UPC · Release
Various Artists
Last verified:
The UPC for “Blue Note: Collectors Edition” by Various Artists is 8809217577280. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Blue Note. This release contains 201 tracks, each with its own ISRC. Tracks include DERG11300300, DERG11300303, DERG11300301.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | AUTUMN LEAVES | CANNONBALL ADDERLEY | T-070.002.297-4 | |
| 2 | Love for Sale | Cannonball Adderley | T-070.097.242-4 | |
| 3 | Somethin’ Else | Cannonball Adderley | T-700.065.107-2 | |
| 4 | One for Daddy‐O | Cannonball Adderley | T-070.939.731-8 | |
| 5 | Dancing in the Dark | Cannonball Adderley | T-070.038.248-4 | |
| 6 | Alison’s Uncle (Bangoon) | Cannonball Adderley | — | |
| 2-1 | Warm‐Up and Dialogue Between Lee and Rudy | Art Blakey and The Jazz Messengers | — | |
| 2-2 | Moanin’ | Art Blakey and The Jazz Messengers | T-071.001.002-8 | |
| 2-3 | Are You Real? | Art Blakey and The Jazz Messengers | T-070.000.803-2 | |
| 2-4 | Along Came Betty | Art Blakey and The Jazz Messengers | T-700.091.590-4 | |
| 2-5 | The Drum Thunder Suite | Art Blakey and The Jazz Messengers | — | |
| 2-6 | Blues March | Art Blakey and The Jazz Messengers | T-070.234.540-1 | |
| 2-7 | Come Rain or Come Shine | Art Blakey and The Jazz Messengers | T-070.025.551-1 | |
| 2-8 | Moanin’ (alternate take) | Art Blakey and The Jazz Messengers | T-071.001.002-8 | |
| 3-1 | Chitlins Con Carne | Kenny Burrell | T-070.026.911-9 | |
| 3-2 | Mule | Kenny Burrell | — | |
| 3-3 | Soul Lament | Kenny Burrell | T-070.139.666-8 | |
| 3-4 | Midnight Blue | Kenny Burrell | T-070.111.837-7 | |
| 3-5 | Wavy Gravy | Kenny Burrell | T-070.203.895-6 | |
| 3-6 | Gee Baby, Ain’t I Good to You | Kenny Burrell | T-070.063.839-6 | |
| 3-7 | Saturday Night Blues | Kenny Burrell | T-070.140.734-2 | |
| 3-8 | Kenny’s Sound | Kenny Burrell | T-070.092.806-8 | |
| 3-9 | K Twist | Kenny Burrell | — | |
| 4-1 | Elijah | Donald Byrd | T-070.051.481-3 | |
| 4-2 | Beast of Burden | — | ||
| 4-3 | Cristo Redentor | Donald Byrd | T-070.881.642-5 | |
| 4-4 | The Black Disciple | — | ||
| 4-5 | Chant | — | ||
| 5-1 | Yesterdays | Paul Chambers | T-070.210.198-1 | |
| 5-2 | You'd Be So Nice to Come Home To | — | ||
| 5-3 | Chasin' the Bird | — | ||
| 5-4 | Dear Old Stockholm | Paul Chambers | T-900.312.305-5 | |
| 5-5 | The Theme | Paul Chambers | — | |
| 5-6 | Confessin' | — | ||
| 5-7 | Chamber Mates | — | ||
| 6-1 | Cool Struttin’ | Sonny Clark | T-700.006.998-9 | |
| 6-2 | Blue Minor | Sonny Clark | — | |
| 6-3 | Sippin’ at Bells | Sonny Clark | — | |
| 6-4 | Deep Night | Sonny Clark | T-070.038.703-6 | |
| 6-5 | Royal Flush | — | ||
| 6-6 | Lover | Sonny Clark | T-070.097.652-8 | |
| 7-1 | Blue Train | John Coltrane | T-070.880.862-1 | |
| 7-2 | Moment’s Notice | John Coltrane | T-071.001.008-4 | |
| 7-3 | Locomotion | John Coltrane | T-071.000.782-1 | |
| 7-4 | I’m Old Fashioned | John Coltrane | T-070.905.870-7 | |
| 7-5 | Lazy Bird | John Coltrane | T-071.000.683-9 | |
| 7-6 | Blue Train (alternate take) | John Coltrane | T-070.880.862-1 | |
| 7-7 | Lazy Bird (take 2, alternate) | John Coltrane | T-071.000.683-9 | |
| 8-1 | Hat and Beard | Eric Dolphy | T-010.171.200-8 | |
| 8-2 | Something Sweet, Something Tender | Eric Dolphy | — | |
| 8-3 | Gazzelloni | Eric Dolphy | — | |
| 8-4 | Out to Lunch | Eric Dolphy | T-070.902.992-4 | |
| 8-5 | Straight Up and Down | Eric Dolphy | — | |
| 9-1 | Blues Walk | Lou Donaldson | — | |
| 9-2 | Move | Lou Donaldson | T-070.234.187-4 | |
| 9-3 | The Masquerade Is Over | Lou Donaldson | T-070.905.678-9 | |
| 9-4 | Play Ray | Lou Donaldson | — | |
| 9-5 | Autumn Nocturne | Lou Donaldson | T-070.002.302-4 | |
| 9-6 | Callin’ All Cats | Lou Donaldson | — | |
| 10-1 | Cheese Cake | Dexter Gordon | — | |
| 10-2 | I Guess I'll Hang My Tears Out to Dry | — | ||
| 10-3 | Second Balcony Jump | — | ||
| 10-4 | Love for Sale | Cannonball Adderley | T-070.097.242-4 | |
| 10-5 | Where Are You? | — | ||
| 10-6 | Three O'Clock in the Morning | — | ||
| 11-1 | Idle Moments | Grant Green | T-903.558.205-9 | |
| 11-2 | Jean de Fleur | Grant Green | — | |
| 11-3 | Django | Grant Green | T-700.037.132-6 | |
| 11-4 | Nomad | Grant Green | T-060.567.113-3 | |
| 11-5 | Jean de Fleur (alternate take) | Grant Green | — | |
| 11-6 | Django (alternate take) | Grant Green | T-700.037.132-6 | |
| 12-1 | Maiden Voyage | Herbie Hancock | T-700.041.356-1 | |
| 12-2 | The Eye of the Hurricane | Herbie Hancock | T-700.012.991-1 | |
| 12-3 | Little One | — | ||
| 12-4 | Survival of the Fittest | — | ||
| 12-5 | Dolphin Dance | Herbie Hancock | T-700.010.032-5 | |
| 13-1 | Blue Bossa | Joe Henderson | T-070.233.056-0 | |
| 13-2 | La Mesha | Joe Henderson | — | |
| 13-3 | Homestretch | Joe Henderson | — | |
| 13-4 | Recordame (Remember Me) | Joe Henderson | T-070.243.116-0 | |
| 13-5 | Jinrikisha | Joe Henderson | — | |
| 13-6 | Out of the Night | Joe Henderson | — | |
| 14-1 | You’re My Everything | Freddie Hubbard | T-070.211.354-9 | |
| 14-2 | Prophet Jennings | Freddie Hubbard | — | |
| 14-3 | Hub-Tones | Freddie Hubbard | T-700.023.788-9 | |
| 14-4 | Lament for Booker | Freddie Hubbard | — | |
| 14-5 | For Spee’s Sake | Freddie Hubbard | — | |
| 14-6 | You’re My Everything (alternate take) | Freddie Hubbard | T-070.211.354-9 | |
| 14-7 | Hub-Tones (alternate take) | Freddie Hubbard | T-700.023.788-9 | |
| 14-8 | For Spee’s Sake (alternate take) | Freddie Hubbard | — | |
| 15-1 | Remember | Hank Mobley | T-070.126.365-1 | |
| 15-2 | This I Dig of You | — | ||
| 15-3 | Dig Dis | — | ||
| 15-4 | Split Feelin's | — | ||
| 15-5 | Soul Station | — | ||
| 15-6 | If I Should Lose You | — | ||
| 16-1 | Saturday And Sunday | — | ||
| 16-2 | Frankenstein | — | ||
| 16-3 | Blue Rondo | — | ||
| 16-4 | Ghost Town | — | ||
| 16-5 | Saturday And Sunday (Alternate Take) | — | ||
| 17-1 | Humph | Thelonious Monk | T-700.023.883-7 | |
| 17-2 | Evonce (alternate take) | Thelonious Monk | — | |
| 17-3 | EVONCE | THELONIOUS MONK | — | |
| 17-4 | Suburban Eyes | Thelonious Monk | — | |
| 17-5 | Suburban Eyes (alternate take) | Thelonious Monk | — | |
| 17-6 | Thelonious | Thelonious Monk | T-010.162.797-7 | |
| 17-7 | Nice Work If You Can Get It (alternate take) | Thelonious Monk | T-010.433.838-6 | |
| 17-8 | Nice Work If You Can Get It | Thelonious Monk | T-010.433.838-6 | |
| 17-9 | Ruby, My Dear (alternate take) | Thelonious Monk | T-070.243.287-8 | |
| 17-10 | Ruby My Dear | Thelonious Monk | T-070.243.287-8 | |
| 17-11 | Well, You Needn’t | Thelonious Monk | T-700.078.455-6 | |
| 17-12 | Well, You Needn’t (alternate take) | Thelonious Monk | T-700.078.455-6 | |
| 17-13 | April in Paris (alternate take) | Thelonious Monk | T-070.882.094-3 | |
| 17-14 | April in Paris | Thelonious Monk | T-070.882.094-3 | |
| 17-15 | Off Minor | Thelonious Monk | T-010.169.130-8 | |
| 17-16 | Introspection | Thelonious Monk | — | |
| 17-17 | In Walked Bud | Thelonious Monk | T-070.241.179-7 | |
| 17-18 | Monk’s Mood | Thelonious Monk | T-070.242.256-7 | |
| 17-19 | Who Knows | Thelonious Monk | T-700.080.292-8 | |
| 17-20 | ’Round Midnight | The Thelonious Monk Quintet | T-070.002.363-7 | |
| 17-21 | Who Knows (alternate take) | Thelonious Monk | T-700.080.292-8 | |
| 18-1 | The Sidewinder | Lee Morgan | T-910.407.203-9 | |
| 18-2 | Totem Pole | Lee Morgan | — | |
| 18-3 | Gary’s Notebook | Lee Morgan | — | |
| 18-4 | Boy, What a Night | Lee Morgan | — | |
| 18-5 | Hocus‐Pocus | Lee Morgan | T-910.406.518-1 | |
| 18-6 | Totem Pole | Lee Morgan | — | |
| 19-1 | Bouncing With Bud | Bud Powell | — | |
| 19-2 | Wail | — | ||
| 19-3 | Dance of the Infidels | Bud Powell's Modernists | T-700.008.381-0 | |
| 19-4 | 52nd Street Theme | — | ||
| 19-5 | You Go to My Head | — | ||
| 19-6 | Ornithology | — | ||
| 19-7 | Bouncing With Bud (alternate take #1) | — | ||
| 19-8 | Bouncing With Bud (alternate take #2) | — | ||
| 19-9 | Wail (alternate take) | — | ||
| 19-10 | Dance of the Infidels (alternate take) | — | ||
| 19-11 | Ornithology (alternate take) | — | ||
| 19-12 | Un Poco Loco | — | ||
| 19-13 | Over the Rainbow | — | ||
| 19-14 | A Night in Tunisia | Bud Powell | T-031.877.593-7 | |
| 19-15 | It Could Happen to You | — | ||
| 19-16 | Parisian Thoroughfare | — | ||
| 19-17 | Un Poco Loco (alternate take #1) | — | ||
| 19-18 | Un Poco Loco (alternate take #2) | — | ||
| 19-19 | A Night in Tunisia (alternate take) | — | ||
| 19-20 | It Could Happen to You (alternate take) | — | ||
| 20-1 | Loie | — | ||
| 20-2 | Lloro tu despedida | — | ||
| 20-3 | Goin' Home | — | ||
| 20-4 | Me 'n You | — | ||
| 20-5 | Liebestraum | — | ||
| 20-6 | Shu Shu | — | ||
| 20-7 | Blue Samba | — | ||
| 20-8 | Favela | — | ||
| 20-9 | Linda Fior | — | ||
| 20-10 | Loie (alternative take) | — | ||
| 20-11 | Shu Shu (alternative take) | — | ||
| 20-12 | Favela (alternative take) | — | ||
| 21-1 | A Night In Tunisia | Sonny Rollins | T-031.877.593-7 | |
| 21-2 | I've Got You Under My Skin | Sonny Rollins | T-070.907.808-9 | |
| 21-3 | A Night in Tunisia (Evening take) | — | ||
| 21-4 | Softly as in a Morning Sunrise (alternate take) | — | ||
| 21-5 | Four | Sonny Rollins | T-070.234.116-9 | |
| 21-6 | Introduction | — | ||
| 21-7 | Woody 'N You | Sonny Rollins | T-070.200.740-6 | |
| 21-8 | Introduction | — | ||
| 21-9 | Old Devil Moon | Sonny Rollins | T-070.178.687-9 | |
| 22-1 | What Is This Thing Called Love | — | ||
| 22-2 | Softly as in a Morning Sunrise | Sonny Rollins | T-070.136.432-0 | |
| 22-3 | Sonnymoon for Two | Sonny Rollins | T-070.243.835-4 | |
| 22-4 | I Can't Get Started | Sonny Rollins | T-031.885.275-3 | |
| 22-5 | I'll Remember April | — | ||
| 22-6 | Get Happy | Sonny Rollins | T-070.063.970-8 | |
| 22-7 | Striver's Row | Sonny Rollins | T-914.728.372-5 | |
| 22-8 | All the Things You Are | — | ||
| 23-1 | Witch Hunt | Wayne Shorter | T-070.940.853-6 | |
| 23-2 | Fee‐Fi‐Fo‐Fum | Wayne Shorter | T-070.881.398-2 | |
| 23-3 | Dance Cadaverous | Wayne Shorter | T-700.008.327-4 | |
| 23-4 | Speak No Evil | Wayne Shorter | T-070.243.872-9 | |
| 23-5 | Infant Eyes | Wayne Shorter | T-070.919.166-1 | |
| 23-6 | Wild Flower | Wayne Shorter | T-700.080.703-6 | |
| 23-7 | Dance Cadaverous (alternate take) | Wayne Shorter | T-700.008.327-4 | |
| 24-1 | Song for My Father | The Horace Silver Quintet | T-070.139.880-2 | |
| 24-2 | Calcutta Cutie | The Horace Silver Quintet | T-070.027.159-5 | |
| 24-4 | Que pasa | The Horace Silver Quintet | T-901.297.458-2 | |
| 24-5 | Lonely Woman | The Horace Silver Quintet | T-070.098.946-3 | |
| 24-9 | Que pasa (trio version) | Horace Silver | T-901.297.458-2 | |
| 24-10 | Silver Treads Among My Soul | The Horace Silver Quintet | T-070.139.880-2 | |
| 25-1 | I Got a Woman | Jimmy Smith | T-070.919.077-1 | |
| 25-2 | Sugar Hill | — | ||
| 25-4 | Messin' Around | — | ||
| 25-5 | Gracie | — | ||
| 25-6 | Come On Baby | — | ||
| 25-7 | Motorin' Along | — | ||
| 25-8 | Since I Fell for You | — | ||
| 25-9 | Apostrophe | — | ||
| 25-10 | Groanin' | — | ||
| 25-11 | Motorin' Along (alternate take) | — | ||
| 25-12 | Since I Fell for You (alternate take) | — |
Identifier Graph
8809217577280 is a Universal Product Code (UPC) assigned to Blue Note: Collectors Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 201 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lonely Woman | The Horace Silver Quintet | T-070.098.946-3 |
| EVONCE (RUDY VAN GELDER 24-BIT MASTERING) (2001 DIGITAL REMASTER) | THELONIOUS MONK | — |
| Suburban Eyes | Thelonious Monk | — |
| Alison’s Uncle (Bangoon) | Cannonball Adderley | — |
| LOCOMOTION | John Coltrane, JOHN COLTRANE | T-010.161.162-4 |
| Suburban Eyes | Thelonious Monk | — |
| Lament for Booker | Freddie Hubbard | — |
| Prophet Jennings | Freddie Hubbard | — |
| Alison’s Uncle (Bangoon) | Cannonball Adderley | — |
| Sighin’ and Cryin’ | The Horace Silver Quintet | T-070.139.880-2 |
| Prophet Jennings | Freddie Hubbard | — |
| Lament for Booker | Freddie Hubbard | — |
| Introspection | Thelonious Monk | — |
| The Natives Are Restless Tonight | The Horace Silver Quintet | T-070.153.766-7 |
| The Kicker | The Horace Silver Quintet | — |
| LOCOMOTION | JOHN COLTRANE | T-010.161.162-4 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Blue Note: Collectors Edition” by Various Artists is 8809217577280. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Blue Note. This release contains 201 tracks, each with its own ISRC. Tracks include DERG11300300, DERG11300303, DERG11300301.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lonely Woman | The Horace Silver Quintet | T-070.098.946-3 |
| EVONCE (RUDY VAN GELDER 24-BIT MASTERING) (2001 DIGITAL REMASTER) | THELONIOUS MONK | — |
| Suburban Eyes | Thelonious Monk | — |
| Alison’s Uncle (Bangoon) | Cannonball Adderley | — |
| LOCOMOTION | John Coltrane, JOHN COLTRANE | T-010.161.162-4 |
| Suburban Eyes | Thelonious Monk | — |
| Lament for Booker | Freddie Hubbard | — |
| Prophet Jennings | Freddie Hubbard | — |
| Alison’s Uncle (Bangoon) | Cannonball Adderley | — |
| Sighin’ and Cryin’ | The Horace Silver Quintet | T-070.139.880-2 |
| Prophet Jennings | Freddie Hubbard | — |
| Lament for Booker | Freddie Hubbard | — |
| Introspection | Thelonious Monk | — |
| The Natives Are Restless Tonight | The Horace Silver Quintet | T-070.153.766-7 |
| The Kicker | The Horace Silver Quintet | — |
| LOCOMOTION | JOHN COLTRANE | T-010.161.162-4 |
