UPC · Release
Various Artists
Last verified:
The UPC for “Voices of Mississippi: Artists and Musicians Documented by William Ferris” by Various Artists is 880226005320. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Dust-to-Digital. This release contains 79 tracks, each with its own ISRC. Tracks include QZANV1800622, QZANV1800623, QZANV1800624.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 44 Blues | James “Son Ford” Thomas | — | |
| 2 | I Feel So Good | Lovey Williams | — | |
| 3 | Stackalee and Billy Lyons | Wallace “Pine-Top” Johnson, Maudie Shirley, & Jasper Love, Maudie Shirley, Jasper Love | — | |
| 4 | Lil’ Liza Jane | Scott Dunbar | — | |
| 5 | Big Fat Mama | Mississippi Fred McDowell | — | |
| 6 | Bottle Blowing | Louis Dotson | — | |
| 7 | Bring Me My Shotgun | Sonny Boy Watson | — | |
| 8 | Eyesight to the Blind | Sam Myers | — | |
| 9 | Cairo | James “Son Ford” Thomas | — | |
| 10 | Jaybird | Scott Dunbar | — | |
| 11 | Cotton Eyed Joe | Tom Dumas | — | |
| 12 | Coal Black Mare | Lovey Williams | — | |
| 13 | I Dreamed I Went to the U.N. | Unidentified Musician, Mississippi Fred McDowell | — | |
| 14 | Darling If You Must Leave | Walter Lee Hood | — | |
| 15 | I Got a Letter From Hot Springs | Mississippi Fred McDowell | — | |
| 16 | Baby Loves to Boogie | Wallace “Pine-Top” Johnson, Maudie Shirley, Jasper Love | — | |
| 17 | Nothing | Wash Heron, Big Jack Johnson | T-915.562.069-2 | |
| 18 | Dust My Broom | James “Son Ford” Thomas | T-306.380.229-5 | |
| 19 | The Memphis Mail | Scott Dunbar | — | |
| 20 | Have You Seen My Baby | Sonny Boy Watson | — | |
| 21 | Instrumental Guitar Piece in A | James Hughes | — | |
| 22 | Train I Ride | Lovey Williams | — | |
| 23 | Little Red Rooster | Unidentified Musician, Mississippi Fred McDowell | — | |
| 24 | Darlin’ Why You Treat Me So? | Leland Musician | — | |
| 25 | Water Boy Drowned in the Mobile Bay | Inmates at Parchman Farm | — | |
| 26 | I Ain’t Gonna Live It No More | George Lee “Sun Bud” Spears | — | |
| 27 | I Cannot Stay Here Baby | James “Son Ford” Thomas, Sonny Boy Watson | — | |
| 2-1 | Lord, I’m in Your Hand | Mary & Amanda Gordon | — | |
| 2-2 | You Don’t Know Like I Know | The Southland Hummingbirds | — | |
| 2-3 | I’m Standing in the Safety Zone | Lovey Williams | T-910.589.448-2 | |
| 2-4 | Children, Go Where I Send Thee | Reverend Smith and Family | — | |
| 2-5 | What Could I Do? | Liddle Hines | — | |
| 2-6 | So Glad I Got Good Religion | Providence Missionary Baptist Church | — | |
| 2-7 | I Know the Lord Will Make a Way (Yes He Will) | Church of God in Christ | — | |
| 2-8 | Home on High | Walter Lee Hood, Parchman Inmates | — | |
| 2-9 | We’re So Glad to Be Here | Fannie Bell Chapman | — | |
| 2-10 | My Mother’s on That Train | Mary Alice, Alan McGowan | — | |
| 2-11 | You Don’t Knock, You Just Walk On In | Reverend Ott & Family | — | |
| 2-12 | They Tell Me of an Uncloudy Day | Walter Lee Hood | — | |
| 2-13 | Thanks for Bill Ferris | Rose Hill Church | — | |
| 2-14 | Over Yonder Where the Sun Will Never Shine | Rose Hill Church | — | |
| 2-15 | I’ve Been Born Again | The Southland Hummingbirds | — | |
| 2-16 | The Lord Will Make a Way Somehow | Lovey Williams & Family | — | |
| 2-17 | How Did You Feel When You Come Out of the Wilderness | Providence Missionary Baptist Church | — | |
| 2-18 | I Don’t Have to Worry About Where I Spend Eternity | Church of God in Christ | — | |
| 2-19 | He’s My Rock, My Sword, and Shield | Fannie Bell Chapman & Family | — | |
| 2-20 | Thank You Jesus | Walter Lee Hood, Parchman Inmates | — | |
| 2-21 | Cross of Calvary | Mary & Amanda Gordon | — | |
| 2-22 | My Grave’s Gonna Be Decorated on That Day | Church of God in Christ | — | |
| 2-23 | There Are Days | The Southland Hummingbirds | — | |
| 2-24 | You Can’t Hide Sinner | Church of God in Christ | — | |
| 2-25 | Lord, Remember Me | Reverend Issac Thomas, Rose Hill Church | — | |
| 2-26 | Glory, Glory (Lay My Burden Down) | Church of God in Christ | — | |
| 3-1 | On Bill | Barry Hannah | — | |
| 3-2 | Regions of the Mind and Heart | Alice Walker | — | |
| 3-3 | The South | Alex Haley | — | |
| 3-4 | A Trader Is | Ray Lum | — | |
| 3-5 | The Blues to Me | Bobby Rush | — | |
| 3-6 | On Son Thomas and Tradition | Barry Hannah | — | |
| 3-7 | I Know It’s Wrong to Be Playin’ the Blues | James “Son Ford” Thomas | — | |
| 3-8 | Jitterbug Comes to Town | Sonny Boy Watson | T-010.181.145-3 | |
| 3-9 | You Whistlin’ | James “Son Ford” Thomas | — | |
| 3-10 | Mule Toast and Pool Hall Toast | Joe "Skeet" Skillet | — | |
| 3-11 | The Preacher | Joe Cooper | — | |
| 3-12 | Lyin’ | Wallace “Pine-Top” Johnson, Jasper Love, Maudie Shirley | — | |
| 3-13 | Two Brothers, Heaven and Hell | Shelby “Poppa Jazz” Brown | — | |
| 3-14 | Creekman Killed Charlie Kirkland | Shelby “Poppa Jazz” Brown | — | |
| 3-15 | Lucille | B.B. King | T-071.000.879-9 | |
| 3-16 | On Blues Composition | Allen Ginsberg, James “Son Ford” Thomas, Bill Ferris | — | |
| 3-17 | The Decline in Human Values | Robert Penn Warren | — | |
| 3-18 | The Bible Salesman | Pecolia Warner | — | |
| 3-19 | Fast Traders Disguising Mules | Ray Lum | — | |
| 3-20 | Horses Too Tall to Drown | Ray Lum | — | |
| 3-21 | The Ark and the Cats | Ray Lum | — | |
| 3-22 | The Panther | Ray Lum | — | |
| 3-23 | Fixing Charles Lindbergh’s Engine | Victor Bobb | — | |
| 3-24 | Lying About Being From Mississippi | Barry Hannah | — | |
| 3-25 | We Shall Overcome | Pete Seeger | T-071.433.624-9 | |
| 3-26 | Cemetery Conversations | James “Son Ford” Thomas | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
880226005320 is a Universal Product Code (UPC) assigned to Voices of Mississippi: Artists and Musicians Documented by William Ferris by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Voices of Mississippi: Artists and Musicians Documented by William Ferris” by Various Artists is 880226005320. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Dust-to-Digital. This release contains 79 tracks, each with its own ISRC. Tracks include QZANV1800622, QZANV1800623, QZANV1800624.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 44 Blues | James “Son Ford” Thomas | — | |
| 2 | I Feel So Good | Lovey Williams | — | |
| 3 | Stackalee and Billy Lyons | Wallace “Pine-Top” Johnson, Maudie Shirley, & Jasper Love, Maudie Shirley, Jasper Love | — | |
| 4 | Lil’ Liza Jane | Scott Dunbar | — | |
| 5 | Big Fat Mama | Mississippi Fred McDowell | — | |
| 6 | Bottle Blowing | Louis Dotson | — | |
| 7 | Bring Me My Shotgun | Sonny Boy Watson | — | |
| 8 | Eyesight to the Blind | Sam Myers | — | |
| 9 | Cairo | James “Son Ford” Thomas | — | |
| 10 | Jaybird | Scott Dunbar | — | |
| 11 | Cotton Eyed Joe | Tom Dumas | — | |
| 12 | Coal Black Mare | Lovey Williams | — | |
| 13 | I Dreamed I Went to the U.N. | Unidentified Musician, Mississippi Fred McDowell | — | |
| 14 | Darling If You Must Leave | Walter Lee Hood | — | |
| 15 | I Got a Letter From Hot Springs | Mississippi Fred McDowell | — | |
| 16 | Baby Loves to Boogie | Wallace “Pine-Top” Johnson, Maudie Shirley, Jasper Love | — | |
| 17 | Nothing | Wash Heron, Big Jack Johnson | T-915.562.069-2 | |
| 18 | Dust My Broom | James “Son Ford” Thomas | T-306.380.229-5 | |
| 19 | The Memphis Mail | Scott Dunbar | — | |
| 20 | Have You Seen My Baby | Sonny Boy Watson | — | |
| 21 | Instrumental Guitar Piece in A | James Hughes | — | |
| 22 | Train I Ride | Lovey Williams | — | |
| 23 | Little Red Rooster | Unidentified Musician, Mississippi Fred McDowell | — | |
| 24 | Darlin’ Why You Treat Me So? | Leland Musician | — | |
| 25 | Water Boy Drowned in the Mobile Bay | Inmates at Parchman Farm | — | |
| 26 | I Ain’t Gonna Live It No More | George Lee “Sun Bud” Spears | — | |
| 27 | I Cannot Stay Here Baby | James “Son Ford” Thomas, Sonny Boy Watson | — | |
| 2-1 | Lord, I’m in Your Hand | Mary & Amanda Gordon | — | |
| 2-2 | You Don’t Know Like I Know | The Southland Hummingbirds | — | |
| 2-3 | I’m Standing in the Safety Zone | Lovey Williams | T-910.589.448-2 | |
| 2-4 | Children, Go Where I Send Thee | Reverend Smith and Family | — | |
| 2-5 | What Could I Do? | Liddle Hines | — | |
| 2-6 | So Glad I Got Good Religion | Providence Missionary Baptist Church | — | |
| 2-7 | I Know the Lord Will Make a Way (Yes He Will) | Church of God in Christ | — | |
| 2-8 | Home on High | Walter Lee Hood, Parchman Inmates | — | |
| 2-9 | We’re So Glad to Be Here | Fannie Bell Chapman | — | |
| 2-10 | My Mother’s on That Train | Mary Alice, Alan McGowan | — | |
| 2-11 | You Don’t Knock, You Just Walk On In | Reverend Ott & Family | — | |
| 2-12 | They Tell Me of an Uncloudy Day | Walter Lee Hood | — | |
| 2-13 | Thanks for Bill Ferris | Rose Hill Church | — | |
| 2-14 | Over Yonder Where the Sun Will Never Shine | Rose Hill Church | — | |
| 2-15 | I’ve Been Born Again | The Southland Hummingbirds | — | |
| 2-16 | The Lord Will Make a Way Somehow | Lovey Williams & Family | — | |
| 2-17 | How Did You Feel When You Come Out of the Wilderness | Providence Missionary Baptist Church | — | |
| 2-18 | I Don’t Have to Worry About Where I Spend Eternity | Church of God in Christ | — | |
| 2-19 | He’s My Rock, My Sword, and Shield | Fannie Bell Chapman & Family | — | |
| 2-20 | Thank You Jesus | Walter Lee Hood, Parchman Inmates | — | |
| 2-21 | Cross of Calvary | Mary & Amanda Gordon | — | |
| 2-22 | My Grave’s Gonna Be Decorated on That Day | Church of God in Christ | — | |
| 2-23 | There Are Days | The Southland Hummingbirds | — | |
| 2-24 | You Can’t Hide Sinner | Church of God in Christ | — | |
| 2-25 | Lord, Remember Me | Reverend Issac Thomas, Rose Hill Church | — | |
| 2-26 | Glory, Glory (Lay My Burden Down) | Church of God in Christ | — | |
| 3-1 | On Bill | Barry Hannah | — | |
| 3-2 | Regions of the Mind and Heart | Alice Walker | — | |
| 3-3 | The South | Alex Haley | — | |
| 3-4 | A Trader Is | Ray Lum | — | |
| 3-5 | The Blues to Me | Bobby Rush | — | |
| 3-6 | On Son Thomas and Tradition | Barry Hannah | — | |
| 3-7 | I Know It’s Wrong to Be Playin’ the Blues | James “Son Ford” Thomas | — | |
| 3-8 | Jitterbug Comes to Town | Sonny Boy Watson | T-010.181.145-3 | |
| 3-9 | You Whistlin’ | James “Son Ford” Thomas | — | |
| 3-10 | Mule Toast and Pool Hall Toast | Joe "Skeet" Skillet | — | |
| 3-11 | The Preacher | Joe Cooper | — | |
| 3-12 | Lyin’ | Wallace “Pine-Top” Johnson, Jasper Love, Maudie Shirley | — | |
| 3-13 | Two Brothers, Heaven and Hell | Shelby “Poppa Jazz” Brown | — | |
| 3-14 | Creekman Killed Charlie Kirkland | Shelby “Poppa Jazz” Brown | — | |
| 3-15 | Lucille | B.B. King | T-071.000.879-9 | |
| 3-16 | On Blues Composition | Allen Ginsberg, James “Son Ford” Thomas, Bill Ferris | — | |
| 3-17 | The Decline in Human Values | Robert Penn Warren | — | |
| 3-18 | The Bible Salesman | Pecolia Warner | — | |
| 3-19 | Fast Traders Disguising Mules | Ray Lum | — | |
| 3-20 | Horses Too Tall to Drown | Ray Lum | — | |
| 3-21 | The Ark and the Cats | Ray Lum | — | |
| 3-22 | The Panther | Ray Lum | — | |
| 3-23 | Fixing Charles Lindbergh’s Engine | Victor Bobb | — | |
| 3-24 | Lying About Being From Mississippi | Barry Hannah | — | |
| 3-25 | We Shall Overcome | Pete Seeger | T-071.433.624-9 | |
| 3-26 | Cemetery Conversations | James “Son Ford” Thomas | — |
