UPC · Release
100 Country Greats
Various Artists
Last verified:
8717423030836 is the Universal Product Code (UPC barcode) for the release “100 Country Greats” by Various Artists, released 2006-01-01 on Weton-Wesgram. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAWA0377244, GBAWA0235428, GBAWA0513356.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ruby Don’t Take Your Love to Town | Kenny Rogers | T-070.940.089-4 | |
| 2 | High Noon | — | ||
| 3 | I’m So Lonesome I Could Cry | — | ||
| 4 | I Don’t Wanta | Patsy Cline | T-911.062.155-1 | |
| 5 | Any Time You’re Feeling Lonely | — | ||
| 6 | I Dreamed of a Hillbilly Heaven | — | ||
| 7 | Where My House Lives | — | ||
| 8 | Don’t Think Twice | — | ||
| 9 | Hey Porter! | Johnny Cash, The Tennessee Two | T-070.073.540-5 | |
| 10 | Rodeo Cowboy | — | ||
| 11 | Little Bitty Tear | — | ||
| 12 | Three Hearts in a Tangle | — | ||
| 13 | Love Is a Golden Ring | — | ||
| 14 | Walkin’ After Midnight | Patsy Cline | T-071.850.045-8 | |
| 15 | Reuben James | Kenny Rogers | T-070.243.152-4 | |
| 16 | Cara Mia | — | ||
| 17 | Blue Bayou | — | ||
| 18 | It Makes No Difference Now | — | ||
| 19 | I Don’t Feel Anything | — | ||
| 20 | Answer Me | — | ||
| 2-1 | Rawhide | — | ||
| 2-2 | Burning Memoiries | — | ||
| 2-3 | Heaven’s Just a Sin Away | — | ||
| 2-4 | Just Dropped In (to See What Condition My Condition Was In) | The First Edition | T-070.939.660-0 | |
| 2-5 | Following Me Around | — | ||
| 2-6 | Honky Tonk Merry Go Round | — | ||
| 2-7 | Mockingbird Hill | — | ||
| 2-8 | Divorce Me C.O.D. | — | ||
| 2-9 | Cheatin’ Is | — | ||
| 2-10 | White Lightning | — | ||
| 2-11 | Two Doors Down | — | ||
| 2-12 | Dallas | — | ||
| 2-13 | Three Cigarettes in an Ashtray | — | ||
| 2-14 | If I Had Only Known | — | ||
| 2-15 | Why Don’t You Love Me | Hank Williams, His Drifting Cowboys | T-070.248.004-3 | |
| 2-16 | Mule Train | — | ||
| 2-17 | Something’s Burning | Kenny Rogers | T-070.243.799-7 | |
| 2-18 | Devil Went Down to Georgia | — | ||
| 2-19 | Down in the Valley | — | ||
| 2-20 | There’s a New Moon Over My Shoulder | — | ||
| 3-1 | Rose Garden | Lynn Anderson | T-070.919.047-5 | |
| 3-2 | Hey, Good Lookin’ | Hank Williams, His Drifting Cowboys | T-903.988.232-1 | |
| 3-3 | I’m Gonna Sing You a Sad Song Susie | Kenny Rogers | — | |
| 3-4 | Dream Baby | — | ||
| 3-5 | Look What They’ve Done to My Song | — | ||
| 3-6 | Much to Do | — | ||
| 3-7 | The Three Bells | — | ||
| 3-8 | Sixteen Tons | — | ||
| 3-9 | You Can’t Put the City in a Country Girl | — | ||
| 3-10 | The Shelter of His Arms | — | ||
| 3-11 | New Mule Skinner Blues | Bill Monroe & His Blue Grass Boys | T-030.157.231-5 | |
| 3-12 | Stand by Your Man | — | ||
| 3-13 | Strange Lady in Town | — | ||
| 3-14 | Have I Stayed Too Long | — | ||
| 3-15 | Jolie Blond | — | ||
| 3-16 | I’v Loved & Lost Again | — | ||
| 3-17 | Walking the Floor Over You | Ernest Tubb | T-070.919.038-4 | |
| 3-18 | Jimmy’s Rag | — | ||
| 3-19 | I’ll Never Be Free | — | ||
| 3-20 | Singing in the Blues | — | ||
| 4-1 | Who Do I Know in Dallas | — | ||
| 4-2 | Cry! Cry! Cry! | Johnny Cash | T-070.026.443-2 | |
| 4-3 | Let Him Know | — | ||
| 4-4 | Listen to a Country Song | — | ||
| 4-5 | Red Sails in the Sunset | — | ||
| 4-6 | Sunshine | — | ||
| 4-7 | We All Got to Help Each Other | Kenny Rogers | T-700.077.771-1 | |
| 4-8 | Money (That’s What I Want) | — | ||
| 4-9 | Jealousy (Jalousie) | — | ||
| 4-10 | Ease the Want in Me | — | ||
| 4-11 | Kaw‐Liga | Hank Williams | T-071.065.290-6 | |
| 4-12 | The Wayward Wind | — | ||
| 4-13 | Maybelline | Marty Robbins | T-901.126.441-8 | |
| 4-14 | Someday Soon | — | ||
| 4-15 | A Stranger in My Arms | — | ||
| 4-16 | Darkness on the Face of the Earth | — | ||
| 4-17 | He’s on the Run Again | — | ||
| 4-18 | Faithless Love | — | ||
| 4-19 | Good Lady of Toronto | Kenny Rogers | T-902.867.849-1 | |
| 4-20 | Jezabel | — | ||
| 5-1 | Now Is the Hour | — | ||
| 5-2 | Sally Was a Good Old Girl | — | ||
| 5-3 | I’ve Seen All the World I Care to See | — | ||
| 5-4 | For the Good Times | Kenny Rogers | T-070.881.470-3 | |
| 5-5 | Gone at Last | — | ||
| 5-6 | It Wasn’t God Who Made Honky Tonk Angels | Kitty Wells | T-314.783.731-4 | |
| 5-7 | Makin’ Believe | Dolly Parton | T-070.242.057-2 | |
| 5-8 | Me and Bobby McGee | Kenny Rogers | T-071.000.950-9 | |
| 5-9 | The Cheatin’ Kind | — | ||
| 5-10 | Moonlight Gambler | — | ||
| 5-11 | Top of the World | Lynn Anderson | T-070.183.652-3 | |
| 5-12 | Poem for My Little Lady | — | ||
| 5-13 | Your Cheatin’ Heart | Hank Williams | T-070.248.357-5 | |
| 5-14 | Just Out of Reach | — | ||
| 5-15 | Don’t Fence Me In | — | ||
| 5-16 | I’m Lonesome | — | ||
| 5-17 | Lorena | — | ||
| 5-18 | Don’t Ever Leave Me Again | — | ||
| 5-19 | Undo the Wrong, Undo the Right | — | ||
| 5-20 | Till I Can Waltz With You Again | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 8717423030836?
8717423030836 is a Universal Product Code (UPC) assigned to 100 Country Greats by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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