UPC · Release
Zero Point One – the Remixes – Extended Versions
Andy Moor
Last verified:
8718522028519 is the Universal Product Code (UPC barcode) for the release “Zero Point One – the Remixes – Extended Versions” by Andy Moor, released 2013-09-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1 track, each with its own ISRC. Tracks include NLF711205916.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (1)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 14 | Trespass (Antillas & Dankann dub) | Andy Moor, Sue McLaren | T-912622092-6 |
Additional database matches (31)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| In Your Arms (Aly & Fila remix) | Andy Moor, Jessica Sweetman | T-306659122-4 |
| In Your Arms (Joseph Areas remix) | Andy Moor, Jessica Sweetman | T-306659122-4 |
| In Your Arms (Rafael Frost remix) | Andy Moor, Jessica Sweetman | T-306659122-4 |
| Trespass (Lemon & Einar K club mix) | Andy Moor, Sue McLaren | T-912622092-6 |
| Trespass (Antillas & Dankann club mix) | Andy Moor, Sue McLaren | T-912622092-6 |
| Trespass (Masoud Chill Out mix) | Andy Moor, Sue McLaren | T-912622092-6 |
| Trespass (Rave Channel remix) | Andy Moor, Sue McLaren | T-912622092-6 |
| Love Again (Andrew Rayel remix) | Andy Moor, Betsie Larkin | T-915369684-5 |
| Love Again (Daniel Wanrooy remix) | Andy Moor, Betsie Larkin | T-915369684-5 |
| World to Turn (Daniel Kandi’s Bangin’ mix) | Andy Moor, Ashley Wallbridge, Gabriela | — |
| Atmospherica (The Blizzard remix) | Andy Moor | — |
| November Morning (Zack Roth remix) | Andy Moor | — |
| Please Forgive Me (Wellenrausch’s Dark Matter remix) | Andy Moor, Nicole McKenna | — |
| Please Forgive Me (The Madison remix) | Andy Moor, Nicole McKenna | — |
| Undeserved (Matt Bukovski remix) | Andy Moor, Meredith Call | — |
| Ordinary People (Yuri Kane remix) | Andy Moor, Daniel Paul Davis | — |
| World to Turn (The Madison remix) | Andy Moor, Ashley Wallbridge, Gabriela | — |
| Elysian Fields (Mike Foyle remix) | Andy Moor, Carrie Skipper | — |
| Leave Your World Behind (Heatbeat remix) | Andy Moor, Hysteria! | — |
| Leave Your World Behind (Rave Channel remix) | Andy Moor, Hysteria! | — |
| Orbithing (Chris Schweizer remix) | Andy Moor, Orkidea | T9133052923 |
| Tora’s Angel (The Thrillseekers remix) | Andy Moor, Carrie Skipper | — |
| Story of My Life (David Gravell remix) | Andy Moor, Carrie Skipper | — |
| Don’t Sound the Alarm (Tenishia remix) | Andy Moor, Jeza | — |
| K Ta (Lange remix) | Andy Moor | — |
| K Ta (Fady & Mina remix) | Andy Moor | — |
| Time Will Tell (Toby Hedges & Eskai remix) | Andy Moor, Stine Grove | — |
| Turning Me On (RAM remix) | Andy Moor, Slimmie | — |
| Please Forgive Me (Wellenrausch’s Dark Matter dub mix) | Andy Moor, Nicole McKenna | — |
| Leave Your World Behind (Rave Channel dub mix) | Andy Moor, Hysteria! | — |
| Turning Me On (RAM dub mix) | Andy Moor, Slimmie | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 8718522028519?
8718522028519 is a Universal Product Code (UPC) assigned to Zero Point One – the Remixes – Extended Versions by Andy Moor. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1 track. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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