UPC · Release
Lady Sings the Blues
Various Artists
Last verified:
8717423048909 is the Universal Product Code (UPC barcode) for the release “Lady Sings the Blues” by Various Artists, released 2006-01-01 on Weton-Wesgram. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include USMC14450716, USSM14900032, USMC13058809.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Good Man Is a Seldom Thing | — | ||
| 2 | All of Me | — | ||
| 3 | Body and Soul | — | ||
| 4 | Come See About Me | — | ||
| 5 | Empty Bed Blues | — | ||
| 6 | Furniture Man Blues, Part 2 | — | ||
| 7 | I’m Walking the Street | — | ||
| 8 | Lover Man | Billie Holiday | T-070.268.668-7 | |
| 9 | Mama, He Treats Your Daughter Mean | — | ||
| 10 | My Country Man | — | ||
| 11 | Or Leave Me Alone | — | ||
| 12 | Slave to Love | — | ||
| 13 | You Killed My Love | — | ||
| 14 | You’re Driving Me Crazy | — | ||
| 15 | After You’ve Gone | — | ||
| 16 | Summertime | Sarah Vaughan | T-800.364.991-1 | |
| 17 | Grass Cutter Blues | — | ||
| 18 | That Old Black Magic | — | ||
| 19 | Day In, Day Out | — | ||
| 20 | Come Rain or Come Shine | — | ||
| 4-1 | Baby I’m Doing It | — | ||
| 4-2 | Every Beat of My Heart | — | ||
| 4-3 | Falling in Love Again | — | ||
| 4-4 | Fat Daddy | — | ||
| 4-5 | Gulf Coast Blues | — | ||
| 4-6 | I’m in the Racket | — | ||
| 4-7 | Mean Old Bed Bug Blues | — | ||
| 4-8 | Mercy Mr. Percy | — | ||
| 4-9 | No Headstone on My Grave | — | ||
| 4-10 | Set Me Free | — | ||
| 4-12 | That’s the Way It Goes | — | ||
| 4-13 | There’s Always the Blues | — | ||
| 4-14 | Yesterdays | — | ||
| 4-15 | You’re Gonna Lose Your Gal | — | ||
| 4-16 | Standin’ in the Rain | — | ||
| 4-17 | Bumble Bee | Memphis Minnie | T-072.278.760-1 | |
| 4-18 | Time After Time | — | ||
| 4-19 | They Can’t Take That Away From Me | — | ||
| 4-20 | Mellow Mama Blues | — | ||
| 5-1 | Birth of the Blues | — | ||
| 5-2 | For Sale | — | ||
| 5-3 | Guess Who | — | ||
| 5-4 | I Got It Bad and That Ain’t Good | — | ||
| 5-5 | I’m Waiting Just for You | — | ||
| 5-6 | Lover Come Back to Me | — | ||
| 5-7 | Mean and Evil Blues | — | ||
| 5-8 | Nobody Knows You When You're Down and Out | Bessie Smith | T-070.271.782-5 | |
| 5-9 | One Hour Mama | — | ||
| 5-10 | Release Me | — | ||
| 5-11 | Shake a Hand | — | ||
| 5-12 | Stormy Weather | — | ||
| 5-13 | Trouble Is a Man | — | ||
| 5-14 | Trying | — | ||
| 5-15 | Mama Come Home | — | ||
| 5-16 | Young Woman’s Blues | Bessie Smith & Her Blue Boys | T9027368930 | |
| 5-17 | Moonshine | — | ||
| 5-18 | Perdido | — | ||
| 5-19 | Getting to Know You | — | ||
| 5-20 | Rich Man’s Blues | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Summertime | Sarah Vaughan | T-800.364.991-1 |
| Lilac Wine | Nina Simone | T-070.095.959-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
+26 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+33 more
Credits Graph
People also ask
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What is UPC 8717423048909?
8717423048909 is a Universal Product Code (UPC) assigned to Lady Sings the Blues by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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