UPC · Release
120% Those Were the Days
Various Artists
Last verified:
8717423011187 is the Universal Product Code (UPC barcode) for the release “120% Those Were the Days” by Various Artists, released 2004-01-01 on Weton-Wesgram. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include GB8XC1049451, GB8XC1049435, USMC14403548.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | When April Sings | — | ||
| 2 | I Get a Kick Out of You | — | ||
| 3 | The More I See You | — | ||
| 4 | Bei mir bist du schön | The Andrews Sisters, Vic Schoen and His Orchestra | T-801.470.970-8 | |
| 5 | Top Hat, White Tie and Tails | — | ||
| 6 | Polly Wolly Doodle | — | ||
| 7 | Over the Rainbow | Judy Garland | T-070.159.949-6 | |
| 8 | Do De O Do | — | ||
| 9 | I Concentrate on You | — | ||
| 10 | Okay Toots | — | ||
| 11 | The White Cliffs of Dover | — | ||
| 12 | I’ve Got to Sing | — | ||
| 13 | Along the Navaho Trail | — | ||
| 14 | Smoke Dreams | — | ||
| 15 | Love Is Everywhere | — | ||
| 16 | Love Is the Sweetest Thing | — | ||
| 17 | Bachelor Gay | — | ||
| 18 | Without a Song | — | ||
| 19 | Sweetheart Waltz | — | ||
| 20 | Taking a Chance on Love | — | ||
| 4-1 | Lullaby of Broadway | The Andrews Sisters | T-070.097.827-3 | |
| 4-2 | My Dreams Are Getting Better All the Time | — | ||
| 4-3 | You Broke Your Promise | — | ||
| 4-4 | The Lancashire Toreador | — | ||
| 4-5 | What Is This Thing Called Love | — | ||
| 4-6 | Funny Face | Fred Astaire, Adele Astaire | T-010.434.346-5 | |
| 4-7 | Hey, What Did the Blue Jay Say | — | ||
| 4-8 | A Foggy Day | — | ||
| 4-9 | Blue Tango | — | ||
| 4-10 | This Is Always | — | ||
| 4-11 | My Silent Love | — | ||
| 4-12 | Loch Lomond | — | ||
| 4-13 | Will You Remember | — | ||
| 4-14 | The Yeomen of England | — | ||
| 4-15 | At Last | — | ||
| 4-16 | Fred Fannakapan | — | ||
| 4-17 | Makin’ Whoopie | — | ||
| 4-18 | Blues in the Night | — | ||
| 4-19 | You’re the Top | — | ||
| 4-20 | Long Ago and Far Away | — | ||
| 6-1 | The Last Time I Saw Paris | — | ||
| 6-2 | Thinking of You | — | ||
| 6-3 | After You’ve Gone | — | ||
| 6-4 | There’s a Lovely Lake in London | — | ||
| 6-5 | Boots | — | ||
| 6-6 | Isn’t It Romantic | — | ||
| 6-7 | Tess’s Torch Song | — | ||
| 6-8 | I Love You | Jo Stafford | T-070.903.622-5 | |
| 6-9 | Say “Si si” (Para vigo me voy) | The Andrews Sisters | T-070.243.389-3 | |
| 6-10 | You’re a Li‐A‐Ty | — | ||
| 6-11 | Indian Love Call | — | ||
| 6-12 | Pablo the Dreamer | — | ||
| 6-13 | You’re the One I Care For | — | ||
| 6-14 | This Is the Missus | — | ||
| 6-15 | I Apologise | — | ||
| 6-16 | The Day You Came Along | — | ||
| 6-17 | When I Grow Up | — | ||
| 6-18 | The Old Folks at Home | — | ||
| 6-19 | The Missouri Waltz | — | ||
| 6-20 | We’ll Meet Again | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rum and Coca Cola | The Andrews Sisters | T-070.127.409-0 |
| Rum and Coca Cola | The Andrews Sisters | T-070.127.409-0 |
| Rum and Coca Cola | The Andrews Sisters | T-070.127.409-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 8717423011187?
8717423011187 is a Universal Product Code (UPC) assigned to 120% Those Were the Days by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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