UPC · Release
Various Artists
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8803581176582 is the Universal Product Code (UPC barcode) for the release “Masterworks Heritage” by Various Artists, released 2012-05-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 348 tracks, each with its own ISRC. Tracks include GBAGZ8907110, GBAGZ8907111, USSM19602130.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Caprice, op. 1: No. 1 | — | ||
| 2 | Caprice, op. 1: No. 5 | — | ||
| 3 | Caprice, op. 1: No. 9 | — | ||
| 4 | Caprice, op. 1: No. 11 | — | ||
| 5 | Caprice, op. 1: No. 13 | — | ||
| 6 | Caprice, op. 1: No. 14 | — | ||
| 7 | Caprice, op. 1: No. 16 | — | ||
| 8 | Caprice, op. 1: No. 17 | — | ||
| 9 | Caprice, op. 1: No. 18 | — | ||
| 10 | Caprice, op. 1: No. 21 | — | ||
| 11 | Caprice, op. 1: No. 24 | — | ||
| 12 | Slavonic Dance no. 2 in E minor, op. 46 | — | ||
| 13 | Caprice in A minor | — | ||
| 14 | Concert fantasies on Carmen, op. 25: Finale | — | ||
| 15 | La Chasse | — | ||
| 16 | Sea Shell | — | ||
| 17 | Banjo and Fiddle | — | ||
| 18 | Perpetuum mobile | — | ||
| 19 | Perpetuum mobile, op. 11 | — | ||
| 20 | Zigeunerweisen, op. 20, no. 1 | — | ||
| 21 | Romanza Andaluza, Danse espagnole no. 3, op. 22, no. 1: | — | ||
| 22 | Jota Navarra, Danse espagnole no. 4, op. 22, no. 2 | — | ||
| 23 | Zapateado, Danse espagnole no. 6, op. 23 no. 2 | — | ||
| 24 | Adiós montañas mias (Celebre Zortzico), Danse espagnole, op. 37 | — | ||
| 25 | Sonata no. 12 in E minor | — | ||
| 2-1 | Hungarian Dance no. 5 in F-sharp minor | — | ||
| 2-2 | Pièce pittoresque no. 10: Scherzo-valse | — | ||
| 2-3 | Humoresque in G-flat major, op. 101 no. 7 | — | ||
| 2-4 | Berceuse, op. 16 | Eugène Ysaÿe, Camille Decreus | — | |
| 2-5 | Caprice viennois, op. 2 | — | ||
| 2-6 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro molto vivace | — | ||
| 2-7 | Ave Maria, D. 839 | — | ||
| 2-8 | Abendlied, op. 85 no. 12 | — | ||
| 2-9 | Rondino, op. 32 no. 2 | — | ||
| 2-10 | Albumblatt in C major | — | ||
| 2-11 | "Prize Song" from Die Meistersinger von Nürnberg | — | ||
| 2-12 | Mazurka no. 1 in G major, op. 19 "Obertass" | Eugène Ysaÿe, Camille Decreus | — | |
| 2-13 | Mazurka, op. 19: No. 2 in D major, "Dudziarz" | — | ||
| 2-14 | Mazurka in B minor, op. 11 no. 3, "Lointaine passé" | — | ||
| 2-15 | Rêve d'enfant, op. 14 | — | ||
| 2-16 | Marche joyeuse | — | ||
| 2-17 | Intermezzo from Naïla ("Pas des fleurs, Grande valse") | — | ||
| 2-18 | Overture to Les dragons de Villars | — | ||
| 2-19 | Navarraise from Le Cid | — | ||
| 3-1 | Concert for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso | — | ||
| 3-2 | Concert for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio | — | ||
| 3-3 | Concert for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato | — | ||
| 3-4 | Concert for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato | — | ||
| 3-5 | Fantasia in E minor on Hungarian Folk Songs: Andante mesto - | — | ||
| 3-6 | Fantasia in E minor on Hungarian Folk Songs: Allegro eroico - Piú animato - | — | ||
| 3-7 | Fantasia in E minor on Hungarian Folk Songs: Molto adagio, quasi Fantasia - Allegretto alla zingarese - Molto animato - | — | ||
| 3-8 | Fantasia in E minor on Hungarian Folk Songs: Vivace assai - Prestissimo | — | ||
| 3-9 | Hungarian Rhapsodies: No. 11 in A minor | — | ||
| 3-10 | Hungarian Rhapsodies: No. 10 in E major | — | ||
| 3-11 | Hungarian Rhapsodies: No. 8 in F-Sharp minor "Capriccio" | — | ||
| 3-12 | Hungarian Rhapsodies: No. 9 in E-Flat major "Carneval de Pest" | — | ||
| 3-13 | Hungarian Rhapsodies: No. 13 in A minor | — | ||
| 4-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appasionato | — | ||
| 4-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | — | ||
| 4-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace | — | ||
| 4-4 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Vorspiel. Allegro moderato | — | ||
| 4-5 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio | — | ||
| 4-6 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 4-7 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: I. Allegro non troppo | — | ||
| 4-8 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 4-9 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro | — | ||
| 5-1 | Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | — | ||
| 5-2 | Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | — | ||
| 5-3 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | — | ||
| 5-4 | Concerto no. 2 for Violin and Orchestra, op. 63: I. Allegro moderato | — | ||
| 5-5 | Concerto no. 2 for Violin and Orchestra, op. 63: II. Andante assai | — | ||
| 5-6 | Concerto no. 2 for Violin and Orchestra, op. 63: III. Allegro, ben marcato | — | ||
| 5-7 | Poème for Violin and Orchestra, op. 25 | — | ||
| 6-1 | Symphony no. 1 in D major "Titan": I. Langsam. Schleppend - Immer sehr gemächlich | — | ||
| 6-2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt - Trio. Recht gemächlich | — | ||
| 6-3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 6-4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch | — | ||
| 6-5 | The Isle of the Dead, Tone poem after a painting by Bvcklin, op. 29 | — | ||
| 7-1 | Symphony no. 6 in B minor, op. 54: I. Largo | — | ||
| 7-2 | Symphony no. 6 in B minor, op. 54: II. Allegro | — | ||
| 7-3 | Symphony no. 6 in B minor, op. 54: III. Presto | — | ||
| 7-4 | Dances of Galánta: I. Lento | — | ||
| 7-5 | Dances of Galánta: II. Lento - Allegretto moderato | — | ||
| 7-6 | Dances of Galánta: III. Allegro con moto - grazioso | — | ||
| 7-7 | Dances of Galánta: IV. Allegro | — | ||
| 7-8 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": I. Jó alapos csárdás. Tempo di Csárdás (quasi alla Marcia) | — | ||
| 7-9 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": II. Róka-tánc. Vivace | — | ||
| 7-10 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": III. Marosszéki keringös. Allegretto moderato (quasi andantino) | — | ||
| 7-11 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": IV. Verbunkos. Tempo de Marcia (un poco grottescamente) | — | ||
| 7-12 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": V. Csürdöngölö. Presto | — | ||
| 7-13 | Hungarian Sketches, Sz. 97: IV. Kicsit Ázottan. Allegretto rubato "Slightly Tipsy" | — | ||
| 7-14 | Hungarian Sketches, Sz. 97: II. Medvetánc. Allegro vivace "Bear Dance" | — | ||
| 7-15 | Colas Breugnon Overture, op. 24 | — | ||
| 7-16 | Kamarinskaya | — | ||
| 8-1 | Symphony no. 2 in D major op. 36: I. Adagio molto - Allegro con brio | — | ||
| 8-2 | Symphony no. 2 in D major op. 36: II. Larghetto | — | ||
| 8-3 | Symphony no. 2 in D major op. 36: III. Scherzo. Allegro | — | ||
| 8-4 | Symphony no. 2 in D major op. 36: IV. Allegro molto | — | ||
| 8-5 | Symphony no. 35 in D major K. 385 "Haffner": I. Allegro con spirito | — | ||
| 8-6 | Symphony no. 35 in D major K. 385 "Haffner": II. [Andante] | — | ||
| 8-7 | Symphony no. 35 in D major K. 385 "Haffner": III. Menuetto - Trio | — | ||
| 8-8 | Symphony no. 35 in D major K. 385 "Haffner": IV. Finale. Presto | — | ||
| 8-9 | Symphony no. 40 in G minor K. 550: I. Molto allegro | — | ||
| 8-10 | Symphony no. 40 in G minor K. 550: II. Andante | — | ||
| 8-11 | Symphony no. 40 in G minor K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 8-12 | Symphony no. 40 in G minor K. 550: IV. Allegro assai | — | ||
| 9-1 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 9-2 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 9-3 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 9-4 | »Ich ruf zu dir, Herr Jesu Christ « BWV 177 | — | ||
| 9-5 | »Nun Komm der Heiden Heiland« BWV 62 | — | ||
| 9-6 | »Wir glauben all' an einen Gott« BWV 437 | — | ||
| 9-7 | Toccata, Adagio and Fugue in C major, BWV 564 | The Philadelphia Orchestra, Eugene Ormandy | T-902.757.483-0 | |
| 9-8 | Passacaglia in C minor, BWV 582 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-9 | »Wachet auf, ruft uns die Stimme« BWV 140 | — | ||
| 10-1 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 10-2 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: Allegro spiritoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-3 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-4 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-5 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-6 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-7 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: III. Allegro assai | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-8 | Sinfonia for Two Flutes and Strings in D minor, F. 65 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-9 | Concerto for Orchestra in D major: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-10 | Concerto for Orchestra in D major: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-11 | Concerto for Orchestra in D major: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-1 | Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante un poco maestoso - Allegro molto vivace | The Cleveland Orchestra, George Szell | — | |
| 11-2 | Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto - attacca | The Cleveland Orchestra, George Szell | — | |
| 11-3 | Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo. Molto vivace - Trio I. Molto più vivace - Trio II | The Cleveland Orchestra, George Szell | — | |
| 11-4 | Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso | The Cleveland Orchestra, George Szell | — | |
| 11-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo | The Cleveland Orchestra, George Szell | — | |
| 11-6 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace - Trio I - Trio II | The Cleveland Orchestra, George Szell | — | |
| 11-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | The Cleveland Orchestra, George Szell | — | |
| 11-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | The Cleveland Orchestra, George Szell | — | |
| 12-1 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft | The Cleveland Orchestra, George Szell | — | |
| 12-2 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig | The Cleveland Orchestra, George Szell | — | |
| 12-3 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell | The Cleveland Orchestra, George Szell | — | |
| 12-4 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich | The Cleveland Orchestra, George Szell | — | |
| 12-5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft - Schneller | The Cleveland Orchestra, George Szell | — | |
| 12-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-7 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller - Presto | The Cleveland Orchestra, George Szell | — | |
| 12-10 | Manfred Overture, op. 115 | The Cleveland Orchestra, George Szell | — | |
| 13-1 | Les Choéphores, op. 24: I. Vocifération funèbre | — | ||
| 13-2 | Les Choéphores, op. 24: II. Libation | — | ||
| 13-3 | Les Choéphores, op. 24: III. Incantation | — | ||
| 13-4 | Les Choéphores, op. 24: IV. Présages | — | ||
| 13-5 | Les Choéphores, op. 24: V. Exhortation | — | ||
| 13-6 | Les Choéphores, op. 24: VI. La justice et la lumière | — | ||
| 13-7 | Les Choéphores, op. 24: VII. Conclusion | — | ||
| 13-8 | Symphony no. 3 in G minor, op. 42: I. Allegro vivo | — | ||
| 13-9 | Symphony no. 3 in G minor, op. 42: II. Adagio | — | ||
| 13-10 | Symphony no. 3 in G minor, op. 42: III. Vivace | — | ||
| 13-11 | Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito | — | ||
| 13-12 | Pacific 231, Mouvement symphonique no. 1 | — | ||
| 13-13 | Rugby, Mouvement symphonique no. 2 | — | ||
| 14-1 | Medea's Dance of Vengeance, op. 23a | — | ||
| 14-2 | Adagio for Strings | — | ||
| 14-3 | Second Essay for Orchestra, op. 17 | — | ||
| 14-4 | Overture to The School for Scandal, op. 5 | — | ||
| 14-5 | Andromache's Farewell, op. 39 | — | ||
| 14-6 | Vanessa, op. 32: Act II. Intermezzo | — | ||
| 14-7 | Amelia al ballo: Overture | — | ||
| 14-8 | Wozzek: Act III. Interlude | — | ||
| 14-9 | Introduction to Fervaal, op. 40 | — | ||
| 15-1 | String Quartet in C minor, op. 18, no. 4: I. Allegro, ma non tanto | — | ||
| 15-2 | String Quartet in C minor, op. 18, no. 4: II. Scherzo. Andante Scherzoso, Quasi Allegretto | — | ||
| 15-3 | String Quartet in C minor, op. 18, no. 4: III. Menuetto. Allegretto - Trio | — | ||
| 15-4 | String Quartet in C minor, op. 18, no. 4: IV. Allegro - Prestissimo | — | ||
| 15-5 | String Quartet in C major, op. 59, no. 3, "Razumovsky": I. Introduzione. Andante con moto - Allegro vivace | — | ||
| 15-6 | String Quartet in C major, op. 59, no. 3, "Razumovsky": II. Andante con moto quasi Allegretto | — | ||
| 15-7 | String Quartet in C major, op. 59, no. 3, "Razumovsky": III. Menuetto. Grazioso | — | ||
| 15-8 | String Quartet in C major, op. 59, no. 3, "Razumovsky": IV. Allegro molto | — | ||
| 15-9 | String Quartet in F major, op. 18, no. 1: I. Allegro con brio | — | ||
| 15-10 | String Quartet in F major, op. 18, no. 1: II. Adagio Affettuoso ed appassionato | — | ||
| 15-11 | String Quartet in F major, op. 18, no. 1: III. Scherzo. Allegro molto - Trio | — | ||
| 15-12 | String Quartet in F major, op. 18, no. 1: IV. Allegro | — | ||
| 16-1 | String Quartet in F minor, op. 95, "Serioso": I. Allegro con brio | — | ||
| 16-2 | String Quartet in F minor, op. 95, "Serioso": II. Allegretto, ma non troppo | — | ||
| 16-3 | String Quartet in F minor, op. 95, "Serioso": III. Allegro Assai vivace, ma serioso | — | ||
| 16-4 | String Quartet in F minor, op. 95, "Serioso": IV. Larghetto espressivo - Allegretto agitato | — | ||
| 16-5 | String Quartet in B-flat major, op. 18, no. 6: I. Allegro con brio | — | ||
| 16-6 | String Quartet in B-flat major, op. 18, no. 6: II. Adagio, ma non troppo | — | ||
| 16-7 | String Quartet in B-flat major, op. 18, no. 6: III. Scherzo. Allegro - Trio | — | ||
| 16-8 | String Quartet in B-flat major, op. 18, no. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro | — | ||
| 16-9 | String Quintet in C major, op. 29: I. Allegro | — | ||
| 16-10 | String Quintet in C major, op. 29: II. Adagio molto espressivo | — | ||
| 16-11 | String Quintet in C major, op. 29: III. Scherzo. Allegro | — | ||
| 16-12 | String Quintet in C major, op. 29: IV. Presto | — | ||
| 17-1 | String Quartet no. 12 in E-flat major, op. 127: I. Maestoso - Allegro | — | ||
| 17-2 | String Quartet no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile | — | ||
| 17-3 | String Quartet no. 12 in E-flat major, op. 127: III. Scherzando vivace | — | ||
| 17-4 | String Quartet no. 12 in E-flat major, op. 127: IV. Finale | — | ||
| 17-5 | String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | — | ||
| 17-6 | String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | — | ||
| 17-7 | String Quartet no. 15 in A minor, op. 132: III. Canzona di ringraziamento. Molto adagio | — | ||
| 17-8 | String Quartet no. 15 in A minor, op. 132: IV. Alla Marcia, assai vivace | — | ||
| 17-9 | String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato | — | ||
| 18-1 | String Quartet no. 16 in F major, op. 135: I. Allegretto | — | ||
| 18-2 | String Quartet no. 16 in F major, op. 135: II. Vivace | — | ||
| 18-3 | String Quartet no. 16 in F major, op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 18-4 | String Quartet no. 16 in F major, op. 135: IV. Grave ma non troppo tratto - Allegro | — | ||
| 18-5 | String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 18-6 | String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace | — | ||
| 18-7 | String Quartet no. 14 in C-sharp minor, op. 131: III. Allegro moderato | — | ||
| 18-8 | String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | — | ||
| 18-9 | String Quartet no. 14 in C-sharp minor, op. 131: V. Presto | — | ||
| 18-10 | String Quartet no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | — | ||
| 18-11 | String Quartet no. 14 in C-sharp minor, op. 131: VII. Allegro | — | ||
| 18-12 | String Quartet in A major, op. 18, no. 5: II. Menuetto | — | ||
| 19-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 19-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 19-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | — | ||
| 19-4 | Kol nidrei, adagio on Hebrew melodies, op. 47. Adagio ma non troppo - Un poco più animato - a tempo | — | ||
| 19-5 | Concerto no. 1 for Cello and Orchestra in A minor, op. 33: Allegro non troppo - Allegro molto - Tempo I - Allegretto con moto - Tempo I - Un peu moins vite - Molto allegro | — | ||
| 20-1 | Symphony No. 5 in B-flat major, Op. 100: I. Andante | The Cleveland Orchestra, George Szell | — | |
| 20-2 | Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato | The Cleveland Orchestra, George Szell | — | |
| 20-3 | Symphony No. 5 in B-flat major, Op. 100: III. Adagio | The Cleveland Orchestra, George Szell | — | |
| 20-4 | Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso | The Cleveland Orchestra, George Szell | — | |
| 20-5 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I | The Cleveland Orchestra, George Szell | — | |
| 20-6 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | The Cleveland Orchestra, George Szell | — | |
| 20-7 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | The Cleveland Orchestra, George Szell | — | |
| 20-8 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | The Cleveland Orchestra, George Szell | — | |
| 20-9 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | The Cleveland Orchestra, George Szell | — | |
| 21-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 21-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 21-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno mosso | — | ||
| 21-4 | Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro | — | ||
| 21-5 | Carnival Overture, op. 92 | The Cleveland Orchestra, George Szell | — | |
| 21-6 | Overture to The Bartered Bride | — | ||
| 21-7 | String Quartet in E minor "From my Life": I. Romantic longing, and foreboding of misfortune: Allegro vivo appassionato | The Cleveland Orchestra, George Szell | — | |
| 21-8 | String Quartet in E minor "From my Life": II. The merriment of youth; my love of dancing and dance music: Allegro moderato alla Polka | The Cleveland Orchestra, George Szell | — | |
| 21-9 | String Quartet in E minor "From my Life": III. Memories of the happiness of my first love: Largo sostenuto | The Cleveland Orchestra, George Szell | — | |
| 21-10 | String Quartet in E minor "From my Life": IV. Joy in discovering how to treat Bohemian national elements in music; the catastrophe of deafness; reminiscences of happier days, and resignation: Vivace - Meno mosso | The Cleveland Orchestra, George Szell | — | |
| 22-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | The Cleveland Orchestra, George Szell | — | |
| 22-2 | Symphony no. 8 in G major, op. 88: II. Adagio | The Cleveland Orchestra, George Szell | — | |
| 22-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace | The Cleveland Orchestra, George Szell | — | |
| 22-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | The Cleveland Orchestra, George Szell | — | |
| 22-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Cleveland Orchestra, George Szell | — | |
| 22-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, George Szell | T-902.286.256-2 | |
| 22-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | The Cleveland Orchestra, George Szell | — | |
| 22-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | The Cleveland Orchestra, George Szell | — | |
| 23-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non Troppo | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-4 | Variations and Fugue on a Theme by Handel, op. 24: Aria | — | ||
| 23-5 | Variations and Fugue on a Theme by Handel, op. 24: Variation I | — | ||
| 23-6 | Variations and Fugue on a Theme by Handel, op. 24: Variation II | — | ||
| 23-7 | Variations and Fugue on a Theme by Handel, op. 24: Variation III | — | ||
| 23-8 | Variations and Fugue on a Theme by Handel, op. 24: Variation IV: Risoluto | — | ||
| 23-9 | Variations and Fugue on a Theme by Handel, op. 24: Variation V: Espressivo | — | ||
| 23-10 | Variations and Fugue on a Theme by Handel, op. 24: Variation VI | — | ||
| 23-11 | Variations and Fugue on a Theme by Handel, op. 24: Variation VII: Con vivacità | — | ||
| 23-12 | Variations and Fugue on a Theme by Handel, op. 24: Variation VIII | — | ||
| 23-13 | Variations and Fugue on a Theme by Handel, op. 24: Variation IX: Poco sostenuto | — | ||
| 23-14 | Variations and Fugue on a Theme by Handel, op. 24: Variation X | — | ||
| 23-15 | Variations and Fugue on a Theme by Handel, op. 24: Variation XI | — | ||
| 23-16 | Variations and Fugue on a Theme by Handel, op. 24: Variation XII | — | ||
| 23-17 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIII: Largamente, ma non più | — | ||
| 23-18 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIV | — | ||
| 23-19 | Variations and Fugue on a Theme by Handel, op. 24: Variation XV | — | ||
| 23-20 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVI | — | ||
| 23-21 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVII: Più mosso | — | ||
| 23-22 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII | — | ||
| 23-23 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIX: Leggiero e vivace | — | ||
| 23-24 | Variations and Fugue on a Theme by Handel, op. 24: Variation XX | — | ||
| 23-25 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXI | — | ||
| 23-26 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXII | — | ||
| 23-27 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXIII | — | ||
| 23-28 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXIV | — | ||
| 23-29 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXV | — | ||
| 23-30 | Variations and Fugue on a Theme by Handel, op. 24: Fuga | — | ||
| 24-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.876-8 | |
| 24-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.817-7 | |
| 24-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante | Jules Eskin, Leon Fleisher, Cleveland Orchestra, George Szell | T-322.308.071-1 | |
| 24-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.992-1 | |
| 24-5 | Waltzes, op. 39: No. 1 in B major. Tempo giusto | — | ||
| 24-6 | Waltzes, op. 39: No. 2 in E major | — | ||
| 24-7 | Waltzes, op. 39: No. 3 in G-sharp minor | — | ||
| 24-8 | Waltzes, op. 39: No. 4 in E minor. Poco sostenuto | — | ||
| 24-9 | Waltzes, op. 39: No. 5 in E major | — | ||
| 24-10 | Waltzes, op. 39: No. 6 in C-sharp major. Vivace | — | ||
| 24-11 | Waltzes, op. 39: No. 7 in C-sharp minor. Poco più | — | ||
| 24-12 | Waltzes, op. 39: No. 8 in B-flat major | — | ||
| 24-13 | Waltzes, op. 39: No. 9 in D minor | — | ||
| 24-14 | Waltzes, op. 39: No. 10 in G major | — | ||
| 24-15 | Waltzes, op. 39: No. 11 in B minor | — | ||
| 24-16 | Waltzes, op. 39: No. 12 in E major | — | ||
| 24-17 | Waltzes, op. 39: No. 13 in C major | — | ||
| 24-18 | Waltzes, op. 39: No. 14 in A minor | — | ||
| 24-19 | Waltzes, op. 39: No. 15 in A major | — | ||
| 24-20 | Waltzes, op. 39: No. 16 in D minor | — | ||
| 25-1 | Pavane pour une infante défunte | — | ||
| 25-2 | A la manière de Chabrier (Paraphrase sur un air de Gounod, "Faust", Act II) | — | ||
| 25-3 | A la manière de Borodine (Valse) | — | ||
| 25-4 | Sonatine: I. Modéré | — | ||
| 25-5 | Sonatine: II. Mouvement de Menuet | — | ||
| 25-6 | Sonatine: III. Animé | — | ||
| 25-7 | Miroirs: I. Noctuelles | — | ||
| 25-8 | Miroirs: II. Oiseaux tristes | — | ||
| 25-9 | Miroirs: III. Une barque sur l'océan | — | ||
| 25-10 | Miroirs: IV. Alborada del gracioso | — | ||
| 25-11 | Miroirs: V. La Vallée des cloches | — | ||
| 25-12 | Ma Mère l’Oye: I. Pavane de la Belle au bois dormant | — | ||
| 25-13 | Ma Mère l’Oye: II. Petit Poucet | — | ||
| 25-14 | Ma Mère l’Oye: III. Laideronette, Impératrice des Pagodes | — | ||
| 25-15 | Ma Mère l’Oye: IV. Les entretiens de la Belle et de la Bête | — | ||
| 25-16 | Ma Mère l’Oye: V. Le jardin féerique | — | ||
| 25-17 | Habanera from "Sites auriculaires" | — | ||
| 25-18 | Jeux d'eau | — | ||
| 25-19 | Prélude in A minor | — | ||
| 25-20 | Menuet sur le nom d'Haydn | — | ||
| 25-21 | Berceuse sur le nom de Gabriel Fauré | — | ||
| 26-1 | Le Tombeau de Couperin: I. Prélude | — | ||
| 26-2 | Le Tombeau de Couperin: II. Fugue | — | ||
| 26-3 | Le Tombeau de Couperin: III. Forlane | — | ||
| 26-4 | Le Tombeau de Couperin: IV. Rigaudon | — | ||
| 26-5 | Le Tombeau de Couperin: V. Menuet | — | ||
| 26-6 | Le Tombeau de Couperin: VI. Toccata | — | ||
| 26-7 | Valses nobles et sentimentales | — | ||
| 26-8 | Menuet antique | — | ||
| 26-9 | Gaspard de la nuit: I. Ondine | — | ||
| 26-10 | Gaspard de la nuit: II. Le Gibet | — | ||
| 26-11 | Gaspard de la nuit: III. Scarbo | — | ||
| 26-12 | Piano Concerto for the Left Hand | — | ||
| 27-1 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: I. Nocturne. Adagio | — | ||
| 27-2 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: II. Scherzo. Allegro non troppo | — | ||
| 27-3 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: III. Passacaglia. Andante | — | ||
| 27-4 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: IV. Burlesca. Allegro con brio | — | ||
| 27-5 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: I. Allegretto | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-6 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: II. Moderato | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-7 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: III. Cadenza | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-8 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: IV. Allegro con moto | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 28-1 | Symphony no. 1 in D major "Titan": I. Langsam. Schleppend | — | ||
| 28-2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt | — | ||
| 28-3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 28-4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt | — | ||
| 28-5 | Variations on a Theme by J. Haydn, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 28-6 | Variations on a Theme by J. Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 28-7 | Variations on a Theme by J. Haydn, op. 56a: Variation II. Più vivace | — | ||
| 28-8 | Variations on a Theme by J. Haydn, op. 56a: Variation III. Con moto | — | ||
| 28-9 | Variations on a Theme by J. Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 28-10 | Variations on a Theme by J. Haydn, op. 56a: Variation V. Vivace | — | ||
| 28-11 | Variations on a Theme by J. Haydn, op. 56a: Variation VI. Vivace | — | ||
| 28-12 | Variations on a Theme by J. Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 28-13 | Variations on a Theme by J. Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 28-14 | Variations on a Theme by J. Haydn, op. 56a: Finale. Andante | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mazurka no. 1 in G major, op. 19 "Obertass" | Eugène Ysaÿe, Camille Decreus | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | The Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | The Cleveland Orchestra, George Szell | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
8803581176582 is a Universal Product Code (UPC) assigned to Masterworks Heritage by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 348 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
8803581176582 is the Universal Product Code (UPC barcode) for the release “Masterworks Heritage” by Various Artists, released 2012-05-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 348 tracks, each with its own ISRC. Tracks include GBAGZ8907110, GBAGZ8907111, USSM19602130.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Caprice, op. 1: No. 1 | — | ||
| 2 | Caprice, op. 1: No. 5 | — | ||
| 3 | Caprice, op. 1: No. 9 | — | ||
| 4 | Caprice, op. 1: No. 11 | — | ||
| 5 | Caprice, op. 1: No. 13 | — | ||
| 6 | Caprice, op. 1: No. 14 | — | ||
| 7 | Caprice, op. 1: No. 16 | — | ||
| 8 | Caprice, op. 1: No. 17 | — | ||
| 9 | Caprice, op. 1: No. 18 | — | ||
| 10 | Caprice, op. 1: No. 21 | — | ||
| 11 | Caprice, op. 1: No. 24 | — | ||
| 12 | Slavonic Dance no. 2 in E minor, op. 46 | — | ||
| 13 | Caprice in A minor | — | ||
| 14 | Concert fantasies on Carmen, op. 25: Finale | — | ||
| 15 | La Chasse | — | ||
| 16 | Sea Shell | — | ||
| 17 | Banjo and Fiddle | — | ||
| 18 | Perpetuum mobile | — | ||
| 19 | Perpetuum mobile, op. 11 | — | ||
| 20 | Zigeunerweisen, op. 20, no. 1 | — | ||
| 21 | Romanza Andaluza, Danse espagnole no. 3, op. 22, no. 1: | — | ||
| 22 | Jota Navarra, Danse espagnole no. 4, op. 22, no. 2 | — | ||
| 23 | Zapateado, Danse espagnole no. 6, op. 23 no. 2 | — | ||
| 24 | Adiós montañas mias (Celebre Zortzico), Danse espagnole, op. 37 | — | ||
| 25 | Sonata no. 12 in E minor | — | ||
| 2-1 | Hungarian Dance no. 5 in F-sharp minor | — | ||
| 2-2 | Pièce pittoresque no. 10: Scherzo-valse | — | ||
| 2-3 | Humoresque in G-flat major, op. 101 no. 7 | — | ||
| 2-4 | Berceuse, op. 16 | Eugène Ysaÿe, Camille Decreus | — | |
| 2-5 | Caprice viennois, op. 2 | — | ||
| 2-6 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro molto vivace | — | ||
| 2-7 | Ave Maria, D. 839 | — | ||
| 2-8 | Abendlied, op. 85 no. 12 | — | ||
| 2-9 | Rondino, op. 32 no. 2 | — | ||
| 2-10 | Albumblatt in C major | — | ||
| 2-11 | "Prize Song" from Die Meistersinger von Nürnberg | — | ||
| 2-12 | Mazurka no. 1 in G major, op. 19 "Obertass" | Eugène Ysaÿe, Camille Decreus | — | |
| 2-13 | Mazurka, op. 19: No. 2 in D major, "Dudziarz" | — | ||
| 2-14 | Mazurka in B minor, op. 11 no. 3, "Lointaine passé" | — | ||
| 2-15 | Rêve d'enfant, op. 14 | — | ||
| 2-16 | Marche joyeuse | — | ||
| 2-17 | Intermezzo from Naïla ("Pas des fleurs, Grande valse") | — | ||
| 2-18 | Overture to Les dragons de Villars | — | ||
| 2-19 | Navarraise from Le Cid | — | ||
| 3-1 | Concert for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso | — | ||
| 3-2 | Concert for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio | — | ||
| 3-3 | Concert for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato | — | ||
| 3-4 | Concert for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato | — | ||
| 3-5 | Fantasia in E minor on Hungarian Folk Songs: Andante mesto - | — | ||
| 3-6 | Fantasia in E minor on Hungarian Folk Songs: Allegro eroico - Piú animato - | — | ||
| 3-7 | Fantasia in E minor on Hungarian Folk Songs: Molto adagio, quasi Fantasia - Allegretto alla zingarese - Molto animato - | — | ||
| 3-8 | Fantasia in E minor on Hungarian Folk Songs: Vivace assai - Prestissimo | — | ||
| 3-9 | Hungarian Rhapsodies: No. 11 in A minor | — | ||
| 3-10 | Hungarian Rhapsodies: No. 10 in E major | — | ||
| 3-11 | Hungarian Rhapsodies: No. 8 in F-Sharp minor "Capriccio" | — | ||
| 3-12 | Hungarian Rhapsodies: No. 9 in E-Flat major "Carneval de Pest" | — | ||
| 3-13 | Hungarian Rhapsodies: No. 13 in A minor | — | ||
| 4-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appasionato | — | ||
| 4-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | — | ||
| 4-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace | — | ||
| 4-4 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Vorspiel. Allegro moderato | — | ||
| 4-5 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio | — | ||
| 4-6 | Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 4-7 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: I. Allegro non troppo | — | ||
| 4-8 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: II. Andantino quasi allegretto | — | ||
| 4-9 | Concerto no. 3 for Violin and Orchestra in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro | — | ||
| 5-1 | Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | — | ||
| 5-2 | Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | — | ||
| 5-3 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | — | ||
| 5-4 | Concerto no. 2 for Violin and Orchestra, op. 63: I. Allegro moderato | — | ||
| 5-5 | Concerto no. 2 for Violin and Orchestra, op. 63: II. Andante assai | — | ||
| 5-6 | Concerto no. 2 for Violin and Orchestra, op. 63: III. Allegro, ben marcato | — | ||
| 5-7 | Poème for Violin and Orchestra, op. 25 | — | ||
| 6-1 | Symphony no. 1 in D major "Titan": I. Langsam. Schleppend - Immer sehr gemächlich | — | ||
| 6-2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt - Trio. Recht gemächlich | — | ||
| 6-3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 6-4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch | — | ||
| 6-5 | The Isle of the Dead, Tone poem after a painting by Bvcklin, op. 29 | — | ||
| 7-1 | Symphony no. 6 in B minor, op. 54: I. Largo | — | ||
| 7-2 | Symphony no. 6 in B minor, op. 54: II. Allegro | — | ||
| 7-3 | Symphony no. 6 in B minor, op. 54: III. Presto | — | ||
| 7-4 | Dances of Galánta: I. Lento | — | ||
| 7-5 | Dances of Galánta: II. Lento - Allegretto moderato | — | ||
| 7-6 | Dances of Galánta: III. Allegro con moto - grazioso | — | ||
| 7-7 | Dances of Galánta: IV. Allegro | — | ||
| 7-8 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": I. Jó alapos csárdás. Tempo di Csárdás (quasi alla Marcia) | — | ||
| 7-9 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": II. Róka-tánc. Vivace | — | ||
| 7-10 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": III. Marosszéki keringös. Allegretto moderato (quasi andantino) | — | ||
| 7-11 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": IV. Verbunkos. Tempo de Marcia (un poco grottescamente) | — | ||
| 7-12 | Divertimento no. 1 for String Orchestra, op. 20 "On Old Hungarian Dances": V. Csürdöngölö. Presto | — | ||
| 7-13 | Hungarian Sketches, Sz. 97: IV. Kicsit Ázottan. Allegretto rubato "Slightly Tipsy" | — | ||
| 7-14 | Hungarian Sketches, Sz. 97: II. Medvetánc. Allegro vivace "Bear Dance" | — | ||
| 7-15 | Colas Breugnon Overture, op. 24 | — | ||
| 7-16 | Kamarinskaya | — | ||
| 8-1 | Symphony no. 2 in D major op. 36: I. Adagio molto - Allegro con brio | — | ||
| 8-2 | Symphony no. 2 in D major op. 36: II. Larghetto | — | ||
| 8-3 | Symphony no. 2 in D major op. 36: III. Scherzo. Allegro | — | ||
| 8-4 | Symphony no. 2 in D major op. 36: IV. Allegro molto | — | ||
| 8-5 | Symphony no. 35 in D major K. 385 "Haffner": I. Allegro con spirito | — | ||
| 8-6 | Symphony no. 35 in D major K. 385 "Haffner": II. [Andante] | — | ||
| 8-7 | Symphony no. 35 in D major K. 385 "Haffner": III. Menuetto - Trio | — | ||
| 8-8 | Symphony no. 35 in D major K. 385 "Haffner": IV. Finale. Presto | — | ||
| 8-9 | Symphony no. 40 in G minor K. 550: I. Molto allegro | — | ||
| 8-10 | Symphony no. 40 in G minor K. 550: II. Andante | — | ||
| 8-11 | Symphony no. 40 in G minor K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 8-12 | Symphony no. 40 in G minor K. 550: IV. Allegro assai | — | ||
| 9-1 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 9-2 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 9-3 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 9-4 | »Ich ruf zu dir, Herr Jesu Christ « BWV 177 | — | ||
| 9-5 | »Nun Komm der Heiden Heiland« BWV 62 | — | ||
| 9-6 | »Wir glauben all' an einen Gott« BWV 437 | — | ||
| 9-7 | Toccata, Adagio and Fugue in C major, BWV 564 | The Philadelphia Orchestra, Eugene Ormandy | T-902.757.483-0 | |
| 9-8 | Passacaglia in C minor, BWV 582 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 9-9 | »Wachet auf, ruft uns die Stimme« BWV 140 | — | ||
| 10-1 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 10-2 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: Allegro spiritoso | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-3 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-4 | Sinfonia for Double Orchestra in E-flat major, Op. 18 No. 1: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-5 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-6 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-7 | Sinfonia for Double Orchestra in D major, op. 18 no. 3: III. Allegro assai | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-8 | Sinfonia for Two Flutes and Strings in D minor, F. 65 | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-9 | Concerto for Orchestra in D major: I. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-10 | Concerto for Orchestra in D major: II. Andante | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 10-11 | Concerto for Orchestra in D major: III. Allegro | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 11-1 | Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante un poco maestoso - Allegro molto vivace | The Cleveland Orchestra, George Szell | — | |
| 11-2 | Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto - attacca | The Cleveland Orchestra, George Szell | — | |
| 11-3 | Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo. Molto vivace - Trio I. Molto più vivace - Trio II | The Cleveland Orchestra, George Szell | — | |
| 11-4 | Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso | The Cleveland Orchestra, George Szell | — | |
| 11-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo | The Cleveland Orchestra, George Szell | — | |
| 11-6 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace - Trio I - Trio II | The Cleveland Orchestra, George Szell | — | |
| 11-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | The Cleveland Orchestra, George Szell | — | |
| 11-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | The Cleveland Orchestra, George Szell | — | |
| 12-1 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft | The Cleveland Orchestra, George Szell | — | |
| 12-2 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig | The Cleveland Orchestra, George Szell | — | |
| 12-3 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell | The Cleveland Orchestra, George Szell | — | |
| 12-4 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich | The Cleveland Orchestra, George Szell | — | |
| 12-5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft - Schneller | The Cleveland Orchestra, George Szell | — | |
| 12-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-7 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - attacca | The Cleveland Orchestra, George Szell | — | |
| 12-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller - Presto | The Cleveland Orchestra, George Szell | — | |
| 12-10 | Manfred Overture, op. 115 | The Cleveland Orchestra, George Szell | — | |
| 13-1 | Les Choéphores, op. 24: I. Vocifération funèbre | — | ||
| 13-2 | Les Choéphores, op. 24: II. Libation | — | ||
| 13-3 | Les Choéphores, op. 24: III. Incantation | — | ||
| 13-4 | Les Choéphores, op. 24: IV. Présages | — | ||
| 13-5 | Les Choéphores, op. 24: V. Exhortation | — | ||
| 13-6 | Les Choéphores, op. 24: VI. La justice et la lumière | — | ||
| 13-7 | Les Choéphores, op. 24: VII. Conclusion | — | ||
| 13-8 | Symphony no. 3 in G minor, op. 42: I. Allegro vivo | — | ||
| 13-9 | Symphony no. 3 in G minor, op. 42: II. Adagio | — | ||
| 13-10 | Symphony no. 3 in G minor, op. 42: III. Vivace | — | ||
| 13-11 | Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito | — | ||
| 13-12 | Pacific 231, Mouvement symphonique no. 1 | — | ||
| 13-13 | Rugby, Mouvement symphonique no. 2 | — | ||
| 14-1 | Medea's Dance of Vengeance, op. 23a | — | ||
| 14-2 | Adagio for Strings | — | ||
| 14-3 | Second Essay for Orchestra, op. 17 | — | ||
| 14-4 | Overture to The School for Scandal, op. 5 | — | ||
| 14-5 | Andromache's Farewell, op. 39 | — | ||
| 14-6 | Vanessa, op. 32: Act II. Intermezzo | — | ||
| 14-7 | Amelia al ballo: Overture | — | ||
| 14-8 | Wozzek: Act III. Interlude | — | ||
| 14-9 | Introduction to Fervaal, op. 40 | — | ||
| 15-1 | String Quartet in C minor, op. 18, no. 4: I. Allegro, ma non tanto | — | ||
| 15-2 | String Quartet in C minor, op. 18, no. 4: II. Scherzo. Andante Scherzoso, Quasi Allegretto | — | ||
| 15-3 | String Quartet in C minor, op. 18, no. 4: III. Menuetto. Allegretto - Trio | — | ||
| 15-4 | String Quartet in C minor, op. 18, no. 4: IV. Allegro - Prestissimo | — | ||
| 15-5 | String Quartet in C major, op. 59, no. 3, "Razumovsky": I. Introduzione. Andante con moto - Allegro vivace | — | ||
| 15-6 | String Quartet in C major, op. 59, no. 3, "Razumovsky": II. Andante con moto quasi Allegretto | — | ||
| 15-7 | String Quartet in C major, op. 59, no. 3, "Razumovsky": III. Menuetto. Grazioso | — | ||
| 15-8 | String Quartet in C major, op. 59, no. 3, "Razumovsky": IV. Allegro molto | — | ||
| 15-9 | String Quartet in F major, op. 18, no. 1: I. Allegro con brio | — | ||
| 15-10 | String Quartet in F major, op. 18, no. 1: II. Adagio Affettuoso ed appassionato | — | ||
| 15-11 | String Quartet in F major, op. 18, no. 1: III. Scherzo. Allegro molto - Trio | — | ||
| 15-12 | String Quartet in F major, op. 18, no. 1: IV. Allegro | — | ||
| 16-1 | String Quartet in F minor, op. 95, "Serioso": I. Allegro con brio | — | ||
| 16-2 | String Quartet in F minor, op. 95, "Serioso": II. Allegretto, ma non troppo | — | ||
| 16-3 | String Quartet in F minor, op. 95, "Serioso": III. Allegro Assai vivace, ma serioso | — | ||
| 16-4 | String Quartet in F minor, op. 95, "Serioso": IV. Larghetto espressivo - Allegretto agitato | — | ||
| 16-5 | String Quartet in B-flat major, op. 18, no. 6: I. Allegro con brio | — | ||
| 16-6 | String Quartet in B-flat major, op. 18, no. 6: II. Adagio, ma non troppo | — | ||
| 16-7 | String Quartet in B-flat major, op. 18, no. 6: III. Scherzo. Allegro - Trio | — | ||
| 16-8 | String Quartet in B-flat major, op. 18, no. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro | — | ||
| 16-9 | String Quintet in C major, op. 29: I. Allegro | — | ||
| 16-10 | String Quintet in C major, op. 29: II. Adagio molto espressivo | — | ||
| 16-11 | String Quintet in C major, op. 29: III. Scherzo. Allegro | — | ||
| 16-12 | String Quintet in C major, op. 29: IV. Presto | — | ||
| 17-1 | String Quartet no. 12 in E-flat major, op. 127: I. Maestoso - Allegro | — | ||
| 17-2 | String Quartet no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile | — | ||
| 17-3 | String Quartet no. 12 in E-flat major, op. 127: III. Scherzando vivace | — | ||
| 17-4 | String Quartet no. 12 in E-flat major, op. 127: IV. Finale | — | ||
| 17-5 | String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro | — | ||
| 17-6 | String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto | — | ||
| 17-7 | String Quartet no. 15 in A minor, op. 132: III. Canzona di ringraziamento. Molto adagio | — | ||
| 17-8 | String Quartet no. 15 in A minor, op. 132: IV. Alla Marcia, assai vivace | — | ||
| 17-9 | String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato | — | ||
| 18-1 | String Quartet no. 16 in F major, op. 135: I. Allegretto | — | ||
| 18-2 | String Quartet no. 16 in F major, op. 135: II. Vivace | — | ||
| 18-3 | String Quartet no. 16 in F major, op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 18-4 | String Quartet no. 16 in F major, op. 135: IV. Grave ma non troppo tratto - Allegro | — | ||
| 18-5 | String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 18-6 | String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace | — | ||
| 18-7 | String Quartet no. 14 in C-sharp minor, op. 131: III. Allegro moderato | — | ||
| 18-8 | String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | — | ||
| 18-9 | String Quartet no. 14 in C-sharp minor, op. 131: V. Presto | — | ||
| 18-10 | String Quartet no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | — | ||
| 18-11 | String Quartet no. 14 in C-sharp minor, op. 131: VII. Allegro | — | ||
| 18-12 | String Quartet in A major, op. 18, no. 5: II. Menuetto | — | ||
| 19-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 19-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 19-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | — | ||
| 19-4 | Kol nidrei, adagio on Hebrew melodies, op. 47. Adagio ma non troppo - Un poco più animato - a tempo | — | ||
| 19-5 | Concerto no. 1 for Cello and Orchestra in A minor, op. 33: Allegro non troppo - Allegro molto - Tempo I - Allegretto con moto - Tempo I - Un peu moins vite - Molto allegro | — | ||
| 20-1 | Symphony No. 5 in B-flat major, Op. 100: I. Andante | The Cleveland Orchestra, George Szell | — | |
| 20-2 | Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato | The Cleveland Orchestra, George Szell | — | |
| 20-3 | Symphony No. 5 in B-flat major, Op. 100: III. Adagio | The Cleveland Orchestra, George Szell | — | |
| 20-4 | Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso | The Cleveland Orchestra, George Szell | — | |
| 20-5 | Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I | The Cleveland Orchestra, George Szell | — | |
| 20-6 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando | The Cleveland Orchestra, George Szell | — | |
| 20-7 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | The Cleveland Orchestra, George Szell | — | |
| 20-8 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | The Cleveland Orchestra, George Szell | — | |
| 20-9 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto | The Cleveland Orchestra, George Szell | — | |
| 21-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 21-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 21-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno mosso | — | ||
| 21-4 | Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro | — | ||
| 21-5 | Carnival Overture, op. 92 | The Cleveland Orchestra, George Szell | — | |
| 21-6 | Overture to The Bartered Bride | — | ||
| 21-7 | String Quartet in E minor "From my Life": I. Romantic longing, and foreboding of misfortune: Allegro vivo appassionato | The Cleveland Orchestra, George Szell | — | |
| 21-8 | String Quartet in E minor "From my Life": II. The merriment of youth; my love of dancing and dance music: Allegro moderato alla Polka | The Cleveland Orchestra, George Szell | — | |
| 21-9 | String Quartet in E minor "From my Life": III. Memories of the happiness of my first love: Largo sostenuto | The Cleveland Orchestra, George Szell | — | |
| 21-10 | String Quartet in E minor "From my Life": IV. Joy in discovering how to treat Bohemian national elements in music; the catastrophe of deafness; reminiscences of happier days, and resignation: Vivace - Meno mosso | The Cleveland Orchestra, George Szell | — | |
| 22-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | The Cleveland Orchestra, George Szell | — | |
| 22-2 | Symphony no. 8 in G major, op. 88: II. Adagio | The Cleveland Orchestra, George Szell | — | |
| 22-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace | The Cleveland Orchestra, George Szell | — | |
| 22-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | The Cleveland Orchestra, George Szell | — | |
| 22-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Cleveland Orchestra, George Szell | — | |
| 22-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, George Szell | T-902.286.256-2 | |
| 22-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | The Cleveland Orchestra, George Szell | — | |
| 22-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | The Cleveland Orchestra, George Szell | — | |
| 23-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non Troppo | Leon Fleisher, Cleveland Orchestra, George Szell | — | |
| 23-4 | Variations and Fugue on a Theme by Handel, op. 24: Aria | — | ||
| 23-5 | Variations and Fugue on a Theme by Handel, op. 24: Variation I | — | ||
| 23-6 | Variations and Fugue on a Theme by Handel, op. 24: Variation II | — | ||
| 23-7 | Variations and Fugue on a Theme by Handel, op. 24: Variation III | — | ||
| 23-8 | Variations and Fugue on a Theme by Handel, op. 24: Variation IV: Risoluto | — | ||
| 23-9 | Variations and Fugue on a Theme by Handel, op. 24: Variation V: Espressivo | — | ||
| 23-10 | Variations and Fugue on a Theme by Handel, op. 24: Variation VI | — | ||
| 23-11 | Variations and Fugue on a Theme by Handel, op. 24: Variation VII: Con vivacità | — | ||
| 23-12 | Variations and Fugue on a Theme by Handel, op. 24: Variation VIII | — | ||
| 23-13 | Variations and Fugue on a Theme by Handel, op. 24: Variation IX: Poco sostenuto | — | ||
| 23-14 | Variations and Fugue on a Theme by Handel, op. 24: Variation X | — | ||
| 23-15 | Variations and Fugue on a Theme by Handel, op. 24: Variation XI | — | ||
| 23-16 | Variations and Fugue on a Theme by Handel, op. 24: Variation XII | — | ||
| 23-17 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIII: Largamente, ma non più | — | ||
| 23-18 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIV | — | ||
| 23-19 | Variations and Fugue on a Theme by Handel, op. 24: Variation XV | — | ||
| 23-20 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVI | — | ||
| 23-21 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVII: Più mosso | — | ||
| 23-22 | Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII | — | ||
| 23-23 | Variations and Fugue on a Theme by Handel, op. 24: Variation XIX: Leggiero e vivace | — | ||
| 23-24 | Variations and Fugue on a Theme by Handel, op. 24: Variation XX | — | ||
| 23-25 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXI | — | ||
| 23-26 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXII | — | ||
| 23-27 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXIII | — | ||
| 23-28 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXIV | — | ||
| 23-29 | Variations and Fugue on a Theme by Handel, op. 24: Variation XXV | — | ||
| 23-30 | Variations and Fugue on a Theme by Handel, op. 24: Fuga | — | ||
| 24-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.876-8 | |
| 24-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.817-7 | |
| 24-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante | Jules Eskin, Leon Fleisher, Cleveland Orchestra, George Szell | T-322.308.071-1 | |
| 24-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Leon Fleisher, Cleveland Orchestra, George Szell | T-322.446.992-1 | |
| 24-5 | Waltzes, op. 39: No. 1 in B major. Tempo giusto | — | ||
| 24-6 | Waltzes, op. 39: No. 2 in E major | — | ||
| 24-7 | Waltzes, op. 39: No. 3 in G-sharp minor | — | ||
| 24-8 | Waltzes, op. 39: No. 4 in E minor. Poco sostenuto | — | ||
| 24-9 | Waltzes, op. 39: No. 5 in E major | — | ||
| 24-10 | Waltzes, op. 39: No. 6 in C-sharp major. Vivace | — | ||
| 24-11 | Waltzes, op. 39: No. 7 in C-sharp minor. Poco più | — | ||
| 24-12 | Waltzes, op. 39: No. 8 in B-flat major | — | ||
| 24-13 | Waltzes, op. 39: No. 9 in D minor | — | ||
| 24-14 | Waltzes, op. 39: No. 10 in G major | — | ||
| 24-15 | Waltzes, op. 39: No. 11 in B minor | — | ||
| 24-16 | Waltzes, op. 39: No. 12 in E major | — | ||
| 24-17 | Waltzes, op. 39: No. 13 in C major | — | ||
| 24-18 | Waltzes, op. 39: No. 14 in A minor | — | ||
| 24-19 | Waltzes, op. 39: No. 15 in A major | — | ||
| 24-20 | Waltzes, op. 39: No. 16 in D minor | — | ||
| 25-1 | Pavane pour une infante défunte | — | ||
| 25-2 | A la manière de Chabrier (Paraphrase sur un air de Gounod, "Faust", Act II) | — | ||
| 25-3 | A la manière de Borodine (Valse) | — | ||
| 25-4 | Sonatine: I. Modéré | — | ||
| 25-5 | Sonatine: II. Mouvement de Menuet | — | ||
| 25-6 | Sonatine: III. Animé | — | ||
| 25-7 | Miroirs: I. Noctuelles | — | ||
| 25-8 | Miroirs: II. Oiseaux tristes | — | ||
| 25-9 | Miroirs: III. Une barque sur l'océan | — | ||
| 25-10 | Miroirs: IV. Alborada del gracioso | — | ||
| 25-11 | Miroirs: V. La Vallée des cloches | — | ||
| 25-12 | Ma Mère l’Oye: I. Pavane de la Belle au bois dormant | — | ||
| 25-13 | Ma Mère l’Oye: II. Petit Poucet | — | ||
| 25-14 | Ma Mère l’Oye: III. Laideronette, Impératrice des Pagodes | — | ||
| 25-15 | Ma Mère l’Oye: IV. Les entretiens de la Belle et de la Bête | — | ||
| 25-16 | Ma Mère l’Oye: V. Le jardin féerique | — | ||
| 25-17 | Habanera from "Sites auriculaires" | — | ||
| 25-18 | Jeux d'eau | — | ||
| 25-19 | Prélude in A minor | — | ||
| 25-20 | Menuet sur le nom d'Haydn | — | ||
| 25-21 | Berceuse sur le nom de Gabriel Fauré | — | ||
| 26-1 | Le Tombeau de Couperin: I. Prélude | — | ||
| 26-2 | Le Tombeau de Couperin: II. Fugue | — | ||
| 26-3 | Le Tombeau de Couperin: III. Forlane | — | ||
| 26-4 | Le Tombeau de Couperin: IV. Rigaudon | — | ||
| 26-5 | Le Tombeau de Couperin: V. Menuet | — | ||
| 26-6 | Le Tombeau de Couperin: VI. Toccata | — | ||
| 26-7 | Valses nobles et sentimentales | — | ||
| 26-8 | Menuet antique | — | ||
| 26-9 | Gaspard de la nuit: I. Ondine | — | ||
| 26-10 | Gaspard de la nuit: II. Le Gibet | — | ||
| 26-11 | Gaspard de la nuit: III. Scarbo | — | ||
| 26-12 | Piano Concerto for the Left Hand | — | ||
| 27-1 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: I. Nocturne. Adagio | — | ||
| 27-2 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: II. Scherzo. Allegro non troppo | — | ||
| 27-3 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: III. Passacaglia. Andante | — | ||
| 27-4 | Concerto for Violin and Orchestra no. 1 in A minor, op. 99: IV. Burlesca. Allegro con brio | — | ||
| 27-5 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: I. Allegretto | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-6 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: II. Moderato | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-7 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: III. Cadenza | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 27-8 | Concerto for Cello and Orchestra no. 1 in E-flat major, op. 107: IV. Allegro con moto | Mstislav Rostropovich, Philadelphia Orchestra, Eugene Ormandy | — | |
| 28-1 | Symphony no. 1 in D major "Titan": I. Langsam. Schleppend | — | ||
| 28-2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt | — | ||
| 28-3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 28-4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt | — | ||
| 28-5 | Variations on a Theme by J. Haydn, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 28-6 | Variations on a Theme by J. Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 28-7 | Variations on a Theme by J. Haydn, op. 56a: Variation II. Più vivace | — | ||
| 28-8 | Variations on a Theme by J. Haydn, op. 56a: Variation III. Con moto | — | ||
| 28-9 | Variations on a Theme by J. Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 28-10 | Variations on a Theme by J. Haydn, op. 56a: Variation V. Vivace | — | ||
| 28-11 | Variations on a Theme by J. Haydn, op. 56a: Variation VI. Vivace | — | ||
| 28-12 | Variations on a Theme by J. Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 28-13 | Variations on a Theme by J. Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 28-14 | Variations on a Theme by J. Haydn, op. 56a: Finale. Andante | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mazurka no. 1 in G major, op. 19 "Obertass" | Eugène Ysaÿe, Camille Decreus | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | The Cleveland Orchestra, George Szell | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | The Cleveland Orchestra, George Szell | — |
