UPC · Release
Hardcore 100: Best of the Best
Various Artists
Last verified:
8712686023250 is the Universal Product Code (UPC barcode) for the release “Hardcore 100: Best of the Best” by Various Artists, released 1997-01-01 on Arcade. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include NLE801212129.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jiiieehaaaa | — | ||
| 2 | Hardcore Muthafucka | — | ||
| 4 | Get This Motherfucker | — | ||
| 5 | Play My Game | — | ||
| 6 | Jesus Words | — | ||
| 8 | Hysteria | — | ||
| 9 | Intelligence Hardcore | — | ||
| 10 | The First Rebirth | — | ||
| 11 | The Horror | — | ||
| 12 | Geleihoofd | — | ||
| 13 | Hardcore to da Bone | — | ||
| 14 | Here We Go Again | — | ||
| 15 | Guns, Smoke & Fire | — | ||
| 16 | Allright Now Here We Go | — | ||
| 17 | Guyver | — | ||
| 18 | Mosquito | — | ||
| 20 | So | — | ||
| 22 | The Way That We Rocked It (Live in NYC Shortcut) | — | ||
| 23 | Don't Fuck With a Ruffneck | — | ||
| 24 | We Are the Dynacore | — | ||
| 25 | Happy is voor hobo's | — | ||
| 2-2 | Mind of a Lunatic | — | ||
| 2-4 | Fuck Them | — | ||
| 2-5 | Pessa Pessa | — | ||
| 2-6 | The World of the LSD-User | — | ||
| 2-7 | Bloody Fucking Hardcore | — | ||
| 2-8 | Raveworld | — | ||
| 2-10 | Immortality | — | ||
| 2-11 | Go Get Busy (hardcore edit) | — | ||
| 2-12 | Execute | — | ||
| 2-13 | Looped | — | ||
| 2-14 | Demilitarized Zone | — | ||
| 2-15 | Sgam Sgam | — | ||
| 2-17 | Tranzformer | — | ||
| 2-18 | Poltergeist | — | ||
| 2-19 | Bonzai Channel One | — | ||
| 2-20 | The Beat Is Flown | — | ||
| 2-21 | Bass Solution | — | ||
| 2-23 | Vive La France | — | ||
| 2-24 | Jungle Sickness | — | ||
| 2-25 | Last Recall | — | ||
| 3-3 | B.O.T.T.R.O.P. | — | ||
| 3-4 | Bad Dreams | — | ||
| 3-6 | Hit Hard | — | ||
| 3-8 | Bring That Shit Back | — | ||
| 3-9 | Muffin' in Mokum | — | ||
| 3-10 | Number One Contender | — | ||
| 3-11 | Korreckte Atmosphaere | — | ||
| 3-13 | Hardcore Hijacked Me | — | ||
| 3-14 | To da Rhythm | — | ||
| 3-15 | Stay Down With the Hardcore | — | ||
| 3-17 | Fuckin' Sweat | — | ||
| 3-18 | DJ Rob's 20 Seconds | — | ||
| 3-19 | Hardcore Slam | — | ||
| 3-20 | Do It Again (feat. Beasty Boy) | — | ||
| 3-23 | My DJ...Cutz | — | ||
| 3-24 | Your Dealing With | — | ||
| 3-25 | End of the Beginning | — | ||
| 4-1 | Stereo Murder | — | ||
| 4-2 | Make You Dance | — | ||
| 4-4 | I'm the Fuck You Man | — | ||
| 4-5 | Dominatin' | — | ||
| 4-8 | Atmos-Fear | — | ||
| 4-9 | Welcome to the Thunderdome | — | ||
| 4-10 | We Gonna Get This Place | — | ||
| 4-14 | Braincrash | — | ||
| 4-16 | Who Is It? | — | ||
| 4-17 | Dream Theme | — | ||
| 4-18 | Six Million Ways to Die | — | ||
| 4-19 | The Hunter | — | ||
| 4-21 | The Point | — | ||
| 4-22 | Squash the Floor | — | ||
| 4-24 | Drop the Pressure | — | ||
| 4-25 | Ecstasy, You Got What I Need | Rob Gee | T-031.699.882-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 8712686023250?
8712686023250 is a Universal Product Code (UPC) assigned to Hardcore 100: Best of the Best by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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