UPC · Release
Various Artists
Last verified:
The UPC for “How Low Can You Go?: Anthology of the String Bass (1925–1941)” by Various Artists is 880226000424. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Dust-To-Digital. This release contains 79 tracks, each with its own ISRC. Tracks include DEU240801547, DEU240801548, GBAJD1450319.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Milenberg Joys | — | ||
| 2 | Dinah | — | ||
| 3 | Black Bottom Stomp | — | ||
| 4 | My Pretty Girl | — | ||
| 5 | Wash‐Board Cut Out | — | ||
| 6 | Bogalusa Strut | — | ||
| 7 | Down by the Riverside | — | ||
| 8 | Bull Frog Blues | Charles Pierce and His Orchestra | — | |
| 9 | China Boy | Charles Pierce and His Orchestra | — | |
| 10 | Voice of the Southland | — | ||
| 11 | Mama’s Gone, Goodbye | — | ||
| 12 | I’d Like to Go Back to That Old Pal of Mine | — | ||
| 13 | Goose Creek‐Stomp | — | ||
| 14 | Waiting for a Train | Jimmie Rodgers | T-070.197.253-3 | |
| 15 | Texas and Pacific Blues | — | ||
| 16 | So Tired | — | ||
| 17 | Freeze and Melt | — | ||
| 18 | Hot Heels | — | ||
| 19 | Beggar’s Blues | — | ||
| 20 | Where the Sweet Magnolias Bloom | — | ||
| 21 | En sens unique S.V.P. | — | ||
| 22 | Squabblin’ | — | ||
| 23 | Duet Stomp | — | ||
| 24 | Poor Li'l Me | Luis Russell and His Orchestra | — | |
| 25 | Panama | Luis Russell and His Orchestra | T-070.120.003-4 | |
| 26 | Chinatown, My Chinatown | Fletcher Henderson and His Orchestra | T-912.738.083-0 | |
| 2-1 | Chances Are | Jack Teagarden and His Orchestra | T-071.058.379-1 | |
| 2-2 | Tiger Tom Kill Tiger Cat, Damblay, Santapie and Rat | — | ||
| 2-3 | Depression‐Paseo | — | ||
| 2-4 | Who’s Sorry Now? | — | ||
| 2-5 | Shag | — | ||
| 2-6 | My! Oh, My! | — | ||
| 2-7 | Baby, Are You Satisfied? | — | ||
| 2-8 | Tex’s Dance | — | ||
| 2-9 | Brownie’s Stomp | — | ||
| 2-10 | Rug Cutter Swing | — | ||
| 2-11 | The Stuff Is Here and It’s Mellow | — | ||
| 2-12 | Ta‐hu‐wa‐hu‐wa‐i (A Hawaiian War Song) | — | ||
| 2-13 | Dr. Watson and Mr. Holmes | — | ||
| 2-14 | Bugle Call Rag (take B) | — | ||
| 2-15 | Good Morning, Judge | — | ||
| 2-16 | The Dozen | — | ||
| 2-17 | Don’t ’Low | — | ||
| 2-18 | Rug Cutter’s Function | — | ||
| 2-19 | Yes Sir, That’s My Baby | — | ||
| 2-20 | Deep Blue Melody | — | ||
| 2-21 | White Heat | — | ||
| 2-22 | Tired of Me | — | ||
| 2-23 | Pagin’ the Devil | — | ||
| 2-24 | Liza, Pull Down the Shades | — | ||
| 2-25 | Pluckin’ the Bass | Cab Calloway and His Orchestra | — | |
| 2-26 | Climax Rag (take 1) | — | ||
| 2-27 | Sepia Panorama (aka Night House) | — | ||
| 3-1 | Kentucky Stomp | — | ||
| 3-2 | Saint Louis Man | — | ||
| 3-3 | Endurance Stomp | — | ||
| 3-4 | Tuxedo Stomp | — | ||
| 3-5 | Brown Skin Mama | — | ||
| 3-6 | St. Louis Nightmare | — | ||
| 3-7 | Tell Me Cutie | — | ||
| 3-8 | Some Day You’ll Know | — | ||
| 3-9 | Endurance Stomp (take A) | — | ||
| 3-10 | Shake Your Shimmy | — | ||
| 3-11 | Bull Fiddle Rag (take A) | — | ||
| 3-12 | Shake That Jelly Roll | Junie C. Cobb and His Grains of Corn | — | |
| 3-13 | Don't Cry, Honey | Junie C. Cobb and His Grains of Corn | — | |
| 3-14 | My Four Reasons | — | ||
| 3-15 | He’s Got His Eyes on You | — | ||
| 3-16 | I’m in the Battlefield for My Lord | — | ||
| 3-17 | She’s Coming ’Round the Mountain | — | ||
| 3-18 | I’m Pressing On | — | ||
| 3-19 | No Night There | — | ||
| 3-20 | I Ain’t Gonna Do It No More | — | ||
| 3-21 | Pratt City Blues | — | ||
| 3-22 | Get the “L” On Down the Road | — | ||
| 3-23 | Don’t Drink It in Here | — | ||
| 3-24 | I Wonder Where My Easy Rider’s Gone | — | ||
| 3-25 | Come On Mama Do That Dance | — | ||
| 3-26 | Bull Fiddle Rag (take B) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
880226000424 is a Universal Product Code (UPC) assigned to How Low Can You Go?: Anthology of the String Bass (1925–1941) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “How Low Can You Go?: Anthology of the String Bass (1925–1941)” by Various Artists is 880226000424. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: Dust-To-Digital. This release contains 79 tracks, each with its own ISRC. Tracks include DEU240801547, DEU240801548, GBAJD1450319.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Milenberg Joys | — | ||
| 2 | Dinah | — | ||
| 3 | Black Bottom Stomp | — | ||
| 4 | My Pretty Girl | — | ||
| 5 | Wash‐Board Cut Out | — | ||
| 6 | Bogalusa Strut | — | ||
| 7 | Down by the Riverside | — | ||
| 8 | Bull Frog Blues | Charles Pierce and His Orchestra | — | |
| 9 | China Boy | Charles Pierce and His Orchestra | — | |
| 10 | Voice of the Southland | — | ||
| 11 | Mama’s Gone, Goodbye | — | ||
| 12 | I’d Like to Go Back to That Old Pal of Mine | — | ||
| 13 | Goose Creek‐Stomp | — | ||
| 14 | Waiting for a Train | Jimmie Rodgers | T-070.197.253-3 | |
| 15 | Texas and Pacific Blues | — | ||
| 16 | So Tired | — | ||
| 17 | Freeze and Melt | — | ||
| 18 | Hot Heels | — | ||
| 19 | Beggar’s Blues | — | ||
| 20 | Where the Sweet Magnolias Bloom | — | ||
| 21 | En sens unique S.V.P. | — | ||
| 22 | Squabblin’ | — | ||
| 23 | Duet Stomp | — | ||
| 24 | Poor Li'l Me | Luis Russell and His Orchestra | — | |
| 25 | Panama | Luis Russell and His Orchestra | T-070.120.003-4 | |
| 26 | Chinatown, My Chinatown | Fletcher Henderson and His Orchestra | T-912.738.083-0 | |
| 2-1 | Chances Are | Jack Teagarden and His Orchestra | T-071.058.379-1 | |
| 2-2 | Tiger Tom Kill Tiger Cat, Damblay, Santapie and Rat | — | ||
| 2-3 | Depression‐Paseo | — | ||
| 2-4 | Who’s Sorry Now? | — | ||
| 2-5 | Shag | — | ||
| 2-6 | My! Oh, My! | — | ||
| 2-7 | Baby, Are You Satisfied? | — | ||
| 2-8 | Tex’s Dance | — | ||
| 2-9 | Brownie’s Stomp | — | ||
| 2-10 | Rug Cutter Swing | — | ||
| 2-11 | The Stuff Is Here and It’s Mellow | — | ||
| 2-12 | Ta‐hu‐wa‐hu‐wa‐i (A Hawaiian War Song) | — | ||
| 2-13 | Dr. Watson and Mr. Holmes | — | ||
| 2-14 | Bugle Call Rag (take B) | — | ||
| 2-15 | Good Morning, Judge | — | ||
| 2-16 | The Dozen | — | ||
| 2-17 | Don’t ’Low | — | ||
| 2-18 | Rug Cutter’s Function | — | ||
| 2-19 | Yes Sir, That’s My Baby | — | ||
| 2-20 | Deep Blue Melody | — | ||
| 2-21 | White Heat | — | ||
| 2-22 | Tired of Me | — | ||
| 2-23 | Pagin’ the Devil | — | ||
| 2-24 | Liza, Pull Down the Shades | — | ||
| 2-25 | Pluckin’ the Bass | Cab Calloway and His Orchestra | — | |
| 2-26 | Climax Rag (take 1) | — | ||
| 2-27 | Sepia Panorama (aka Night House) | — | ||
| 3-1 | Kentucky Stomp | — | ||
| 3-2 | Saint Louis Man | — | ||
| 3-3 | Endurance Stomp | — | ||
| 3-4 | Tuxedo Stomp | — | ||
| 3-5 | Brown Skin Mama | — | ||
| 3-6 | St. Louis Nightmare | — | ||
| 3-7 | Tell Me Cutie | — | ||
| 3-8 | Some Day You’ll Know | — | ||
| 3-9 | Endurance Stomp (take A) | — | ||
| 3-10 | Shake Your Shimmy | — | ||
| 3-11 | Bull Fiddle Rag (take A) | — | ||
| 3-12 | Shake That Jelly Roll | Junie C. Cobb and His Grains of Corn | — | |
| 3-13 | Don't Cry, Honey | Junie C. Cobb and His Grains of Corn | — | |
| 3-14 | My Four Reasons | — | ||
| 3-15 | He’s Got His Eyes on You | — | ||
| 3-16 | I’m in the Battlefield for My Lord | — | ||
| 3-17 | She’s Coming ’Round the Mountain | — | ||
| 3-18 | I’m Pressing On | — | ||
| 3-19 | No Night There | — | ||
| 3-20 | I Ain’t Gonna Do It No More | — | ||
| 3-21 | Pratt City Blues | — | ||
| 3-22 | Get the “L” On Down the Road | — | ||
| 3-23 | Don’t Drink It in Here | — | ||
| 3-24 | I Wonder Where My Easy Rider’s Gone | — | ||
| 3-25 | Come On Mama Do That Dance | — | ||
| 3-26 | Bull Fiddle Rag (take B) | — |
