UPC · Release
Thunderdome 2009: Alles naar de klote
Various Artists
Last verified:
8717931790598 is the Universal Product Code (UPC barcode) for the release “Thunderdome 2009: Alles naar de klote” by Various Artists, released 2009-01-01 on Dance-Tunes B.V.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (77)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Want Cha | — | ||
| 2 | Alpha One | — | ||
| 3 | Bass Buzz | — | ||
| 4 | Ionic | — | ||
| 5 | Braincrackin (Buzz Fuzz rmx) | — | ||
| 6 | Genetic Waste | — | ||
| 7 | Vive la France | — | ||
| 8 | Hyperdome Experience (Heaven's version) | — | ||
| 9 | Paranoia | — | ||
| 10 | Shake It (Stunned Guys mix) | — | ||
| 11 | Riot Cracker | — | ||
| 12 | Catastrophy | — | ||
| 13 | Heartbeat | — | ||
| 14 | No Bullshitting | — | ||
| 15 | Direct From Brooklyn | — | ||
| 16 | I Am the Creator (Past mix) | — | ||
| 17 | Harm Me | — | ||
| 18 | Totaal verwarring | — | ||
| 19 | No Choice | — | ||
| 20 | Shoot This Mf | — | ||
| 21 | Allright Now Here We Go | — | ||
| 22 | Our Definition of the Oldstyle | — | ||
| 23 | In Your Head | — | ||
| 24 | Schoom | — | ||
| 25 | Execute | — | ||
| 26 | Filled With Power | — | ||
| 27 | Bullshit | — | ||
| 28 | R.A.V.E.M.A.N. 2 | — | ||
| 29 | Stab Ya Brain | — | ||
| 2-1 | Thunderdome Intro | — | ||
| 2-2 | The Wolves of Creation | — | ||
| 2-3 | None to Give | — | ||
| 2-4 | Where Memories Hide | — | ||
| 2-5 | Maniac Killa (Hellsystem rmx) | — | ||
| 2-6 | Compagneros (Endymion rmx) | — | ||
| 2-7 | Come True | — | ||
| 2-8 | That Bitch Marie Ann | — | ||
| 2-9 | Project H.M.V. | — | ||
| 2-10 | Act of God (Break Neck mix) | — | ||
| 2-11 | Nobody Like’s | — | ||
| 2-12 | The Culture | — | ||
| 2-13 | Corruption | — | ||
| 2-14 | Polymerase Chainreaction (Tymon rmx) | — | ||
| 2-15 | Intimidation | — | ||
| 2-16 | Delusion | — | ||
| 2-17 | Time to Raise the Party | — | ||
| 2-18 | Lost S.T.F.Y | — | ||
| 2-19 | Pawns in the Game | — | ||
| 2-20 | My Misery | — | ||
| 2-21 | Sloop die speakers | — | ||
| 2-22 | Holland is GVD het hardste! (Neophyte 2010 rmx) | — | ||
| 3-1 | Agony | — | ||
| 3-2 | Dirtbox (Broken Rules dirty free rmx) | — | ||
| 3-3 | Beat Conductor | — | ||
| 3-4 | Meet My Clones | — | ||
| 3-5 | Nonlinear Dynamics | — | ||
| 3-6 | Minimize It | — | ||
| 3-7 | Metaphusical | — | ||
| 3-8 | Troubled Assets | — | ||
| 3-9 | Distorture | — | ||
| 3-10 | Weapons of War | — | ||
| 3-11 | Hurricane | — | ||
| 3-12 | Void | — | ||
| 3-13 | Machete (Richie Gee rmx) | — | ||
| 3-14 | System Techno | — | ||
| 3-15 | Undead II (Tymon's Noise of Thunder rmx) | — | ||
| 3-16 | Psycho Killer | — | ||
| 3-17 | The Gift of Fire | — | ||
| 3-18 | Scrape | — | ||
| 3-19 | Down With the Real | — | ||
| 3-20 | Polymerase Chainreaction (Tymon rmx) | — | ||
| 3-21 | My Friends | — | ||
| 3-22 | Desolation | — | ||
| 3-23 | Extrasensory Perception | — | ||
| 3-24 | Guess What | — | ||
| 3-25 | Follow the Path | — | ||
| 3-26 | Kill It | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 8717931790598?
8717931790598 is a Universal Product Code (UPC) assigned to Thunderdome 2009: Alles naar de klote by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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