UPC · Release
Dance Box
Various Artists
Last verified:
8714643600047 is the Universal Product Code (UPC barcode) for the release “Dance Box” by Various Artists, released 1997-01-01 on MECADO. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include BRFDZ0500182, DEN951204327, DEA819500903.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Somebody Dance With Me | DJ BoBo | T-800.428.303-9 | |
| 2 | Show Me Love | — | ||
| 3 | Get‐A‐Way (airplay mix) | Maxx | T-800.895.766-3 | |
| 4 | We’ve Got It Goin’ On (radio edit) | Backstreet Boys | T-000.031.368-7 | |
| 5 | U Got 2 Know | — | ||
| 6 | Voodoo People (edit) | The Prodigy | T-900.081.714-1 | |
| 7 | Scatman’s World | — | ||
| 8 | I Wish | — | ||
| 9 | Seven Days and One Week | B.B.E. | T-106.354.341-7 | |
| 10 | Don’t Give Your Life | — | ||
| 11 | Shimmy Shake | — | ||
| 12 | I Don’t Like Reggae | — | ||
| 13 | Cotton Eye Joe | Rednex | T-000.010.204-4 | |
| 14 | Happy Rave (David’s Song) | — | ||
| 15 | The Game Is Over | — | ||
| 16 | X-Files | — | ||
| 17 | Boom Boom | — | ||
| 18 | Feel What You Want | — | ||
| 19 | Hyper Hyper | Scooter | T-801.060.319-8 | |
| 20 | Up to No Good | — | ||
| 2-1 | Scatman (Ski-Ba-Bop-Ba-Dop-Bop) | — | ||
| 2-2 | Open Sesame | — | ||
| 2-3 | Right Type of Mood | — | ||
| 2-4 | The Rhythm of the Night | — | ||
| 2-5 | Total Eclipse of the Heart | Nicki French | T-072.441.997-9 | |
| 2-6 | Ladies’ Night | — | ||
| 2-7 | Short Dick Man | — | ||
| 2-8 | Boom Boom Down | — | ||
| 2-9 | Theme From Mission Impossible | — | ||
| 2-10 | Children | — | ||
| 2-11 | I Saw You Dancing | — | ||
| 2-12 | Gimme Gimme | — | ||
| 2-13 | Killing Me Softly | — | ||
| 2-15 | Saturday Night | — | ||
| 2-16 | Celebrate (The Love) | — | ||
| 2-17 | Oh, Baby All | — | ||
| 2-18 | Magic Carpet Ride | — | ||
| 2-19 | Lonesome Cowboy ’97 | — | ||
| 2-20 | Breathe (edit) | The Prodigy | T-010.256.598-9 | |
| 3-1 | All That She Wants | Ace of Base | — | |
| 3-2 | Think About the Way | — | ||
| 3-3 | Let Me Be Your Fantasy | — | ||
| 3-4 | No More (I Can’t Stand It) | — | ||
| 3-5 | Pure Emotion | — | ||
| 3-6 | Boom! Shake the Room | — | ||
| 3-7 | You Never Know | — | ||
| 3-8 | Break It Up | — | ||
| 3-9 | Luv 4 Luv | — | ||
| 3-10 | Here Comes the Hotstepper | — | ||
| 3-11 | Locomotion | — | ||
| 3-12 | Here We Go | — | ||
| 3-13 | The Real Thing | — | ||
| 3-14 | Friends | — | ||
| 3-15 | It’s Whats Upfront That Counts | — | ||
| 3-16 | I Wanna B With You | — | ||
| 3-17 | Fables | — | ||
| 3-18 | Pray (radio version) | DJ BoBo | T-800.149.417-4 | |
| 3-19 | Insomnia (radio edit) | Faithless | T-010.771.666-4 | |
| 3-20 | Everybody Jam! | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| All That She Wants | Ace of Base | T-914.149.518-3 |
| All That She Wants | Ace of Base | — |
| All That She Wants | Ace of Base | — |
| All That She Wants | Ace of Base | — |
| All That She Wants | Ace of Base | T-914.149.518-3 |
| All That She Wants | Ace of Base | T-914.149.518-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 8714643600047?
8714643600047 is a Universal Product Code (UPC) assigned to Dance Box by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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