UPC · Release
The Radio Recordings
Concertgebouw Orchestra, Willem Mengelberg
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8713309970166 is the Universal Product Code (UPC barcode) for the release “The Radio Recordings” by Concertgebouw Orchestra, Willem Mengelberg, released 2001-01-01 on Q Disc. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture Oberon | — | ||
| 2 | Piano Concerto no. 5 in E flat major op. 73 “Emperor”: I. Allegro | — | ||
| 3 | Piano Concerto no. 5 in E flat major op. 73 “Emperor”: II. Adagio un poco mosso | — | ||
| 4 | Piano Concerto no. 5 in E flat major op. 73 “Emperor”: III. Rondo (Allegro) | — | ||
| 5 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | — | ||
| 6 | Lieder eines fahrenden Gesellen: II. Ging heut' morgens über's Feld | — | ||
| 7 | Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer | — | ||
| 8 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen | — | ||
| 9 | Symphony no. 5 in C sharp minor: III. Adagietto | — | ||
| 2-1 | Cantata “Weichet nur, betrübte Schatten” BWV 202: I. Aria: Weichet nur, betrübte Schatten | — | ||
| 2-2 | Cantata “Weichet nur, betrübte Schatten” BWV 202: II. Recitative: Die Welt wird wieder neu | — | ||
| 2-3 | Cantata “Weichet nur, betrübte Schatten” BWV 202: III. Aria: Phoebus eilt mit schnellen Pferden | — | ||
| 2-4 | Cantata “Weichet nur, betrübte Schatten” BWV 202: IV. Recitative: D'rum sucht auch Amor | — | ||
| 2-5 | Cantata “Weichet nur, betrübte Schatten” BWV 202: V. Aria: Wenn die Frühlingslüfte streichen | — | ||
| 2-6 | Cantata “Weichet nur, betrübte Schatten” BWV 202: VI. Recitative: Und dieses ist das Glücke | — | ||
| 2-7 | Cantata “Weichet nur, betrübte Schatten” BWV 202: VII. Aria: Sich üben im Lieben | — | ||
| 2-8 | Cantata “Weichet nur, betrübte Schatten” BWV 202: VIII. Recitative: So sei das Band | — | ||
| 2-9 | Cantata “Weichet nur, betrübte Schatten” BWV 202: IX. Gavotte: Sehet in Zufriedenheit | — | ||
| 2-10 | Claudine von Villa Bella D. 239: Liebe schwärmt auf allen Wegen | — | ||
| 2-11 | Ständchen D. 920 | — | ||
| 2-12 | Rosamunde, Fürstin von Zypern D. 797: Romanze: Der Vollmond strahlt auf Bergeshöhn | — | ||
| 2-13 | Symphony no. 3 in F major op. 90: I. Allegro con brio | — | ||
| 2-14 | Symphony no. 3 in F major op. 90: II. Andante | — | ||
| 2-15 | Symphony no. 3 in F major op. 90: III. Poco allegretto | — | ||
| 2-16 | Symphony no. 3 in F major op. 90: IV. Allegro | — | ||
| 3-1 | Overture Die Zauberflöte KV 620 | — | ||
| 3-2 | Flute Concerto no. 2 in D major KV 314: I. Allegro aperto | — | ||
| 3-3 | Flute Concerto no. 2 in D major KV 314: II. Andante ma non troppo | — | ||
| 3-4 | Flute Concerto no. 2 in D major KV 314: III. Allegro | — | ||
| 3-5 | Bella mia fiamma ... Resta, o cara KV 528 | — | ||
| 3-6 | Violin Concerto no. 1 in G minor op. 26: I. Allegro moderato | — | ||
| 3-7 | Violin Concerto no. 1 in G minor op. 26: II. Adagio | — | ||
| 3-8 | Violin Concerto no. 1 in G minor op. 26: III. Allegro energico | — | ||
| 3-9 | Madama Butterfly: Un bel di vedremo | — | ||
| 3-10 | Ciribiribin | — | ||
| 4-1 | Overture De getemde feeks op. 25 | — | ||
| 4-2 | Piano Concerto no. 2 in F minor op. 21: I. Maestoso | — | ||
| 4-3 | Piano Concerto no. 2 in F minor op. 21: II. Larghetto | — | ||
| 4-4 | Piano Concerto no. 2 in F minor op. 21: III. Allegro vivace | — | ||
| 4-5 | Symphony no. 5 in E minor op. 64: I. Andante - Allegro con anima | — | ||
| 4-6 | Symphony no. 5 in E minor op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 4-7 | Symphony no. 5 in E minor op. 64: III. Valse: Allegro moderato | — | ||
| 4-8 | Symphony no. 5 in E minor op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 5-1 | Harpsichord Concerto in F minor BWV 1056: I. Moderato | — | ||
| 5-2 | Harpsichord Concerto in F minor BWV 1056: II. Largo | — | ||
| 5-3 | Harpsichord Concerto in F minor BWV 1056: III. Presto | — | ||
| 5-4 | Háry János Suite op. 15: I. Prelude | — | ||
| 5-5 | Háry János Suite op. 15: II. Viennese Musical Clock | — | ||
| 5-6 | Háry János Suite op. 15: III. Song | — | ||
| 5-7 | Háry János Suite op. 15: IV. Battle and Defeat of Napoleon | — | ||
| 5-8 | Háry János Suite op. 15: V. Intermezzo | — | ||
| 5-9 | Háry János Suite op. 15: VI. Entrance of the Emperor and his court | — | ||
| 5-10 | Violin Concerto in D major op. 77: I. Allegro non troppo | — | ||
| 5-11 | Violin Concerto in D major op. 77: II. Adagio | — | ||
| 5-12 | Violin Concerto in D major op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 6-1 | Overture Egmont op. 84 | — | ||
| 6-2 | Violin Concerto no. 2 Sz. 112: I. Allegro non troppo | — | ||
| 6-3 | Violin Concerto no. 2 Sz. 112: II. Andante tranquillo | — | ||
| 6-4 | Violin Concerto no. 2 Sz. 112: III. Allegro molto | — | ||
| 6-5 | Variations on the Hungarian Folksong 'The Peacock' | — | ||
| 7-1 | Overture Tannhäuser | — | ||
| 7-2 | Fantaisie: I. Andante ma non troppo - Allegro giusto | — | ||
| 7-3 | Fantaisie: II. Lento e molto espressivo | — | ||
| 7-4 | Fantaisie: III. Allegro molto | — | ||
| 7-5 | Suite no. 2 from Daphnis et Chloé | — | ||
| 7-6 | La Damnation de Faust op. 24: Ballet des Sylphes | — | ||
| 7-7 | La Damnation de Faust op. 24: Menuet des Follets | — | ||
| 7-8 | La Damnation de Faust op. 24: Marche hongroise | — | ||
| 8-1 | Peer Gynt Suite no. 1 op. 46: I. Morning | — | ||
| 8-2 | Peer Gynt Suite no. 1 op. 46: II. The death of Åse | — | ||
| 8-3 | Peer Gynt Suite no. 1 op. 46: III. Anitra's Dance | — | ||
| 8-4 | Peer Gynt Suite no. 1 op. 46: IV. In the hall of the Mountain King | — | ||
| 8-5 | Violin Concerto: I. Allegro deciso - Moderato assai | — | ||
| 8-6 | Violin Concerto: II. Andante | — | ||
| 8-7 | Violin Concerto: III. Deciso | — | ||
| 8-8 | Tod und Verklärung op. 24 | — | ||
| 9-1 | Symphony no. 9 in D minor op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 9-2 | Symphony no. 9 in D minor op. 125 “Choral”: II. Molto vivace | — | ||
| 9-3 | Symphony no. 9 in D minor op. 125 “Choral”: III. Adagio e cantabile - Andante moderato | — | ||
| 9-4 | Symphony no. 9 in D minor op. 125 “Choral”: IV. Presto - Allegro assai - Ode to Joy | — | ||
| 10-1 | Symphony no. 4 in G major: I. Heiter, bedächtig | — | ||
| 10-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung | — | ||
| 10-3 | Symphony no. 4 in G major: III. Ruhevoll | — | ||
| 10-4 | Symphony no. 4 in G major: IV. Sehr behaglich | — |
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What is UPC 8713309970166?
8713309970166 is a Universal Product Code (UPC) assigned to The Radio Recordings by Concertgebouw Orchestra, Willem Mengelberg. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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