UPC · Release
The Radio Recordings
Concertgebouw Orchestra, Eduard van Beinum
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8713309970159 is the Universal Product Code (UPC barcode) for the release “The Radio Recordings” by Concertgebouw Orchestra, Eduard van Beinum, released 2005-06-21 on Q Disc. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 106 tracks, each with its own ISRC.
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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Track List (106)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 2 in A major S. 125: I. Adagio sostenuto assai - Allegro agitato assai | — | ||
| 2 | Piano Concerto no. 2 in A major S. 125: II. Allegro moderato | — | ||
| 3 | Piano Concerto no. 2 in A major S. 125: III. Allegro deciso - Marziale un poco meno allegro | — | ||
| 4 | Piano Concerto no. 2 in A major S. 125: IV. Allegro animato | — | ||
| 5 | Cantata no. 56 BWV 56: I. Aria: Ich will den Kreuzstab gerne tragen | — | ||
| 6 | Cantata no. 56 BWV 56: II. Recitative: Mein Wandel auf der Welt | — | ||
| 7 | Cantata no. 56 BWV 56: III. Aria: Endlich wird mein Joch | — | ||
| 8 | Cantata no. 56 BWV 56: IV. Recitative: Ich stehe fertig und bereit | — | ||
| 9 | Cantata no. 56 BWV 56: V. Choral: Komm, o Tod, du Schlafes Bruder | — | ||
| 10 | Romeo and Juliet; fantasy overture after Shakespeare [1869, rev. 1880] | — | ||
| 2-1 | Concerto for 2 harpsichords in C minor BWV 1060 [ca. 1719]: I. Allegro | — | ||
| 2-2 | Concerto for 2 harpsichords in C minor BWV 1060 [ca. 1719]: II. Adagio | — | ||
| 2-3 | Concerto for 2 harpsichords in C minor BWV 1060 [ca. 1719]: III. Allegro | — | ||
| 2-4 | Der Hirt auf dem Felsen D 965 | — | ||
| 2-5 | Rosamunde, Fürstin von Zypern D 797: Entr'acte 3 | — | ||
| 2-6 | Rosamunde, Fürstin von Zypern D 797: Musique de ballet 2 | — | ||
| 2-7 | Musik für Geige und Orchester | — | ||
| 2-8 | Variations Symphoniques | — | ||
| 3-1 | Salve Regina | — | ||
| 3-2 | Symphonic excerpts from Psyché: Sommeil de Psyché | — | ||
| 3-3 | Symphonic excerpts from Psyché: Psyché enlevée par les Zéphirs | — | ||
| 3-4 | Symphonic excerpts from Psyché: Les jardins d'Éros | — | ||
| 3-5 | Symphonic excerpts from Psyché: Psyché et Éros | — | ||
| 3-6 | Piano Concerto in G major: I. Allegramente | — | ||
| 3-7 | Piano Concerto in G major: II. Adagio assai | — | ||
| 3-8 | Piano Concerto in G major: III. Presto | — | ||
| 3-9 | La Mer: I. De l'aube à midi sur la mer | — | ||
| 3-10 | La Mer: II. Jeux de vagues | — | ||
| 3-11 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 4-1 | Cello Concerto no. 2: I. Allegro molto | — | ||
| 4-2 | Cello Concerto no. 2: II. Largo | — | ||
| 4-3 | Cello Concerto no. 2: III. Allegro | — | ||
| 4-4 | Symphony no. 4 op. 36 in F minor: I. Andante sostenuto. Moderato con anima | — | ||
| 4-5 | Symphony no. 4 op. 36 in F minor: II. Andantino in modo di canzona | — | ||
| 4-6 | Symphony no. 4 op. 36 in F minor: III. Scherzo (Pizzicato ostinato) | — | ||
| 4-7 | Symphony no. 4 op. 36 in F minor: IV. Allegro con fuoco | — | ||
| 5-1 | Printemps: I. Très modéré | — | ||
| 5-2 | Printemps: II. Modéré | — | ||
| 5-3 | Eine Ballettsuite in D op. 130: I. Entrée | — | ||
| 5-4 | Eine Ballettsuite in D op. 130: II. Colombine | — | ||
| 5-5 | Eine Ballettsuite in D op. 130: III. Harlequin | — | ||
| 5-6 | Eine Ballettsuite in D op. 130: IV. Pierrot und Pierrette | — | ||
| 5-7 | Eine Ballettsuite in D op. 130: V. Valse d'amour | — | ||
| 5-8 | Eine Ballettsuite in D op. 130: VI. Finale | — | ||
| 5-9 | Concerto for Orchestra Sz. 116: I. Introduzione (Andante non troppo, Allegro vivace) | — | ||
| 5-10 | Concerto for Orchestra Sz. 116: II. Giuocco delle copie (Allegretto scherzando) | — | ||
| 5-11 | Concerto for Orchestra Sz. 116: III. Elegia (Andante non troppo) | — | ||
| 5-12 | Concerto for Orchestra Sz. 116: IV. Intermezzo interrotto (Allegretto) | — | ||
| 5-13 | Concerto for Orchestra Sz. 116: V. Pesante. Presto | — | ||
| 6-1 | 3 Images pour Orchestre: I. Gigues | — | ||
| 6-2 | 3 Images pour Orchestre: II. Rondes de Printemps | — | ||
| 6-3 | 3 Images pour Orchestre: III. Iberia: 1. Par les rues et par les chemins | — | ||
| 6-4 | 3 Images pour Orchestre: III. Iberia: 2. Le parfum de la nuit | — | ||
| 6-5 | 3 Images pour Orchestre: III. Iberia: 3. Le matin du jour de fête | — | ||
| 6-6 | Suite no. 2 from 'L'Oiseau de Feu': Introduction | — | ||
| 6-7 | Suite no. 2 from 'L'Oiseau de Feu': L'oiseau de feu et sa danse | — | ||
| 6-8 | Suite no. 2 from 'L'Oiseau de Feu': Ronde des princesses | — | ||
| 6-9 | Suite no. 2 from 'L'Oiseau de Feu': Danse infernal du roi Kastcheï | — | ||
| 6-10 | Suite no. 2 from 'L'Oiseau de Feu': Berceuse | — | ||
| 6-11 | Suite no. 2 from 'L'Oiseau de Feu': Final | — | ||
| 6-12 | Suite no. 2 from 'Daphnis et Chloé' | — | ||
| 7-1 | Concerto for harpsichord in D minor, BWV 1052: I. Allegro | — | ||
| 7-2 | Concerto for harpsichord in D minor, BWV 1052: II. Adagio | — | ||
| 7-3 | Concerto for harpsichord in D minor, BWV 1052: III. Allegro | — | ||
| 7-4 | Symphony no. 1 op. 68 in C minor: I. Un poco sostenuto - Allegro | — | ||
| 7-5 | Symphony no. 1 op. 68 in C minor: II. Andante sostenuto | — | ||
| 7-6 | Symphony no. 1 op. 68 in C minor: III. Un poco allegretto e grazioso | — | ||
| 7-7 | Symphony no. 1 op. 68 in C minor: IV. Adagio - Allegro non troppo ma con brio | — | ||
| 8-1 | Fontane di Roma: I. La fontana di Valle Giulia all'alba | — | ||
| 8-2 | Fontane di Roma: II. La fontana del Tritone mattino | — | ||
| 8-3 | Fontane di Roma: III. La fontana di Trevi al meriggio | — | ||
| 8-4 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | — | ||
| 8-5 | Miroir de Peine: I. Agonie au jardin | — | ||
| 8-6 | Miroir de Peine: II. Flagellation | — | ||
| 8-7 | Miroir de Peine: III. Couronnement d'épines | — | ||
| 8-8 | Miroir de Peine: IV. Portement de Croix | — | ||
| 8-9 | Miroir de Peine: V. Crucifixion | — | ||
| 8-10 | Fünf Orchesterstücke op. 16: I. Sehr rasch | — | ||
| 8-11 | Fünf Orchesterstücke op. 16: II. Mäßige Viertel | — | ||
| 8-12 | Fünf Orchesterstücke op. 16: III. Mäßige Viertel | — | ||
| 8-13 | Fünf Orchesterstücke op. 16: IV. Sehr rasch | — | ||
| 8-14 | Fünf Orchesterstücke op. 16: V. Bewegte Achtel | — | ||
| 8-15 | Piano Concerto no. 3 op. 37 in C minor: I. Allegro con brio | — | ||
| 8-16 | Piano Concerto no. 3 op. 37 in C minor: II. Largo | — | ||
| 8-17 | Piano Concerto no. 3 op. 37 in C minor: III. Rondo (Allegro) | — | ||
| 9-1 | Symphony no. 3 K. 71 | — | ||
| 9-2 | Viola Concerto: I. Allegro tumultoso | — | ||
| 9-3 | Viola Concerto: II. Andante mesto | — | ||
| 9-4 | Viola Concerto: III. Allegro agitato | — | ||
| 9-5 | Symphony no. 4: I. Molto grave e energico - Allegro vivace | — | ||
| 9-6 | Symphony no. 4: II. Andante sostenuto | — | ||
| 9-7 | Symphony no. 4: III. (Finale) Allegro vivace | — | ||
| 9-8 | Musique pour l'esprit en deuil | — | ||
| 10-1 | Overture “Egmont” op. 84 | — | ||
| 10-2 | Ella giamai m'amò ... Dormirò sol nel manto mio regal from Don Carlos | — | ||
| 10-3 | Violin Concerto op. 61 in D major: I. Allegro ma non troppo | — | ||
| 10-4 | Violin Concerto op. 61 in D major: II. Larghetto | — | ||
| 10-5 | Violin Concerto op. 61 in D major: III. Rondo (Allegro) | — | ||
| 11-1 | Violin Concerto no. 4 in D major KV 218: I. Allegro | — | ||
| 11-2 | Violin Concerto no. 4 in D major KV 218: II. Andante cantabile | — | ||
| 11-3 | Violin Concerto no. 4 in D major KV 218: III. Rondeau | — | ||
| 11-4 | Symphony no. 40 in G minor KV 550: I. Molto allegro | — | ||
| 11-5 | Symphony no. 40 in G minor KV 550: II. Andante | — | ||
| 11-6 | Symphony no. 40 in G minor KV 550: III. Menuetto. Allegretto | — | ||
| 11-7 | Symphony no. 40 in G minor KV 550: IV. Allegro assai | — | ||
| 11-8 | Te Deum | — |
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What is UPC 8713309970159?
8713309970159 is a Universal Product Code (UPC) assigned to The Radio Recordings by Concertgebouw Orchestra, Eduard van Beinum. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 106 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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