UPC · Release
Conversation Piece and Other Musical Plays
Noël Coward
8712177050758
89 tracksReleased 2007-01-01Gala (8)
Last verified:
8712177050758 is the Universal Product Code (UPC barcode) for the release “Conversation Piece and Other Musical Plays” by Noël Coward, released 2007-01-01 on Gala (8). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 89 tracks, each with its own ISRC.
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871GS1 prefix
2177Company prefix
05075Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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- Product:
- Unique product number assigned by the company.
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Credit Chain
UPCConversation Piece and Other Musical Plays
ISWC13 works
IPI2 songwriters
Track List (89)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Conversation Piece (1951), musical: Act One. Spoken Introduction: Ladies and Gentlemen | — | ||
| 2 | Conversation Piece (1951), musical: Act One. Overture | — | ||
| 3 | Conversation Piece (1951), musical: Act One. Spoken Introduction: The scene is laid in Brighton by the sea | — | ||
| 4 | Conversation Piece (1951), musical: Act One. Dialogue: Good morning, Rose | — | ||
| 5 | Conversation Piece (1951), musical: Act One. A cloud has passed across the sun | — | ||
| 6 | Conversation Piece (1951), musical: Act One. Dialogue: Go and dress | — | ||
| 7 | Conversation Piece (1951), musical: Act One. You ask me to have a discrete heart | — | ||
| 8 | Conversation Piece (1951), musical: Act One. I'll follow my secret heart | — | ||
| 9 | Conversation Piece (1951), musical: Act One. Dialogue: The Marquis of Sheere | — | ||
| 10 | Conversation Piece (1951), musical: Act One. Dialogue: It is a very nice day, is it not? | — | ||
| 11 | Conversation Piece (1951), musical: Act One. Spoken Introduction: The Regent and his retinue | — | ||
| 12 | Conversation Piece (1951), musical: Act One. Regency rakes | — | ||
| 13 | Conversation Piece (1951), musical: Act One. Dialogue: Mademoiselle will be with you in a moment | — | ||
| 14 | Conversation Piece (1951), musical: Act One. Quartet: Charming! Charming! Charming! | — | ||
| 15 | Conversation Piece (1951), musical: Act One. Soldiers! | — | ||
| 16 | Conversation Piece (1951), musical: Act One. Spoken Introduction: The mother and father of dear Lord Sheere | — | ||
| 17 | Conversation Piece (1951), musical: Act One. Dialogue: I am the Duchess of Beneden | — | ||
| 18 | Conversation Piece (1951), musical: Act One. Spoken Introduction: We British are an island race / There's always something fishy about the French | — | ||
| 19 | Conversation Piece (1951), musical: Act One. Spoken Introduction, dialogue: Imagine a summer evening if you please | — | ||
| 20 | Conversation Piece (1951), musical: Act One. Spoken Introduction: Through the darkening trees comes a lady in green | — | ||
| 21 | Conversation Piece (1951), musical: Act One. Dialogue: My dear Julia! | — | ||
| 22 | Conversation Piece (1951), musical: Act One. Spoken Introduction: Bows are exchanged | — | ||
| 23 | Conversation Piece (1951), musical: Act One. Dialogue: The seventh! | — | ||
| 24 | Conversation Piece (1951), musical: Act Two. Spoken Introduction: Once more the house, so modest, so discreet | — | ||
| 25 | Conversation Piece (1951), musical: Act Two. The tree is in the garden | — | ||
| 26 | Conversation Piece (1951), musical: Act Two. Dialogue: There's a lady downstairs to see you | — | ||
| 27 | Conversation Piece (1951), musical: Act Two. Dialogue: Do you think that is wise? | — | ||
| 28 | Conversation Piece (1951), musical: Act Two. Dialogue: Julia, Lord Sheere is our only definite proposal so far | — | ||
| 29 | Conversation Piece (1951), musical: Act Two. I'll follow my secret heart (reprise) | — | ||
| 30 | Conversation Piece (1951), musical: Act Two. Spoken Introduction: The melody that follows | — | ||
| 31 | Conversation Piece (1951), musical: Act Two. Whimsical Fate | — | ||
| 32 | Conversation Piece (1951), musical: Act Two. Spoken Introduction: Please try to envisage a social occasion | — | ||
| 33 | Conversation Piece (1951), musical: Act Two. Dialogue: What a charming house | — | ||
| 34 | Conversation Piece (1951), musical: Act Two. Aria: Dear friends | — | ||
| 35 | Conversation Piece (1951), musical: Act Two. Dialogue: Thank you, my dear, for being so sweet to me | — | ||
| 36 | Conversation Piece (1951), musical: Act Two. Aria: C'est assez de mensonge | — | ||
| 37 | Conversation Piece (1951), musical: Act Two. Spoken Introduction: For the benefit of listeners | — | ||
| 38 | Conversation Piece (1951), musical: Act Two. Dialogue: Well - I hope you are satisfied | — | ||
| 2-1 | Conversation Piece (1951), musical: Act Three. Spoken Introduction: The following scene is the following day | — | ||
| 2-2 | Conversation Piece (1951), musical: Act Three. Dialogue: My dear Paul, such sentimentality | — | ||
| 2-3 | Conversation Piece (1951), musical: Act Three. Spoken Introduction: And now for a rather charming scene | — | ||
| 2-4 | Conversation Piece (1951), musical: Act Three. Dialogue: What will we speak of? | — | ||
| 2-5 | Conversation Piece (1951), musical: Act Three. Dear Friend | — | ||
| 2-6 | Conversation Piece (1951), musical: Act Three. Dialogue: I hope I am not intruding | — | ||
| 2-7 | Conversation Piece (1951), musical: Act Three. All comedies must come to an end | — | ||
| 2-8 | Conversation Piece (1934), musical: Act One. Now then business Melanie / A cloud has passed across the sun / Go and dress / You ask me | — | ||
| 2-9 | Conversation Piece (1934), musical: Act One. Regency rakes | — | ||
| 2-10 | Conversation Piece (1934), musical: Act One. Charming! Charming! Charming! | — | ||
| 2-11 | Conversation Piece (1934), musical: Act One. Soldiers | — | ||
| 2-12 | Conversation Piece (1934), musical: Act One. There's always something fishy about the French | — | ||
| 2-13 | Conversation Piece (1934), musical: Act Two. The tree is in the garden | — | ||
| 2-14 | Conversation Piece (1934), musical: Act Two. Melanie, écoutez / Dear Friends | — | ||
| 2-15 | Conversation Piece (1934), musical: Act Two. Thank you, my dear, for being so sweet to me / C'est assez de mensonge | — | ||
| 2-16 | Conversation Piece (1934), musical: Act Three. What will we speak of? / Dear Friend | — | ||
| 2-17 | Operette, musical: Act One. Countess Mitzi | — | ||
| 2-18 | Operette, musical: Act One. Dearest love | — | ||
| 2-19 | Operette, musical: Act One. Gipsy Melody | — | ||
| 2-20 | Operette, musical: Act One. The stately homes of England | — | ||
| 2-21 | Operette, musical: Act One. Where are the songs we sung? | — | ||
| 2-22 | Operette, musical: Act Two. Operette | — | ||
| 2-23 | Bitter Sweet, operetta: Act One. I'll see you again | — | ||
| 2-24 | Bitter Sweet, operetta: Act Two. If love were all | — | ||
| 2-25 | Bitter Sweet, operetta: Act Two. Dear little cafe | — | ||
| 2-26 | Bitter Sweet, operetta: Act Three. Zigeuner | — | ||
| 3-1 | Cavalcade, musical play: Lover of my dreams | — | ||
| 3-2 | Cavalcade, musical play: Twentieth Century Blues | — | ||
| 3-3 | Cavalcade, musical play: Dialogue: Toast to England | — | ||
| 3-4 | London Calling, revue: Parisian Pierrot | — | ||
| 3-5 | London Calling, revue: There's life in the old girl yet | — | ||
| 3-6 | London Calling, revue: What love means to girls like me | — | ||
| 3-7 | On With the Dance: Poor Little Rich Girl (Noel Coward) | — | ||
| 3-8 | On With the Dance: Poor Little Rich Girl (Alice Delysia) | — | ||
| 3-9 | This Year of Grace, revue: A Room with a View | — | ||
| 3-10 | This Year of Grace, revue: Dance, Little Lady | — | ||
| 3-11 | This Year of Grace, revue: Mary Make-Believe | — | ||
| 3-12 | This Year of Grace, revue: Try To Learn To Love | — | ||
| 3-13 | This Year of Grace, revue: Lorelei | — | ||
| 3-14 | This Year of Grace, revue: A Dream of Youth (The Dream Is Over) | — | ||
| 3-15 | Cochran's 1931 Revue: Half caste woman | — | ||
| 3-16 | Cochran's 1931 Revue: Any Little Fish | — | ||
| 3-17 | Words and Music: Let's Say Good-bye | — | ||
| 3-18 | Words and Music: Something To Do With Spring | — | ||
| 3-19 | Words and Music: The Party's Over Now | — | ||
| 3-20 | Words and Music: Mad Dogs and Englishmen | — | ||
| 3-21 | Words and Music: Three white feathers | — | ||
| 3-22 | Words and Music: World Weary | — | ||
| 3-23 | Words and Music: Mrs. Worthington | — | ||
| 3-24 | Words and Music: London Pride | — | ||
| 3-25 | The Lyric Revue: Don't make fun of the festival | — |
Conversation Piece (1951), musical: Act One. Spoken Introduction: Ladies and Gentlemen
—
Conversation Piece (1951), musical: Act One. Overture
—
Conversation Piece (1951), musical: Act One. Spoken Introduction: The scene is laid in Brighton by the sea
—
Conversation Piece (1951), musical: Act One. Dialogue: Good morning, Rose
—
Conversation Piece (1951), musical: Act One. A cloud has passed across the sun
—
Conversation Piece (1951), musical: Act One. Dialogue: Go and dress
—
Conversation Piece (1951), musical: Act One. You ask me to have a discrete heart
—
Conversation Piece (1951), musical: Act One. I'll follow my secret heart
—
Conversation Piece (1951), musical: Act One. Dialogue: The Marquis of Sheere
—
Conversation Piece (1951), musical: Act One. Dialogue: It is a very nice day, is it not?
—
Conversation Piece (1951), musical: Act One. Spoken Introduction: The Regent and his retinue
—
Conversation Piece (1951), musical: Act One. Regency rakes
—
Conversation Piece (1951), musical: Act One. Dialogue: Mademoiselle will be with you in a moment
—
Conversation Piece (1951), musical: Act One. Quartet: Charming! Charming! Charming!
—
Conversation Piece (1951), musical: Act One. Soldiers!
—
Conversation Piece (1951), musical: Act One. Spoken Introduction: The mother and father of dear Lord Sheere
—
Conversation Piece (1951), musical: Act One. Dialogue: I am the Duchess of Beneden
—
Conversation Piece (1951), musical: Act One. Spoken Introduction: We British are an island race / There's always something fishy about the French
—
Conversation Piece (1951), musical: Act One. Spoken Introduction, dialogue: Imagine a summer evening if you please
—
Conversation Piece (1951), musical: Act One. Spoken Introduction: Through the darkening trees comes a lady in green
—
Conversation Piece (1951), musical: Act One. Dialogue: My dear Julia!
—
Conversation Piece (1951), musical: Act One. Spoken Introduction: Bows are exchanged
—
Conversation Piece (1951), musical: Act One. Dialogue: The seventh!
—
Conversation Piece (1951), musical: Act Two. Spoken Introduction: Once more the house, so modest, so discreet
—
Conversation Piece (1951), musical: Act Two. The tree is in the garden
—
Conversation Piece (1951), musical: Act Two. Dialogue: There's a lady downstairs to see you
—
Conversation Piece (1951), musical: Act Two. Dialogue: Do you think that is wise?
—
Conversation Piece (1951), musical: Act Two. Dialogue: Julia, Lord Sheere is our only definite proposal so far
—
Conversation Piece (1951), musical: Act Two. I'll follow my secret heart (reprise)
—
Conversation Piece (1951), musical: Act Two. Spoken Introduction: The melody that follows
—
Conversation Piece (1951), musical: Act Two. Whimsical Fate
—
Conversation Piece (1951), musical: Act Two. Spoken Introduction: Please try to envisage a social occasion
—
Conversation Piece (1951), musical: Act Two. Dialogue: What a charming house
—
Conversation Piece (1951), musical: Act Two. Aria: Dear friends
—
Conversation Piece (1951), musical: Act Two. Dialogue: Thank you, my dear, for being so sweet to me
—
Conversation Piece (1951), musical: Act Two. Aria: C'est assez de mensonge
—
Conversation Piece (1951), musical: Act Two. Spoken Introduction: For the benefit of listeners
—
Conversation Piece (1951), musical: Act Two. Dialogue: Well - I hope you are satisfied
—
Conversation Piece (1951), musical: Act Three. Spoken Introduction: The following scene is the following day
—
Conversation Piece (1951), musical: Act Three. Dialogue: My dear Paul, such sentimentality
—
Conversation Piece (1951), musical: Act Three. Spoken Introduction: And now for a rather charming scene
—
Conversation Piece (1951), musical: Act Three. Dialogue: What will we speak of?
—
Conversation Piece (1951), musical: Act Three. Dear Friend
—
Conversation Piece (1951), musical: Act Three. Dialogue: I hope I am not intruding
—
Conversation Piece (1951), musical: Act Three. All comedies must come to an end
—
Conversation Piece (1934), musical: Act One. Now then business Melanie / A cloud has passed across the sun / Go and dress / You ask me
—
Conversation Piece (1934), musical: Act One. Regency rakes
—
Conversation Piece (1934), musical: Act One. Charming! Charming! Charming!
—
Conversation Piece (1934), musical: Act One. Soldiers
—
Conversation Piece (1934), musical: Act One. There's always something fishy about the French
—
Conversation Piece (1934), musical: Act Two. The tree is in the garden
—
Conversation Piece (1934), musical: Act Two. Melanie, écoutez / Dear Friends
—
Conversation Piece (1934), musical: Act Two. Thank you, my dear, for being so sweet to me / C'est assez de mensonge
—
Conversation Piece (1934), musical: Act Three. What will we speak of? / Dear Friend
—
Operette, musical: Act One. Countess Mitzi
—
Operette, musical: Act One. Dearest love
—
Operette, musical: Act One. Gipsy Melody
—
Operette, musical: Act One. The stately homes of England
—
Operette, musical: Act One. Where are the songs we sung?
—
Operette, musical: Act Two. Operette
—
Bitter Sweet, operetta: Act One. I'll see you again
—
Bitter Sweet, operetta: Act Two. If love were all
—
Bitter Sweet, operetta: Act Two. Dear little cafe
—
Bitter Sweet, operetta: Act Three. Zigeuner
—
Cavalcade, musical play: Lover of my dreams
—
Cavalcade, musical play: Twentieth Century Blues
—
Cavalcade, musical play: Dialogue: Toast to England
—
London Calling, revue: Parisian Pierrot
—
London Calling, revue: There's life in the old girl yet
—
London Calling, revue: What love means to girls like me
—
On With the Dance: Poor Little Rich Girl (Noel Coward)
—
On With the Dance: Poor Little Rich Girl (Alice Delysia)
—
This Year of Grace, revue: A Room with a View
—
This Year of Grace, revue: Dance, Little Lady
—
This Year of Grace, revue: Mary Make-Believe
—
This Year of Grace, revue: Try To Learn To Love
—
This Year of Grace, revue: Lorelei
—
This Year of Grace, revue: A Dream of Youth (The Dream Is Over)
—
Cochran's 1931 Revue: Half caste woman
—
Cochran's 1931 Revue: Any Little Fish
—
Words and Music: Let's Say Good-bye
—
Words and Music: Something To Do With Spring
—
Words and Music: The Party's Over Now
—
Words and Music: Mad Dogs and Englishmen
—
Words and Music: Three white feathers
—
Words and Music: World Weary
—
Words and Music: Mrs. Worthington
—
Words and Music: London Pride
—
The Lyric Revue: Don't make fun of the festival
—
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What is UPC 8712177050758?
8712177050758 is a Universal Product Code (UPC) assigned to Conversation Piece and Other Musical Plays by Noël Coward. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 89 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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