Mainstage, Vol. 1

UPC · Release

Mainstage, Vol. 1

W&W

8718522011948
31 tracksReleased 2012-09-21

Last verified:

8718522011948 is the Universal Product Code (UPC barcode) for the release Mainstage, Vol. 1 by W&W, released 2012-09-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC. Tracks include NLF711205157, NLF711205158, NLF711204986.

Format

871GS1 prefix
8522Company prefix
01194Product
8Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMainstage, Vol. 1
ISRC31 recordings
ISWC15 works
IPI10 songwriters

Track List (31)

Unka (radio edit)
Unka (radio edit)
Coe
Liel (radio edit)
Liel (radio edit)
Gal Abutbul
We Are the Future (radio edit)
We Are the Future (radio edit)
Wezz Devall
White Label (radio edit)
White Label (radio edit)
W&W
Prime (W&W edit)
Camilo Santi, Krzysztof Chochlow
Suddenly Summer (Norin & Rad radio edit)
Suddenly Summer (Norin & Rad radio edit)
Armin van Buuren, Ana Criado
Trigger
Marcel Woods, W&W
Silhouettes (radio edit)
Silhouettes (radio edit)
Inners
Memories of You (radio edit)
Memories of You (radio edit)
Husman
Rays of Shamash (radio edit)
Rays of Shamash (radio edit)
Ali Wilson
J’ai envie de toi (Tom Fall radio edit)
J’ai envie de toi (Tom Fall radio edit)
Armin van Buuren, Gaia
Don’t Mess With Us (radio edit)
Don’t Mess With Us (radio edit)
Darren Morfitt
Plan A (radio edit)
Plan A (radio edit)
Julians
Filthy Fandango (radio edit)
Filthy Fandango (radio edit)
Ørjan Nilsen
Loops & Tings (radio edit)
Markus Schulz, Ferry Corsten
Invasion – ASOT 550 Anthem (Heatbeat radio edit)
Invasion – ASOT 550 Anthem (Heatbeat radio edit)
W&W
Moscow (Husman radio edit)
Moscow (Husman radio edit)
W&W
E.D.M. (radio edit)
E.D.M. (radio edit)
Husman
Perfect Love (radio edit)
Aly & Fila, Roger Shah, Adrina Thorpe
Fire Away (radio edit)
Fire Away (radio edit)
David Gravell
What’s Wrong (Skytech Stadium radio edit)
What’s Wrong (Skytech Stadium radio edit)
Skytech
Sub Zero (radio edit)
Sub Zero (radio edit)
Rick Mitchells

Additional database matches (3)

Identifier Graph

UPCMainstage, Vol.…ISRCUnka (radio edi…ISRCLiel (radio edi…ISRCWe Are the Futu…ISRCTouché! (radio …ISRCInvasion - Asot…

People also ask

What is UPC 8718522011948?
UPC 8718522011948 is the Universal Product Code (barcode) for "Mainstage, Vol. 1" by W&W.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 8718522011948?
UPC 8718522011948 contains 31 tracks, each with its own ISRC.
SourcesMLCMusicBrainzNotesMusicBrainz4 sources

Verified on

What is UPC 8718522011948?

8718522011948 is a Universal Product Code (UPC) assigned to Mainstage, Vol. 1 by W&W. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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