UPC · Release
Ed Starink
Last verified:
The UPC for “Synthesizer Top 100” by Ed Starink is 8712686023083. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. Label: Arcade. This release contains 100 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Conquest of Paradise | — | ||
| 2 | Mission Impossible | — | ||
| 3 | Independence Day | — | ||
| 4 | Oxygene, Part IV | — | ||
| 5 | Theme From ‘Le Grand Blue’ | — | ||
| 6 | Principles of Lust | — | ||
| 7 | Das Boot | — | ||
| 8 | Theme From ‘Antartica’ | — | ||
| 9 | Aurora | — | ||
| 10 | Chronology, Part IV | — | ||
| 11 | Pipeline | — | ||
| 12 | I’ll Find My Way Home | — | ||
| 13 | Overture | — | ||
| 14 | Mamma Gamma | — | ||
| 15 | Zoolookologie | — | ||
| 16 | Apocalypse des Animeaux | — | ||
| 17 | Trans‐Europe Express | — | ||
| 18 | Midnight Express | — | ||
| 19 | Popcorn | — | ||
| 20 | Strictly Personal | — | ||
| 21 | The Field of Mr. Cairo | — | ||
| 22 | Silk Road | — | ||
| 23 | Fourth Rendez‐Vous | — | ||
| 24 | The Eve of the War | — | ||
| 25 | Italian Song | — | ||
| 2-1 | Children | — | ||
| 2-2 | Pulstar | — | ||
| 2-3 | Maid of Orleans | — | ||
| 2-4 | Second Rendez‐Vous | — | ||
| 2-5 | Moments in Love | — | ||
| 2-6 | Blade Runner | — | ||
| 2-7 | Orient Express | — | ||
| 2-8 | Cristallin | — | ||
| 2-9 | Axel F | — | ||
| 2-10 | Sadeness | — | ||
| 2-11 | Mutiny on the Bounty | — | ||
| 2-12 | Calypso | — | ||
| 2-13 | Telocin | — | ||
| 2-14 | Camilla | — | ||
| 2-15 | Robinson Crusoe | — | ||
| 2-16 | Alpha | — | ||
| 2-17 | Magic Fly | — | ||
| 2-18 | Industrial Revolution | — | ||
| 2-19 | Eric’s Theme | — | ||
| 2-20 | Vintage | — | ||
| 2-21 | I Robot | — | ||
| 2-22 | Killing Fields | — | ||
| 2-23 | Forbidden Colours | — | ||
| 2-24 | Caravan Sary | — | ||
| 2-25 | Autobahn | — | ||
| 3-1 | Chariots of Fire | — | ||
| 3-2 | Tubular Bells (Theme from “The Exorcist”) | — | ||
| 3-3 | Bilitis | — | ||
| 3-4 | Paranoimia | — | ||
| 3-5 | Voices | — | ||
| 3-6 | Return to Innocence | — | ||
| 3-7 | Roulette | — | ||
| 3-8 | The Will of the Wind | — | ||
| 3-9 | The Model | — | ||
| 3-10 | Heaven and Earth | — | ||
| 3-11 | Deliverance From ‘Antarctica’ | — | ||
| 3-12 | Lucifer | — | ||
| 3-13 | Intermezzo | — | ||
| 3-14 | Blue Monday | — | ||
| 3-15 | Theme From ‘Rain Man’ | — | ||
| 3-16 | China | — | ||
| 3-17 | Souvenir of China | — | ||
| 3-18 | Night Drive | — | ||
| 3-19 | Dervish D. | — | ||
| 3-20 | The Celtic Fields | — | ||
| 3-21 | Chase (Theme From ‘Midnight Express’) | — | ||
| 3-22 | September | — | ||
| 3-23 | Tour de France | — | ||
| 3-24 | One Way Out | — | ||
| 3-25 | State of Independence | — | ||
| 4-1 | Theme From the ‘X‐Files’ | — | ||
| 4-2 | To the Unknown Man | — | ||
| 4-3 | Vienna | — | ||
| 4-4 | Lament for Atlantis | — | ||
| 4-5 | Bitter Moon | — | ||
| 4-6 | Magnetic Fields, Part II | — | ||
| 4-7 | Hymn | — | ||
| 4-8 | The Wave Song | — | ||
| 4-9 | Crockett’s Theme | — | ||
| 4-10 | Tubular Bells II | — | ||
| 4-11 | L’Opera Savage | — | ||
| 4-12 | Fade to Grey | — | ||
| 4-13 | Eternia | — | ||
| 4-14 | Forever Autumn | — | ||
| 4-15 | Equinoxe, Part V | — | ||
| 4-16 | Antarctica Echos | — | ||
| 4-17 | Nikita – Learning Time | — | ||
| 4-18 | So Sad | — | ||
| 4-19 | The Robot | — | ||
| 4-20 | Digialog | — | ||
| 4-21 | The Gold Bug | — | ||
| 4-22 | The Tao of Love | — | ||
| 4-23 | Ethnicolour | — | ||
| 4-24 | Melissa (From ‘Bilitis’) | — | ||
| 4-25 | Theme From ‘Twin Peaks’ | — |
Credits Graph
8712686023083 is a Universal Product Code (UPC) assigned to Synthesizer Top 100 by Ed Starink. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
The UPC for “Synthesizer Top 100” by Ed Starink is 8712686023083. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. Label: Arcade. This release contains 100 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Conquest of Paradise | — | ||
| 2 | Mission Impossible | — | ||
| 3 | Independence Day | — | ||
| 4 | Oxygene, Part IV | — | ||
| 5 | Theme From ‘Le Grand Blue’ | — | ||
| 6 | Principles of Lust | — | ||
| 7 | Das Boot | — | ||
| 8 | Theme From ‘Antartica’ | — | ||
| 9 | Aurora | — | ||
| 10 | Chronology, Part IV | — | ||
| 11 | Pipeline | — | ||
| 12 | I’ll Find My Way Home | — | ||
| 13 | Overture | — | ||
| 14 | Mamma Gamma | — | ||
| 15 | Zoolookologie | — | ||
| 16 | Apocalypse des Animeaux | — | ||
| 17 | Trans‐Europe Express | — | ||
| 18 | Midnight Express | — | ||
| 19 | Popcorn | — | ||
| 20 | Strictly Personal | — | ||
| 21 | The Field of Mr. Cairo | — | ||
| 22 | Silk Road | — | ||
| 23 | Fourth Rendez‐Vous | — | ||
| 24 | The Eve of the War | — | ||
| 25 | Italian Song | — | ||
| 2-1 | Children | — | ||
| 2-2 | Pulstar | — | ||
| 2-3 | Maid of Orleans | — | ||
| 2-4 | Second Rendez‐Vous | — | ||
| 2-5 | Moments in Love | — | ||
| 2-6 | Blade Runner | — | ||
| 2-7 | Orient Express | — | ||
| 2-8 | Cristallin | — | ||
| 2-9 | Axel F | — | ||
| 2-10 | Sadeness | — | ||
| 2-11 | Mutiny on the Bounty | — | ||
| 2-12 | Calypso | — | ||
| 2-13 | Telocin | — | ||
| 2-14 | Camilla | — | ||
| 2-15 | Robinson Crusoe | — | ||
| 2-16 | Alpha | — | ||
| 2-17 | Magic Fly | — | ||
| 2-18 | Industrial Revolution | — | ||
| 2-19 | Eric’s Theme | — | ||
| 2-20 | Vintage | — | ||
| 2-21 | I Robot | — | ||
| 2-22 | Killing Fields | — | ||
| 2-23 | Forbidden Colours | — | ||
| 2-24 | Caravan Sary | — | ||
| 2-25 | Autobahn | — | ||
| 3-1 | Chariots of Fire | — | ||
| 3-2 | Tubular Bells (Theme from “The Exorcist”) | — | ||
| 3-3 | Bilitis | — | ||
| 3-4 | Paranoimia | — | ||
| 3-5 | Voices | — | ||
| 3-6 | Return to Innocence | — | ||
| 3-7 | Roulette | — | ||
| 3-8 | The Will of the Wind | — | ||
| 3-9 | The Model | — | ||
| 3-10 | Heaven and Earth | — | ||
| 3-11 | Deliverance From ‘Antarctica’ | — | ||
| 3-12 | Lucifer | — | ||
| 3-13 | Intermezzo | — | ||
| 3-14 | Blue Monday | — | ||
| 3-15 | Theme From ‘Rain Man’ | — | ||
| 3-16 | China | — | ||
| 3-17 | Souvenir of China | — | ||
| 3-18 | Night Drive | — | ||
| 3-19 | Dervish D. | — | ||
| 3-20 | The Celtic Fields | — | ||
| 3-21 | Chase (Theme From ‘Midnight Express’) | — | ||
| 3-22 | September | — | ||
| 3-23 | Tour de France | — | ||
| 3-24 | One Way Out | — | ||
| 3-25 | State of Independence | — | ||
| 4-1 | Theme From the ‘X‐Files’ | — | ||
| 4-2 | To the Unknown Man | — | ||
| 4-3 | Vienna | — | ||
| 4-4 | Lament for Atlantis | — | ||
| 4-5 | Bitter Moon | — | ||
| 4-6 | Magnetic Fields, Part II | — | ||
| 4-7 | Hymn | — | ||
| 4-8 | The Wave Song | — | ||
| 4-9 | Crockett’s Theme | — | ||
| 4-10 | Tubular Bells II | — | ||
| 4-11 | L’Opera Savage | — | ||
| 4-12 | Fade to Grey | — | ||
| 4-13 | Eternia | — | ||
| 4-14 | Forever Autumn | — | ||
| 4-15 | Equinoxe, Part V | — | ||
| 4-16 | Antarctica Echos | — | ||
| 4-17 | Nikita – Learning Time | — | ||
| 4-18 | So Sad | — | ||
| 4-19 | The Robot | — | ||
| 4-20 | Digialog | — | ||
| 4-21 | The Gold Bug | — | ||
| 4-22 | The Tao of Love | — | ||
| 4-23 | Ethnicolour | — | ||
| 4-24 | Melissa (From ‘Bilitis’) | — | ||
| 4-25 | Theme From ‘Twin Peaks’ | — |
