UPC · Release
Fonotone Records: Frederick, Maryland (1956–1969)
Various Artists
Last verified:
880226000325 is the Universal Product Code (UPC barcode) for the release “Fonotone Records: Frederick, Maryland (1956–1969)” by Various Artists, released 2005-01-01 on Dust-to-Digital. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 131 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (131)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chinese Breakdown | — | ||
| 2 | Power in the Blood | — | ||
| 3 | Wanda Russel's Blues | — | ||
| 4 | Foggy Bottom Shuffle | — | ||
| 5 | I Love You Mama | — | ||
| 6 | Soldier's Joy | — | ||
| 7 | Carry Me Back to the Mountains | — | ||
| 8 | Fox Chase | — | ||
| 9 | Swing Low, Sweet Chariot | — | ||
| 10 | Baker's Breakdown | — | ||
| 11 | Alley Strut | — | ||
| 12 | Boweavil | — | ||
| 13 | Bugle Call Banjo | — | ||
| 14 | Tator Patch Blues | — | ||
| 15 | We Need More Rattlesnakes | — | ||
| 16 | Jug in the Shade | — | ||
| 17 | Lost Indian | — | ||
| 18 | Love Old Memphis | — | ||
| 19 | Old Country Rock | — | ||
| 20 | The Death of John Kennedy | — | ||
| 21 | Onions | — | ||
| 22 | Paint Brush Blues | — | ||
| 23 | Helter Skelter | — | ||
| 24 | Green Blues | — | ||
| 25 | Hannah Open the Door | — | ||
| 26 | Wild Wood Flower | — | ||
| 27 | Down on the Delaware | — | ||
| 2-1 | Crazy Arms | — | ||
| 2-2 | Bluegrass | — | ||
| 2-3 | Rome Georgia Bound | — | ||
| 2-4 | Blind Blues | — | ||
| 2-5 | Bluegrass Shuffle | — | ||
| 2-6 | Cider Time Rag | — | ||
| 2-7 | Sugar Babe | — | ||
| 2-8 | Tearing Down the Laurel | — | ||
| 2-9 | Up Jumped the Devil | — | ||
| 2-10 | Fox Chase | — | ||
| 2-11 | Virginia Ramble | — | ||
| 2-12 | Sow Good Seeds | — | ||
| 2-13 | Nobody's Darling but Mine | — | ||
| 2-14 | Everlasting Joy | — | ||
| 2-15 | Backlander's Hornpipe | — | ||
| 2-16 | Jokin' Georgia Rag | — | ||
| 2-17 | Stir It Now | — | ||
| 2-18 | Kid Future's Blues | — | ||
| 2-19 | R.G. Chimes | — | ||
| 2-20 | Back Alley Wiggle | — | ||
| 2-21 | Pig Tail Fling | — | ||
| 2-22 | Down Where the River Bends | — | ||
| 2-23 | The Flight of Astronaut John Glenn | — | ||
| 2-24 | Hillbilly's Guitar | — | ||
| 2-25 | Memphis Hambone Blues | — | ||
| 2-26 | Mandolin Blues | — | ||
| 2-27 | Cheat Mountain | — | ||
| 3-1 | Shady Grove | — | ||
| 3-2 | Cumberland Gap | — | ||
| 3-3 | Fisher's Hornpipe | — | ||
| 3-4 | Cackling Hen | — | ||
| 3-5 | Barefoot Mamlish Blues | — | ||
| 3-6 | Black Jack Rag | — | ||
| 3-7 | Hot Corn, Cold Corn | — | ||
| 3-8 | Tear It Down | — | ||
| 3-9 | Father Put the Cow Away | — | ||
| 3-10 | Whitacre's Hornpipe | — | ||
| 3-11 | Banjo Stretch | — | ||
| 3-12 | Coal Tipple Blues | — | ||
| 3-13 | Some Summer Day, No. 2 | — | ||
| 3-14 | Hopalong Peter | — | ||
| 3-15 | The Crowing Rooster | — | ||
| 3-16 | Little Boy Stole My Jacket | — | ||
| 3-17 | Black Cat Blues | — | ||
| 3-18 | Frankie | — | ||
| 3-19 | Striped Stockings | — | ||
| 3-20 | Short String Strut | — | ||
| 3-21 | The Voyage of Apollo 8 | — | ||
| 3-22 | Black Jack Drag | — | ||
| 3-23 | Rory Mae | — | ||
| 3-24 | Silver Bells | — | ||
| 3-25 | Weissman Blues | — | ||
| 4-1 | Sara Jane | — | ||
| 4-2 | What She's Got | — | ||
| 4-3 | Susie | — | ||
| 4-4 | Round Town Gals | — | ||
| 4-5 | Ramblin' Blues | — | ||
| 4-6 | Pretty Little Girl | — | ||
| 4-7 | Scattin' Rag | — | ||
| 4-8 | Please Love Me | — | ||
| 4-9 | Delta Moodish Blues | — | ||
| 4-10 | Busted Boiler Blues | — | ||
| 4-11 | Big Legged Mama | — | ||
| 4-12 | Leather Breeches | — | ||
| 4-13 | Dark and Lonely Night Blues | — | ||
| 4-14 | Borrow Love and Go | — | ||
| 4-15 | I Don't Love Nobody | — | ||
| 4-16 | Hen Pecked Man | — | ||
| 4-17 | Treastle Blues | — | ||
| 4-18 | Train to Danville | — | ||
| 4-19 | No Special Rider Blues | — | ||
| 4-20 | Basement Blues | — | ||
| 4-21 | Drunk Song No.2 | — | ||
| 4-22 | If You Don't Love Me Mama | — | ||
| 4-23 | Stone Pony | — | ||
| 4-24 | The Pueblo's Crew | — | ||
| 4-25 | Confessin' | — | ||
| 4-26 | Poor Boy Blues | — | ||
| 5-1 | Cripple Creek | — | ||
| 5-2 | Put My Little Shoes Away | — | ||
| 5-3 | Hoppin' the Frets | — | ||
| 5-4 | John Henry (take 1) | — | ||
| 5-5 | Nine Pound Hammer | — | ||
| 5-6 | Birmingham Tickle | — | ||
| 5-7 | Atlanta Rag | — | ||
| 5-8 | Old Hypocrite | — | ||
| 5-9 | Sugar in the Gourd | — | ||
| 5-10 | I Hear Mother Calling | — | ||
| 5-11 | It's Only the Wind | — | ||
| 5-12 | Maple Sugar | — | ||
| 5-13 | Preach the Gospel | — | ||
| 5-14 | My Savior Died for Me | — | ||
| 5-15 | Sunflower Strut | — | ||
| 5-16 | Hand Me Down My Walking Cane | — | ||
| 5-17 | Lay My Armor Down | — | ||
| 5-18 | The Old Folks Started It | — | ||
| 5-19 | Done Gone | — | ||
| 5-20 | Got to Get a Little More | — | ||
| 5-21 | Wild Mountain Ramble | — | ||
| 5-22 | Money Green, No. 2 | — | ||
| 5-23 | Didn't They Crucify My Lord | — | ||
| 5-24 | I'm Rollin' On | — | ||
| 5-25 | Delta Crapation | — | ||
| 5-26 | Sugar Tree Stomp | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 880226000325?
880226000325 is a Universal Product Code (UPC) assigned to Fonotone Records: Frederick, Maryland (1956–1969) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 131 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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