UPC · Release
Après ski top 100
Various Artists
Last verified:
8715211900774 is the Universal Product Code (UPC barcode) for the release “Après ski top 100” by Various Artists, released 1998-01-01 on RPC Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include NLA959700095, NLB259500010, NLA240806789.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | De Alpen Express | — | ||
| 2 | Ich bin wie du | — | ||
| 3 | ’t Was aan de Costa del Sol | Sugar Lee Hooper | T-031.779.107-3 | |
| 4 | Tausend mal du | — | ||
| 5 | Het busje komt zo | Höllenboer | — | |
| 6 | La cucamarcha | — | ||
| 7 | Hulzebosch, Hulzebosch | — | ||
| 8 | Follow Me | — | ||
| 9 | Paloma blanca | George Baker Selection | T-921.405.287-6 | |
| 10 | Is Everybody Happy | — | ||
| 11 | Tandenborstel‐jive | C’est Tout, Anthonius Hapt | — | |
| 12 | Santa Maria | Roland Kaiser | T-800.712.712-1 | |
| 13 | De clown | Dario | T-900.754.053-6 | |
| 14 | The Clubhits | Stars on 45 | — | |
| 15 | Rote Rosen | — | ||
| 16 | Mademoiselle Ninette | — | ||
| 17 | Neenaanmenooitnie | Gebroeders Grimm | — | |
| 18 | Sugar Sugar | The Archies | T-070.244.045-6 | |
| 19 | Die Bouzouki klang durch die Sommernacht | — | ||
| 20 | Ademnood | Linda, Roos & Jessica | T-031.636.996-6 | |
| 21 | Coupe soleil | — | ||
| 22 | Angeline (de blonde sexmachine) | — | ||
| 23 | Comment ça va | — | ||
| 24 | Du kannst nicht immer siebzehn sein | — | ||
| 25 | We’ve Got the Whole World | — | ||
| 2-1 | Ben je geil of wil je een koekje | Titt’n | — | |
| 2-2 | Yes Sir I Can Boogie | — | ||
| 2-3 | Mijn eigen feessie | De Havenzangers | — | |
| 2-4 | Bamboleo | Los Reyes | — | |
| 2-5 | Ik droom alleen maar van jou | Robert Leroy | — | |
| 2-6 | Juffrouw toos | One Two Trio | — | |
| 2-7 | Zis is mij lijf (This Is My Life) | Tineke Schouten | — | |
| 2-8 | Rosamunde | — | ||
| 2-9 | Honkie tonkie pianissie | A Vier | — | |
| 2-10 | A Little in Love | Engelbert Humperdinck | — | |
| 2-11 | Hé Lekkerbek | — | ||
| 2-12 | Überall auf der Welt | — | ||
| 2-13 | Beestjes | — | ||
| 2-14 | Dschinghis Khan | Dschinghis Khan | T-802.030.518-5 | |
| 2-15 | We gaan het weer versieren | De Deurzakkers | — | |
| 2-16 | Zorba the Greek | — | ||
| 2-17 | M’n schoonmoeder | Ronald | — | |
| 2-18 | Hutje op de hei | — | ||
| 2-19 | ’t Kleine café aan de haven | — | ||
| 2-20 | Schöne Maid | Tony Marshall | T-305.545.206-3 | |
| 2-21 | Brabantse nachten zijn lang | — | ||
| 2-22 | Disco samba | — | ||
| 2-23 | Patrona Bavariae | — | ||
| 2-24 | El gato Montez | Kleintje Pils | — | |
| 2-25 | Schnaps, das war sein letztes wort | — | ||
| 3-1 | One for You, One for Me | La Bionda | T-802.063.188-4 | |
| 3-2 | Fiesta Mexicana | Rex Gildo | T-802.877.518-1 | |
| 3-3 | Vrijgezel | Dario | — | |
| 3-4 | De sneeuwklok | C’est Tout | — | |
| 3-5 | Viva la mamma | Gino Politi | — | |
| 3-6 | Rocky | Frank Farian | T-801.444.748-5 | |
| 3-7 | Op het hoekje brand nog licht | A Vier | — | |
| 3-8 | Feels Like I’m in Love | — | ||
| 3-9 | Monja | Roland W. | — | |
| 3-10 | Bonkevaart | — | ||
| 3-11 | Alice, Who the X Is Alice | Gompie | T-011.497.537-9 | |
| 3-12 | Schneewalzer | — | ||
| 3-13 | Greatest Lover | — | ||
| 3-14 | Un rayo del sol | — | ||
| 3-15 | Mi America | Narvalo | T-070.001.097-4 | |
| 3-16 | Borriquito | — | ||
| 3-17 | Het is een nacht | — | ||
| 3-18 | Live Is Life | — | ||
| 3-19 | Marmor, Stein und Eisen bricht | — | ||
| 3-20 | Let’s Hang On | Nancy Boyd | — | |
| 3-21 | In ons fijne café | — | ||
| 3-22 | Theme From Après Ski | — | ||
| 3-23 | Ich hab’ die liebe geseh’n | — | ||
| 3-24 | 15 miljoen mensen | Fluitsma, Van Tijn | T-031.637.610-9 | |
| 3-25 | Ich kauf mir lieber einen Tirolerhut | — | ||
| 4-1 | Rivers of Babylon | Boney M. | T-802.140.075-0 | |
| 4-2 | Klap maar in je handen | — | ||
| 4-3 | Striptzewel of striptzenie | C’est Tout | — | |
| 4-4 | Always Look on the Bright Side of Life | Gompie | — | |
| 4-5 | He ho coolio | DJ Cor | — | |
| 4-6 | Polonaise Hollandaise | — | ||
| 4-7 | The Ta Ta Ta Song | Talk of the Town | — | |
| 4-8 | Oh wat ben je mooi | Sugar Lee Hooper | — | |
| 4-9 | Verrek zeg kerel | — | ||
| 4-10 | Weekend voor de deur | De Maïs Girls | — | |
| 4-11 | Saturday Night | Whigfield | T-005.000.986-3 | |
| 4-12 | Oene maine matsj tirol | — | ||
| 4-13 | Alles of niets | — | ||
| 4-14 | Van links naar achter, van voor naar rechts | — | ||
| 4-15 | The Coffee Song | — | ||
| 4-16 | Hij maakte me gek (........met zijn vingers) | — | ||
| 4-17 | De vogeltjes dans | — | ||
| 4-18 | Zing met me mee | Gerard Joling | T-300.872.773-5 | |
| 4-19 | Schmidtchen schleidcher | — | ||
| 4-20 | Baby Come Back | — | ||
| 4-21 | Levenslang | — | ||
| 4-22 | Jodelahiti | — | ||
| 4-23 | Dom pie dom | — | ||
| 4-24 | The Lion Sleeps Tonight in Tirol | — | ||
| 4-25 | Oh middernacht | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ben je geil of wil je een koekje | Titt’n | — |
| M’n schoonmoeder | Ronald | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+44 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+28 more
Identifier Graph
People also ask
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What is UPC 8715211900774?
8715211900774 is a Universal Product Code (UPC) assigned to Après ski top 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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