UPC · Release
The Complete Deutsche Grammophon Recordings
Enrico Mainardi
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8808678121896 is the Universal Product Code (UPC barcode) for the release “The Complete Deutsche Grammophon Recordings” by Enrico Mainardi, released 2013-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 95 tracks, each with its own ISRC. Tracks include DEF055702561, DEF055702562, DEF055702563.
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Track List (95)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite for Cello Solo no. 1 in G, BWV 1007: I. Prelude | — | ||
| 2 | Suite for Cello Solo no. 1 in G, BWV 1007: II. Allemande | — | ||
| 3 | Suite for Cello Solo no. 1 in G, BWV 1007: III. Courante | — | ||
| 4 | Suite for Cello Solo no. 1 in G, BWV 1007: IV. Sarabande | — | ||
| 5 | Suite for Cello Solo no. 1 in G, BWV 1007: V. Menuet I-II | — | ||
| 6 | Suite for Cello Solo no. 1 in G, BWV 1007: VI. Gigue | — | ||
| 7 | Suite for Cello Solo no. 2 in D minor, BWV 1008: I. Prelude | — | ||
| 8 | Suite for Cello Solo no. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 9 | Suite for Cello Solo no. 2 in D minor, BWV 1008: III. Courante | — | ||
| 10 | Suite for Cello Solo no. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 11 | Suite for Cello Solo no. 2 in D minor, BWV 1008: V. Menuet I-II | — | ||
| 12 | Suite for Cello Solo no. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 2-1 | Suite for Cello Solo no. 3 in C, BWV 1009: I. Prelude | — | ||
| 2-2 | Suite for Cello Solo no. 3 in C, BWV 1009: II. Allemande | — | ||
| 2-3 | Suite for Cello Solo no. 3 in C, BWV 1009: III. Courante | — | ||
| 2-4 | Suite for Cello Solo no. 3 in C, BWV 1009: IV. Sarabande | — | ||
| 2-5 | Suite for Cello Solo no. 3 in C, BWV 1009: V. Bourree | — | ||
| 2-6 | Suite for Cello Solo no. 3 in C, BWV 1009: VI. Gigue | — | ||
| 2-7 | Suite for Cello Solo no. 4 in E flat, BWV 1010: I. Prelude | — | ||
| 2-8 | Suite for Cello Solo no. 4 in E flat, BWV 1010: II. Allemande | — | ||
| 2-9 | Suite for Cello Solo no. 4 in E flat, BWV 1010: III. Courante | — | ||
| 2-10 | Suite for Cello Solo no. 4 in E flat, BWV 1010: IV. Sarabande | — | ||
| 2-11 | Suite for Cello Solo no. 4 in E flat, BWV 1010: V. Bourree | — | ||
| 2-12 | Suite for Cello Solo no. 4 in E flat, BWV 1010: VI. Gigue | — | ||
| 3-1 | Suite for Cello Solo no. 5 in C minor, BWV 1011: I. Prelude | — | ||
| 3-2 | Suite for Cello Solo no. 5 in C minor, BWV 1011: II. Allemande | — | ||
| 3-3 | Suite for Cello Solo no. 5 in C minor, BWV 1011: III. Courante | — | ||
| 3-4 | Suite for Cello Solo no. 5 in C minor, BWV 1011: IV. Sarabande | — | ||
| 3-5 | Suite for Cello Solo no. 5 in C minor, BWV 1011: V. Gavotte | — | ||
| 3-6 | Suite for Cello Solo no. 5 in C minor, BWV 1011: VI. Gigue | — | ||
| 4-1 | Suite for Cello Solo no. 6 in D, BWV 1012: I. Prelude | — | ||
| 4-2 | Suite for Cello Solo no. 6 in D, BWV 1012: II. Allemande | — | ||
| 4-3 | Suite for Cello Solo no. 6 in D, BWV 1012: III. Courante | — | ||
| 4-4 | Suite for Cello Solo no. 6 in D, BWV 1012: IV. Sarabande | — | ||
| 4-5 | Suite for Cello Solo no. 6 in D, BWV 1012: V. Gavotte | — | ||
| 4-6 | Suite for Cello Solo no. 6 in D, BWV 1012: VI. Gigue | — | ||
| 5-1 | Cello Sonata no. 1 in F, op. 5 no. 1: I. Adagio sostenuto | — | ||
| 5-2 | Cello Sonata no. 1 in F, op. 5 no. 1: II. Allegro | — | ||
| 5-3 | Cello Sonata no. 1 in F, op. 5 no. 1: III. Allegro vivace | — | ||
| 5-4 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | — | ||
| 5-5 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto piu tosto presto | — | ||
| 5-6 | Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro | — | ||
| 6-1 | Cello Sonata no. 3 in A, op. 69: I. Allegro ma non tanto | — | ||
| 6-2 | Cello Sonata no. 3 in A, op. 69: II. Scherzo (Allegro molto) | — | ||
| 6-3 | Cello Sonata no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 6-4 | 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 | — | ||
| 7-1 | Cello Sonata no. 4 in C, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 7-2 | Cello Sonata no. 4 in C, op. 102 no. 1: III. Adagio - Tempo d'Andante - All... | — | ||
| 7-3 | Cello Sonata no. 5 in D, op. 102 no. 2: I. Allegro con brio | — | ||
| 7-4 | Cello Sonata no. 5 in D, op. 102 no. 2: II. Adagio con molto sentimento d'... | — | ||
| 7-5 | Cello Sonata no. 5 in D, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 8-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 8-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 8-3 | Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato | — | ||
| 9-1 | Cello Concerto in D, H.VIIb no. 2: I. Allegro moderato | — | ||
| 9-2 | Cello Concerto in D, H.VIIb no. 2: II. Adagio | — | ||
| 9-3 | Cello Concerto in D, H.VIIb no. 2: III. Rondo (Allegro) | — | ||
| 9-4 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | — | ||
| 9-5 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 9-6 | Cello Concerto in A minor, op. 129: III. Etwas lebhafter | — | ||
| 10-1 | Sonata for Arpeggione and Piano in A minor, D.821: I. Allegro moderato | — | ||
| 10-2 | Sonata for Arpeggione and Piano in A minor, D.821: II. Adagio | — | ||
| 10-3 | Sonata for Arpeggione and Piano in A minor, D.821: III. Allegretto | — | ||
| 11-1 | Flute Concerto in G major: I. Allegro non molto | — | ||
| 11-2 | Flute Concerto in G major: II. Andante | — | ||
| 11-3 | Flute Concerto in G major: III. Allegro | — | ||
| 11-4 | Cello Concerto in A major: I. Allegro | — | ||
| 11-5 | Cello Concerto in A major: II. Larghetto | — | ||
| 11-6 | Cello Concerto in A major: III. Allegro assai | — | ||
| 11-7 | Violin Concerto in D minor D. 45: 1. Allegro | Wolfgang Schneiderhan, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 11-8 | Violin Concerto in D minor D. 45: 2. Grave | Wolfgang Schneiderhan, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 11-9 | Violin Concerto in D minor D. 45: 3. Presto | Wolfgang Schneiderhan, Festival Strings Lucerne, Rudolf Baumgartner | — | |
| 11-10 | Symphony in D major: I. Allegro | — | ||
| 11-11 | Symphony in D major: II. Andantino | — | ||
| 11-12 | Symphony in D major: III. Allegro | — | ||
| 12-1 | Cello Concerto in A major: I. Allegro | — | ||
| 12-2 | Cello Concerto in A major: II. Largo | — | ||
| 12-3 | Cello Concerto in A major: III. Allegro moderato | — | ||
| 12-4 | Cello Concerto no. 2 in D major, Hob.VIIb:2: I. Allegro moderato | — | ||
| 12-5 | Cello Concerto no. 2 in D major, Hob.VIIb:2: II. Adagio | — | ||
| 12-6 | Cello Concerto no. 2 in D major, Hob.VIIb:2: III. Rondo. Allegro | — | ||
| 13-1 | 5 Stücke im Volkston, op. 102: I. Vanitas vanitatum | Enrico Mainardi, Günther Weissenborn | — | |
| 13-2 | 5 Stücke im Volkston, op. 102: II. Langsam | — | ||
| 13-3 | 5 Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | — | ||
| 13-4 | 5 Stücke im Volkston, op. 102: IV. Nicht zu rasch | — | ||
| 13-5 | 5 Stücke im Volkston, op. 102: V. Stark und markiert | — | ||
| 13-6 | Adagio in A minor | — | ||
| 13-7 | Sicilienne | — | ||
| 13-8 | Melodie | — | ||
| 13-9 | Ave Maria | — | ||
| 13-10 | Abendlied, op. 85 no. 12 | — | ||
| 13-11 | Nocturne no. 20 in C sharp-minor (op.posth) | — | ||
| 14-1 | Cello Concerto In G, R.413: I. Allegro | — | ||
| 14-2 | Cello Concerto In G, R.413: II. Largo | — | ||
| 14-3 | Cello Concerto In G, R.413: III. Allegro | — |
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What is UPC 8808678121896?
8808678121896 is a Universal Product Code (UPC) assigned to The Complete Deutsche Grammophon Recordings by Enrico Mainardi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 95 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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