UPC · Album
Trance Hits 2014 – 40 of the Biggest Trance Anthems
Various Artists
Last verified:
8718522053245 is the Universal Product Code (UPC barcode) for the release “Trance Hits 2014 – 40 of the Biggest Trance Anthems” by Various Artists, released 2014-11-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include NLF711402781, NLF711403459, NLF711313862.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (41)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Fade to Light (Joseph Areas ‘Dirty Rock’ radio edit) | Andy Moor | NLF711402781 |
| Unknown | NLF711403459 | |
| Refused (radio edit) | Mark Sixma, Jerome Isma-Ae | NLF711313862 |
| On Fire (radio edit) | Luke Bond, Roxanne Emery | GB2CT0900310 |
| Falling Back (official radio edit) | Cosmic Gate, Eric Lumiere | NLF711404016 |
| All or Nothing (radio edit) | Ben Gold, Christina Novelli | NLF711404069 |
| EIFORYA | Armin van Buuren, Andrew Rayel | NLF711400974 |
| The Last of Us (radio edit) | David Gravell | NLF711403992 |
| Airwave (21st Century radio edit) | Rank 1 | NLF711405635 |
| Alexandria (radio edit) | Faruk Sabanci | NLF711403880 |
| My Heaven | Alex M.O.R.P.H., Natalie Gioia | NLF711400893 |
| Benedictus (radio edit) | Tenishia | NLF711400753 |
| One in a Million | Andrew Rayel, Jonathan Mendelsohn | NLF711403595 |
| Fair Game (radio edit) | Cosmic Gate, Ørjan Nilsen | NLF711403523 |
| Empire of Hearts (radio edit) | Gaia | NLF711400852 |
| Forever | Bogdan Vix, Renee Stahl | NLF711400898 |
| So Get Up (radio edit) | Cosmic Gate | NLF711310382 |
| All That Matters (radio edit) | Alexandre Bergheau, Ruben de Ronde | NLF711403039 |
| Ping Pong | Armin van Buuren | NLF711400906 |
| Festival Crash | Ferry Corsten | NLQ881401199 |
| The District (radio edit) | Andrew Bayer | NLF711404008 |
| U (Bryan Kearney radio edit) | Gareth Emery, Bo Bruce | GB2CT0900337 |
| The Reason | Alex M.O.R.P.H., Natalie Gioia | NLF711403876 |
| Adagio For Strings | Mark Sixma | NLF711403874 |
| Tomorrow People | Omnia | NLF711403137 |
| Refused (David Gravell radio edit) | Mark Sixma, Jerome Isma-Ae | NLF711400400 |
| We Are the Future (radio edit) | Chris Schweizer | NLF711403456 |
| Timebomb | David Gravell | NLF711402078 |
| Altitude (radio edit) | Dan Thompson | NLF711402060 |
| Bloody Moon (radio edit) | Heatbeat | NLF711403882 |
| Shadow (W&W edit) | Mark Sixma | NLF711403309 |
| Propaganda | Dan Thompson | NLF711403884 |
| Here Tonight (radio edit) | Dash Berlin, Jay Cosmic, Collin McLoughlin | NLF711402979 |
| Medusa (radio edit) | Adam Szabo, Willem de Roo | GBKQU1409707 |
| Now or Never (Estiva vs. Juventa radio edit) | Tritonal, Phoebe Ryan | NLF711404956 |
| Bigfoot | W&W | NLF711400366 |
| Buenosaurus (radio edit) | Heatbeat | NLF711404361 |
| Explorer (radio edit) | Arisen Flame | NLF711403139 |
| Lights & Thunder (Omnia remix edit) | Gareth Emery, Krewella | GB2CT1400353 |
| Siberia (radio edit) | Alexander Popov | NLF711403037 |
| Quantum (radio edit) (03:010) | Alexander Popov | NLF711400897 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 8718522053245?
8718522053245 is a Universal Product Code (UPC) assigned to Trance Hits 2014 – 40 of the Biggest Trance Anthems by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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