UPC · Release
Dance Classics
Various Artists
Last verified:
8712687982068 is the Universal Product Code (UPC barcode) for the release “Dance Classics” by Various Artists, released 1995-01-01 on Arcade. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 52 tracks, each with its own ISRC. Tracks include CAU118407164, USSM10202944, USSM11405407.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (52)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dance Across the Floor | — | ||
| 2 | Dr. Love | — | ||
| 3 | Somebody Else’s Guy | Jocelyn Brown | T-070.145.687-2 | |
| 4 | Do It Any Way You Wanna | People’s Choice | T-070.233.675-1 | |
| 5 | Why Did You Do It? | — | ||
| 6 | Showtime | — | ||
| 7 | Check Out the Groove | — | ||
| 8 | What I Got Is What You Need | — | ||
| 9 | You’ll Never Know | — | ||
| 10 | Nights Over Egypt | The Jones Girls | T-071.001.148-5 | |
| 11 | Where Is the Love? | — | ||
| 12 | Soul Man | Sam & Dave | T-070.243.847-8 | |
| 13 | Girls | — | ||
| 14 | This Is It | Melba Moore | — | |
| 15 | Baby Don’t Change Your Mind | Gladys Knight & the Pips | T-070.232.063-5 | |
| 16 | If You Could Read My Mind | Viola Wills | T-071.514.396-6 | |
| 17 | Love Pains | Yvonne Elliman | T-070.100.668-9 | |
| 18 | White Lines | — | ||
| 2-1 | Rapper’s Delight | — | ||
| 2-2 | We Got the Funk | — | ||
| 2-3 | Let’s Start II Dance Again | — | ||
| 2-4 | Can’t Fake the Feeling | — | ||
| 2-5 | See You When I Get There | — | ||
| 2-6 | Ain’t No Stoppin’ Us Now | McFadden & Whitehead | T-911.053.586-9 | |
| 2-7 | Dance Yourself Dizzy | — | ||
| 2-8 | Love Sensation | — | ||
| 2-9 | I Hear Music in the Streets | — | ||
| 2-10 | On the Beat | — | ||
| 2-11 | (Everybody) Get Dancin’ | Bombers | — | |
| 2-12 | Try It Out | — | ||
| 2-13 | Flashback | — | ||
| 2-14 | She Can’t Love You | — | ||
| 2-15 | Saturday Night | — | ||
| 2-16 | Jingo | — | ||
| 2-17 | Do You Wanna Funk? | — | ||
| 3-1 | I’m Your Boogie Man | — | ||
| 3-2 | Pick Up the Pieces | Average White Band | T-011.342.892-4 | |
| 3-3 | Rock Your World | — | ||
| 3-4 | Hot Shot | Karen Young | T-070.077.067-7 | |
| 3-5 | I Got My Mind Made Up | — | ||
| 3-6 | Last Night a DJ Saved My Life | — | ||
| 3-7 | Dancin’ the Night Away (radio edit) | Voggue | — | |
| 3-8 | Murphy’s Law | — | ||
| 3-9 | Hit ’n’ Run Lover | — | ||
| 3-10 | Long Train Runnin’ | Traks | T-070.241.827-6 | |
| 3-11 | You Are the One for Me | — | ||
| 3-12 | Beat the Streat | — | ||
| 3-13 | Saddle Up | David Christie | T-003.036.888-7 | |
| 3-14 | Let’s All Chant | The Michael Zager Band | T-070.241.640-7 | |
| 3-15 | Nice and Slow | — | ||
| 3-16 | Love Is in the Air | John Paul Young | T-060.002.666-1 | |
| 3-17 | Your Love | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Dancin’ the Night Away (radio edit) | Voggue | — |
| This Is It | Melba Moore | T-070.189.446-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
+39 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+25 more
Identifier Graph
People also ask
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What is UPC 8712687982068?
8712687982068 is a Universal Product Code (UPC) assigned to Dance Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 52 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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