UPC · Release
Masterworks Heritage
Various Artists
8803581176582
348 tracksReleased 2012-05-01
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8803581176582 is the Universal Product Code (UPC barcode) for the release “Masterworks Heritage” by Various Artists, released 2012-05-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 348 tracks, each with its own ISRC. Tracks include GBAGZ8907110, GBAGZ8907111, USSM19602130.
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UPCMasterworks Heritage
ISRC65 recordings
ISWC9 works
IPI2 songwriters
Track List (348)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Caprice, op. 1: No. 1 | — | ||
| 2 | Caprice, op. 1: No. 5 | — | ||
| 3 | Caprice, op. 1: No. 9 | — | ||
| 4 | Caprice, op. 1: No. 11 | — | ||
| 5 | Caprice, op. 1: No. 13 | — | ||
| 6 | Caprice, op. 1: No. 14 | — | ||
| 7 | Caprice, op. 1: No. 16 | — | ||
| 8 | Caprice, op. 1: No. 17 | — | ||
| 9 | Caprice, op. 1: No. 18 | — | ||
| 10 | Caprice, op. 1: No. 21 | — | ||
| 11 | Caprice, op. 1: No. 24 | — | ||
| 12 | Slavonic Dance no. 2 in E minor, op. 46 | — | ||
| 13 | Caprice in A minor | — | ||
| 14 | Concert fantasies on Carmen, op. 25: Finale | — | ||
| 15 | La Chasse | — | ||
| 16 | Sea Shell | — | ||
| 17 | Banjo and Fiddle | — | ||
| 18 | Perpetuum mobile | — | ||
| 19 | Perpetuum mobile, op. 11 | — | ||
| 20 | Zigeunerweisen, op. 20, no. 1 | — | ||
| 21 | Romanza Andaluza, Danse espagnole no. 3, op. 22, no. 1: | — | ||
| 22 | Jota Navarra, Danse espagnole no. 4, op. 22, no. 2 | — | ||
| 23 | Zapateado, Danse espagnole no. 6, op. 23 no. 2 | — | ||
| 24 | Adiós montañas mias (Celebre Zortzico), Danse espagnole, op. 37 | — | ||
| 25 | Sonata no. 12 in E minor | — | ||
| 2-1 | Hungarian Dance no. 5 in F-sharp minor | — | ||
| 2-2 | Pièce pittoresque no. 10: Scherzo-valse | — | ||
| 2-3 | Humoresque in G-flat major, op. 101 no. 7 | — | ||
| 2-4 | Berceuse, op. 16 | Eugène Ysaÿe, Camille Decreus | — | |
| 2-5 | Caprice viennois, op. 2 | — | ||
| 2-6 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro molto vivace | — | ||
| 2-7 | Ave Maria, D. 839 | — | ||
| 2-8 | Abendlied, op. 85 no. 12 | — | ||
| 2-9 | Rondino, op. 32 no. 2 | — | ||
| 2-10 | Albumblatt in C major | — | ||
| 2-11 | "Prize Song" from Die Meistersinger von Nürnberg | — | ||
| 2-12 | Mazurka no. 1 in G major, op. 19 "Obertass" | Eugène Ysaÿe, Camille Decreus | — | |
| 2-13 | Mazurka, op. 19: No. 2 in D major, "Dudziarz" | — | ||
| 2-14 | Mazurka in B minor, op. 11 no. 3, "Lointaine passé" | — | ||
| 2-15 | Rêve d'enfant, op. 14 | — | ||
| 2-16 | Marche joyeuse | — | ||
| 2-17 | Intermezzo from Naïla ("Pas des fleurs, Grande valse") | — | ||
| 2-18 | Overture to Les dragons de Villars | — | ||
| 2-19 | Navarraise from Le Cid | — | ||
| 3-1 | Concert for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso | — | ||
| 3-2 | Concert for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio | — | ||
| 3-3 | Concert for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato | — | ||
| 3-4 | Concert for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato | — | ||
| 3-5 | Fantasia in E minor on Hungarian Folk Songs: Andante mesto - | — | ||
| 3-6 | Fantasia in E minor on Hungarian Folk Songs: Allegro eroico - Piú animato - | — | ||
| 3-7 | Fantasia in E minor on Hungarian Folk Songs: Molto adagio, quasi Fantasia - Allegretto alla zingarese - Molto animato - | — | ||
| 3-8 | Fantasia in E minor on Hungarian Folk Songs: Vivace assai - Prestissimo | — | ||
| 3-9 | Hungarian Rhapsodies: No. 11 in A minor | — | ||
| 3-10 | Hungarian Rhapsodies: No. 10 in E major | — | ||
| 3-11 | Hungarian Rhapsodies: No. 8 in F-Sharp minor "Capriccio" | — | ||
| 3-12 | Hungarian Rhapsodies: No. 9 in E-Flat major "Carneval de Pest" | — | ||
| 3-13 | Hungarian Rhapsodies: No. 13 in A minor | — | ||
| 4-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appasionato | — | ||
| 4-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | — | ||
| 4-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace | — | ||
| 4-4 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Vorspiel. Allegro moderato | — | ||
| 4-5 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio | — | ||
| 4-6 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 4-7 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: I. Allegro non troppo | — | ||
| 4-8 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 4-9 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro | — | ||
| 5-1 | Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | — | ||
| 5-2 | Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | — | ||
| 5-3 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | — | ||
| 5-4 | Concerto no. 2 for Violin and Orchestra, op. 63: I. Allegro moderato | — | ||
| 5-5 | Concerto no. 2 for Violin and Orchestra, op. 63: II. Andante assai | — | ||
| 5-6 | Concerto no. 2 for Violin and Orchestra, op. 63: III. Allegro, ben marcato | — | ||
| 5-7 | Poème for Violin and Orchestra, op. 25 | — | ||
| 6-1 | Symphony no. 1 in D major "Titan": I. Langsam. Schleppend - Immer sehr gemächlich | — | ||
| 6-2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt - Trio. Recht gemächlich | — | ||
| 6-3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 6-4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch | — | ||
| 6-5 | The Isle of the Dead, Tone poem after a painting by Bvcklin, op. 29 | — | ||
| 7-1 | Symphony no. 6 in B minor, op. 54: I. Largo | — | ||
| 7-2 | Symphony no. 6 in B minor, op. 54: II. Allegro | — | ||
| 7-3 | Symphony no. 6 in B minor, op. 54: III. Presto | — | ||
| 7-4 | Dances of Galánta: I. Lento | — | ||
| 7-5 | Dances of Galánta: II. Lento - Allegretto moderato | — | ||
| 7-6 | Dances of Galánta: III. Allegro con moto - grazioso | — | ||
| 7-7 | Dances of Galánta: IV. Allegro | — | ||
| 7-8 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": I. Jó alapos csárdás. Tempo di Csárdás (quasi alla Marcia) | — | ||
| 7-9 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": II. Róka-tánc. Vivace | — | ||
| 7-10 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": III. Marosszéki keringös. Allegretto moderato (quasi andantino) | — | ||
| 7-11 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": IV. Verbunkos. Tempo de Marcia (un poco grottescamente) | — | ||
| 7-12 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": V. Csürdöngölö. Presto | — | ||
| 7-13 | Hungarian Sketches, Sz. 97: IV. Kicsit Ázottan. Allegretto rubato "Slightly Tipsy" | — | ||
| 7-14 | Hungarian Sketches, Sz. 97: II. Medvetánc. Allegro vivace "Bear Dance" | — | ||
| 7-15 | Colas Breugnon Overture, op. 24 | — | ||
| 7-16 | Kamarinskaya | — | ||
| 8-1 | Symphony no. 2 in D major op. 36: I. Adagio molto - Allegro con brio | — | ||
| 8-2 | Symphony no. 2 in D major op. 36: II. Larghetto | — | ||
| 8-3 | Symphony no. 2 in D major op. 36: III. Scherzo. Allegro | — | ||
| 8-4 | Symphony no. 2 in D major op. 36: IV. Allegro molto | — | ||
| 8-5 | Symphony no. 35 in D major K. 385 "Haffner": I. Allegro con spirito | — | ||
| 8-6 | Symphony no. 35 in D major K. 385 "Haffner": II. [Andante] | — | ||
| 8-7 | Symphony no. 35 in D major K. 385 "Haffner": III. Menuetto - Trio | — | ||
| 8-8 | Symphony no. 35 in D major K. 385 "Haffner": IV. Finale. Presto | — | ||
| 8-9 | Symphony no. 40 in G minor K. 550: I. Molto allegro | — | ||
| 8-10 | Symphony no. 40 in G minor K. 550: II. Andante | — | ||
| 8-11 | Symphony no. 40 in G minor K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 8-12 | Symphony no. 40 in G minor K. 550: IV. Allegro assai | — | ||
| 9-1 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 9-2 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 9-3 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 9-4 | »Ich ruf zu dir, Herr Jesu Christ « BWV 177 | — | ||
| 9-5 | »Nun Komm der Heiden Heiland« BWV 62 | — | ||
| 9-6 | »Wir glauben all' an einen Gott« BWV 437 | — | ||
| 9-7 | Toccata, Adagio and Fugue in C major, BWV 564 | The Philadelphia Orchestra, Eugene Ormandy | T-902.757.483-0 | |
| 9-8 | Passacaglia in C minor, BWV 582 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-9 | »Wachet auf, ruft uns die Stimme« BWV 140 | — | ||
| 10-1 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 10-2 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: Allegro spiritoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-3 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-4 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-5 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-6 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-7 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: III. Allegro assai | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-8 | Sinfonia for Two Flutes and Strings in D minor, F. 65 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-9 | Concerto for Orchestra in D major: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-10 | Concerto for Orchestra in D major: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-11 | Concerto for Orchestra in D major: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-1 | Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante un poco maestoso - Allegro molto vivace | The Cleveland Orchestra, George Szell | — | |
| 11-2 | Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto - attacca | The Cleveland Orchestra, George Szell | — | |
| 11-3 | Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo. Molto vivace - Trio I. Molto più vivace - Trio II | The Cleveland Orchestra, George Szell | — | |
| 11-4 | Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso | The Cleveland Orchestra, George Szell | — | |
| 11-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo | The Cleveland Orchestra, George Szell | — | |
| 11-6 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace - Trio I - Trio II | The Cleveland Orchestra, George Szell | — | |
| 11-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | The Cleveland Orchestra, George Szell | — | |
| 11-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | The Cleveland Orchestra, George Szell | — | |
| 12-1 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft | The Cleveland Orchestra, George Szell | — | |
| 12-2 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig | The Cleveland Orchestra, George Szell | — | |
| 12-3 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell | The Cleveland Orchestra, George Szell | — | |
| 12-4 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich | The Cleveland Orchestra, George Szell | — | |
| 12-5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft - Schneller | The Cleveland Orchestra, George Szell | — | |
| 12-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-7 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller - Presto | The Cleveland Orchestra, George Szell | — | |
| 12-10 | Manfred Overture, op. 115 | The Cleveland Orchestra, George Szell | — | |
| 13-1 | Les Choéphores, op. 24: I. Vocifération funèbre | — | ||
| 13-2 | Les Choéphores, op. 24: II. Libation | — | ||
| 13-3 | Les Choéphores, op. 24: III. Incantation | — | ||
| 13-4 | Les Choéphores, op. 24: IV. Présages | — | ||
| 13-5 | Les Choéphores, op. 24: V. Exhortation | — | ||
| 13-6 | Les Choéphores, op. 24: VI. La justice et la lumière | — | ||
| 13-7 | Les Choéphores, op. 24: VII. Conclusion | — | ||
| 13-8 | Symphony no. 3 in G minor, op. 42: I. Allegro vivo | — | ||
| 13-9 | Symphony no. 3 in G minor, op. 42: II. Adagio | — | ||
| 13-10 | Symphony no. 3 in G minor, op. 42: III. Vivace | — | ||
| 13-11 | Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito | — | ||
| 13-12 | Pacific 231, Mouvement symphonique no. 1 | — | ||
| 13-13 | Rugby, Mouvement symphonique no. 2 | — | ||
| 14-1 | Medea's Dance of Vengeance, op. 23a | — | ||
| 14-2 | Adagio for Strings | — | ||
| 14-3 | Second Essay for Orchestra, op. 17 | — | ||
| 14-4 | Overture to The School for Scandal, op. 5 | — | ||
| 14-5 | Andromache's Farewell, op. 39 | — | ||
| 14-6 | Vanessa, op. 32: Act II. Intermezzo | — | ||
| 14-7 | Amelia al ballo: Overture | — | ||
| 14-8 | Wozzek: Act III. Interlude | — | ||
| 14-9 | Introduction to Fervaal, op. 40 | — | ||
| 15-1 | String Quartet in C minor, op. 18, no. 4: I. Allegro, ma non tanto | — | ||
| 15-2 | String Quartet in C minor, op. 18, no. 4: II. Scherzo. Andante Scherzoso, Quasi Allegretto | — | ||
| 15-3 | String Quartet in C minor, op. 18, no. 4: III. Menuetto. Allegretto - Trio | — | ||
| 15-4 | String Quartet in C minor, op. 18, no. 4: IV. Allegro - Prestissimo | — | ||
| 15-5 | String Quartet in C major, op. 59, no. 3, "Razumovsky": I. Introduzione. Andante con moto - Allegro vivace | — | ||
| 15-6 | String Quartet in C major, op. 59, no. 3, "Razumovsky": II. Andante con moto quasi Allegretto | — | ||
| 15-7 | String Quartet in C major, op. 59, no. 3, "Razumovsky": III. Menuetto. Grazioso | — | ||
| 15-8 | String Quartet in C major, op. 59, no. 3, "Razumovsky": IV. Allegro molto | — | ||
| 15-9 | String Quartet in F major, op. 18, no. 1: I. Allegro con brio | — | ||
| 15-10 | String Quartet in F major, op. 18, no. 1: II. Adagio Affettuoso ed appassionato | — | ||
| 15-11 | String Quartet in F major, op. 18, no. 1: III. Scherzo. Allegro molto - Trio | — | ||
| 15-12 | String Quartet in F major, op. 18, no. 1: IV. Allegro | — | ||
| 16-1 | String Quartet in F minor, op. 95, "Serioso": I. Allegro con brio | — | ||
| 16-2 | String Quartet in F minor, op. 95, "Serioso": II. Allegretto, ma non troppo | — | ||
| 16-3 | String Quartet in F minor, op. 95, "Serioso": III. Allegro Assai vivace, ma serioso | — | ||
| 16-4 | String Quartet in F minor, op. 95, "Serioso": IV. Larghetto espressivo - Allegretto agitato | — | ||
| 16-5 | String Quartet in B-flat major, op. 18, no. 6: I. Allegro con brio | — | ||
| 16-6 | String Quartet in B-flat major, op. 18, no. 6: II. Adagio, ma non troppo | — | ||
| 16-7 | String Quartet in B-flat major, op. 18, no. 6: III. Scherzo. Allegro - Trio | — | ||
| 16-8 | String Quartet in B-flat major, op. 18, no. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro | — | ||
| 16-9 | String Quintet in C major, op. 29: I. Allegro | — | ||
| 16-10 | String Quintet in C major, op. 29: II. Adagio molto espressivo | — | ||
| 16-11 | String Quintet in C major, op. 29: III. Scherzo. Allegro | — | ||
| 16-12 | String Quintet in C major, op. 29: IV. Presto | — | ||
| 17-1 | String Quartet no. 12 in E-flat major, op. 127: I. Maestoso - Allegro | — | ||
| 17-2 | String Quartet no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile | — | ||
| 17-3 | String Quartet no. 12 in E-flat major, op. 127: III. Scherzando vivace | — | ||
| 17-4 | String Quartet no. 12 in E-flat major, op. 127: IV. Finale | — | ||
| 17-5 | String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | — | ||
| 17-6 | String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | — | ||
| 17-7 | String Quartet no. 15 in A minor, op. 132: III. Canzona di ringraziamento. Molto adagio | — | ||
| 17-8 | String Quartet no. 15 in A minor, op. 132: IV. Alla Marcia, assai vivace | — | ||
| 17-9 | String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato | — | ||
| 18-1 | String Quartet no. 16 in F major, op. 135: I. Allegretto | — | ||
| 18-2 | String Quartet no. 16 in F major, op. 135: II. Vivace | — | ||
| 18-3 | String Quartet no. 16 in F major, op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 18-4 | String Quartet no. 16 in F major, op. 135: IV. Grave ma non troppo tratto - Allegro | — | ||
| 18-5 | String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 18-6 | String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace | — | ||
| 18-7 | String Quartet no. 14 in C-sharp minor, op. 131: III. Allegro moderato | — | ||
| 18-8 | String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | — | ||
| 18-9 | String Quartet no. 14 in C-sharp minor, op. 131: V. Presto | — | ||
| 18-10 | String Quartet no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | — | ||
| 18-11 | String Quartet no. 14 in C-sharp minor, op. 131: VII. Allegro | — | ||
| 18-12 | String Quartet in A major, op. 18, no. 5: II. Menuetto | — | ||
| 19-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 19-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 19-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | — | ||
| 19-4 | Kol nidrei, adagio on Hebrew melodies, op. 47. Adagio ma non troppo - Un poco più animato - a tempo | — | ||
| 19-5 | Concerto no. 1 for Cello and Orchestra in A minor, op. 33: Allegro non troppo - Allegro molto - Tempo I - Allegretto con moto - Tempo I - Un peu moins vite - Molto allegro | — | ||
| 20-1 | Symphony No. 5 in B-flat major, Op. 100: I. Andante | The Cleveland Orchestra, George Szell | — | |
| 20-2 | Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato | The Cleveland Orchestra, George Szell | — | |
| 20-3 | Symphony No. 5 in B-flat major, Op. 100: III. Adagio | The Cleveland Orchestra, George Szell | — | |
| 20-4 | Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso | The Cleveland Orchestra, George Szell | — | |
| 20-5 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I | The Cleveland Orchestra, George Szell | — | |
| 20-6 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | The Cleveland Orchestra, George Szell | — | |
| 20-7 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | The Cleveland Orchestra, George Szell | — | |
| 20-8 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | The Cleveland Orchestra, George Szell | — | |
| 20-9 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | The Cleveland Orchestra, George Szell | — | |
| 21-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 21-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 21-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno mosso | — | ||
| 21-4 | Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro | — | ||
| 21-5 | Carnival Overture, op. 92 | The Cleveland Orchestra, George Szell | — | |
| 21-6 | Overture to The Bartered Bride | — | ||
| 21-7 | String Quartet in E minor "From my Life": I. Romantic longing, and foreboding of misfortune: Allegro vivo appassionato | The Cleveland Orchestra, George Szell | — | |
| 21-8 | String Quartet in E minor "From my Life": II. The merriment of youth; my love of dancing and dance music: Allegro moderato alla Polka | The Cleveland Orchestra, George Szell | — | |
| 21-9 | String Quartet in E minor "From my Life": III. Memories of the happiness of my first love: Largo sostenuto | The Cleveland Orchestra, George Szell | — | |
| 21-10 | String Quartet in E minor "From my Life": IV. Joy in discovering how to treat Bohemian national elements in music; the catastrophe of deafness; reminiscences of happier days, and resignation: Vivace - Meno mosso | The Cleveland Orchestra, George Szell | — | |
| 22-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | The Cleveland Orchestra, George Szell | — | |
| 22-2 | Symphony no. 8 in G major, op. 88: II. Adagio | The Cleveland Orchestra, George Szell | — | |
| 22-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace | The Cleveland Orchestra, George Szell | — | |
| 22-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | The Cleveland Orchestra, George Szell | — | |
| 22-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Cleveland Orchestra, George Szell | — | |
| 22-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, George Szell | T-902.286.256-2 | |
| 22-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | The Cleveland Orchestra, George Szell | — | |
| 22-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | The Cleveland Orchestra, George Szell | — | |
| 23-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non Troppo | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-4 | Variations and Fugue on a Theme by Handel, op. 24: Aria | — | ||
| 23-5 | Variations and Fugue on a Theme by Handel, op. 24: Variation I | — | ||
| 23-6 | Variations and Fugue on a Theme by Handel, op. 24: Variation II | — | ||
| 23-7 | Variations and Fugue on a Theme by Handel, op. 24: Variation III | — | ||
| 23-8 | Variations and Fugue on a Theme by Handel, op. 24: Variation IV: Risoluto | — | ||
| 23-9 | Variations and Fugue on a Theme by Handel, op. 24: Variation V: Espressivo | — | ||
| 23-10 | Variations and Fugue on a Theme by Handel, op. 24: Variation VI | — | ||
| 23-11 | Variations and Fugue on a Theme by Handel, op. 24: Variation VII: Con vivacità | — | ||
| 23-12 | Variations and Fugue on a Theme by Handel, op. 24: Variation VIII | — | ||
| 23-13 | Variations and Fugue on a Theme by Handel, op. 24: Variation IX: Poco sostenuto | — | ||
| 23-14 | Variations and Fugue on a Theme by Handel, op. 24: Variation X | — | ||
| 23-15 | Variations and Fugue on a Theme by Handel, op. 24: Variation XI | — | ||
| 23-16 | Variations and Fugue on a Theme by Handel, op. 24: Variation XII | — | ||
| 23-17 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIII: Largamente, ma non più | — | ||
| 23-18 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIV | — | ||
| 23-19 | Variations and Fugue on a Theme by Handel, op. 24: Variation XV | — | ||
| 23-20 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVI | — | ||
| 23-21 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVII: Più mosso | — | ||
| 23-22 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII | — | ||
| 23-23 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIX: Leggiero e vivace | — | ||
| 23-24 | Variations and Fugue on a Theme by Handel, op. 24: Variation XX | — | ||
| 23-25 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXI | — | ||
| 23-26 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXII | — | ||
| 23-27 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXIII | — | ||
| 23-28 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXIV | — | ||
| 23-29 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXV | — | ||
| 23-30 | Variations and Fugue on a Theme by Handel, op. 24: Fuga | — | ||
| 24-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.876-8 | |
| 24-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.817-7 | |
| 24-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante | Jules Eskin, Leon Fleisher, Cleveland Orchestra, George Szell | T-322.308.071-1 | |
| 24-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.992-1 | |
| 24-5 | Waltzes, op. 39: No. 1 in B major. Tempo giusto | — | ||
| 24-6 | Waltzes, op. 39: No. 2 in E major | — | ||
| 24-7 | Waltzes, op. 39: No. 3 in G-sharp minor | — | ||
| 24-8 | Waltzes, op. 39: No. 4 in E minor. Poco sostenuto | — | ||
| 24-9 | Waltzes, op. 39: No. 5 in E major | — | ||
| 24-10 | Waltzes, op. 39: No. 6 in C-sharp major. Vivace | — | ||
| 24-11 | Waltzes, op. 39: No. 7 in C-sharp minor. Poco più | — | ||
| 24-12 | Waltzes, op. 39: No. 8 in B-flat major | — | ||
| 24-13 | Waltzes, op. 39: No. 9 in D minor | — | ||
| 24-14 | Waltzes, op. 39: No. 10 in G major | — | ||
| 24-15 | Waltzes, op. 39: No. 11 in B minor | — | ||
| 24-16 | Waltzes, op. 39: No. 12 in E major | — | ||
| 24-17 | Waltzes, op. 39: No. 13 in C major | — | ||
| 24-18 | Waltzes, op. 39: No. 14 in A minor | — | ||
| 24-19 | Waltzes, op. 39: No. 15 in A major | — | ||
| 24-20 | Waltzes, op. 39: No. 16 in D minor | — | ||
| 25-1 | Pavane pour une infante défunte | — | ||
| 25-2 | A la manière de Chabrier (Paraphrase sur un air de Gounod, "Faust", Act II) | — | ||
| 25-3 | A la manière de Borodine (Valse) | — | ||
| 25-4 | Sonatine: I. Modéré | — | ||
| 25-5 | Sonatine: II. Mouvement de Menuet | — | ||
| 25-6 | Sonatine: III. Animé | — | ||
| 25-7 | Miroirs: I. Noctuelles | — | ||
| 25-8 | Miroirs: II. Oiseaux tristes | — | ||
| 25-9 | Miroirs: III. Une barque sur l'océan | — | ||
| 25-10 | Miroirs: IV. Alborada del gracioso | — | ||
| 25-11 | Miroirs: V. La Vallée des cloches | — | ||
| 25-12 | Ma Mère l’Oye: I. Pavane de la Belle au bois dormant | — | ||
| 25-13 | Ma Mère l’Oye: II. Petit Poucet | — | ||
| 25-14 | Ma Mère l’Oye: III. Laideronette, Impératrice des Pagodes | — | ||
| 25-15 | Ma Mère l’Oye: IV. Les entretiens de la Belle et de la Bête | — | ||
| 25-16 | Ma Mère l’Oye: V. Le jardin féerique | — | ||
| 25-17 | Habanera from "Sites auriculaires" | — | ||
| 25-18 | Jeux d'eau | — | ||
| 25-19 | Prélude in A minor | — | ||
| 25-20 | Menuet sur le nom d'Haydn | — | ||
| 25-21 | Berceuse sur le nom de Gabriel Fauré | — | ||
| 26-1 | Le Tombeau de Couperin: I. Prélude | — | ||
| 26-2 | Le Tombeau de Couperin: II. Fugue | — | ||
| 26-3 | Le Tombeau de Couperin: III. Forlane | — | ||
| 26-4 | Le Tombeau de Couperin: IV. Rigaudon | — | ||
| 26-5 | Le Tombeau de Couperin: V. Menuet | — | ||
| 26-6 | Le Tombeau de Couperin: VI. Toccata | — | ||
| 26-7 | Valses nobles et sentimentales | — | ||
| 26-8 | Menuet antique | — | ||
| 26-9 | Gaspard de la nuit: I. Ondine | — | ||
| 26-10 | Gaspard de la nuit: II. Le Gibet | — | ||
| 26-11 | Gaspard de la nuit: III. Scarbo | — | ||
| 26-12 | Piano Concerto for the Left Hand | — | ||
| 27-1 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: I. Nocturne. Adagio | — | ||
| 27-2 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: II. Scherzo. Allegro non troppo | — | ||
| 27-3 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: III. Passacaglia. Andante | — | ||
| 27-4 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: IV. Burlesca. Allegro con brio | — | ||
| 27-5 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: I. Allegretto | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-6 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: II. Moderato | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-7 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: III. Cadenza | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-8 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: IV. Allegro con moto | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 28-1 | Symphony no. 1 in D major "Titan": I. Langsam. Schleppend | — | ||
| 28-2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt | — | ||
| 28-3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 28-4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt | — | ||
| 28-5 | Variations on a Theme by J. Haydn, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 28-6 | Variations on a Theme by J. Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 28-7 | Variations on a Theme by J. Haydn, op. 56a: Variation II. Più vivace | — | ||
| 28-8 | Variations on a Theme by J. Haydn, op. 56a: Variation III. Con moto | — | ||
| 28-9 | Variations on a Theme by J. Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 28-10 | Variations on a Theme by J. Haydn, op. 56a: Variation V. Vivace | — | ||
| 28-11 | Variations on a Theme by J. Haydn, op. 56a: Variation VI. Vivace | — | ||
| 28-12 | Variations on a Theme by J. Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 28-13 | Variations on a Theme by J. Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 28-14 | Variations on a Theme by J. Haydn, op. 56a: Finale. Andante | — |
Caprice, op. 1: No. 1
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Caprice, op. 1: No. 5
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Caprice, op. 1: No. 9
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Caprice, op. 1: No. 11
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Caprice, op. 1: No. 13
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Caprice, op. 1: No. 14
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Caprice, op. 1: No. 16
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Caprice, op. 1: No. 17
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Caprice, op. 1: No. 18
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Caprice, op. 1: No. 21
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Caprice, op. 1: No. 24
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Slavonic Dance no. 2 in E minor, op. 46
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Caprice in A minor
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Concert fantasies on Carmen, op. 25: Finale
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La Chasse
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Sea Shell
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Banjo and Fiddle
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Perpetuum mobile
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Perpetuum mobile, op. 11
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Zigeunerweisen, op. 20, no. 1
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Romanza Andaluza, Danse espagnole no. 3, op. 22, no. 1:
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Jota Navarra, Danse espagnole no. 4, op. 22, no. 2
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Zapateado, Danse espagnole no. 6, op. 23 no. 2
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Adiós montañas mias (Celebre Zortzico), Danse espagnole, op. 37
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Sonata no. 12 in E minor
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Hungarian Dance no. 5 in F-sharp minor
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Pièce pittoresque no. 10: Scherzo-valse
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Humoresque in G-flat major, op. 101 no. 7
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Berceuse, op. 16
Eugène Ysaÿe, Camille Decreus
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Caprice viennois, op. 2
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Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro molto vivace
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Ave Maria, D. 839
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Abendlied, op. 85 no. 12
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Rondino, op. 32 no. 2
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Albumblatt in C major
—
"Prize Song" from Die Meistersinger von Nürnberg
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Mazurka no. 1 in G major, op. 19 "Obertass"
Eugène Ysaÿe, Camille Decreus
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Mazurka, op. 19: No. 2 in D major, "Dudziarz"
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Mazurka in B minor, op. 11 no. 3, "Lointaine passé"
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Rêve d'enfant, op. 14
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Marche joyeuse
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Intermezzo from Naïla ("Pas des fleurs, Grande valse")
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Overture to Les dragons de Villars
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Navarraise from Le Cid
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Concert for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso
—
Concert for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio
—
Concert for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato
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Concert for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato
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Fantasia in E minor on Hungarian Folk Songs: Andante mesto -
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Fantasia in E minor on Hungarian Folk Songs: Allegro eroico - Piú animato -
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Fantasia in E minor on Hungarian Folk Songs: Molto adagio, quasi Fantasia - Allegretto alla zingarese - Molto animato -
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Fantasia in E minor on Hungarian Folk Songs: Vivace assai - Prestissimo
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Hungarian Rhapsodies: No. 11 in A minor
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Hungarian Rhapsodies: No. 10 in E major
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Hungarian Rhapsodies: No. 8 in F-Sharp minor "Capriccio"
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Hungarian Rhapsodies: No. 9 in E-Flat major "Carneval de Pest"
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Hungarian Rhapsodies: No. 13 in A minor
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Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appasionato
—
Concerto for Violin and Orchestra in E minor, op. 64: II. Andante
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Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace
—
Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Vorspiel. Allegro moderato
—
Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio
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Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale. Allegro energico
—
Concerto no. 3 for Violin and Orchestra in B minor, op. 61: I. Allegro non troppo
—
Concerto no. 3 for Violin and Orchestra in B minor, op. 61: II. Andantino quasi allegretto
—
Concerto no. 3 for Violin and Orchestra in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro
—
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
—
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
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Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
—
Concerto no. 2 for Violin and Orchestra, op. 63: I. Allegro moderato
—
Concerto no. 2 for Violin and Orchestra, op. 63: II. Andante assai
—
Concerto no. 2 for Violin and Orchestra, op. 63: III. Allegro, ben marcato
—
Poème for Violin and Orchestra, op. 25
—
Symphony no. 1 in D major "Titan": I. Langsam. Schleppend - Immer sehr gemächlich
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Symphony no. 1 in D major "Titan": II. Kräftig bewegt - Trio. Recht gemächlich
—
Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
—
Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
—
The Isle of the Dead, Tone poem after a painting by Bvcklin, op. 29
—
Symphony no. 6 in B minor, op. 54: I. Largo
—
Symphony no. 6 in B minor, op. 54: II. Allegro
—
Symphony no. 6 in B minor, op. 54: III. Presto
—
Dances of Galánta: I. Lento
—
Dances of Galánta: II. Lento - Allegretto moderato
—
Dances of Galánta: III. Allegro con moto - grazioso
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Dances of Galánta: IV. Allegro
—
Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": I. Jó alapos csárdás. Tempo di Csárdás (quasi alla Marcia)
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Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": II. Róka-tánc. Vivace
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Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": III. Marosszéki keringös. Allegretto moderato (quasi andantino)
—
Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": IV. Verbunkos. Tempo de Marcia (un poco grottescamente)
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Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": V. Csürdöngölö. Presto
—
Hungarian Sketches, Sz. 97: IV. Kicsit Ázottan. Allegretto rubato "Slightly Tipsy"
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Hungarian Sketches, Sz. 97: II. Medvetánc. Allegro vivace "Bear Dance"
—
Colas Breugnon Overture, op. 24
—
Kamarinskaya
—
Symphony no. 2 in D major op. 36: I. Adagio molto - Allegro con brio
—
Symphony no. 2 in D major op. 36: II. Larghetto
—
Symphony no. 2 in D major op. 36: III. Scherzo. Allegro
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Symphony no. 2 in D major op. 36: IV. Allegro molto
—
Symphony no. 35 in D major K. 385 "Haffner": I. Allegro con spirito
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Symphony no. 35 in D major K. 385 "Haffner": II. [Andante]
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Symphony no. 35 in D major K. 385 "Haffner": III. Menuetto - Trio
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Symphony no. 35 in D major K. 385 "Haffner": IV. Finale. Presto
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Symphony no. 40 in G minor K. 550: I. Molto allegro
—
Symphony no. 40 in G minor K. 550: II. Andante
—
Symphony no. 40 in G minor K. 550: III. Menuetto. Allegretto - Trio
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Symphony no. 40 in G minor K. 550: IV. Allegro assai
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Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
—
Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso
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Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
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»Ich ruf zu dir, Herr Jesu Christ « BWV 177
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»Nun Komm der Heiden Heiland« BWV 62
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»Wir glauben all' an einen Gott« BWV 437
—
The Philadelphia Orchestra, Eugene Ormandy
Passacaglia in C minor, BWV 582
The Philadelphia Orchestra, Eugene Ormandy
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»Wachet auf, ruft uns die Stimme« BWV 140
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Toccata and Fugue in D minor, BWV 565
—
Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: Allegro spiritoso
The Philadelphia Orchestra, Eugene Ormandy
—
Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: II. Andante
The Philadelphia Orchestra, Eugene Ormandy
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Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: III. Allegro
The Philadelphia Orchestra, Eugene Ormandy
—
Sinfonia for Double Orchestra in D major, op. 18 no. 3: I. Allegro
The Philadelphia Orchestra, Eugene Ormandy
—
Sinfonia for Double Orchestra in D major, op. 18 no. 3: II. Andante
The Philadelphia Orchestra, Eugene Ormandy
—
Sinfonia for Double Orchestra in D major, op. 18 no. 3: III. Allegro assai
The Philadelphia Orchestra, Eugene Ormandy
—
Sinfonia for Two Flutes and Strings in D minor, F. 65
The Philadelphia Orchestra, Eugene Ormandy
—
Concerto for Orchestra in D major: I. Allegro
The Philadelphia Orchestra, Eugene Ormandy
—
Concerto for Orchestra in D major: II. Andante
The Philadelphia Orchestra, Eugene Ormandy
—
Concerto for Orchestra in D major: III. Allegro
The Philadelphia Orchestra, Eugene Ormandy
—
Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante un poco maestoso - Allegro molto vivace
The Cleveland Orchestra, George Szell
—
Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto - attacca
The Cleveland Orchestra, George Szell
—
Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo. Molto vivace - Trio I. Molto più vivace - Trio II
The Cleveland Orchestra, George Szell
—
Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso
The Cleveland Orchestra, George Szell
—
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo
The Cleveland Orchestra, George Szell
—
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace - Trio I - Trio II
The Cleveland Orchestra, George Szell
—
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
The Cleveland Orchestra, George Szell
—
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
The Cleveland Orchestra, George Szell
—
Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft
The Cleveland Orchestra, George Szell
—
Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig
The Cleveland Orchestra, George Szell
—
Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell
The Cleveland Orchestra, George Szell
—
Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich
The Cleveland Orchestra, George Szell
—
Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft - Schneller
The Cleveland Orchestra, George Szell
—
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - attacca
The Cleveland Orchestra, George Szell
—
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - attacca
The Cleveland Orchestra, George Szell
—
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - attacca
The Cleveland Orchestra, George Szell
—
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller - Presto
The Cleveland Orchestra, George Szell
—
Manfred Overture, op. 115
The Cleveland Orchestra, George Szell
—
Les Choéphores, op. 24: I. Vocifération funèbre
—
Les Choéphores, op. 24: II. Libation
—
Les Choéphores, op. 24: III. Incantation
—
Les Choéphores, op. 24: IV. Présages
—
Les Choéphores, op. 24: V. Exhortation
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Les Choéphores, op. 24: VI. La justice et la lumière
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Les Choéphores, op. 24: VII. Conclusion
—
Symphony no. 3 in G minor, op. 42: I. Allegro vivo
—
Symphony no. 3 in G minor, op. 42: II. Adagio
—
Symphony no. 3 in G minor, op. 42: III. Vivace
—
Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito
—
Pacific 231, Mouvement symphonique no. 1
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Rugby, Mouvement symphonique no. 2
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Medea's Dance of Vengeance, op. 23a
—
Adagio for Strings
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Second Essay for Orchestra, op. 17
—
Overture to The School for Scandal, op. 5
—
Andromache's Farewell, op. 39
—
Vanessa, op. 32: Act II. Intermezzo
—
Amelia al ballo: Overture
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Wozzek: Act III. Interlude
—
Introduction to Fervaal, op. 40
—
String Quartet in C minor, op. 18, no. 4: I. Allegro, ma non tanto
—
String Quartet in C minor, op. 18, no. 4: II. Scherzo. Andante Scherzoso, Quasi Allegretto
—
String Quartet in C minor, op. 18, no. 4: III. Menuetto. Allegretto - Trio
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String Quartet in C minor, op. 18, no. 4: IV. Allegro - Prestissimo
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String Quartet in C major, op. 59, no. 3, "Razumovsky": I. Introduzione. Andante con moto - Allegro vivace
—
String Quartet in C major, op. 59, no. 3, "Razumovsky": II. Andante con moto quasi Allegretto
—
String Quartet in C major, op. 59, no. 3, "Razumovsky": III. Menuetto. Grazioso
—
String Quartet in C major, op. 59, no. 3, "Razumovsky": IV. Allegro molto
—
String Quartet in F major, op. 18, no. 1: I. Allegro con brio
—
String Quartet in F major, op. 18, no. 1: II. Adagio Affettuoso ed appassionato
—
String Quartet in F major, op. 18, no. 1: III. Scherzo. Allegro molto - Trio
—
String Quartet in F major, op. 18, no. 1: IV. Allegro
—
String Quartet in F minor, op. 95, "Serioso": I. Allegro con brio
—
String Quartet in F minor, op. 95, "Serioso": II. Allegretto, ma non troppo
—
String Quartet in F minor, op. 95, "Serioso": III. Allegro Assai vivace, ma serioso
—
String Quartet in F minor, op. 95, "Serioso": IV. Larghetto espressivo - Allegretto agitato
—
String Quartet in B-flat major, op. 18, no. 6: I. Allegro con brio
—
String Quartet in B-flat major, op. 18, no. 6: II. Adagio, ma non troppo
—
String Quartet in B-flat major, op. 18, no. 6: III. Scherzo. Allegro - Trio
—
String Quartet in B-flat major, op. 18, no. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro
—
String Quintet in C major, op. 29: I. Allegro
—
String Quintet in C major, op. 29: II. Adagio molto espressivo
—
String Quintet in C major, op. 29: III. Scherzo. Allegro
—
String Quintet in C major, op. 29: IV. Presto
—
String Quartet no. 12 in E-flat major, op. 127: I. Maestoso - Allegro
—
String Quartet no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile
—
String Quartet no. 12 in E-flat major, op. 127: III. Scherzando vivace
—
String Quartet no. 12 in E-flat major, op. 127: IV. Finale
—
String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro
—
String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto
—
String Quartet no. 15 in A minor, op. 132: III. Canzona di ringraziamento. Molto adagio
—
String Quartet no. 15 in A minor, op. 132: IV. Alla Marcia, assai vivace
—
String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato
—
String Quartet no. 16 in F major, op. 135: I. Allegretto
—
String Quartet no. 16 in F major, op. 135: II. Vivace
—
String Quartet no. 16 in F major, op. 135: III. Lento assai, cantante e tranquillo
—
String Quartet no. 16 in F major, op. 135: IV. Grave ma non troppo tratto - Allegro
—
String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo
—
String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace
—
String Quartet no. 14 in C-sharp minor, op. 131: III. Allegro moderato
—
String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile
—
String Quartet no. 14 in C-sharp minor, op. 131: V. Presto
—
String Quartet no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante
—
String Quartet no. 14 in C-sharp minor, op. 131: VII. Allegro
—
String Quartet in A major, op. 18, no. 5: II. Menuetto
—
Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro
—
Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo
—
Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato
—
Kol nidrei, adagio on Hebrew melodies, op. 47. Adagio ma non troppo - Un poco più animato - a tempo
—
Concerto no. 1 for Cello and Orchestra in A minor, op. 33: Allegro non troppo - Allegro molto - Tempo I - Allegretto con moto - Tempo I - Un peu moins vite - Molto allegro
—
Symphony No. 5 in B-flat major, Op. 100: I. Andante
The Cleveland Orchestra, George Szell
—
Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato
The Cleveland Orchestra, George Szell
—
Symphony No. 5 in B-flat major, Op. 100: III. Adagio
The Cleveland Orchestra, George Szell
—
Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso
The Cleveland Orchestra, George Szell
—
Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I
The Cleveland Orchestra, George Szell
—
Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando
The Cleveland Orchestra, George Szell
—
Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
The Cleveland Orchestra, George Szell
—
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
The Cleveland Orchestra, George Szell
—
Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto
The Cleveland Orchestra, George Szell
—
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
—
Symphony no. 7 in D minor, op. 70: II. Poco adagio
—
Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno mosso
—
Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro
—
Carnival Overture, op. 92
The Cleveland Orchestra, George Szell
—
Overture to The Bartered Bride
—
String Quartet in E minor "From my Life": I. Romantic longing, and foreboding of misfortune: Allegro vivo appassionato
The Cleveland Orchestra, George Szell
—
String Quartet in E minor "From my Life": II. The merriment of youth; my love of dancing and dance music: Allegro moderato alla Polka
The Cleveland Orchestra, George Szell
—
String Quartet in E minor "From my Life": III. Memories of the happiness of my first love: Largo sostenuto
The Cleveland Orchestra, George Szell
—
String Quartet in E minor "From my Life": IV. Joy in discovering how to treat Bohemian national elements in music; the catastrophe of deafness; reminiscences of happier days, and resignation: Vivace - Meno mosso
The Cleveland Orchestra, George Szell
—
Symphony no. 8 in G major, op. 88: I. Allegro con brio
The Cleveland Orchestra, George Szell
—
Symphony no. 8 in G major, op. 88: II. Adagio
The Cleveland Orchestra, George Szell
—
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace
The Cleveland Orchestra, George Szell
—
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
The Cleveland Orchestra, George Szell
—
Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto
Cleveland Orchestra, George Szell
—
The Cleveland Orchestra, George Szell
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
The Cleveland Orchestra, George Szell
—
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
The Cleveland Orchestra, George Szell
—
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso
Leon Fleisher, Cleveland Orchestra, George Szell
—
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio
Leon Fleisher, Cleveland Orchestra, George Szell
—
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non Troppo
Leon Fleisher, Cleveland Orchestra, George Szell
—
Variations and Fugue on a Theme by Handel, op. 24: Aria
—
Variations and Fugue on a Theme by Handel, op. 24: Variation I
—
Variations and Fugue on a Theme by Handel, op. 24: Variation II
—
Variations and Fugue on a Theme by Handel, op. 24: Variation III
—
Variations and Fugue on a Theme by Handel, op. 24: Variation IV: Risoluto
—
Variations and Fugue on a Theme by Handel, op. 24: Variation V: Espressivo
—
Variations and Fugue on a Theme by Handel, op. 24: Variation VI
—
Variations and Fugue on a Theme by Handel, op. 24: Variation VII: Con vivacità
—
Variations and Fugue on a Theme by Handel, op. 24: Variation VIII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation IX: Poco sostenuto
—
Variations and Fugue on a Theme by Handel, op. 24: Variation X
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XI
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XIII: Largamente, ma non più
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XIV
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XV
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XVI
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XVII: Più mosso
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XIX: Leggiero e vivace
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XX
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XXI
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XXII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XXIII
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XXIV
—
Variations and Fugue on a Theme by Handel, op. 24: Variation XXV
—
Variations and Fugue on a Theme by Handel, op. 24: Fuga
—
Leon Fleisher, Cleveland Orchestra, George Szell
Leon Fleisher, Cleveland Orchestra, George Szell
Jules Eskin, Leon Fleisher, Cleveland Orchestra, George Szell
Leon Fleisher, Cleveland Orchestra, George Szell
Waltzes, op. 39: No. 1 in B major. Tempo giusto
—
Waltzes, op. 39: No. 2 in E major
—
Waltzes, op. 39: No. 3 in G-sharp minor
—
Waltzes, op. 39: No. 4 in E minor. Poco sostenuto
—
Waltzes, op. 39: No. 5 in E major
—
Waltzes, op. 39: No. 6 in C-sharp major. Vivace
—
Waltzes, op. 39: No. 7 in C-sharp minor. Poco più
—
Waltzes, op. 39: No. 8 in B-flat major
—
Waltzes, op. 39: No. 9 in D minor
—
Waltzes, op. 39: No. 10 in G major
—
Waltzes, op. 39: No. 11 in B minor
—
Waltzes, op. 39: No. 12 in E major
—
Waltzes, op. 39: No. 13 in C major
—
Waltzes, op. 39: No. 14 in A minor
—
Waltzes, op. 39: No. 15 in A major
—
Waltzes, op. 39: No. 16 in D minor
—
Pavane pour une infante défunte
—
A la manière de Chabrier (Paraphrase sur un air de Gounod, "Faust", Act II)
—
A la manière de Borodine (Valse)
—
Sonatine: I. Modéré
—
Sonatine: II. Mouvement de Menuet
—
Sonatine: III. Animé
—
Miroirs: I. Noctuelles
—
Miroirs: II. Oiseaux tristes
—
Miroirs: III. Une barque sur l'océan
—
Miroirs: IV. Alborada del gracioso
—
Miroirs: V. La Vallée des cloches
—
Ma Mère l’Oye: I. Pavane de la Belle au bois dormant
—
Ma Mère l’Oye: II. Petit Poucet
—
Ma Mère l’Oye: III. Laideronette, Impératrice des Pagodes
—
Ma Mère l’Oye: IV. Les entretiens de la Belle et de la Bête
—
Ma Mère l’Oye: V. Le jardin féerique
—
Habanera from "Sites auriculaires"
—
Jeux d'eau
—
Prélude in A minor
—
Menuet sur le nom d'Haydn
—
Berceuse sur le nom de Gabriel Fauré
—
Le Tombeau de Couperin: I. Prélude
—
Le Tombeau de Couperin: II. Fugue
—
Le Tombeau de Couperin: III. Forlane
—
Le Tombeau de Couperin: IV. Rigaudon
—
Le Tombeau de Couperin: V. Menuet
—
Le Tombeau de Couperin: VI. Toccata
—
Valses nobles et sentimentales
—
Menuet antique
—
Gaspard de la nuit: I. Ondine
—
Gaspard de la nuit: II. Le Gibet
—
Gaspard de la nuit: III. Scarbo
—
Piano Concerto for the Left Hand
—
Concerto for Violin and Orchestra no. 1 in A minor, op. 99: I. Nocturne. Adagio
—
Concerto for Violin and Orchestra no. 1 in A minor, op. 99: II. Scherzo. Allegro non troppo
—
Concerto for Violin and Orchestra no. 1 in A minor, op. 99: III. Passacaglia. Andante
—
Concerto for Violin and Orchestra no. 1 in A minor, op. 99: IV. Burlesca. Allegro con brio
—
Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: I. Allegretto
Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy
—
Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: II. Moderato
Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy
—
Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: III. Cadenza
Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy
—
Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: IV. Allegro con moto
Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy
—
Symphony no. 1 in D major "Titan": I. Langsam. Schleppend
—
Symphony no. 1 in D major "Titan": II. Kräftig bewegt
—
Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
—
Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
—
Variations on a Theme by J. Haydn, op. 56a: Thema. Chorale St. Antoni. Andante
—
Variations on a Theme by J. Haydn, op. 56a: Variation I. Poco più animato
—
Variations on a Theme by J. Haydn, op. 56a: Variation II. Più vivace
—
Variations on a Theme by J. Haydn, op. 56a: Variation III. Con moto
—
Variations on a Theme by J. Haydn, op. 56a: Variation IV. Andante con moto
—
Variations on a Theme by J. Haydn, op. 56a: Variation V. Vivace
—
Variations on a Theme by J. Haydn, op. 56a: Variation VI. Vivace
—
Variations on a Theme by J. Haydn, op. 56a: Variation VII. Grazioso
—
Variations on a Theme by J. Haydn, op. 56a: Variation VIII. Presto non troppo
—
Variations on a Theme by J. Haydn, op. 56a: Finale. Andante
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mazurka no. 1 in G major, op. 19 "Obertass" | Eugène Ysaÿe, Camille Decreus | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | The Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | The Cleveland Orchestra, George Szell | — |
Mazurka no. 1 in G major, op. 19 "Obertass"
Eugène Ysaÿe, Camille Decreus
—
Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto
Cleveland Orchestra, George Szell
—
Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
The Cleveland Orchestra, George Szell
—
Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
The Cleveland Orchestra, George Szell
—
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
The Cleveland Orchestra, George Szell
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055169576000000006302387600000000773564870000000078257093000000007838425200000000783926900000000080893910000000008170926500000000818178050000000081946922
+33 more
000000008218478X00000000836488730000000083682633000000008376325700000000839303500000000100264258000000010432193400000001078876260000000108587502000000010861742500000001087260150000000108919300000000010896437100000001089644000000000109110853000000010944394900000001101320560000000110164752000000011021908X00000001102256660000000110292324000000011938830600000001200660800000000120231138000000012119595X00000001212473850000000121358851000000012187009700000001228491930000000368552349000000036857339300000004039684120000000412379265
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