live)
Confusion (live)
Dancin’ on a Saturday Night (re-recording)
Dancin’ on a Saturday Night (re-recording)
Oh Babe, What Would You Say (re-recording)
Oh Babe, What Would You Say (re-recording)
Don’t Leave Me This Way (re-recording)
Don’t Leave Me This Way (re-recording)
Rock Your Baby (re-recording)
Rock Your Baby (re-recording)
The Cat Crept In (re-recording)
The Cat Crept In (re-recording)
Save Your Kisses for Me (re-recording)
Save Your Kisses for Me (re-recording)
Blockbuster (re-recording)
Blockbuster (re-recording)
You’re Such a Good Looking Woman
You’re Such a Good Looking Woman
Joe Dolan
Turn to Stone (live)
Turn to Stone (live)
You Make Me Feel Brand New (live)
You Make Me Feel Brand New (live)
Rocket (re-recording)
Rocket (re-recording)
When You Are a King (re-recording)
When You Are a King (re-recording)
Ball of Confusion (That’s What the World Is Today) (re-recording)
Ball of Confusion (That’s What the World Is Today) (re-recording)
The Groove Line (re-recording)
The Groove Line (re-recording)
Get Up Offa That Thing (live)
Get Up Offa That Thing (live)
Soul Sacrifice
Soul Sacrifice
Me and You and a Dog Named Boo (re-recording)
Me and You and a Dog Named Boo (re-recording)
Hey Girl Don’t Bother Me (re-recording)
Hey Girl Don’t Bother Me (re-recording)
Look What They’ve Done to My Song Ma (re-recording)
Look What They’ve Done to My Song Ma (re-recording)
The Love I Lost (re-recording)
The Love I Lost (re-recording)
Oh Boy (re-recording)
Oh Boy (re-recording)
Reach Out I’ll Be There (re-recording)
Reach Out I’ll Be There (re-recording)
Soley Soley (re-recording)
Soley Soley (re-recording)
Yellow River (re-recording)
Yellow River (re-recording)
Woman in Love (re-recording)
Woman in Love (re-recording)
Baby Jump (re-recording)
Baby Jump (re-recording)
Figaro
Brotherhood of Man
Can You Feel the Force (re-recording)
Can You Feel the Force (re-recording)
Always and Forever
Always and Forever
Livin’ Thing (live)
Livin’ Thing (live)
Ballroom Blitz (re-recording)
Ballroom Blitz (re-recording)
More, More, More (re-recording)
More, More, More (re-recording)
Sunshine Day (re-recording)
Sunshine Day (re-recording)
Ring My Bell (re-recording)
Ring My Bell (re-recording)
Can’t Get by Without You (re-recording)
Can’t Get by Without You (re-recording)
Action (re-recording)
Action (re-recording)
Alright, Alright, Alright
Alright, Alright, Alright
I Can Do It (re-recording)
I Can Do It (re-recording)
Lean on Me (re-recording)
Lean on Me (re-recording)
Tweedle Dee, Tweedle Dum (re-recording)
Tweedle Dee, Tweedle Dum (re-recording)
It’s All in the Game (re-recording)
It’s All in the Game (re-recording)
Sunshine Superman (re-recording)
Sunshine Superman (re-recording)
Telephone Line (live)
Telephone Line (live)
Oh Girl
Oh Girl
Come and Get It (re-recording)
Come and Get It (re-recording)
Falling Apart at the Seams (re-recording)
Falling Apart at the Seams (re-recording)
Up the Ladder to the Roof (re-recording)
Up the Ladder to the Roof (re-recording)
Black and White
Black and White
Sweet Talkin’ Guy (re-recording)
Sweet Talkin’ Guy (re-recording)
Move on Up (live)
Move on Up (live)
I Can’t Leave You Alone (re-recording)
I Can’t Leave You Alone (re-recording)
No Matter What (re-recording)
No Matter What (re-recording)
Tiger Feet (re-recording)
Tiger Feet (re-recording)
I Only Want to Be With You (re-recording)
I Only Want to Be With You (re-recording)
Teenage Rampage (re-recording)
Teenage Rampage (re-recording)
Here It Comes Again (re-recording)
Here It Comes Again (re-recording)
When Will I See You Again (re-recording)
When Will I See You Again (re-recording)
I’m Stone in Love With You (live)
I’m Stone in Love With You (live)
Sing Don’t Speak (re-recording)
Sing Don’t Speak (re-recording)
Hang on in There Baby (re-recording)
Hang on in There Baby (re-recording)
In Zaire
In Zaire
(Everybody) Get Dancin’ (re-recording)
(Everybody) Get Dancin’ (re-recording)
Betcha by Golly, Wow (live)
Betcha by Golly, Wow (live)
Never Let Her Slip Away (re-recording)
Never Let Her Slip Away (re-recording)
Native New Yorker (re-recording)
Native New Yorker (re-recording)
Cuba (re-recording)
Cuba (re-recording)
Beautiful Sunday
Beautiful Sunday
Flip
Flip
Raindrops Keep Falling on My Head (re-recording)
Raindrops Keep Falling on My Head (re-recording)
He’s the Greatest Dancer (live)
He’s the Greatest Dancer (live)
You to Me Are Everything (re-recording)
You to Me Are Everything (re-recording)
Nice & Slow
Nice & Slow
I’m in the Mood for Dancing (re-recording)
I’m in the Mood for Dancing (re-recording)
Thank You for Being a Friend (live)
Thank You for Being a Friend (live)
Have You Seen Her? (re-recording)
Have You Seen Her? (re-recording)
Fox on the Run (re-recording)
Fox on the Run (re-recording)
My Ding-A-Ling(live)
My Ding-A-Ling(live)
Something Old, Something New (re-recording)
Something Old, Something New (re-recording)
Behind Closed Doors
Behind Closed Doors
Southern Nights (live)
Southern Nights (live)
My Baby Loves Lovin’
My Baby Loves Lovin’
Gertcha (live)
Gertcha (live)
Gimme Dat Ding (re-recording)
Gimme Dat Ding (re-recording)
Don’t Let It Die (re-recording)
Don’t Let It Die (re-recording)
Je t’aime (Mon non plus)
Je t’aime (Mon non plus)
Indiana Wants Me
Indiana Wants Me
Dynamite (re-recording)
Dynamite (re-recording)
I Love to Love (re-recording)
I Love to Love (re-recording)
Heaven Must Be Missing an Angel (live)
Heaven Must Be Missing an Angel (live)
Beach Baby
Beach Baby
Love Don’t Live Here Anymore (live)
Love Don’t Live Here Anymore (live)
Mouldy Old Dough (re-recording)
Mouldy Old Dough (re-recording)
Pinball Wizard / See Me, Feel Me (re-recording)
Pinball Wizard / See Me, Feel Me (re-recording)
I Want Your Love (live)
I Want Your Love (live)
Just My Imagination (Running Away with Me) (re-recording)
Just My Imagination (Running Away with Me) (re-recording)
Money Honey (re-recording)
Money Honey (re-recording)
Sky High (re-recording)
Sky High (re-recording)
Day After Day (re-recording)
Day After Day (re-recording)
Hey There Lonely Girl
Hey There Lonely Girl
I’d Love You to Want Me
I’d Love You to Want Me
Patches (re-recording)
Patches (re-recording)
Son of My Father (re-recording)
Son of My Father (re-recording)
January (re-recording)
January (re-recording)
Get Up (I Feel Like Being a) Sex Machine (live)
Get Up (I Feel Like Being a) Sex Machine (live)
Baby Come Back (re-recording)
Baby Come Back (re-recording)
Tonight (re-recording)
Tonight (re-recording)
Le Freak (live)
Le Freak (live)
Big Six
Big Six
Give a Little Love (re-recording)
Give a Little Love (re-recording)
Romeo (re-recording)
Romeo (re-recording)
Midnight at the Oasis
Midnight at the Oasis
Young Hearts Run Free (re-recording)
Young Hearts Run Free (re-recording)
Band of Gold (re-recording)
Band of Gold (re-recording)
Get It On (re-recording)
Get It On (re-recording)
Let’s All Chant
The Michael Zager Band
Gonna Get Along Without You Now (re-recording)
Gonna Get Along Without You Now (re-recording)
I’ll Go Where Your Music Takes Me (re-recording)
I’ll Go Where Your Music Takes Me (re-recording)
Bye Bye Baby (re-recording)
Bye Bye Baby (re-recording)
I Will Survive (re-recording)
I Will Survive (re-recording)
Angelo
Angelo
If You Don’t Know Me by Now (re-recording)
If You Don’t Know Me by Now (re-recording)
Freedom Come, Freedom Go (re-recording)
Freedom Come, Freedom Go (re-recording)
We Are Family (live)
We Are Family (live)
Just When I Needed You Most (re-recording)
Just When I Needed You Most (re-recording)
With You I’m Born Again (re-recording)
With You I’m Born Again (re-recording)
More Than a Woman (live)
More Than a Woman (live)
Good Grief Christina (re-recording)
Good Grief Christina (re-recording)
It’s Been So Long (re-recording)
It’s Been So Long (re-recording)
Do the Funky Chicken
Do the Funky Chicken
Standing in the Road (re-recording)
Standing in the Road (re-recording)
Weak Spot (re-recording)
Weak Spot (re-recording)
One Nation Under a Groove, Part 1
One Nation Under a Groove, Part 1
Brand New Key (re-recording)
Brand New Key (re-recording)
Wishing on a Star (live)
Wishing on a Star (live)

What other identifiers does this connect to?

Musical Works (ISWC)

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 8712155102905?
UPC 8712155102905 is the Universal Product Code (barcode) for "200 Tracks From the Super Seventies" by Various Artists, released on Weton-Wesgram.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 8712155102905?
UPC 8712155102905 contains 199 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 8712155102905?

8712155102905 is a Universal Product Code (UPC) assigned to 200 Tracks From the Super Seventies by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 199 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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