UPC · Release
Various Artists
Last verified:
The UPC for “Masters of Hardcore, Chapter IX: Thebeatingheartoftheunderground” by Various Artists is 8717047000147. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Masters Of Hardcore. This release contains 36 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Survivors of Hardcore | — | ||
| 2 | Hey! (The Viper & Mad-E-Fact remix) | — | ||
| 3 | Criminally Insane | — | ||
| 4 | Hell No! | — | ||
| 5 | Kiss (DJ Promo remix) | — | ||
| 6 | Here It Comes | — | ||
| 7 | Strictly the MF Core | — | ||
| 8 | Alleluja Motherfuckers | — | ||
| 9 | Secret Valley | — | ||
| 10 | We Are (Like I Told Ya) | — | ||
| 11 | Syskwahor | — | ||
| 12 | Wack Ass MF's | — | ||
| 13 | The X-Zone | — | ||
| 14 | Communication (Catscan remix) | — | ||
| 15 | Frequencies (T-Wisted remix) | — | ||
| 16 | Fuck Off | — | ||
| 17 | Fuck This Track Up | — | ||
| 18 | Who Wanna Fuck? | — | ||
| 2-1 | Buck 'em Down | — | ||
| 2-2 | Eargazm | — | ||
| 2-3 | Demons (DJ Promo remix) | — | ||
| 2-4 | Son of a Bitch | — | ||
| 2-5 | Respect the Cock (DJ Paul remix) | — | ||
| 2-6 | Kick Azz | — | ||
| 2-7 | Is Anybody Out There (Buzz Fuzz remix) | — | ||
| 2-8 | My Style From the Darkside | — | ||
| 2-9 | The Dark | — | ||
| 2-10 | Release 4.0 | — | ||
| 2-11 | To the Beats | — | ||
| 2-12 | Da Mad Dog Style | — | ||
| 2-13 | Fuck You Bitch | — | ||
| 2-14 | Compose the Beat | — | ||
| 2-15 | Keep It Alive | — | ||
| 2-16 | Oh God | — | ||
| 2-17 | Let the Beat Drop | — | ||
| 2-18 | The Aftermath | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
8717047000147 is a Universal Product Code (UPC) assigned to Masters of Hardcore, Chapter IX: Thebeatingheartoftheunderground by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Masters of Hardcore, Chapter IX: Thebeatingheartoftheunderground” by Various Artists is 8717047000147. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Masters Of Hardcore. This release contains 36 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Survivors of Hardcore | — | ||
| 2 | Hey! (The Viper & Mad-E-Fact remix) | — | ||
| 3 | Criminally Insane | — | ||
| 4 | Hell No! | — | ||
| 5 | Kiss (DJ Promo remix) | — | ||
| 6 | Here It Comes | — | ||
| 7 | Strictly the MF Core | — | ||
| 8 | Alleluja Motherfuckers | — | ||
| 9 | Secret Valley | — | ||
| 10 | We Are (Like I Told Ya) | — | ||
| 11 | Syskwahor | — | ||
| 12 | Wack Ass MF's | — | ||
| 13 | The X-Zone | — | ||
| 14 | Communication (Catscan remix) | — | ||
| 15 | Frequencies (T-Wisted remix) | — | ||
| 16 | Fuck Off | — | ||
| 17 | Fuck This Track Up | — | ||
| 18 | Who Wanna Fuck? | — | ||
| 2-1 | Buck 'em Down | — | ||
| 2-2 | Eargazm | — | ||
| 2-3 | Demons (DJ Promo remix) | — | ||
| 2-4 | Son of a Bitch | — | ||
| 2-5 | Respect the Cock (DJ Paul remix) | — | ||
| 2-6 | Kick Azz | — | ||
| 2-7 | Is Anybody Out There (Buzz Fuzz remix) | — | ||
| 2-8 | My Style From the Darkside | — | ||
| 2-9 | The Dark | — | ||
| 2-10 | Release 4.0 | — | ||
| 2-11 | To the Beats | — | ||
| 2-12 | Da Mad Dog Style | — | ||
| 2-13 | Fuck You Bitch | — | ||
| 2-14 | Compose the Beat | — | ||
| 2-15 | Keep It Alive | — | ||
| 2-16 | Oh God | — | ||
| 2-17 | Let the Beat Drop | — | ||
| 2-18 | The Aftermath | — |
