UPC · Release
Mambo and Salsa
Various Artists
Last verified:
8717423019534 is the Universal Product Code (UPC barcode) for the release “Mambo and Salsa” by Various Artists, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rio la Yagua (guaracha) | — | ||
| 2 | Qué le voy a hacer? | — | ||
| 3 | Ecué senseribo | — | ||
| 4 | B‐Flat Mambo | — | ||
| 5 | Jungle Rumba | — | ||
| 6 | Oye mi rumba / Jack Jack Jack | — | ||
| 7 | Nuevo ritmo | — | ||
| 8 | Mesié Julian | — | ||
| 9 | Rumba tambah | — | ||
| 10 | Rumba bomba | — | ||
| 11 | The Humphrey Bogart Rumba | — | ||
| 12 | Runidera | — | ||
| 13 | Lamento borincano | — | ||
| 14 | Amor cubano | — | ||
| 15 | Negra bachatera | — | ||
| 16 | Rumba Fantasy | — | ||
| 2-1 | Mi amor está en el valle | — | ||
| 2-2 | El beso | — | ||
| 2-3 | Rumba cocktail | — | ||
| 2-4 | Negra consentida | — | ||
| 2-5 | Poco loco | — | ||
| 2-6 | Rumbamba | — | ||
| 2-7 | Karabali | — | ||
| 2-8 | Un cubano in Nueva York | — | ||
| 2-9 | Cachimba de San Juan / Coconito | — | ||
| 2-10 | Lamento esclavo | — | ||
| 2-11 | Playera | — | ||
| 2-12 | Chupa chupa | — | ||
| 2-13 | Tin tan mambo | — | ||
| 2-14 | Rumba galopante | — | ||
| 2-15 | Se acaba el mundo | — | ||
| 2-16 | Rumba royal | — | ||
| 3-1 | Soltando | — | ||
| 3-2 | Menéame la cuna | — | ||
| 3-3 | Ti‐ri‐tu‐ta | — | ||
| 3-4 | Caribbean Star | — | ||
| 3-5 | La masucamba | — | ||
| 3-6 | No te vistas que no vas | — | ||
| 3-7 | Rumba argentina | — | ||
| 3-8 | Goombay | — | ||
| 3-9 | Rumbantona | — | ||
| 3-10 | Mambo | — | ||
| 3-11 | Miami Beach Rumba | — | ||
| 3-12 | Senorita chi chi | — | ||
| 3-13 | Paran pan pan | — | ||
| 3-14 | Rumba rumba | — | ||
| 3-15 | Loca rumba | — | ||
| 3-16 | Rumba colora | — | ||
| 4-1 | Serenata cubana | — | ||
| 4-2 | Lengua mala | — | ||
| 4-3 | Nuestro cantar | — | ||
| 4-4 | Rumba cubana | — | ||
| 4-5 | Comparsa de los congos | — | ||
| 4-6 | Too Much Tempo in My Rumba Beat | — | ||
| 4-7 | Lolo, lolo, lolo | — | ||
| 4-8 | It Began in Havana | — | ||
| 4-9 | Rumba azul | — | ||
| 4-10 | Mujer soñadora | — | ||
| 4-11 | Siempre de allá pa cá | — | ||
| 4-12 | Rumbas cubanas | — | ||
| 4-13 | La rumba | — | ||
| 4-14 | Rumba internacional | — | ||
| 4-15 | In the Hall of the Mambi King | — | ||
| 4-16 | Rumba rumbero | — | ||
| 5-1 | Marta | — | ||
| 5-2 | Se impone el mambo | — | ||
| 5-3 | Lácrimas negras | — | ||
| 5-4 | Si tú me llevas, te llevo | — | ||
| 5-5 | Rumba de media noche | — | ||
| 5-7 | Oh! Mi tambo | — | ||
| 5-8 | Rumba | — | ||
| 5-9 | Rumbasia | — | ||
| 5-10 | Rumba blanca | — | ||
| 5-11 | Yo no sé nada | — | ||
| 5-12 | Cubano soy | — | ||
| 5-13 | Mulata, qué pasa | — | ||
| 5-14 | The Flamingo Rumba | — | ||
| 5-15 | Mi vacilón | — | ||
| 5-16 | Rumba seductora | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 8717423019534?
8717423019534 is a Universal Product Code (UPC) assigned to Mambo and Salsa by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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