UPC · Release
Various Artists
Last verified:
The UPC for “Classical Anthology” by Various Artists is 8717423008729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. This release contains 289 tracks, each with its own ISRC. Tracks include DEB790300946, DEB790301055.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le nozze di Figaro, K. 492: Overture | — | ||
| 2 | Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": I. Allegro aperto | — | ||
| 3 | Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": II. Adagio | — | ||
| 4 | Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | — | ||
| 5 | Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): I. Allegro maestoso | — | ||
| 6 | Concerto for Violin and Orchestra in G major, K. 271i / K2 271a / KV deest (doubtful): II. Andante | — | ||
| 7 | Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): III. Rondo. Allegro | — | ||
| 2-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 2-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | — | ||
| 2-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 2-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 2-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 2-7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 2-8 | Symphony no. 1 in C major, op. 21: IV. Adagio. Allegro molto e vivace | — | ||
| 3-1 | Concerto no. 1 in D major, RV 269 "Spring" | — | ||
| 3-2 | Concerto no. 2 in G minor, RV 315 "Summer" | — | ||
| 3-3 | Concerto no. 3 in F major, RV 293 "Autumn" | — | ||
| 3-4 | Concerto no. 4 in G minor, RV 297 "Winter" | — | ||
| 3-5 | L’Estro Armonico, op. 3: Concerto no. 11 in D minor, RV 565 | — | ||
| 4-1 | Boléro, op. 81 | — | ||
| 4-2 | La Valse, op. 72 | — | ||
| 4-3 | Piano Concerto in G major, op. 83: I. Allegramente | — | ||
| 4-4 | Piano Concerto in G major, op. 83: II. Adagio assai | — | ||
| 4-5 | Piano Concerto in G major, op. 83: III. Presto | — | ||
| 4-6 | Rhapsodie Espagnole, op. 54: I. Prélude à la nuit | — | ||
| 4-7 | Rhapsodie Espagnole, op. 54: II. Malaguena | — | ||
| 4-8 | Rhapsodie Espagnole, op. 54: III. Habanera | — | ||
| 4-9 | Rhapsodie Espagnole, op. 54: IV. Feria | — | ||
| 5-1 | String Quartet no. 1 in D major, op. 11: I. Moderato e semplice | — | ||
| 5-2 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | — | ||
| 5-3 | String Quartet no. 1 in D major, op. 11: III. Scherzo. Allegro non tanto e con fuoco | — | ||
| 5-4 | String Quartet no. 1 in D major, op. 11: IV. Finale. Allegro giusto | — | ||
| 5-5 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 5-6 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 5-7 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio. Allegro non troppo | — | ||
| 5-8 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso | — | ||
| 6-1 | Grande Messe des morts, op. 5 "Requiem": I. Requiem - Kyrie | — | ||
| 6-2 | Grande Messe des morts, op. 5 "Requiem": II. Dies irae | — | ||
| 6-3 | Grande Messe des morts, op. 5 "Requiem": III. Quid sum miser | — | ||
| 6-4 | Grande Messe des morts, op. 5 "Requiem": IV. Rex tremendae | — | ||
| 6-5 | Grande Messe des morts, op. 5 "Requiem": V. Quaerens me | — | ||
| 6-6 | Grande Messe des morts, op. 5 "Requiem": VI. Lacrymosa | — | ||
| 6-7 | Grande Messe des morts, op. 5 "Requiem": VII. Offertorium | — | ||
| 6-8 | Grande Messe des morts, op. 5 "Requiem": VIII. Hostias | — | ||
| 6-9 | Grande Messe des morts, op. 5 "Requiem": IX. Sanctus | — | ||
| 6-10 | Grande Messe des morts, op. 5 "Requiem": X. Agnus Dei | — | ||
| 7-1 | Carmen Suite no. 1: I. Prelude | — | ||
| 7-2 | Carmen Suite no. 1: II. Aragonaise | — | ||
| 7-3 | Carmen Suite no. 1: III. Intermezzo | — | ||
| 7-4 | Carmen Suite no. 1: IV. Seguedille | — | ||
| 7-5 | Carmen Suite no. 1: V. Les Dragons de Alcala | — | ||
| 7-6 | Carmen Suite no. 1: VI. Les Toreadors | — | ||
| 7-7 | Carmen Suite no. 2: I. Marche des Contrebandiers | — | ||
| 7-8 | Carmen Suite no. 2: II. Habanera | — | ||
| 7-9 | Carmen Suite no. 2: III. Nocturne | — | ||
| 7-10 | Carmen Suite no. 2: IV. Chanson du Toreador | — | ||
| 7-11 | Carmen Suite no. 2: V. La Garde Mountante | — | ||
| 7-12 | Carmen Suite no. 2: VI. Danse Boheme | — | ||
| 7-13 | L’Arlesienne Suite no. 1: I. Prelude | — | ||
| 7-14 | L’Arlesienne Suite no. 1: II. Minuetto | — | ||
| 7-15 | L’Arlesienne Suite no. 1: III. Adagietto | — | ||
| 7-16 | L’Arlesienne Suite no. 1: IV. Carillon | — | ||
| 7-17 | L’Arlesienne Suite no. 2: I. Pastorale | — | ||
| 7-18 | L’Arlesienne Suite no. 2: II. Intermezzo | — | ||
| 7-19 | L’Arlesienne Suite no. 2: III. Minuetto | — | ||
| 7-20 | L’Arlesienne Suite no. 2: IV. Farandole | — | ||
| 8-1 | Berceuse in D-flat major, op. 57 | — | ||
| 8-2 | Fantaisie-Impromptu in C-sharp minor, op. 66 | — | ||
| 8-3 | Étude in G-flat major, op. 10 no. 5 "Black Key" | — | ||
| 8-4 | Polonaise in C-sharp minor, op. 26 no. 1 | — | ||
| 8-5 | Polonaise in A-flat major, op. 53 "Heroique" | — | ||
| 8-6 | Étude in C minor, op. 10 no. 12 "Revolutionary" | — | ||
| 8-7 | Scherzo no. 2 in B-flat minor, op. 31 | — | ||
| 8-8 | Étude in G-flat major, op. 25 no. 9 "Butterfly" | — | ||
| 8-9 | Polonaise in A major, op. 40 no. 1 "Military" | — | ||
| 8-10 | Prélude in D-flat major, op. 28 no. 15 "Raindrop" | — | ||
| 9-1 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: I. Allegro | — | ||
| 9-2 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: II. Adagio | — | ||
| 9-3 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: III. Allegro | — | ||
| 9-4 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: IV. Menuetto. Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo | — | ||
| 9-5 | Brandenburgisches Konzert no. 2 F-Dur, BWV 1047: I. Allegro | — | ||
| 9-6 | Brandenburgisches Konzert no. 2 F-Dur, BWV 1047: II. Andante | — | ||
| 9-7 | Brandenburgisches Konzert no. 2 F-Dur, BWV 1047: III. Allegro assai | — | ||
| 9-8 | Brandenburgisches Konzert no. 3 G-Dur, BWV 1048: I. Allegro / II. Adagio | — | ||
| 9-9 | Brandenburgisches Konzert no. 3 G-Dur, BWV 1048: III. Allegro | — | ||
| 10-1 | Aida: Atto I. Danza sacra delle sacerdotesse | — | ||
| 10-2 | Aida: Atto I. “Nume, custode e vindice” | — | ||
| 10-3 | Aida: Atto I. “Possente Ftha” | — | ||
| 10-4 | Aida: Atto II. “Chi mai gli inni e i plausi” | — | ||
| 10-5 | Aida: Atto II. Danza di piccoli schiavi mori | — | ||
| 10-6 | Aida: Atto II. “Pieta ti prenda del mio dolor” | — | ||
| 10-7 | Aida: Atto III. “O tu che sei d’Osiride” (coro) | — | ||
| 10-8 | Aida: Atto III. “Vieni d’lside al tempio” (Ramfis, Amneris, coro) | — | ||
| 10-9 | Aida: Atto III. “Qui Radames verra” (Aida) | — | ||
| 10-10 | Aida: Atto III. “O patria mia” (Aida) | — | ||
| 10-11 | Aida: Atto III. “Cielo! Mio padre!” (Aida, Amonasro) | — | ||
| 10-12 | Aida: Atto III. “Rivedrai le foreste imbalsamate” (Amonasro, Aida) | — | ||
| 10-13 | Aida: Atto III. “Pur ti riveggo, mia dolce Aida” (Radames, Aida) | — | ||
| 10-14 | Aida: Atto III. “El fiero anelito di nuova guerra” (Radames, Aida) | — | ||
| 10-15 | Aida: Atto III. “Fuggiami gli arbori inospiti” (Aida, Radames) | — | ||
| 10-16 | Aida: Atto III. “Ma dimmi, per qual via” (Aida, Radames, Amonasro, Amneris, Ramfis) | — | ||
| 10-17 | Aida: Atto IV. “L’abborrita rivale a me sfuggia” (Amneris) | — | ||
| 10-18 | Aida: Atto IV. “Gia i sacerdoti adunansi” (Amneris, Radames) | — | ||
| 10-19 | Aida: Atto IV. “Ohimé! Morir mi sento” (Amneris) | — | ||
| 10-20 | Aida: Atto IV. “Spirto del nume” (coro, Ramfis, Amneris) | — | ||
| 10-21 | Aida: Atto IV. “A lui vivo. La tomba” (Amneris, coro, Ramfis) | — | ||
| 10-22 | Aida: Atto IV. “La fatal pietra” (Radames, Aida) | — | ||
| 10-23 | Aida: Atto IV. “Vedi? Di morte l’angelo” (Aida, Radames, coro) | — | ||
| 10-24 | Aida: Atto IV. “O terra addio” (Aida, Radames, coro, Amneris) | — | ||
| 11-1 | La Mer. Trois Esquisses Symphoniques: 1. De L’Aube A Midi Sur La Mer | — | ||
| 11-2 | La Mer. Trois Esquisses Symphoniques: 2. Jeux De Vagues | — | ||
| 11-3 | La Mer. Trois Esquisses Symphoniques: 3. Dialogue Du Vent Et De La Mer | — | ||
| 11-4 | Nocturnes-Fetes | — | ||
| 11-5 | Nocturnes-Nuages | — | ||
| 11-6 | Prelude A L’Apres-Midi D’Un Faune | — | ||
| 11-7 | Nocturnes, L 91: III. Sirènes (Sirens) | Tbilisi Festival Choir, Tbilisi Symphony Orchestra, Vakhtang Kakhidze | — | |
| 12-1 | Symphony no. 100 in G major "Military": I. Adagio - Allegro | — | ||
| 12-2 | Symphony no. 100 in G major "Military": II. Allegretto | — | ||
| 12-3 | Symphony no. 100 in G major "Military": III. Menuetto | — | ||
| 12-4 | Symphony no. 100 in G major "Military": IV. Presto | — | ||
| 12-5 | Symphony no. 101 in D major "The Clock": I. Adagio - Presto | — | ||
| 12-6 | Symphony no. 101 in D major "The Clock": II. Andante | — | ||
| 12-7 | Symphony no. 101 in D major "The Clock": III. Menuetto | — | ||
| 12-8 | Symphony no. 101 in D major "The Clock": IV. Vivace | — | ||
| 13-1 | Music for Royal Fireworks, HWV 351: 1. Overture. Largo - Allegro | — | ||
| 13-2 | Music for Royal Fireworks, HWV 351: 2. Bourree | — | ||
| 13-3 | Music for Royal Fireworks, HWV 351: 3. La Paix (The Peace). Largo alla siciliana | — | ||
| 13-4 | Music for Royal Fireworks, HWV 351: 4. La Rejouissance (The Joy). Allegro | — | ||
| 13-5 | Music for Royal Fireworks, HWV 351: 5. Minuet 1 | — | ||
| 13-6 | Music for Royal Fireworks, HWV 351: 6. Minuet 2 | — | ||
| 13-7 | Water Music no. 3 in G major, HWV 350: 1. Untitled | — | ||
| 13-8 | Water Music no. 3 in G major, HWV 350: 2. Presto | — | ||
| 13-9 | Water Music no. 3 in G major, HWV 350: 3. Minuet | — | ||
| 13-10 | Water Music no. 3 in G major, HWV 350: 4. Untitled | — | ||
| 13-11 | Water Music no. 3 in G major, HWV 350: 5. Country Dance | — | ||
| 13-12 | Water Music no. 3 in G major, HWV 350: 6. Country Dance | — | ||
| 13-13 | Water Music no. 3 in G major, HWV 350: 7. Untitled | — | ||
| 13-14 | Water Music Suite no. 1 in F major, HWV 348: 1. Overture. Largo allegro | — | ||
| 13-15 | Water Music Suite no. 1 in F major, HWV 348: 2. Adagio e staccato | — | ||
| 13-16 | Water Music Suite no. 1 in F major, HWV 348: 3. Allegro | — | ||
| 13-17 | Water Music Suite no. 1 in F major, HWV 348: 4. Andante | — | ||
| 13-18 | Water Music Suite no. 1 in F major, HWV 348: 5. Presto | — | ||
| 13-19 | Water Music Suite no. 1 in F major, HWV 348: 6. Air | — | ||
| 13-20 | Water Music Suite no. 1 in F major, HWV 348: 8. Bourree. Presto | — | ||
| 13-21 | Water Music Suite no. 1 in F major, HWV 348: 9. Hornpipe | — | ||
| 13-22 | Water Music Suite no. 1 in F major, HWV 348: 10. Finale | — | ||
| 13-23 | Water Music Suite no. 1 in F major, HWV 348: Minuet | — | ||
| 13-24 | Water Music Suite no. 2 in D major, HWV 349: 1. Allegro | — | ||
| 13-25 | Water Music Suite no. 2 in D major, HWV 349: 2. Alla Hornpipe | — | ||
| 13-26 | Water Music Suite no. 2 in D major, HWV 349: 3. Minuet | — | ||
| 13-27 | Water Music Suite no. 2 in D major, HWV 349: 4. Lentement | — | ||
| 13-28 | Water Music Suite no. 2 in D major, HWV 349: 5. Bourree | — | ||
| 14-1 | The Preludes | — | ||
| 14-2 | Fantasy on Hungarian Folk Themes | — | ||
| 14-3 | Piano Concerto no. 1 in E-flat major: 1. Allegro maestoso | — | ||
| 14-4 | Piano Concerto no. 1 in E-flat major: 2. Quasi adagio | — | ||
| 14-5 | Piano Concerto no. 1 in E-flat major: 3. Allegretto vivace | — | ||
| 14-6 | Piano Concerto no. 1 in E-flat major: 4. Allegro marziale animato | — | ||
| 15-1 | Furtwängler Conducting The Wiener Philharmoniker "Der Fliegende Holländer" Overture ("The Flying Dutchman") | — | ||
| 15-2 | Furtwängler Conducting The Wiener Philharmoniker "Der Ring Des Nibelungen"-The Valkyrie-Ride Of The Valkyries | — | ||
| 15-3 | St. Petersburg Symphony Orchestra, Conductor: Alexander Dmitriev "Die Meistersinger Von Nürnberg". Overture | — | ||
| 15-4 | Bruno Walter Conducting The Royal Philharmonic Orchestra Parsifal: Prelude To Act 1 | — | ||
| 15-5 | Sir John Barbirolli Conducting The Hallé Orchestra "Die Meistersinger Von Nürrnberg". Orchestral Suite From Act 3-1. Prelude To Act 3 | — | ||
| 15-6 | Sir John Barbirolli Conducting The Hallé Orchestra "Die Meistersinger Von Nürrnberg". Orchestral Suite From Act 3-2. Dance Of The Apprentices | — | ||
| 15-7 | Sir John Barbirolli Conducting The Hallé Orchestra "Die Meistersinger Von Nürrnberg". Orchestral Suite From Act 3-3. Entry Of The Masters | — | ||
| 16-1 | Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo | — | ||
| 16-2 | Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto | — | ||
| 16-3 | Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo - Allegro vivace | — | ||
| 16-4 | Symphony no. 9 in C major, D. 944 "The Great": IV. Finale - Allegro vivace | — | ||
| 17-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 17-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 17-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 17-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 18-1 | Havanaise, op. 83 | — | ||
| 18-2 | Piano Concerto no. 2 in G minor, op.22: 1. Andante sostenuto | — | ||
| 18-3 | Piano Concerto no. 2 in G minor, op.22: 2. Allegro scherzando | — | ||
| 18-4 | Piano Concerto no. 2 in G minor, op.22: 3. Presto | — | ||
| 19-1 | "Scheherazade" op. 35 - Symphonic Poem: 1. The Sea and Sindbad’s Ship | — | ||
| 19-2 | "Scheherazade" op. 35 - Symphonic Poem: 2. The Story of the Kalendare | — | ||
| 19-3 | "Scheherazade" op. 35 - Symphonic Poem: 3. The Young Prince and the Young Princess | — | ||
| 19-4 | "Scheherazade" op. 35 - Symphonic Poem: 4. The Festival of Bagdad | — | ||
| 19-5 | "Le Coq D’or" (The Golden Cockerel) Symphonic Suite: 1. Introduction | — | ||
| 19-6 | "Le Coq D’or" (The Golden Cockerel) Symphonic Suite: 2. Cortege des noces (Wedding March) | — | ||
| 20-1 | The ’Hebrides’ Overture (Fingal’s Cave), op. 26 | — | ||
| 20-2 | Violin Concerto in E minor, op. 64: 1. Allegro molto appassionato (Attacca:) | — | ||
| 20-3 | Violin Concerto in E minor, op. 64: 2. Andante (Attacca:) | — | ||
| 20-4 | Violin Concerto in E minor, op. 64: 3. Allegretto non troppo - Allegro molto vivace | — | ||
| 20-5 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 1. Andante con moto - Allegro un poco agitato | — | ||
| 20-6 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 2. Vivace non troppo | — | ||
| 20-7 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 3. Adagio | — | ||
| 20-8 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 4. Allegro vivacissimo | — | ||
| 21-1 | Death and Transfiguration, op. 24 | — | ||
| 21-2 | ’Till Eulenspiegel’s Merry Pranks’ Tone Poem, op. 26 | — | ||
| 21-3 | Till Eulenspiegel: Symphonic Poem, op. 28 | — | ||
| 21-4 | Don Juan, op. 20: Symphonic Poem | — | ||
| 22-1 | Il Barbiere di Siviglia: Overture | — | ||
| 22-2 | La Gazza Ladra: Sinfonia | — | ||
| 22-3 | La Scala di Seta: Overture | — | ||
| 22-4 | Wilhelm Tell: Overture | — | ||
| 22-5 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | — | ||
| 23-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 23-2 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 23-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | — | ||
| 23-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 23-5 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 23-6 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto | — | ||
| 23-7 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | — | ||
| 23-8 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace - Poco sostenuto | — | ||
| 24-1 | My Country: I. The High Citadel | — | ||
| 24-2 | My Country: II. Vltava (The Moldau River) | — | ||
| 24-3 | My Country: III. Sharka | — | ||
| 24-4 | My Country: IV. From Bohemia’s Fields and Woods | — | ||
| 24-5 | My Country: V. Tabor | — | ||
| 24-6 | My Country: VI. Blanik | — | ||
| 25-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 25-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 25-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 25-4 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro | — | ||
| 25-5 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo - Adagio | — | ||
| 26-1 | Carmina Burana: Fortuna Imperatrix mundi: 1. "O Fortuna" | Simi Studio Choir, Georgian SIMI Festival Orchestra, Тбилисский симфонический оркестр, Джансуг Кахидзе, Evgeny Vovkushansky | T-800.639.771-4 | |
| 26-2 | Fortunae plango vulnera (I bewail the wounds of Fate) | — | ||
| 26-3 | Veris leta facies (Spring is coming) | — | ||
| 26-4 | Omnia Sol temperat (All is warmed by the sun) | — | ||
| 26-5 | Ecce gratum (Behold the good and long-awaited spring) | — | ||
| 26-6 | Tanz (Dance) | — | ||
| 26-7 | Floret silva (The woods are clothed in Flowers and leaves) | — | ||
| 26-8 | Charmer, gib die varwe mir (Merchant, give me paint to make my cheeks rosy) | — | ||
| 26-9 | Reie (Round-dance) | — | ||
| 26-10 | Were diu welt alle min (If the whole world were mine) | — | ||
| 26-11 | Estuans interius (in great anger and turmoil) | — | ||
| 26-12 | Olim lacus colueram (Once I loved on a lake) | — | ||
| 26-13 | Ego sum abbas (I am the abbot) | — | ||
| 26-14 | In taberna quando sumus (When we are in the tavern) | — | ||
| 26-15 | Amor volat undique (Love is everything) | — | ||
| 26-16 | Dies, nox et omnia (Day and night are hateful to me) | — | ||
| 26-17 | Stetit puella (There stood a girl) | — | ||
| 26-18 | Circa mea pectora (Your beauty draws my sighs) | — | ||
| 26-19 | Si puer cum puellula (If a boy and a girl) | — | ||
| 26-20 | Veni, veni, venias (Come, Come) | — | ||
| 26-21 | In trutina (On the unsteady scales of my heart) | — | ||
| 26-22 | Tempus est iocundum (The happy hour is coming) | — | ||
| 26-23 | Dulcissime (My darling) | — | ||
| 26-24 | Ave formosissma (Hail, thou most beautiful) | — | ||
| 26-25 | O Fortuna | — | ||
| 27-1 | Arabesque in C major, op. 18 | — | ||
| 27-2 | Kinderscenen, op. 15: I. Of Foreign Lands and Peoples | — | ||
| 27-3 | Kinderscenen, op. 15: II. A Funny Story | — | ||
| 27-4 | Kinderscenen, op. 15: III. Blind Man’s Buff | — | ||
| 27-5 | Kinderscenen, op. 15: IV. The Obedient Child | — | ||
| 27-6 | Kinderscenen, op. 15: V. Perfect Happiness | — | ||
| 27-7 | Kinderscenen, op. 15: VI. An Important Event | — | ||
| 27-8 | Kinderscenen, op. 15: VII. Dreaming | — | ||
| 27-9 | Kinderscenen, op. 15: VIII. By the Fireside | — | ||
| 27-10 | Kinderscenen, op. 15: IX. Ride Cock-Horse | — | ||
| 27-11 | Kinderscenen, op. 15: X. Almost Too Serious | — | ||
| 27-12 | Kinderscenen, op. 15: XI. Bogeyman’s Coming | — | ||
| 27-13 | Kinderscenen, op. 15: XII. The Child Falling Asleep | — | ||
| 27-14 | Kinderscenen, op. 15: XIII. Hark! The Poet Speaks | — | ||
| 27-15 | Kreisleriana, op. 16: I. Agitatissimo | — | ||
| 27-16 | Kreisleriana, op. 16: II. Con molta espresssione, non troppo presto - intermezzo - Molto vivace intermezzo - Poco piu mosso - Piu lento | — | ||
| 27-17 | Kreisleriana, op. 16: III. Molto agitato | — | ||
| 27-18 | Kreisleriana, op. 16: IV. Lento assai | — | ||
| 27-19 | Kreisleriana, op. 16: V. Vivace assai | — | ||
| 27-20 | Kreisleriana, op. 16: VI. Lento assai | — | ||
| 27-21 | Kreisleriana, op. 16: VII. Molto presto | — | ||
| 27-22 | Kreisleriana, op. 16: VIII. Vivace e scherzando | — | ||
| 28-1 | Violin Concerto in D major no. 4, K218: 1. Allegro | — | ||
| 28-2 | Violin Concerto in D major no. 4, K218: 2. Andante cantabile | — | ||
| 28-3 | Violin Concerto in D major no. 4, K218: 3. Rondeau. Andante grazioso allegro ma non troppo | — | ||
| 28-4 | Violin Concerto in D major, KV ANH.294a "Adelaide": I. Allegro | — | ||
| 28-5 | Violin Concerto in D major, KV ANH.294a "Adelaide": II. Adagio | — | ||
| 28-6 | Violin Concerto in D major, KV ANH.294a "Adelaide" III. Allegro, rec.1934 | — | ||
| 28-7 | Violin Concerto no. 3 in G major, KV 216: I. Allegro | — | ||
| 28-8 | Violin Concerto no. 3 in G major, KV 216: II. Adagio | — | ||
| 28-9 | Violin Concerto no. 3 in G major, KV 216 III. Rondo. Allegro, rec.1935 | — | ||
| 29-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 29-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | — | ||
| 29-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo | — | ||
| 29-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai | — | ||
| 30-1 | Brandenburgisches Konzert no. 4 in G-Dur, BWV 1049: I. Allegro | — | ||
| 30-2 | Brandenburgisches Konzert no. 4 in G-Dur, BWV 1049: II. Andante | — | ||
| 30-3 | Brandenburgisches Konzert no. 4 in G-Dur, BWV 1049: III. Presto | — | ||
| 30-4 | Brandenburgisches Konzert no. 5 in D-Dur, BWV 1050: I. Allegro | — | ||
| 30-5 | Brandenburgisches Konzert no. 5 in D-Dur, BWV 1050: II. Affettuoso | — | ||
| 30-6 | Brandenburgisches Konzert no. 5 in D-Dur, BWV 1050: III. Allegro | — | ||
| 30-7 | Brandenburgisches Konzert no. 6 in B-Dur, BWV 1051: I. Allegro | — | ||
| 30-8 | Brandenburgisches Konzert no. 6 in B-Dur, BWV 1051: II. Adagio ma non troppo | — | ||
| 30-9 | Brandenburgisches Konzert no. 6 in B-Dur, BWV 1051: III. Allegro | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
8717423008729 is a Universal Product Code (UPC) assigned to Classical Anthology by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 289 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Classical Anthology” by Various Artists is 8717423008729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. This release contains 289 tracks, each with its own ISRC. Tracks include DEB790300946, DEB790301055.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le nozze di Figaro, K. 492: Overture | — | ||
| 2 | Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": I. Allegro aperto | — | ||
| 3 | Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": II. Adagio | — | ||
| 4 | Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | — | ||
| 5 | Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): I. Allegro maestoso | — | ||
| 6 | Concerto for Violin and Orchestra in G major, K. 271i / K2 271a / KV deest (doubtful): II. Andante | — | ||
| 7 | Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): III. Rondo. Allegro | — | ||
| 2-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 2-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | — | ||
| 2-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 2-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 2-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 2-7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 2-8 | Symphony no. 1 in C major, op. 21: IV. Adagio. Allegro molto e vivace | — | ||
| 3-1 | Concerto no. 1 in D major, RV 269 "Spring" | — | ||
| 3-2 | Concerto no. 2 in G minor, RV 315 "Summer" | — | ||
| 3-3 | Concerto no. 3 in F major, RV 293 "Autumn" | — | ||
| 3-4 | Concerto no. 4 in G minor, RV 297 "Winter" | — | ||
| 3-5 | L’Estro Armonico, op. 3: Concerto no. 11 in D minor, RV 565 | — | ||
| 4-1 | Boléro, op. 81 | — | ||
| 4-2 | La Valse, op. 72 | — | ||
| 4-3 | Piano Concerto in G major, op. 83: I. Allegramente | — | ||
| 4-4 | Piano Concerto in G major, op. 83: II. Adagio assai | — | ||
| 4-5 | Piano Concerto in G major, op. 83: III. Presto | — | ||
| 4-6 | Rhapsodie Espagnole, op. 54: I. Prélude à la nuit | — | ||
| 4-7 | Rhapsodie Espagnole, op. 54: II. Malaguena | — | ||
| 4-8 | Rhapsodie Espagnole, op. 54: III. Habanera | — | ||
| 4-9 | Rhapsodie Espagnole, op. 54: IV. Feria | — | ||
| 5-1 | String Quartet no. 1 in D major, op. 11: I. Moderato e semplice | — | ||
| 5-2 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | — | ||
| 5-3 | String Quartet no. 1 in D major, op. 11: III. Scherzo. Allegro non tanto e con fuoco | — | ||
| 5-4 | String Quartet no. 1 in D major, op. 11: IV. Finale. Allegro giusto | — | ||
| 5-5 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 5-6 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 5-7 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio. Allegro non troppo | — | ||
| 5-8 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso | — | ||
| 6-1 | Grande Messe des morts, op. 5 "Requiem": I. Requiem - Kyrie | — | ||
| 6-2 | Grande Messe des morts, op. 5 "Requiem": II. Dies irae | — | ||
| 6-3 | Grande Messe des morts, op. 5 "Requiem": III. Quid sum miser | — | ||
| 6-4 | Grande Messe des morts, op. 5 "Requiem": IV. Rex tremendae | — | ||
| 6-5 | Grande Messe des morts, op. 5 "Requiem": V. Quaerens me | — | ||
| 6-6 | Grande Messe des morts, op. 5 "Requiem": VI. Lacrymosa | — | ||
| 6-7 | Grande Messe des morts, op. 5 "Requiem": VII. Offertorium | — | ||
| 6-8 | Grande Messe des morts, op. 5 "Requiem": VIII. Hostias | — | ||
| 6-9 | Grande Messe des morts, op. 5 "Requiem": IX. Sanctus | — | ||
| 6-10 | Grande Messe des morts, op. 5 "Requiem": X. Agnus Dei | — | ||
| 7-1 | Carmen Suite no. 1: I. Prelude | — | ||
| 7-2 | Carmen Suite no. 1: II. Aragonaise | — | ||
| 7-3 | Carmen Suite no. 1: III. Intermezzo | — | ||
| 7-4 | Carmen Suite no. 1: IV. Seguedille | — | ||
| 7-5 | Carmen Suite no. 1: V. Les Dragons de Alcala | — | ||
| 7-6 | Carmen Suite no. 1: VI. Les Toreadors | — | ||
| 7-7 | Carmen Suite no. 2: I. Marche des Contrebandiers | — | ||
| 7-8 | Carmen Suite no. 2: II. Habanera | — | ||
| 7-9 | Carmen Suite no. 2: III. Nocturne | — | ||
| 7-10 | Carmen Suite no. 2: IV. Chanson du Toreador | — | ||
| 7-11 | Carmen Suite no. 2: V. La Garde Mountante | — | ||
| 7-12 | Carmen Suite no. 2: VI. Danse Boheme | — | ||
| 7-13 | L’Arlesienne Suite no. 1: I. Prelude | — | ||
| 7-14 | L’Arlesienne Suite no. 1: II. Minuetto | — | ||
| 7-15 | L’Arlesienne Suite no. 1: III. Adagietto | — | ||
| 7-16 | L’Arlesienne Suite no. 1: IV. Carillon | — | ||
| 7-17 | L’Arlesienne Suite no. 2: I. Pastorale | — | ||
| 7-18 | L’Arlesienne Suite no. 2: II. Intermezzo | — | ||
| 7-19 | L’Arlesienne Suite no. 2: III. Minuetto | — | ||
| 7-20 | L’Arlesienne Suite no. 2: IV. Farandole | — | ||
| 8-1 | Berceuse in D-flat major, op. 57 | — | ||
| 8-2 | Fantaisie-Impromptu in C-sharp minor, op. 66 | — | ||
| 8-3 | Étude in G-flat major, op. 10 no. 5 "Black Key" | — | ||
| 8-4 | Polonaise in C-sharp minor, op. 26 no. 1 | — | ||
| 8-5 | Polonaise in A-flat major, op. 53 "Heroique" | — | ||
| 8-6 | Étude in C minor, op. 10 no. 12 "Revolutionary" | — | ||
| 8-7 | Scherzo no. 2 in B-flat minor, op. 31 | — | ||
| 8-8 | Étude in G-flat major, op. 25 no. 9 "Butterfly" | — | ||
| 8-9 | Polonaise in A major, op. 40 no. 1 "Military" | — | ||
| 8-10 | Prélude in D-flat major, op. 28 no. 15 "Raindrop" | — | ||
| 9-1 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: I. Allegro | — | ||
| 9-2 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: II. Adagio | — | ||
| 9-3 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: III. Allegro | — | ||
| 9-4 | Brandenburgisches Konzert no. 1 F-Dur, BWV 1046: IV. Menuetto. Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo | — | ||
| 9-5 | Brandenburgisches Konzert no. 2 F-Dur, BWV 1047: I. Allegro | — | ||
| 9-6 | Brandenburgisches Konzert no. 2 F-Dur, BWV 1047: II. Andante | — | ||
| 9-7 | Brandenburgisches Konzert no. 2 F-Dur, BWV 1047: III. Allegro assai | — | ||
| 9-8 | Brandenburgisches Konzert no. 3 G-Dur, BWV 1048: I. Allegro / II. Adagio | — | ||
| 9-9 | Brandenburgisches Konzert no. 3 G-Dur, BWV 1048: III. Allegro | — | ||
| 10-1 | Aida: Atto I. Danza sacra delle sacerdotesse | — | ||
| 10-2 | Aida: Atto I. “Nume, custode e vindice” | — | ||
| 10-3 | Aida: Atto I. “Possente Ftha” | — | ||
| 10-4 | Aida: Atto II. “Chi mai gli inni e i plausi” | — | ||
| 10-5 | Aida: Atto II. Danza di piccoli schiavi mori | — | ||
| 10-6 | Aida: Atto II. “Pieta ti prenda del mio dolor” | — | ||
| 10-7 | Aida: Atto III. “O tu che sei d’Osiride” (coro) | — | ||
| 10-8 | Aida: Atto III. “Vieni d’lside al tempio” (Ramfis, Amneris, coro) | — | ||
| 10-9 | Aida: Atto III. “Qui Radames verra” (Aida) | — | ||
| 10-10 | Aida: Atto III. “O patria mia” (Aida) | — | ||
| 10-11 | Aida: Atto III. “Cielo! Mio padre!” (Aida, Amonasro) | — | ||
| 10-12 | Aida: Atto III. “Rivedrai le foreste imbalsamate” (Amonasro, Aida) | — | ||
| 10-13 | Aida: Atto III. “Pur ti riveggo, mia dolce Aida” (Radames, Aida) | — | ||
| 10-14 | Aida: Atto III. “El fiero anelito di nuova guerra” (Radames, Aida) | — | ||
| 10-15 | Aida: Atto III. “Fuggiami gli arbori inospiti” (Aida, Radames) | — | ||
| 10-16 | Aida: Atto III. “Ma dimmi, per qual via” (Aida, Radames, Amonasro, Amneris, Ramfis) | — | ||
| 10-17 | Aida: Atto IV. “L’abborrita rivale a me sfuggia” (Amneris) | — | ||
| 10-18 | Aida: Atto IV. “Gia i sacerdoti adunansi” (Amneris, Radames) | — | ||
| 10-19 | Aida: Atto IV. “Ohimé! Morir mi sento” (Amneris) | — | ||
| 10-20 | Aida: Atto IV. “Spirto del nume” (coro, Ramfis, Amneris) | — | ||
| 10-21 | Aida: Atto IV. “A lui vivo. La tomba” (Amneris, coro, Ramfis) | — | ||
| 10-22 | Aida: Atto IV. “La fatal pietra” (Radames, Aida) | — | ||
| 10-23 | Aida: Atto IV. “Vedi? Di morte l’angelo” (Aida, Radames, coro) | — | ||
| 10-24 | Aida: Atto IV. “O terra addio” (Aida, Radames, coro, Amneris) | — | ||
| 11-1 | La Mer. Trois Esquisses Symphoniques: 1. De L’Aube A Midi Sur La Mer | — | ||
| 11-2 | La Mer. Trois Esquisses Symphoniques: 2. Jeux De Vagues | — | ||
| 11-3 | La Mer. Trois Esquisses Symphoniques: 3. Dialogue Du Vent Et De La Mer | — | ||
| 11-4 | Nocturnes-Fetes | — | ||
| 11-5 | Nocturnes-Nuages | — | ||
| 11-6 | Prelude A L’Apres-Midi D’Un Faune | — | ||
| 11-7 | Nocturnes, L 91: III. Sirènes (Sirens) | Tbilisi Festival Choir, Tbilisi Symphony Orchestra, Vakhtang Kakhidze | — | |
| 12-1 | Symphony no. 100 in G major "Military": I. Adagio - Allegro | — | ||
| 12-2 | Symphony no. 100 in G major "Military": II. Allegretto | — | ||
| 12-3 | Symphony no. 100 in G major "Military": III. Menuetto | — | ||
| 12-4 | Symphony no. 100 in G major "Military": IV. Presto | — | ||
| 12-5 | Symphony no. 101 in D major "The Clock": I. Adagio - Presto | — | ||
| 12-6 | Symphony no. 101 in D major "The Clock": II. Andante | — | ||
| 12-7 | Symphony no. 101 in D major "The Clock": III. Menuetto | — | ||
| 12-8 | Symphony no. 101 in D major "The Clock": IV. Vivace | — | ||
| 13-1 | Music for Royal Fireworks, HWV 351: 1. Overture. Largo - Allegro | — | ||
| 13-2 | Music for Royal Fireworks, HWV 351: 2. Bourree | — | ||
| 13-3 | Music for Royal Fireworks, HWV 351: 3. La Paix (The Peace). Largo alla siciliana | — | ||
| 13-4 | Music for Royal Fireworks, HWV 351: 4. La Rejouissance (The Joy). Allegro | — | ||
| 13-5 | Music for Royal Fireworks, HWV 351: 5. Minuet 1 | — | ||
| 13-6 | Music for Royal Fireworks, HWV 351: 6. Minuet 2 | — | ||
| 13-7 | Water Music no. 3 in G major, HWV 350: 1. Untitled | — | ||
| 13-8 | Water Music no. 3 in G major, HWV 350: 2. Presto | — | ||
| 13-9 | Water Music no. 3 in G major, HWV 350: 3. Minuet | — | ||
| 13-10 | Water Music no. 3 in G major, HWV 350: 4. Untitled | — | ||
| 13-11 | Water Music no. 3 in G major, HWV 350: 5. Country Dance | — | ||
| 13-12 | Water Music no. 3 in G major, HWV 350: 6. Country Dance | — | ||
| 13-13 | Water Music no. 3 in G major, HWV 350: 7. Untitled | — | ||
| 13-14 | Water Music Suite no. 1 in F major, HWV 348: 1. Overture. Largo allegro | — | ||
| 13-15 | Water Music Suite no. 1 in F major, HWV 348: 2. Adagio e staccato | — | ||
| 13-16 | Water Music Suite no. 1 in F major, HWV 348: 3. Allegro | — | ||
| 13-17 | Water Music Suite no. 1 in F major, HWV 348: 4. Andante | — | ||
| 13-18 | Water Music Suite no. 1 in F major, HWV 348: 5. Presto | — | ||
| 13-19 | Water Music Suite no. 1 in F major, HWV 348: 6. Air | — | ||
| 13-20 | Water Music Suite no. 1 in F major, HWV 348: 8. Bourree. Presto | — | ||
| 13-21 | Water Music Suite no. 1 in F major, HWV 348: 9. Hornpipe | — | ||
| 13-22 | Water Music Suite no. 1 in F major, HWV 348: 10. Finale | — | ||
| 13-23 | Water Music Suite no. 1 in F major, HWV 348: Minuet | — | ||
| 13-24 | Water Music Suite no. 2 in D major, HWV 349: 1. Allegro | — | ||
| 13-25 | Water Music Suite no. 2 in D major, HWV 349: 2. Alla Hornpipe | — | ||
| 13-26 | Water Music Suite no. 2 in D major, HWV 349: 3. Minuet | — | ||
| 13-27 | Water Music Suite no. 2 in D major, HWV 349: 4. Lentement | — | ||
| 13-28 | Water Music Suite no. 2 in D major, HWV 349: 5. Bourree | — | ||
| 14-1 | The Preludes | — | ||
| 14-2 | Fantasy on Hungarian Folk Themes | — | ||
| 14-3 | Piano Concerto no. 1 in E-flat major: 1. Allegro maestoso | — | ||
| 14-4 | Piano Concerto no. 1 in E-flat major: 2. Quasi adagio | — | ||
| 14-5 | Piano Concerto no. 1 in E-flat major: 3. Allegretto vivace | — | ||
| 14-6 | Piano Concerto no. 1 in E-flat major: 4. Allegro marziale animato | — | ||
| 15-1 | Furtwängler Conducting The Wiener Philharmoniker "Der Fliegende Holländer" Overture ("The Flying Dutchman") | — | ||
| 15-2 | Furtwängler Conducting The Wiener Philharmoniker "Der Ring Des Nibelungen"-The Valkyrie-Ride Of The Valkyries | — | ||
| 15-3 | St. Petersburg Symphony Orchestra, Conductor: Alexander Dmitriev "Die Meistersinger Von Nürnberg". Overture | — | ||
| 15-4 | Bruno Walter Conducting The Royal Philharmonic Orchestra Parsifal: Prelude To Act 1 | — | ||
| 15-5 | Sir John Barbirolli Conducting The Hallé Orchestra "Die Meistersinger Von Nürrnberg". Orchestral Suite From Act 3-1. Prelude To Act 3 | — | ||
| 15-6 | Sir John Barbirolli Conducting The Hallé Orchestra "Die Meistersinger Von Nürrnberg". Orchestral Suite From Act 3-2. Dance Of The Apprentices | — | ||
| 15-7 | Sir John Barbirolli Conducting The Hallé Orchestra "Die Meistersinger Von Nürrnberg". Orchestral Suite From Act 3-3. Entry Of The Masters | — | ||
| 16-1 | Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo | — | ||
| 16-2 | Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto | — | ||
| 16-3 | Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo - Allegro vivace | — | ||
| 16-4 | Symphony no. 9 in C major, D. 944 "The Great": IV. Finale - Allegro vivace | — | ||
| 17-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 17-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 17-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 17-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 18-1 | Havanaise, op. 83 | — | ||
| 18-2 | Piano Concerto no. 2 in G minor, op.22: 1. Andante sostenuto | — | ||
| 18-3 | Piano Concerto no. 2 in G minor, op.22: 2. Allegro scherzando | — | ||
| 18-4 | Piano Concerto no. 2 in G minor, op.22: 3. Presto | — | ||
| 19-1 | "Scheherazade" op. 35 - Symphonic Poem: 1. The Sea and Sindbad’s Ship | — | ||
| 19-2 | "Scheherazade" op. 35 - Symphonic Poem: 2. The Story of the Kalendare | — | ||
| 19-3 | "Scheherazade" op. 35 - Symphonic Poem: 3. The Young Prince and the Young Princess | — | ||
| 19-4 | "Scheherazade" op. 35 - Symphonic Poem: 4. The Festival of Bagdad | — | ||
| 19-5 | "Le Coq D’or" (The Golden Cockerel) Symphonic Suite: 1. Introduction | — | ||
| 19-6 | "Le Coq D’or" (The Golden Cockerel) Symphonic Suite: 2. Cortege des noces (Wedding March) | — | ||
| 20-1 | The ’Hebrides’ Overture (Fingal’s Cave), op. 26 | — | ||
| 20-2 | Violin Concerto in E minor, op. 64: 1. Allegro molto appassionato (Attacca:) | — | ||
| 20-3 | Violin Concerto in E minor, op. 64: 2. Andante (Attacca:) | — | ||
| 20-4 | Violin Concerto in E minor, op. 64: 3. Allegretto non troppo - Allegro molto vivace | — | ||
| 20-5 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 1. Andante con moto - Allegro un poco agitato | — | ||
| 20-6 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 2. Vivace non troppo | — | ||
| 20-7 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 3. Adagio | — | ||
| 20-8 | Symphony no. 3 in A minor, op. 56 ’Scottish’: 4. Allegro vivacissimo | — | ||
| 21-1 | Death and Transfiguration, op. 24 | — | ||
| 21-2 | ’Till Eulenspiegel’s Merry Pranks’ Tone Poem, op. 26 | — | ||
| 21-3 | Till Eulenspiegel: Symphonic Poem, op. 28 | — | ||
| 21-4 | Don Juan, op. 20: Symphonic Poem | — | ||
| 22-1 | Il Barbiere di Siviglia: Overture | — | ||
| 22-2 | La Gazza Ladra: Sinfonia | — | ||
| 22-3 | La Scala di Seta: Overture | — | ||
| 22-4 | Wilhelm Tell: Overture | — | ||
| 22-5 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | — | ||
| 23-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 23-2 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 23-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | — | ||
| 23-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 23-5 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 23-6 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto | — | ||
| 23-7 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | — | ||
| 23-8 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace - Poco sostenuto | — | ||
| 24-1 | My Country: I. The High Citadel | — | ||
| 24-2 | My Country: II. Vltava (The Moldau River) | — | ||
| 24-3 | My Country: III. Sharka | — | ||
| 24-4 | My Country: IV. From Bohemia’s Fields and Woods | — | ||
| 24-5 | My Country: V. Tabor | — | ||
| 24-6 | My Country: VI. Blanik | — | ||
| 25-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 25-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 25-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 25-4 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro | — | ||
| 25-5 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo - Adagio | — | ||
| 26-1 | Carmina Burana: Fortuna Imperatrix mundi: 1. "O Fortuna" | Simi Studio Choir, Georgian SIMI Festival Orchestra, Тбилисский симфонический оркестр, Джансуг Кахидзе, Evgeny Vovkushansky | T-800.639.771-4 | |
| 26-2 | Fortunae plango vulnera (I bewail the wounds of Fate) | — | ||
| 26-3 | Veris leta facies (Spring is coming) | — | ||
| 26-4 | Omnia Sol temperat (All is warmed by the sun) | — | ||
| 26-5 | Ecce gratum (Behold the good and long-awaited spring) | — | ||
| 26-6 | Tanz (Dance) | — | ||
| 26-7 | Floret silva (The woods are clothed in Flowers and leaves) | — | ||
| 26-8 | Charmer, gib die varwe mir (Merchant, give me paint to make my cheeks rosy) | — | ||
| 26-9 | Reie (Round-dance) | — | ||
| 26-10 | Were diu welt alle min (If the whole world were mine) | — | ||
| 26-11 | Estuans interius (in great anger and turmoil) | — | ||
| 26-12 | Olim lacus colueram (Once I loved on a lake) | — | ||
| 26-13 | Ego sum abbas (I am the abbot) | — | ||
| 26-14 | In taberna quando sumus (When we are in the tavern) | — | ||
| 26-15 | Amor volat undique (Love is everything) | — | ||
| 26-16 | Dies, nox et omnia (Day and night are hateful to me) | — | ||
| 26-17 | Stetit puella (There stood a girl) | — | ||
| 26-18 | Circa mea pectora (Your beauty draws my sighs) | — | ||
| 26-19 | Si puer cum puellula (If a boy and a girl) | — | ||
| 26-20 | Veni, veni, venias (Come, Come) | — | ||
| 26-21 | In trutina (On the unsteady scales of my heart) | — | ||
| 26-22 | Tempus est iocundum (The happy hour is coming) | — | ||
| 26-23 | Dulcissime (My darling) | — | ||
| 26-24 | Ave formosissma (Hail, thou most beautiful) | — | ||
| 26-25 | O Fortuna | — | ||
| 27-1 | Arabesque in C major, op. 18 | — | ||
| 27-2 | Kinderscenen, op. 15: I. Of Foreign Lands and Peoples | — | ||
| 27-3 | Kinderscenen, op. 15: II. A Funny Story | — | ||
| 27-4 | Kinderscenen, op. 15: III. Blind Man’s Buff | — | ||
| 27-5 | Kinderscenen, op. 15: IV. The Obedient Child | — | ||
| 27-6 | Kinderscenen, op. 15: V. Perfect Happiness | — | ||
| 27-7 | Kinderscenen, op. 15: VI. An Important Event | — | ||
| 27-8 | Kinderscenen, op. 15: VII. Dreaming | — | ||
| 27-9 | Kinderscenen, op. 15: VIII. By the Fireside | — | ||
| 27-10 | Kinderscenen, op. 15: IX. Ride Cock-Horse | — | ||
| 27-11 | Kinderscenen, op. 15: X. Almost Too Serious | — | ||
| 27-12 | Kinderscenen, op. 15: XI. Bogeyman’s Coming | — | ||
| 27-13 | Kinderscenen, op. 15: XII. The Child Falling Asleep | — | ||
| 27-14 | Kinderscenen, op. 15: XIII. Hark! The Poet Speaks | — | ||
| 27-15 | Kreisleriana, op. 16: I. Agitatissimo | — | ||
| 27-16 | Kreisleriana, op. 16: II. Con molta espresssione, non troppo presto - intermezzo - Molto vivace intermezzo - Poco piu mosso - Piu lento | — | ||
| 27-17 | Kreisleriana, op. 16: III. Molto agitato | — | ||
| 27-18 | Kreisleriana, op. 16: IV. Lento assai | — | ||
| 27-19 | Kreisleriana, op. 16: V. Vivace assai | — | ||
| 27-20 | Kreisleriana, op. 16: VI. Lento assai | — | ||
| 27-21 | Kreisleriana, op. 16: VII. Molto presto | — | ||
| 27-22 | Kreisleriana, op. 16: VIII. Vivace e scherzando | — | ||
| 28-1 | Violin Concerto in D major no. 4, K218: 1. Allegro | — | ||
| 28-2 | Violin Concerto in D major no. 4, K218: 2. Andante cantabile | — | ||
| 28-3 | Violin Concerto in D major no. 4, K218: 3. Rondeau. Andante grazioso allegro ma non troppo | — | ||
| 28-4 | Violin Concerto in D major, KV ANH.294a "Adelaide": I. Allegro | — | ||
| 28-5 | Violin Concerto in D major, KV ANH.294a "Adelaide": II. Adagio | — | ||
| 28-6 | Violin Concerto in D major, KV ANH.294a "Adelaide" III. Allegro, rec.1934 | — | ||
| 28-7 | Violin Concerto no. 3 in G major, KV 216: I. Allegro | — | ||
| 28-8 | Violin Concerto no. 3 in G major, KV 216: II. Adagio | — | ||
| 28-9 | Violin Concerto no. 3 in G major, KV 216 III. Rondo. Allegro, rec.1935 | — | ||
| 29-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 29-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | — | ||
| 29-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo | — | ||
| 29-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai | — | ||
| 30-1 | Brandenburgisches Konzert no. 4 in G-Dur, BWV 1049: I. Allegro | — | ||
| 30-2 | Brandenburgisches Konzert no. 4 in G-Dur, BWV 1049: II. Andante | — | ||
| 30-3 | Brandenburgisches Konzert no. 4 in G-Dur, BWV 1049: III. Presto | — | ||
| 30-4 | Brandenburgisches Konzert no. 5 in D-Dur, BWV 1050: I. Allegro | — | ||
| 30-5 | Brandenburgisches Konzert no. 5 in D-Dur, BWV 1050: II. Affettuoso | — | ||
| 30-6 | Brandenburgisches Konzert no. 5 in D-Dur, BWV 1050: III. Allegro | — | ||
| 30-7 | Brandenburgisches Konzert no. 6 in B-Dur, BWV 1051: I. Allegro | — | ||
| 30-8 | Brandenburgisches Konzert no. 6 in B-Dur, BWV 1051: II. Adagio ma non troppo | — | ||
| 30-9 | Brandenburgisches Konzert no. 6 in B-Dur, BWV 1051: III. Allegro | — |
