UPC · Release
Classical Hits From the Movies
Various Artists
8712177025824
108 tracksReleased 1996-01-01
Last verified:
8712177025824 is the Universal Product Code (UPC barcode) for the release “Classical Hits From the Movies” by Various Artists, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 108 tracks, each with its own ISRC. Tracks include USCMG0600479.
Format
871GS1 prefix
2177Company prefix
02582Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClassical Hits From the Movies
ISRC1 recording
ISWC7 works
IPI3 songwriters
Track List (108)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trading Places: The Marriage of Figaro | — | ||
| 2 | The Last Emperor: Emperor Waltz | — | ||
| 3 | Moonstruck: La bohème | — | ||
| 4 | Out of Africa: Clarinet Concerto | — | ||
| 5 | Raging Bull/The Godfather: Cavalleria rusticana: Intermezzo | — | ||
| 6 | Someone to Watch Over Me: Lakmé | — | ||
| 7 | Breaking Away/A Midsummer Night’s Sex Comedy: Symphony no. 4 | — | ||
| 8 | 10: Les une et les autres | — | ||
| 9 | Sunday Bloody Sunday: Così fan tutte | — | ||
| 10 | A League of Their Own: Menuet | — | ||
| 11 | Fantasia: Ave Maria | — | ||
| 2-1 | Wayne’s World: Romeo and Juliet | — | ||
| 2-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romanze | Angela Giulini, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — | |
| 2-3 | The Phantom of the Opera: Faust | — | ||
| 2-4 | The Four Seasons: The Four Seasons | — | ||
| 2-5 | Manhattan: Rhapsody in Blue | — | ||
| 2-6 | Fatal Attraction: Madam Butterfly | — | ||
| 2-7 | Platoon/Lorenzo’s Oil: Adagio for Strings | — | ||
| 2-8 | Punchline: Sabre Dance | — | ||
| 2-9 | The Witches of Eastwick: Don Giovanni | — | ||
| 2-10 | Apocalypse Now: Die Walküre | — | ||
| 2-11 | Driving Miss Daisy: Rusalka | — | ||
| 3-1 | A Clockwork Orange/The Lone Ranger: William Tell | — | ||
| 3-2 | Death in Venice: Symphony no. 5 | — | ||
| 3-3 | Wall Street: Rigoletto | — | ||
| 3-4 | Elvira Madigan/Regarding Henry: Piano Concerto no. 21 | — | ||
| 3-5 | Farinelli: Rinaldo | — | ||
| 3-6 | Pigs in a Polka: Hungarian Dance | — | ||
| 3-7 | Moonstruck: La bohème i | — | ||
| 3-8 | Moonstruck: La bohème ii | — | ||
| 3-9 | Kramer versus Kramer: Concerto for Mandolin, Strings and Cembalo i | — | ||
| 3-10 | Kramer versus Kramer: Concerto for Mandolin, Strings and Cembalo ii | — | ||
| 3-11 | Kramer versus Kramer: Concerto for Mandolin, Strings and Cembalo iii | — | ||
| 3-12 | Excalibur: Funeral March | — | ||
| 3-13 | Yes Giorgio: Santa Lucia | — | ||
| 4-1 | Amadeus: Don Giovanni | — | ||
| 4-2 | Dangerous Moonlight: Warsaw Concerto | — | ||
| 4-3 | Philadelphia: Andrea Chénier | — | ||
| 4-4 | Heat and Dust: Tales From the Vienna Woods | — | ||
| 4-5 | Pizzicato Polka: Waltz no. 6 | — | ||
| 4-6 | Hannah and Her Sisters: Manon Lescaut | — | ||
| 4-7 | Howard’s End: Symphony no. 5 | — | ||
| 4-8 | Yes Giorgio: Turandot | — | ||
| 4-9 | A Clockwork Orange: Pomp & Circumstance March | — | ||
| 4-10 | Rollerball/Sleeping Beauty: The Sleeping Beauty | — | ||
| 4-11 | Meeting Venus: Tannhäuser | — | ||
| 5-1 | Ludwig: Lohengrin | — | ||
| 5-2 | The Untouchables: Pagliacci | — | ||
| 5-3 | Fame/Amadeus: Serenade no. 13 | — | ||
| 5-4 | Gallipoli/The Doors: Adagio for Organ & Strings | — | ||
| 5-5 | Excalibur/Glory/The Hunt for Red October: Carmina Burana | — | ||
| 5-6 | Die Hard II: Finlandia | — | ||
| 5-7 | A Room With a View: Gianni Schicchi | — | ||
| 5-8 | Who Framed Roger Rabbit: Hungarian Rhapsody no. 2 | — | ||
| 5-9 | La Luna: Un ballo in maschera | — | ||
| 5-10 | Brief Encounter: Piano Concerto no. 2 | — | ||
| 6-1 | Prizzi’s Honor: The Barber of Seville | — | ||
| 6-2 | Mutterliebe: Mefistofele | — | ||
| 6-3 | Immortal Beloved: Bagatelle | — | ||
| 6-4 | The Moderns: The Marriage of Figaro | — | ||
| 6-5 | Ordinary People: Canon in D minor | — | ||
| 6-6 | Amadeus: Symphony no. 25 | — | ||
| 6-7 | Gallipoli: The Pearl Fishers | — | ||
| 6-8 | Rollerball/Fantasia/The Phantom of the Opera: Toccata & Fugue | — | ||
| 6-9 | The Prince of Tides: Symphony no. 104 | — | ||
| 6-10 | Anvil Chorus Girl: Il trovatore | — | ||
| 6-11 | Fantasia: Symphony no. 6 | — | ||
| 7-1 | E la nave fa/Jean de Florette: La forza del destino | — | ||
| 7-2 | The Great Caruso/Awakenings: La bohème | — | ||
| 7-3 | Silence of the Lambs: Goldberg Variations | — | ||
| 7-4 | Dark Eyes: The Barber of Seville | — | ||
| 7-5 | Manhattan: Symphony no. 40 | — | ||
| 7-6 | Carmen Jones: Carmen | — | ||
| 7-7 | Joy Luck Club: Humoresque | — | ||
| 7-8 | 1000 Men and a Girl: La traviata | — | ||
| 7-9 | 2001: A Space Odyssey: The Blue Danube Waltz | — | ||
| 7-10 | Jennifer 8: Madame Butterfly | — | ||
| 7-11 | The Music Lovers: Symphony no. 6 | — | ||
| 8-1 | 2001: A Space Odyssey: Also sprach Zarathustra | — | ||
| 8-2 | Moonstruck: La bohème | — | ||
| 8-3 | The Music Lovers: Overture solenelle | — | ||
| 8-4 | Fantasia: The Sorcerer’s Apprentice | — | ||
| 8-5 | Diva: La Wally | — | ||
| 8-6 | Being There: Symphony no. 8 | — | ||
| 8-7 | Amadeus: Requiem | — | ||
| 8-8 | Four Weddings and a Funeral: A Midsummer Night’s Dream | — | ||
| 8-9 | Back Alley Uproar: Lucia di Lammermoor | — | ||
| 8-10 | The Great Caruso: La rondine | — | ||
| 9-1 | What’s Opera Doc? The Flying Dutchman | — | ||
| 9-2 | Guarding Tess: The Abduction From the Seraglio | — | ||
| 9-3 | Nijinsky: Prélude à l'après-midi d'un faune | — | ||
| 9-4 | Heat and Dust: Fantasiestücke, op. 12 | — | ||
| 9-5 | Lorenzo’s Oil: L'elisir d'amore | — | ||
| 9-6 | Age of Innocence: Radetsky March | — | ||
| 9-7 | The Grey Fox: Martha | — | ||
| 9-8 | Groundhog Day: Sonata for Piano | — | ||
| 9-9 | Fantasia: La Gioconda | — | ||
| 9-10 | Die Hard: Ode to Joy | — | ||
| 10-1 | Raising Cain: Peer Gynt | — | ||
| 10-2 | Mrs. Doubtfire: The Barber of Seville | — | ||
| 10-3 | Somewhere in Time/Dead Again/Groundhog Day: Rhapsody on a Theme of Paganini | — | ||
| 10-4 | The Accompanist: Laudate Dominum | — | ||
| 10-5 | Children of a Lesser God: Concerto no. 3 | — | ||
| 10-6 | Mutterliebe: Agnus Dei | — | ||
| 10-7 | Frankie & Johnny: Clair de Lune | — | ||
| 10-8 | The Great Caruso: Gianni Schicchi | — | ||
| 10-9 | J.F.K.: Horn Concerto no. 2 | — | ||
| 10-10 | Pretty Woman: La traviata | — |
Trading Places: The Marriage of Figaro
—
The Last Emperor: Emperor Waltz
—
Moonstruck: La bohème
—
Out of Africa: Clarinet Concerto
—
Raging Bull/The Godfather: Cavalleria rusticana: Intermezzo
—
Someone to Watch Over Me: Lakmé
—
Breaking Away/A Midsummer Night’s Sex Comedy: Symphony no. 4
—
10: Les une et les autres
—
Sunday Bloody Sunday: Così fan tutte
—
A League of Their Own: Menuet
—
Fantasia: Ave Maria
—
Wayne’s World: Romeo and Juliet
—
Piano Concerto no. 20 in D minor, K. 466: II. Romanze
Angela Giulini, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio
—
The Phantom of the Opera: Faust
—
The Four Seasons: The Four Seasons
—
Manhattan: Rhapsody in Blue
—
Fatal Attraction: Madam Butterfly
—
Platoon/Lorenzo’s Oil: Adagio for Strings
—
Punchline: Sabre Dance
—
The Witches of Eastwick: Don Giovanni
—
Apocalypse Now: Die Walküre
—
Driving Miss Daisy: Rusalka
—
A Clockwork Orange/The Lone Ranger: William Tell
—
Death in Venice: Symphony no. 5
—
Wall Street: Rigoletto
—
Elvira Madigan/Regarding Henry: Piano Concerto no. 21
—
Farinelli: Rinaldo
—
Pigs in a Polka: Hungarian Dance
—
Moonstruck: La bohème i
—
Moonstruck: La bohème ii
—
Kramer versus Kramer: Concerto for Mandolin, Strings and Cembalo i
—
Kramer versus Kramer: Concerto for Mandolin, Strings and Cembalo ii
—
Kramer versus Kramer: Concerto for Mandolin, Strings and Cembalo iii
—
Excalibur: Funeral March
—
Yes Giorgio: Santa Lucia
—
Amadeus: Don Giovanni
—
Dangerous Moonlight: Warsaw Concerto
—
Philadelphia: Andrea Chénier
—
Heat and Dust: Tales From the Vienna Woods
—
Pizzicato Polka: Waltz no. 6
—
Hannah and Her Sisters: Manon Lescaut
—
Howard’s End: Symphony no. 5
—
Yes Giorgio: Turandot
—
A Clockwork Orange: Pomp & Circumstance March
—
Rollerball/Sleeping Beauty: The Sleeping Beauty
—
Meeting Venus: Tannhäuser
—
Ludwig: Lohengrin
—
The Untouchables: Pagliacci
—
Fame/Amadeus: Serenade no. 13
—
Gallipoli/The Doors: Adagio for Organ & Strings
—
Excalibur/Glory/The Hunt for Red October: Carmina Burana
—
Die Hard II: Finlandia
—
A Room With a View: Gianni Schicchi
—
Who Framed Roger Rabbit: Hungarian Rhapsody no. 2
—
La Luna: Un ballo in maschera
—
Brief Encounter: Piano Concerto no. 2
—
Prizzi’s Honor: The Barber of Seville
—
Mutterliebe: Mefistofele
—
Immortal Beloved: Bagatelle
—
The Moderns: The Marriage of Figaro
—
Ordinary People: Canon in D minor
—
Amadeus: Symphony no. 25
—
Gallipoli: The Pearl Fishers
—
Rollerball/Fantasia/The Phantom of the Opera: Toccata & Fugue
—
The Prince of Tides: Symphony no. 104
—
Anvil Chorus Girl: Il trovatore
—
Fantasia: Symphony no. 6
—
E la nave fa/Jean de Florette: La forza del destino
—
The Great Caruso/Awakenings: La bohème
—
Silence of the Lambs: Goldberg Variations
—
Dark Eyes: The Barber of Seville
—
Manhattan: Symphony no. 40
—
Carmen Jones: Carmen
—
Joy Luck Club: Humoresque
—
1000 Men and a Girl: La traviata
—
2001: A Space Odyssey: The Blue Danube Waltz
—
Jennifer 8: Madame Butterfly
—
The Music Lovers: Symphony no. 6
—
2001: A Space Odyssey: Also sprach Zarathustra
—
Moonstruck: La bohème
—
The Music Lovers: Overture solenelle
—
Fantasia: The Sorcerer’s Apprentice
—
Diva: La Wally
—
Being There: Symphony no. 8
—
Amadeus: Requiem
—
Four Weddings and a Funeral: A Midsummer Night’s Dream
—
Back Alley Uproar: Lucia di Lammermoor
—
The Great Caruso: La rondine
—
What’s Opera Doc? The Flying Dutchman
—
Guarding Tess: The Abduction From the Seraglio
—
Nijinsky: Prélude à l'après-midi d'un faune
—
Heat and Dust: Fantasiestücke, op. 12
—
Lorenzo’s Oil: L'elisir d'amore
—
Age of Innocence: Radetsky March
—
The Grey Fox: Martha
—
Groundhog Day: Sonata for Piano
—
Fantasia: La Gioconda
—
Die Hard: Ode to Joy
—
Raising Cain: Peer Gynt
—
Mrs. Doubtfire: The Barber of Seville
—
Somewhere in Time/Dead Again/Groundhog Day: Rhapsody on a Theme of Paganini
—
The Accompanist: Laudate Dominum
—
Children of a Lesser God: Concerto no. 3
—
Mutterliebe: Agnus Dei
—
Frankie & Johnny: Clair de Lune
—
The Great Caruso: Gianni Schicchi
—
J.F.K.: Horn Concerto no. 2
—
Pretty Woman: La traviata
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000000289607500000000551377690000000055138729000000005517149X00000000551753860000000055195774000000005920243300000000592977940000000059346664000000005938496X
+40 more
0000000059479934000000006097350X00000000609781910000000061558367000000006302270X0000000063032684000000006309071000000000631060220000000072455726000000007357556X0000000073602871000000007366228400000000768938030000000076907742000000007839540200000000783985580000000078894121000000008016470X000000008079623X0000000080837943000000008136075300000000816198250000000081692432000000008188387X00000000834914310000000083682633000000008387650X0000000083902763000000008963125500000000927643070000000106750345000000010717671X00000001072843150000000108602274000000010860653100000001086750860000000108769963000000010893543100000001089644780000000109045246
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 8712177025824?
8712177025824 is a Universal Product Code (UPC) assigned to Classical Hits From the Movies by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 108 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm