UPC · Release
Dance The Annual 2022
Various Artists
8715576201240
80 tracks
Last verified:
8715576201240 is the Universal Product Code (UPC barcode) for the release “Dance The Annual 2022” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 80 tracks, each with its own ISRC. Tracks include NLE802000708, NLE802100220, NLE802100033.
Format
871GS1 prefix
5576Company prefix
20124Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDance The Annual 2022
ISRC80 recordings
ISWC41 works
IPI6 songwriters
Track List (80)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bulletproof | The Galaxy | T-303.204.254-5 | |
| 2 | Next To Me | Elliot Fitch | — | |
| 3 | Kids Of NYC | AINT, Strobe | T-304.012.393-7 | |
| 4 | BE/AT | Marco V, Vision 20/20 | T-307.905.178-4 | |
| 5 | California Dream | Melsen, Hoved, Helen | T-307.953.764-3 | |
| 6 | Up To You | Disco Killerz, Holly T | T-002.608.979-1 | |
| 7 | Your Smile | Lulleaux, Jay Mason | T-031.760.631-7 | |
| 8 | Way Too Long | MAXI MERAKI | — | |
| 10 | RAB/BIT | Marco V, Vision 20/20 | T-307.904.750-6 | |
| 11 | Twisted Profiles | Evan Kendricks | — | |
| 12 | 4am Calls | Dytone, Andy Gribben, Alex Hackett | — | |
| 13 | Blind Faith | TETSU, Sam Welch | T-318.126.735-2 | |
| 14 | Break The Needle | Waste Only | — | |
| 15 | Turn It Up | YNKKX | — | |
| 16 | Stars In My Eyes | Lulleaux, Aukoustics, Anna Graceman | T-304.095.544-6 | |
| 17 | Matador | Soul Central | — | |
| 18 | Calypso | Dan Thompson | — | |
| 19 | Hamarki | StanV | T-302.537.694-3 | |
| 20 | Fans Only | SRLKLLA | — | |
| 21 | Only One | Gil Sanders, Nino Lucarelli | — | |
| 22 | Insane World | MAXI MERAKI | — | |
| 23 | Blurry | TwoSeven, LXT | — | |
| 24 | Night Drive | TW3LV, Cimo Fränkel | T-303.128.881-6 | |
| 25 | Walk Away | AINT | — | |
| 26 | Back Home | LUISDEMARK | — | |
| 27 | Show You How | Max Vermeulen | T-312.538.911-5 | |
| 28 | Can’t Help Myself | Albert Breaker, ZHIKO | — | |
| 29 | Screamscape | Golden Sky | T-304.531.838-1 | |
| 30 | Rain | Quantor | T-302.015.891-8 | |
| 32 | WA/VE | Marco V, Vision 20/20 | T-307.904.868-9 | |
| 33 | Love Can | Husko, Lori Glori | — | |
| 34 | Trouble | SRLKLLA | T-071.775.574-2 | |
| 35 | Flowerchild | Double Pleasure | — | |
| 36 | In Motion | Danny Rhys | T-309.637.604-0 | |
| 37 | Talum | LUISDEMARK | — | |
| 38 | People (Hold On) | Waste Only | — | |
| 39 | Sky Comes Down | Trapperx, Kalpanik Bass, Triggor, Rya Rey | T-070.073.298-4 | |
| 40 | Undercover | Alex Brandt, Flexxus | — | |
| 41 | We Can Have It All | Brendan Mills, Tess Burrstone | — | |
| 42 | Always Alive | Dicosis, Alexandra Badoi | — | |
| 43 | Now It’s Time | Daniel Bovie, Nelson Moraïs, Mitch Crown | — | |
| 44 | Slow Dancer | Kislaw | T-306.738.142-0 | |
| 45 | Ocean | Quantor | T-311.354.045-3 | |
| 46 | Church Of Arpzilla pt.1 | GRUENHEIDE | T-304.134.770-6 | |
| 47 | Sorrow | Diveoffice | T-307.565.908-0 | |
| 48 | OBEY VAN | GRUENHEIDE | T-304.397.774-4 | |
| 49 | Can’t Let You Go | Mats Westbroek | — | |
| 50 | Oh Là Là St. Tropez | Lazy Guys Club | — | |
| 51 | Rocker | Woody van Eyden, Quantor | T-302.014.351-1 | |
| 52 | Thoughts | StanV | T-303.803.163-5 | |
| 53 | Erase The Shadow | Kom | T-301.908.834-3 | |
| 54 | You Know | Schrandy | — | |
| 55 | Elevation | Rafael Osmo, Robert Gitelman | — | |
| 56 | The Vibe | Emdey, Nightro | T-930.667.242-4 | |
| 57 | Deeper | SRLKLLA | — | |
| 58 | HUN ZOLO | GRUENHEIDE | T-304.134.807-2 | |
| 59 | Let Me Be The One | RAiK | — | |
| 60 | Childhood | Albert Breaker | — | |
| 61 | Venom | Tulamor | — | |
| 62 | Interstellar | Quantor | T-330.171.969-3 | |
| 63 | HUFFLEPUFF | GRUENHEIDE | T-304.134.765-9 | |
| 64 | PU/RE | Marco V, Vision 20/20 | T-307.905.190-0 | |
| 65 | Feel This Way | Lahox, Nick Anthony | T-909.612.875-5 | |
| 66 | General | Rafael Osmo | — | |
| 67 | Miracle | Mats Westbroek | — | |
| 68 | Fake Love | Ivan Moser | T-305.475.787-4 | |
| 69 | Alone | Melsen | T-304.686.300-3 | |
| 70 | CHUBAKKA | GRUENHEIDE | T-304.134.772-8 | |
| 71 | Try Again | Melsen, Flexxus | — | |
| 72 | Night Rider | Tulamor | — | |
| 73 | I Come Alive | Brendan Mills, imallryt | T-331.456.321-4 | |
| 74 | Wicked Game | Maxé, Lara Samira | T-070.205.906-0 | |
| 76 | Turn The Radio Up | SRLKLLA | T-915.001.615-2 | |
| 77 | Popo | Alpha Zoo | — | |
| 78 | HU/NT | Marco V, Vision 20/20 | T-307.905.187-5 | |
| 79 | The One | Elliot Fitch | T-315.599.022-6 | |
| 80 | Feel The Heat | Husko | — | |
| 81 | UNR/ATED | Alt_Man, Vision 20/20 | — | |
| 83 | You | Melsen | T-304.019.364-0 | |
| 84 | Only One - Pop Edit | Gil Sanders, Nino Lucarelli | — |
Next To Me
Elliot Fitch
—
Way Too Long
MAXI MERAKI
—
Twisted Profiles
Evan Kendricks
—
4am Calls
Dytone, Andy Gribben, Alex Hackett
—
Break The Needle
Waste Only
—
Turn It Up
YNKKX
—
Matador
Soul Central
—
Calypso
Dan Thompson
—
Fans Only
SRLKLLA
—
Only One
Gil Sanders, Nino Lucarelli
—
Insane World
MAXI MERAKI
—
Blurry
TwoSeven, LXT
—
Walk Away
AINT
—
Back Home
LUISDEMARK
—
Can’t Help Myself
Albert Breaker, ZHIKO
—
Love Can
Husko, Lori Glori
—
Flowerchild
Double Pleasure
—
Talum
LUISDEMARK
—
People (Hold On)
Waste Only
—
Undercover
Alex Brandt, Flexxus
—
We Can Have It All
Brendan Mills, Tess Burrstone
—
Always Alive
Dicosis, Alexandra Badoi
—
Now It’s Time
Daniel Bovie, Nelson Moraïs, Mitch Crown
—
Can’t Let You Go
Mats Westbroek
—
Oh Là Là St. Tropez
Lazy Guys Club
—
You Know
Schrandy
—
Elevation
Rafael Osmo, Robert Gitelman
—
Deeper
SRLKLLA
—
Let Me Be The One
RAiK
—
Childhood
Albert Breaker
—
Venom
Tulamor
—
General
Rafael Osmo
—
Miracle
Mats Westbroek
—
Try Again
Melsen, Flexxus
—
Night Rider
Tulamor
—
Popo
Alpha Zoo
—
Feel The Heat
Husko
—
UNR/ATED
Alt_Man, Vision 20/20
—
Only One - Pop Edit
Gil Sanders, Nino Lucarelli
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Always Alive (Dennis Sheperd remix) | Dicosis, Alexandra Badoi | — |
| Kids Of NYC (Danny Howard ’Dark Acid’ remix) | AINT, Strobe | T-304.012.393-7 |
| HUFFLEPUFF (intro mix) | GRUENHEIDE | T-304.134.765-9 |
| Flowerchild (Double Pleasure & Jay Bombay remix) | Double Pleasure, Jay Bombay | T-313.704.582-6 |
| Always Alive (89 Keys remix) | Dicosis, Alexandra Badoi | — |
Always Alive (Dennis Sheperd remix)
Dicosis, Alexandra Badoi
—
GRUENHEIDE
Double Pleasure, Jay Bombay
Always Alive (89 Keys remix)
Dicosis, Alexandra Badoi
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-002.608.979-1T-031.760.631-7T-070.073.298-4T-070.205.906-0T-071.775.574-2T-301.908.834-3T-302.014.351-1T-302.015.891-8T-302.537.694-3T-303.128.881-6
+31 more
T-303.204.254-5T-303.803.163-5T-304.012.393-7T-304.019.364-0T-304.095.544-6T-304.134.765-9T-304.134.770-6T-304.134.772-8T-304.134.807-2T-304.397.774-4T-304.531.838-1T-304.686.300-3T-305.475.787-4T-306.738.142-0T-307.565.908-0T-307.904.750-6T-307.904.868-9T-307.905.178-4T-307.905.187-5T-307.905.190-0T-307.953.764-3T-309.637.604-0T-311.354.045-3T-312.538.911-5T-313.704.582-6T-315.599.022-6T-318.126.735-2T-331.456.321-4T-909.612.875-5T-915.001.615-2T-930.667.242-4
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 8715576201240?
8715576201240 is a Universal Product Code (UPC) assigned to Dance The Annual 2022 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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