UPC · Release
Various Artists
Last verified:
The UPC for “Popular Electronics: Early Dutch Electronic Music From Philips Research Laboratories: 1956–1963” by Various Artists is 8712530914123. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Basta. This release contains 134 tracks, each with its own ISRC. Tracks include NLA449700028, NLA449700029.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kaïn en Abel: First Episode: Introduction / Dance / Dance of the Destructive Forces | — | ||
| 2 | Kaïn en Abel: First Episode: Conflict, Conclusion, Transition | — | ||
| 3 | Kaïn en Abel: Second Episode: Passacagila | — | ||
| 4 | Kaïn en Abel: Second Episode: Arioso | — | ||
| 5 | Kaïn en Abel: Second Episode: Conflict, Reprise (Arioso) | — | ||
| 6 | Kaïn en Abel: Second Episode: Conflict, Finale | — | ||
| 8 | Night Train Blues | — | ||
| 9 | Colonel Bogey | — | ||
| 10 | Evolutionen: Overture | — | ||
| 11 | Evolutionen: Air | — | ||
| 12 | Evolutionen: Ragtime | — | ||
| 13 | Evolutionen: Intermezzo | — | ||
| 14 | Evolutionen: Waltz | — | ||
| 15 | Evolutionen: Finale | — | ||
| 16 | Whirling | — | ||
| 17 | Syncopation | — | ||
| 18 | Drifting | — | ||
| 19 | Vibration | — | ||
| 20 | Mechanical Motions | — | ||
| 21 | Intersection | — | ||
| 2-1 | Tweeklank | Dick Raaijmakers | — | |
| 2-2 | Pianoforte | Dick Raaijmakers | — | |
| 2-3 | Variations Électroniques: “A Light and Frolic Experiment in Sound and Movement” | — | ||
| 2-4 | Achter de schermen | — | ||
| 2-5 | Fuel for the Future | — | ||
| 2-6 | Bekaert: het andere woord voor staaldraad | — | ||
| 2-7 | Ein Reiterstück | — | ||
| 3-1 | Ignition | — | ||
| 3-2 | Atlantic | — | ||
| 3-3 | Spearhead | — | ||
| 3-4 | Zanzi | — | ||
| 3-5 | Anchor Chains | — | ||
| 3-6 | Tropicolour | — | ||
| 3-7 | Gamelan | — | ||
| 3-8 | Woomerangs | — | ||
| 3-9 | Waltzing Mathilda | — | ||
| 3-10 | Pacific Dawn | — | ||
| 3-11 | Gold and Lead | — | ||
| 3-12 | Mexican Mirror | — | ||
| 3-13 | Seconds to Eternity | — | ||
| 3-14 | Re-Entry | — | ||
| 4-1 | Song of the Second Moon (original version) | — | ||
| 4-3 | 12-Tone Composition for the Skymasters (As Used in Intersection) | — | ||
| 4-7 | Quiz Tune for VARA Television | — | ||
| 4-8 | Limburg’s National Anthem | — | ||
| 4-9 | Bell Tune | — | ||
| 4-10 | Coppélia Tune | — | ||
| 4-11 | Sign Tune | — | ||
| 4-12 | STER Tunes 1 | — | ||
| 4-13 | STER Tunes 2 | — | ||
| 4-14 | STER Tunes 3 | — | ||
| 4-15 | STER Tunes 4 | — | ||
| 4-16 | STER Tunes 5 | — | ||
| 4-17 | STER Tunes 6 | — | ||
| 4-18 | STER Tunes 7 | — | ||
| 4-19 | STER Tunes 8 | — | ||
| 4-20 | STER Tunes 9 | — | ||
| 4-21 | Sound Examples: Group 1 | — | ||
| 4-22 | Sound Examples: Group 2 | — | ||
| 4-23 | Sound Examples: Group 3 | — | ||
| 4-24 | Tape Loop With Basic Rhythm | — | ||
| 4-25 | Tape Loop With Rhythm and Bass Pattern | — | ||
| 4-26 | Arpeggio’s With Echo | — | ||
| 4-27 | Figure Moving Downwards, Leading Into Whistle Melody With Echo | — | ||
| 4-28 | Electronic Boogie Woogie | — | ||
| 4-29 | Opening Sequence | — | ||
| 4-30 | First Melody | — | ||
| 4-31 | First Melody Transposed | — | ||
| 4-32 | Chord of Combined Sounds | — | ||
| 4-33 | Bass Pattern | — | ||
| 4-34 | Rhythm Loop With Bass Pattern | — | ||
| 4-35 | Variant | — | ||
| 4-36 | Chord Sequence With Sine Wave Tones | — | ||
| 4-37 | Second Melody | — | ||
| 4-38 | Arpeggio With Echo | — | ||
| 4-39 | Transposed Piano Chord Sequence | — | ||
| 4-40 | Same as Above With Overdub | — | ||
| 4-41 | First Melody, Variant | — | ||
| 4-42 | First Melody, Canonic Setting | — | ||
| 4-43 | First Melody, Canonic Setting, Different Version | — | ||
| 4-44 | Fast Broken Chord Sequence | — | ||
| 4-45 | Closing Sequence With Echo | — | ||
| 4-46 | Chord of Combined Sounds, Noise Effect | — | ||
| 4-47 | Reversed Echoing Piano Chords, Continuation | — | ||
| 4-48 | Background Texture for Quiz-Tune | — | ||
| 4-49 | Multi-Layered Laughter | — | ||
| 4-50 | Basic Melody | — | ||
| 4-51 | Reversed Chords, Leading Into Melodic Continuation | — | ||
| 4-52 | Fast Transposed Piano Sequence | — | ||
| 4-53 | Second Melody | — | ||
| 4-54 | Bass Pattern With Rhythm Loop | — | ||
| 4-55 | Fast Transposed Piano Sequence With Echo | — | ||
| 4-56 | Repeated Figure With Echo | — | ||
| 4-57 | Short Oscillator Glissando | — | ||
| 4-58 | Second Melody, Electronically Chopped, With Echo | — | ||
| 4-59 | Short Oscillator With Echo, Leading Into Broken Chord Sequence | — | ||
| 4-60 | Reversed Chord Sequence | — | ||
| 4-61 | Closing Chord Sequence, Leading Into Glissando Upwards | — | ||
| 4-62 | Broken Chord Sequence With Echo and Background | — | ||
| 4-63 | Mixture of Upward Glissandi, Leading Into High Electronic Sound | — | ||
| 4-64 | Sequence of Three Complex Electronic Glissandi Chords With Echo | — | ||
| 4-65 | Space Effect No. 1 | — | ||
| 4-66 | Two Alternating Chords With Echo | — | ||
| 4-67 | Melody With Electronic Bell Sounds | — | ||
| 4-68 | Percussive Chord Sequence 1 | — | ||
| 4-69 | Bass Pattern | — | ||
| 4-70 | Chord Sequence No. 2 | — | ||
| 4-71 | Repeating Tympani-Like Tone | — | ||
| 4-72 | Repeating Harp Figure | — | ||
| 4-73 | Bass Pattern | — | ||
| 4-74 | Retro-Chord Sequence | — | ||
| 4-75 | Melody With Amplitude Modulation | — | ||
| 4-76 | Bass Pattern No. 3 | — | ||
| 4-77 | Space Effect Cross Fading Into Alternating Chords | — | ||
| 4-78 | Sustained Chord | — | ||
| 4-79 | Repeating Pentatonic Figure 1 | — | ||
| 4-80 | Space Effect No. 2 (Sine Tone Glissandi) | — | ||
| 4-81 | Sequence No. 1 | — | ||
| 4-82 | Sequence No. 2 | — | ||
| 4-83 | Space Effects With Echo | — | ||
| 4-84 | Optical Siren (Sound Colour Melody) | — | ||
| 4-85 | Noise Attacks | — | ||
| 4-86 | Sequence No. 3 | — | ||
| 4-87 | Sequence of Chords With Retros | — | ||
| 4-88 | Sequence No. 4 | — | ||
| 4-89 | Sequence No. 5 | — | ||
| 4-90 | Rhythmic Tape Loop | — | ||
| 4-91 | Chord With Retro and Amplitude Modulation | — | ||
| 4-92 | Metal Sound With Echo | — | ||
| 4-93 | Bass Pattern No. 1 | — | ||
| 4-94 | Chord Sequence Cut-Out Sounds | — | ||
| 4-95 | Bass Pattern No. 2 | — | ||
| 4-96 | Same Pattern, High Pitched | — | ||
| 4-97 | Spoken Letter From Fred Judd to Tom Dissevelt | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
8712530914123 is a Universal Product Code (UPC) assigned to Popular Electronics: Early Dutch Electronic Music From Philips Research Laboratories: 1956–1963 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 134 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Popular Electronics: Early Dutch Electronic Music From Philips Research Laboratories: 1956–1963” by Various Artists is 8712530914123. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Basta. This release contains 134 tracks, each with its own ISRC. Tracks include NLA449700028, NLA449700029.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kaïn en Abel: First Episode: Introduction / Dance / Dance of the Destructive Forces | — | ||
| 2 | Kaïn en Abel: First Episode: Conflict, Conclusion, Transition | — | ||
| 3 | Kaïn en Abel: Second Episode: Passacagila | — | ||
| 4 | Kaïn en Abel: Second Episode: Arioso | — | ||
| 5 | Kaïn en Abel: Second Episode: Conflict, Reprise (Arioso) | — | ||
| 6 | Kaïn en Abel: Second Episode: Conflict, Finale | — | ||
| 8 | Night Train Blues | — | ||
| 9 | Colonel Bogey | — | ||
| 10 | Evolutionen: Overture | — | ||
| 11 | Evolutionen: Air | — | ||
| 12 | Evolutionen: Ragtime | — | ||
| 13 | Evolutionen: Intermezzo | — | ||
| 14 | Evolutionen: Waltz | — | ||
| 15 | Evolutionen: Finale | — | ||
| 16 | Whirling | — | ||
| 17 | Syncopation | — | ||
| 18 | Drifting | — | ||
| 19 | Vibration | — | ||
| 20 | Mechanical Motions | — | ||
| 21 | Intersection | — | ||
| 2-1 | Tweeklank | Dick Raaijmakers | — | |
| 2-2 | Pianoforte | Dick Raaijmakers | — | |
| 2-3 | Variations Électroniques: “A Light and Frolic Experiment in Sound and Movement” | — | ||
| 2-4 | Achter de schermen | — | ||
| 2-5 | Fuel for the Future | — | ||
| 2-6 | Bekaert: het andere woord voor staaldraad | — | ||
| 2-7 | Ein Reiterstück | — | ||
| 3-1 | Ignition | — | ||
| 3-2 | Atlantic | — | ||
| 3-3 | Spearhead | — | ||
| 3-4 | Zanzi | — | ||
| 3-5 | Anchor Chains | — | ||
| 3-6 | Tropicolour | — | ||
| 3-7 | Gamelan | — | ||
| 3-8 | Woomerangs | — | ||
| 3-9 | Waltzing Mathilda | — | ||
| 3-10 | Pacific Dawn | — | ||
| 3-11 | Gold and Lead | — | ||
| 3-12 | Mexican Mirror | — | ||
| 3-13 | Seconds to Eternity | — | ||
| 3-14 | Re-Entry | — | ||
| 4-1 | Song of the Second Moon (original version) | — | ||
| 4-3 | 12-Tone Composition for the Skymasters (As Used in Intersection) | — | ||
| 4-7 | Quiz Tune for VARA Television | — | ||
| 4-8 | Limburg’s National Anthem | — | ||
| 4-9 | Bell Tune | — | ||
| 4-10 | Coppélia Tune | — | ||
| 4-11 | Sign Tune | — | ||
| 4-12 | STER Tunes 1 | — | ||
| 4-13 | STER Tunes 2 | — | ||
| 4-14 | STER Tunes 3 | — | ||
| 4-15 | STER Tunes 4 | — | ||
| 4-16 | STER Tunes 5 | — | ||
| 4-17 | STER Tunes 6 | — | ||
| 4-18 | STER Tunes 7 | — | ||
| 4-19 | STER Tunes 8 | — | ||
| 4-20 | STER Tunes 9 | — | ||
| 4-21 | Sound Examples: Group 1 | — | ||
| 4-22 | Sound Examples: Group 2 | — | ||
| 4-23 | Sound Examples: Group 3 | — | ||
| 4-24 | Tape Loop With Basic Rhythm | — | ||
| 4-25 | Tape Loop With Rhythm and Bass Pattern | — | ||
| 4-26 | Arpeggio’s With Echo | — | ||
| 4-27 | Figure Moving Downwards, Leading Into Whistle Melody With Echo | — | ||
| 4-28 | Electronic Boogie Woogie | — | ||
| 4-29 | Opening Sequence | — | ||
| 4-30 | First Melody | — | ||
| 4-31 | First Melody Transposed | — | ||
| 4-32 | Chord of Combined Sounds | — | ||
| 4-33 | Bass Pattern | — | ||
| 4-34 | Rhythm Loop With Bass Pattern | — | ||
| 4-35 | Variant | — | ||
| 4-36 | Chord Sequence With Sine Wave Tones | — | ||
| 4-37 | Second Melody | — | ||
| 4-38 | Arpeggio With Echo | — | ||
| 4-39 | Transposed Piano Chord Sequence | — | ||
| 4-40 | Same as Above With Overdub | — | ||
| 4-41 | First Melody, Variant | — | ||
| 4-42 | First Melody, Canonic Setting | — | ||
| 4-43 | First Melody, Canonic Setting, Different Version | — | ||
| 4-44 | Fast Broken Chord Sequence | — | ||
| 4-45 | Closing Sequence With Echo | — | ||
| 4-46 | Chord of Combined Sounds, Noise Effect | — | ||
| 4-47 | Reversed Echoing Piano Chords, Continuation | — | ||
| 4-48 | Background Texture for Quiz-Tune | — | ||
| 4-49 | Multi-Layered Laughter | — | ||
| 4-50 | Basic Melody | — | ||
| 4-51 | Reversed Chords, Leading Into Melodic Continuation | — | ||
| 4-52 | Fast Transposed Piano Sequence | — | ||
| 4-53 | Second Melody | — | ||
| 4-54 | Bass Pattern With Rhythm Loop | — | ||
| 4-55 | Fast Transposed Piano Sequence With Echo | — | ||
| 4-56 | Repeated Figure With Echo | — | ||
| 4-57 | Short Oscillator Glissando | — | ||
| 4-58 | Second Melody, Electronically Chopped, With Echo | — | ||
| 4-59 | Short Oscillator With Echo, Leading Into Broken Chord Sequence | — | ||
| 4-60 | Reversed Chord Sequence | — | ||
| 4-61 | Closing Chord Sequence, Leading Into Glissando Upwards | — | ||
| 4-62 | Broken Chord Sequence With Echo and Background | — | ||
| 4-63 | Mixture of Upward Glissandi, Leading Into High Electronic Sound | — | ||
| 4-64 | Sequence of Three Complex Electronic Glissandi Chords With Echo | — | ||
| 4-65 | Space Effect No. 1 | — | ||
| 4-66 | Two Alternating Chords With Echo | — | ||
| 4-67 | Melody With Electronic Bell Sounds | — | ||
| 4-68 | Percussive Chord Sequence 1 | — | ||
| 4-69 | Bass Pattern | — | ||
| 4-70 | Chord Sequence No. 2 | — | ||
| 4-71 | Repeating Tympani-Like Tone | — | ||
| 4-72 | Repeating Harp Figure | — | ||
| 4-73 | Bass Pattern | — | ||
| 4-74 | Retro-Chord Sequence | — | ||
| 4-75 | Melody With Amplitude Modulation | — | ||
| 4-76 | Bass Pattern No. 3 | — | ||
| 4-77 | Space Effect Cross Fading Into Alternating Chords | — | ||
| 4-78 | Sustained Chord | — | ||
| 4-79 | Repeating Pentatonic Figure 1 | — | ||
| 4-80 | Space Effect No. 2 (Sine Tone Glissandi) | — | ||
| 4-81 | Sequence No. 1 | — | ||
| 4-82 | Sequence No. 2 | — | ||
| 4-83 | Space Effects With Echo | — | ||
| 4-84 | Optical Siren (Sound Colour Melody) | — | ||
| 4-85 | Noise Attacks | — | ||
| 4-86 | Sequence No. 3 | — | ||
| 4-87 | Sequence of Chords With Retros | — | ||
| 4-88 | Sequence No. 4 | — | ||
| 4-89 | Sequence No. 5 | — | ||
| 4-90 | Rhythmic Tape Loop | — | ||
| 4-91 | Chord With Retro and Amplitude Modulation | — | ||
| 4-92 | Metal Sound With Echo | — | ||
| 4-93 | Bass Pattern No. 1 | — | ||
| 4-94 | Chord Sequence Cut-Out Sounds | — | ||
| 4-95 | Bass Pattern No. 2 | — | ||
| 4-96 | Same Pattern, High Pitched | — | ||
| 4-97 | Spoken Letter From Fred Judd to Tom Dissevelt | — |
