UPC · Release
Royal Concertgebouw Orchestra, Riccardo Chailly
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The UPC for “The Radio Recordings” by Royal Concertgebouw Orchestra, Riccardo Chailly is 8713309970333. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Q Disc. This release contains 123 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture La Forza del Destino | — | ||
| 2 | Concerto for two pianos and orchestra | — | ||
| 3 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": I. Allegro tranquillo | — | ||
| 4 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": II. Adagio cantabile ma non tanto | — | ||
| 5 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso | — | ||
| 6 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": IV. Andante lugubre - Allegro maestoso | — | ||
| 2-1 | Schwarzer und roter Tanz, from the ballet "Tutuguri" | — | ||
| 2-2 | Violin Concerto no. 1 Sz. 36: I. Andante sostenuto | — | ||
| 2-3 | Violin Concerto no. 1 Sz. 36: II. Allegro giocoso | — | ||
| 2-4 | Symphony no. 2 op. 36 in D major: I. Adagio molto - Allegro con brio | — | ||
| 2-5 | Symphony no. 2 op. 36 in D major: II. Larghetto | — | ||
| 2-6 | Symphony no. 2 op. 36 in D major: III. Scherzo. Allegro | — | ||
| 2-7 | Symphony no. 2 op. 36 in D major: IV. Allegro molto | — | ||
| 3-1 | Requies [1st version 1983-1985] for chamber orchestra, In memoriam Cathy Berberian | — | ||
| 3-2 | Song and dances of death: I. Trepak. Lento assai [orch. Rimsky-Korsakov] | — | ||
| 3-3 | Song and dances of death: II. Lullaby. Lento doloroso [orch. Labinsky] | — | ||
| 3-4 | Song and dances of death: III. Serenade. Larghetto [orch. Lyapunov] | — | ||
| 3-5 | Song and dances of death: IV. The field-marshal. Vivo, alla guerra [orch. Lyapunov] | — | ||
| 3-6 | Die Seejungfrau, Fantasie für Orchester: I. Sehr mäßig bewegt | — | ||
| 3-7 | Die Seejungfrau, Fantasie für Orchester: II. Sehr bewegt, rauschend | — | ||
| 3-8 | Die Seejungfrau, Fantasie für Orchester: III. Sehr gedehnt, mit schmerzvollem Ausdruck | — | ||
| 4-1 | Studi per 'Il Processo' di Franz Kafka | — | ||
| 4-2 | Kindertotenlieder: I. Nun will die Sonn' so hell augeh'n! | — | ||
| 4-3 | Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 4-4 | Kindertotenlieder: III. Wenn dein Mütterlein | — | ||
| 4-5 | Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen! | — | ||
| 4-6 | Kindertotenlieder: V. In diesem Wetter | — | ||
| 4-7 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: I. Phaedrus: Pausanias | — | ||
| 4-8 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: II. Aristophanes | — | ||
| 4-9 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: III. Erixymathus | — | ||
| 4-10 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: IV. Agathon | — | ||
| 4-11 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: V. Socrates: Alcibiades | — | ||
| 5-1 | Folk Songs [orchestral version]: I. Black is the color... (USA) | — | ||
| 5-2 | Folk Songs [orchestral version]: II. I wonder as I wander... (USA) | — | ||
| 5-3 | Folk Songs [orchestral version]: III. Loosin yelav... (Armenia) | — | ||
| 5-4 | Folk Songs [orchestral version]: IV. Rossignolet du bois (France) | — | ||
| 5-5 | Folk Songs [orchestral version]: V. A la femminisca (Sicily) | — | ||
| 5-6 | Folk Songs [orchestral version]: VI. La donna ideale (Italy) | — | ||
| 5-7 | Folk Songs [orchestral version]: VII. Ballo (Italy) | — | ||
| 5-8 | Folk Songs [orchestral version]: VIII. Motettu de tristura (Sardinia) | — | ||
| 5-9 | Folk Songs [orchestral version]: IX. Malurous qu'o uno fenno (Auvergne, France) | — | ||
| 5-10 | Folk Songs [orchestral version]: X. Lo fiolaire (Auvergne, France) | — | ||
| 5-11 | Folk Songs [orchestral version]: XI. Azerbaijan love song (Azerbaijan) | — | ||
| 5-12 | Cello Concerto no. 2 in G minor op. 126: I. Largo | — | ||
| 5-13 | Cello Concerto no. 2 in G minor op. 126: II. Allegretto | — | ||
| 5-14 | Cello Concerto no. 2 in G minor op. 126: III. Allegretto | — | ||
| 5-15 | Formazioni | — | ||
| 6-1 | Khamma, Légende dansée [orch. by Charles Koechlin, 1912] | — | ||
| 6-2 | Tympan | — | ||
| 6-3 | Symphony no. 3 in C minor op. 44: I. Moderato | — | ||
| 6-4 | Symphony no. 3 in C minor op. 44: II. Andante | — | ||
| 6-5 | Symphony no. 3 in C minor op. 44: III. Allegro agitato | — | ||
| 6-6 | Symphony no. 3 in C minor op. 44: IV. Andante mosso - Allegro moderato | — | ||
| 7-1 | Concerto II (Echoing curves) for piano solo and two instrumental ensembles | — | ||
| 7-2 | De Hemel. Twaalf Symfonische Variaties op. 37: I. Allegro moderato | — | ||
| 7-3 | De Hemel. Twaalf Symfonische Variaties op. 37: II. Allegretto | — | ||
| 7-4 | De Hemel. Twaalf Symfonische Variaties op. 37: III. Lento tranquillo | — | ||
| 7-5 | De Hemel. Twaalf Symfonische Variaties op. 37: IV. Più mosso | — | ||
| 7-6 | De Hemel. Twaalf Symfonische Variaties op. 37: V. Più largo | — | ||
| 7-7 | De Hemel. Twaalf Symfonische Variaties op. 37: VI. Adagio: molto tranquillo | — | ||
| 7-8 | De Hemel. Twaalf Symfonische Variaties op. 37: VII. Allegro energico | — | ||
| 7-9 | De Hemel. Twaalf Symfonische Variaties op. 37: VIII. Più vivo | — | ||
| 7-10 | De Hemel. Twaalf Symfonische Variaties op. 37: IX. Adagio | — | ||
| 7-11 | De Hemel. Twaalf Symfonische Variaties op. 37: X. Allegro | — | ||
| 7-12 | De Hemel. Twaalf Symfonische Variaties op. 37: XI. Adagio molto | — | ||
| 7-13 | De Hemel. Twaalf Symfonische Variaties op. 37: XII. Lento | — | ||
| 8-1 | Passacaglia für Orchester op. 1 | — | ||
| 8-2 | Kammersymphonie no. 1 in E major op. 9 für 15 Solo-Instrumente | — | ||
| 8-3 | Petrouchka [1947 version]: Scene I | — | ||
| 8-4 | Petrouchka [1947 version]: Scene II | — | ||
| 8-5 | Petrouchka [1947 version]: Scene III | — | ||
| 8-6 | Petrouchka [1947 version]: Scene IV | — | ||
| 9-1 | Sonate für Klavier op. 1 [orch. by Theo Verbey, 1984] | — | ||
| 9-2 | Im grossen Schweigen (after Nietzsche) | — | ||
| 9-3 | Piano Concerto no. 14 in E flat major KV 449: I. Allegro vivace | — | ||
| 9-4 | Piano Concerto no. 14 in E flat major KV 449: II. Andantino | — | ||
| 9-5 | Piano Concerto no. 14 in E flat major KV 449: III. Allegro ma non troppo | — | ||
| 9-6 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: I. Sehr lebhafte Achtel | — | ||
| 9-7 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: II. Sehr langsame Achtel | — | ||
| 9-8 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: III. Kleines Potpourri (Sehr lebhafte Viertel) | — | ||
| 9-9 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: IV. Finale (Schnelle Viertel) | — | ||
| 10-1 | Concerto for organ and orchestra: I. Recitativo | — | ||
| 10-2 | Concerto for organ and orchestra: II. Capriccio | — | ||
| 10-3 | Concerto for organ and orchestra: III. Intermezzo e Toccata | — | ||
| 10-4 | Concerto for organ and orchestra: IV. Recitativo | — | ||
| 10-5 | Violin Concerto 'Dem Andenken eines Engels': I. Andante und Allegretto | — | ||
| 10-6 | Violin Concerto 'Dem Andenken eines Engels': II. Allegro und Adagio | — | ||
| 10-7 | Symphony no. 8 in E flat major: I. Hymnus 'Veni, creator spiritus' | — | ||
| 11-1 | Symphony no. 8 in E flat major: II. Schlußszene aus Goethes Faust | — | ||
| 11-2 | Sieben frühe Lieder [orch. 1928]: I. Nacht (Hauptmann) | — | ||
| 11-3 | Sieben frühe Lieder [orch. 1928]: II. Schilflied (Lenau) | — | ||
| 11-4 | Sieben frühe Lieder [orch. 1928]: III. Die Nachtigall (Storm) | — | ||
| 11-5 | Sieben frühe Lieder [orch. 1928]: IV. Traumgekrönt (Rilke) | — | ||
| 11-6 | Sieben frühe Lieder [orch. 1928]: V. Im Zimmer (Schlaf) | — | ||
| 11-7 | Sieben frühe Lieder [orch. 1928]: VI. Liebesode (Hartleben) | — | ||
| 11-8 | Sieben frühe Lieder [orch. 1928]: VII. Sommertage (Hohenberg) | — | ||
| 12-1 | Tagesgrauen & Siegfrieds Rheinfahrt, from "Götterdämmerung" | — | ||
| 12-2 | Mass no. 3 in F minor 'Great': I. Kyrie | — | ||
| 12-3 | Mass no. 3 in F minor 'Great': II. Gloria | — | ||
| 12-4 | Mass no. 3 in F minor 'Great': III. Credo | — | ||
| 12-5 | Mass no. 3 in F minor 'Great': IV. Sanctus | — | ||
| 12-6 | Mass no. 3 in F minor 'Great': V. Benedictus | — | ||
| 12-7 | Mass no. 3 in F minor 'Great': VI. Agnus Dei | — | ||
| 13-1 | Agon: Pas-de-Quatre | — | ||
| 13-2 | Agon: Double Pas-de-Quatre | — | ||
| 13-3 | Agon: Triple Pas-de-Quatre | — | ||
| 13-4 | Agon: Prelude | — | ||
| 13-5 | Agon: First Pas-de-Trois (Saraband-Step) | — | ||
| 13-6 | Agon: Gailliarde | — | ||
| 13-7 | Agon: Coda | — | ||
| 13-8 | Agon: Interlude | — | ||
| 13-9 | Agon: Second Pas-de-Trois (Bransle Simple) | — | ||
| 13-10 | Agon: Bransle Gay | — | ||
| 13-11 | Agon: Bransle de Poitou | — | ||
| 13-12 | Agon: Interlude | — | ||
| 13-13 | Agon: Pas-de-Deux | — | ||
| 13-14 | Agon: Coda | — | ||
| 13-15 | Agon: Four Duos | — | ||
| 13-16 | Agon: Four Trios | — | ||
| 13-17 | Piano Concerto no. 3 in C major op. 26: I. Andante - Allegro | — | ||
| 13-18 | Piano Concerto no. 3 in C major op. 26: II. Andantino; Tema con variazioni | — | ||
| 13-19 | Piano Concerto no. 3 in C major op. 26: III. Allegro ma non troppo | — | ||
| 13-20 | Amériques [revised and edited 1996 by Chou Wen-chung, based on the original manuscript] | — |
Credits Graph
8713309970333 is a Universal Product Code (UPC) assigned to The Radio Recordings by Royal Concertgebouw Orchestra, Riccardo Chailly. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 123 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Radio Recordings” by Royal Concertgebouw Orchestra, Riccardo Chailly is 8713309970333. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: Q Disc. This release contains 123 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture La Forza del Destino | — | ||
| 2 | Concerto for two pianos and orchestra | — | ||
| 3 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": I. Allegro tranquillo | — | ||
| 4 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": II. Adagio cantabile ma non tanto | — | ||
| 5 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso | — | ||
| 6 | Symphony no. 1 in G minor op. 13 "Winter Daydreams": IV. Andante lugubre - Allegro maestoso | — | ||
| 2-1 | Schwarzer und roter Tanz, from the ballet "Tutuguri" | — | ||
| 2-2 | Violin Concerto no. 1 Sz. 36: I. Andante sostenuto | — | ||
| 2-3 | Violin Concerto no. 1 Sz. 36: II. Allegro giocoso | — | ||
| 2-4 | Symphony no. 2 op. 36 in D major: I. Adagio molto - Allegro con brio | — | ||
| 2-5 | Symphony no. 2 op. 36 in D major: II. Larghetto | — | ||
| 2-6 | Symphony no. 2 op. 36 in D major: III. Scherzo. Allegro | — | ||
| 2-7 | Symphony no. 2 op. 36 in D major: IV. Allegro molto | — | ||
| 3-1 | Requies [1st version 1983-1985] for chamber orchestra, In memoriam Cathy Berberian | — | ||
| 3-2 | Song and dances of death: I. Trepak. Lento assai [orch. Rimsky-Korsakov] | — | ||
| 3-3 | Song and dances of death: II. Lullaby. Lento doloroso [orch. Labinsky] | — | ||
| 3-4 | Song and dances of death: III. Serenade. Larghetto [orch. Lyapunov] | — | ||
| 3-5 | Song and dances of death: IV. The field-marshal. Vivo, alla guerra [orch. Lyapunov] | — | ||
| 3-6 | Die Seejungfrau, Fantasie für Orchester: I. Sehr mäßig bewegt | — | ||
| 3-7 | Die Seejungfrau, Fantasie für Orchester: II. Sehr bewegt, rauschend | — | ||
| 3-8 | Die Seejungfrau, Fantasie für Orchester: III. Sehr gedehnt, mit schmerzvollem Ausdruck | — | ||
| 4-1 | Studi per 'Il Processo' di Franz Kafka | — | ||
| 4-2 | Kindertotenlieder: I. Nun will die Sonn' so hell augeh'n! | — | ||
| 4-3 | Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen | — | ||
| 4-4 | Kindertotenlieder: III. Wenn dein Mütterlein | — | ||
| 4-5 | Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen! | — | ||
| 4-6 | Kindertotenlieder: V. In diesem Wetter | — | ||
| 4-7 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: I. Phaedrus: Pausanias | — | ||
| 4-8 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: II. Aristophanes | — | ||
| 4-9 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: III. Erixymathus | — | ||
| 4-10 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: IV. Agathon | — | ||
| 4-11 | Serenade (after Plato's Symposium) for solo violin, string orchestra, harp and percussion: V. Socrates: Alcibiades | — | ||
| 5-1 | Folk Songs [orchestral version]: I. Black is the color... (USA) | — | ||
| 5-2 | Folk Songs [orchestral version]: II. I wonder as I wander... (USA) | — | ||
| 5-3 | Folk Songs [orchestral version]: III. Loosin yelav... (Armenia) | — | ||
| 5-4 | Folk Songs [orchestral version]: IV. Rossignolet du bois (France) | — | ||
| 5-5 | Folk Songs [orchestral version]: V. A la femminisca (Sicily) | — | ||
| 5-6 | Folk Songs [orchestral version]: VI. La donna ideale (Italy) | — | ||
| 5-7 | Folk Songs [orchestral version]: VII. Ballo (Italy) | — | ||
| 5-8 | Folk Songs [orchestral version]: VIII. Motettu de tristura (Sardinia) | — | ||
| 5-9 | Folk Songs [orchestral version]: IX. Malurous qu'o uno fenno (Auvergne, France) | — | ||
| 5-10 | Folk Songs [orchestral version]: X. Lo fiolaire (Auvergne, France) | — | ||
| 5-11 | Folk Songs [orchestral version]: XI. Azerbaijan love song (Azerbaijan) | — | ||
| 5-12 | Cello Concerto no. 2 in G minor op. 126: I. Largo | — | ||
| 5-13 | Cello Concerto no. 2 in G minor op. 126: II. Allegretto | — | ||
| 5-14 | Cello Concerto no. 2 in G minor op. 126: III. Allegretto | — | ||
| 5-15 | Formazioni | — | ||
| 6-1 | Khamma, Légende dansée [orch. by Charles Koechlin, 1912] | — | ||
| 6-2 | Tympan | — | ||
| 6-3 | Symphony no. 3 in C minor op. 44: I. Moderato | — | ||
| 6-4 | Symphony no. 3 in C minor op. 44: II. Andante | — | ||
| 6-5 | Symphony no. 3 in C minor op. 44: III. Allegro agitato | — | ||
| 6-6 | Symphony no. 3 in C minor op. 44: IV. Andante mosso - Allegro moderato | — | ||
| 7-1 | Concerto II (Echoing curves) for piano solo and two instrumental ensembles | — | ||
| 7-2 | De Hemel. Twaalf Symfonische Variaties op. 37: I. Allegro moderato | — | ||
| 7-3 | De Hemel. Twaalf Symfonische Variaties op. 37: II. Allegretto | — | ||
| 7-4 | De Hemel. Twaalf Symfonische Variaties op. 37: III. Lento tranquillo | — | ||
| 7-5 | De Hemel. Twaalf Symfonische Variaties op. 37: IV. Più mosso | — | ||
| 7-6 | De Hemel. Twaalf Symfonische Variaties op. 37: V. Più largo | — | ||
| 7-7 | De Hemel. Twaalf Symfonische Variaties op. 37: VI. Adagio: molto tranquillo | — | ||
| 7-8 | De Hemel. Twaalf Symfonische Variaties op. 37: VII. Allegro energico | — | ||
| 7-9 | De Hemel. Twaalf Symfonische Variaties op. 37: VIII. Più vivo | — | ||
| 7-10 | De Hemel. Twaalf Symfonische Variaties op. 37: IX. Adagio | — | ||
| 7-11 | De Hemel. Twaalf Symfonische Variaties op. 37: X. Allegro | — | ||
| 7-12 | De Hemel. Twaalf Symfonische Variaties op. 37: XI. Adagio molto | — | ||
| 7-13 | De Hemel. Twaalf Symfonische Variaties op. 37: XII. Lento | — | ||
| 8-1 | Passacaglia für Orchester op. 1 | — | ||
| 8-2 | Kammersymphonie no. 1 in E major op. 9 für 15 Solo-Instrumente | — | ||
| 8-3 | Petrouchka [1947 version]: Scene I | — | ||
| 8-4 | Petrouchka [1947 version]: Scene II | — | ||
| 8-5 | Petrouchka [1947 version]: Scene III | — | ||
| 8-6 | Petrouchka [1947 version]: Scene IV | — | ||
| 9-1 | Sonate für Klavier op. 1 [orch. by Theo Verbey, 1984] | — | ||
| 9-2 | Im grossen Schweigen (after Nietzsche) | — | ||
| 9-3 | Piano Concerto no. 14 in E flat major KV 449: I. Allegro vivace | — | ||
| 9-4 | Piano Concerto no. 14 in E flat major KV 449: II. Andantino | — | ||
| 9-5 | Piano Concerto no. 14 in E flat major KV 449: III. Allegro ma non troppo | — | ||
| 9-6 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: I. Sehr lebhafte Achtel | — | ||
| 9-7 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: II. Sehr langsame Achtel | — | ||
| 9-8 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: III. Kleines Potpourri (Sehr lebhafte Viertel) | — | ||
| 9-9 | Kammermusik no. 2 (Klavier-Konzert) op. 36 no. 1: IV. Finale (Schnelle Viertel) | — | ||
| 10-1 | Concerto for organ and orchestra: I. Recitativo | — | ||
| 10-2 | Concerto for organ and orchestra: II. Capriccio | — | ||
| 10-3 | Concerto for organ and orchestra: III. Intermezzo e Toccata | — | ||
| 10-4 | Concerto for organ and orchestra: IV. Recitativo | — | ||
| 10-5 | Violin Concerto 'Dem Andenken eines Engels': I. Andante und Allegretto | — | ||
| 10-6 | Violin Concerto 'Dem Andenken eines Engels': II. Allegro und Adagio | — | ||
| 10-7 | Symphony no. 8 in E flat major: I. Hymnus 'Veni, creator spiritus' | — | ||
| 11-1 | Symphony no. 8 in E flat major: II. Schlußszene aus Goethes Faust | — | ||
| 11-2 | Sieben frühe Lieder [orch. 1928]: I. Nacht (Hauptmann) | — | ||
| 11-3 | Sieben frühe Lieder [orch. 1928]: II. Schilflied (Lenau) | — | ||
| 11-4 | Sieben frühe Lieder [orch. 1928]: III. Die Nachtigall (Storm) | — | ||
| 11-5 | Sieben frühe Lieder [orch. 1928]: IV. Traumgekrönt (Rilke) | — | ||
| 11-6 | Sieben frühe Lieder [orch. 1928]: V. Im Zimmer (Schlaf) | — | ||
| 11-7 | Sieben frühe Lieder [orch. 1928]: VI. Liebesode (Hartleben) | — | ||
| 11-8 | Sieben frühe Lieder [orch. 1928]: VII. Sommertage (Hohenberg) | — | ||
| 12-1 | Tagesgrauen & Siegfrieds Rheinfahrt, from "Götterdämmerung" | — | ||
| 12-2 | Mass no. 3 in F minor 'Great': I. Kyrie | — | ||
| 12-3 | Mass no. 3 in F minor 'Great': II. Gloria | — | ||
| 12-4 | Mass no. 3 in F minor 'Great': III. Credo | — | ||
| 12-5 | Mass no. 3 in F minor 'Great': IV. Sanctus | — | ||
| 12-6 | Mass no. 3 in F minor 'Great': V. Benedictus | — | ||
| 12-7 | Mass no. 3 in F minor 'Great': VI. Agnus Dei | — | ||
| 13-1 | Agon: Pas-de-Quatre | — | ||
| 13-2 | Agon: Double Pas-de-Quatre | — | ||
| 13-3 | Agon: Triple Pas-de-Quatre | — | ||
| 13-4 | Agon: Prelude | — | ||
| 13-5 | Agon: First Pas-de-Trois (Saraband-Step) | — | ||
| 13-6 | Agon: Gailliarde | — | ||
| 13-7 | Agon: Coda | — | ||
| 13-8 | Agon: Interlude | — | ||
| 13-9 | Agon: Second Pas-de-Trois (Bransle Simple) | — | ||
| 13-10 | Agon: Bransle Gay | — | ||
| 13-11 | Agon: Bransle de Poitou | — | ||
| 13-12 | Agon: Interlude | — | ||
| 13-13 | Agon: Pas-de-Deux | — | ||
| 13-14 | Agon: Coda | — | ||
| 13-15 | Agon: Four Duos | — | ||
| 13-16 | Agon: Four Trios | — | ||
| 13-17 | Piano Concerto no. 3 in C major op. 26: I. Andante - Allegro | — | ||
| 13-18 | Piano Concerto no. 3 in C major op. 26: II. Andantino; Tema con variazioni | — | ||
| 13-19 | Piano Concerto no. 3 in C major op. 26: III. Allegro ma non troppo | — | ||
| 13-20 | Amériques [revised and edited 1996 by Chou Wen-chung, based on the original manuscript] | — |
