UPC · Release
Manhattan Research, Inc.
Raymond Scott
Last verified:
8712530907828 is the Universal Product Code (UPC barcode) for the release “Manhattan Research, Inc.” by Raymond Scott, released 2000-01-01 on Basta. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (68)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Manhattan Research, Inc. Copyright | — | ||
| 2 | Baltimore Gas & Electric Co. | — | ||
| 3 | Bendix: “The Tomorrow People” | — | ||
| 4 | Lightworks | — | ||
| 5 | The Bass-Line Generator | — | ||
| 6 | “Don't Beat Your Wife Every Night!” | — | ||
| 7 | “B.C. 1675” | — | ||
| 8 | Vim | — | ||
| 9 | Auto-Lite: Sta-Ful (instr.) | — | ||
| 10 | Sprite “Melonball Bounce” | — | ||
| 11 | Sprite “Melonball Bounce” (2) | — | ||
| 12 | “Wheels That Go” | — | ||
| 13 | “Limbo: The Organized Mind” | — | ||
| 14 | “Portofino” #1 | — | ||
| 15 | County Fair | — | ||
| 16 | Lady Gaylord | — | ||
| 17 | Good Air | — | ||
| 18 | IBM MT/ST: “The Paperwork Explosion” | — | ||
| 19 | Domino | — | ||
| 20 | Super Cheer | — | ||
| 21 | Cheer: Revision 3 | — | ||
| 22 | “Twilight in Turkey” | — | ||
| 23 | Vicks: Medicated Cough Drops | — | ||
| 24 | Vicks: Formula 44 | — | ||
| 25 | Auto-Lite: Spark Plugs | — | ||
| 26 | Nescafe | — | ||
| 27 | Awake | — | ||
| 28 | Backwards Overload | — | ||
| 29 | Bufferin: “Memories” (original) | — | ||
| 30 | Bandito the Bongo Artist | — | ||
| 31 | “Night and Day” | — | ||
| 32 | Baltimore Gas & Electric Co. (“395”) | — | ||
| 33 | K2r | — | ||
| 34 | IBM Probe | — | ||
| 35 | GMGM 1A | — | ||
| 36 | The Rhythm Modulator | — | ||
| 2-1 | Ohio Plus | — | ||
| 2-2 | “In the Hall of the Mountain Queen” | — | ||
| 2-3 | General Motors: Futurama | — | ||
| 2-4 | “Portofino” 2 | — | ||
| 2-5 | “The Wild Piece” | — | ||
| 2-6 | “Take Me to Your Violin Teacher” | — | ||
| 2-7 | “Ripples” (original soundtrack) | — | ||
| 2-8 | Cyclic Bit | — | ||
| 2-9 | “Ripples” (montage) | — | ||
| 2-10 | The Wing Thing | — | ||
| 2-11 | County Fair (instrumental) | — | ||
| 2-12 | “Cindy Electronium” | — | ||
| 2-13 | “Don’t Beat Your Wife Every Night!” (instrumental) | — | ||
| 2-14 | Hostess: Twinkies | — | ||
| 2-15 | Hostess: Twinkies (instrumental) | — | ||
| 2-16 | Ohio Bell: Thermo Fax | — | ||
| 2-17 | “The Pygmy Taxi Corporation” | — | ||
| 2-18 | Baltimore Gas & Electric Co. (announce copy, take 1) | — | ||
| 2-20 | Lightworks (slow) | — | ||
| 2-21 | IBM MT/ST: “The Paperwork Explosion” (instrumental) | — | ||
| 2-22 | Auto-Lite: “Ford Family” | — | ||
| 2-23 | Auto-Lite: “Ford Family” (instrumental) | — | ||
| 2-24 | Auto-Lite: “Wheels” | — | ||
| 2-25 | Bufferin: “Memories” (demo) | — | ||
| 2-26 | “Space Mystery” (montage) | — | ||
| 2-27 | “The Toy Trumpet” | — | ||
| 2-28 | “Backward Beeps” | — | ||
| 2-29 | Auto-Lite: Sta-Ful | — | ||
| 2-30 | Lightworks (instrumental) | — | ||
| 2-31 | “When Will It End?” | — | ||
| 2-32 | Bendix 2: “The Tomorrow People” | — | ||
| 2-33 | Electronic Audio Logos, Inc. | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 8712530907828?
8712530907828 is a Universal Product Code (UPC) assigned to Manhattan Research, Inc. by Raymond Scott. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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