UPC · Album
Midnight in Tokyo, Vol. 1
Various Artists
Last verified:
880319896927 is the Universal Product Code (UPC barcode) for the release “Midnight in Tokyo, Vol. 1” by Various Artists, released 2018-01-01 on Studio Mule. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include JPCO08062490, JPCO08117820, JPCO08214600.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (6)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| クリシュナ | 村田有美 | JPCO08062490 |
| COLORED MUSIC | COLORED MUSIC | JPCO08117820 |
| ラヴ・コンペティション | 当山ひとみ | JPCO08214600 |
| シルバー・スポット | 清水信之 | JPKI07973612 |
| Electric City | Shohjo-Tai, Red Bus St. Project | JPPO00602830 |
| あこがれのSundown | 桑名晴子 | JPTK07800010 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 880319896927?
880319896927 is a Universal Product Code (UPC) assigned to Midnight in Tokyo, Vol. 1 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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