UPC · Release
Blue Note: Collectors Edition
Various Artists
8809217577280
201 tracksReleased 2010-01-01Blue Note
Last verified:
8809217577280 is the Universal Product Code (UPC barcode) for the release “Blue Note: Collectors Edition” by Various Artists, released 2010-01-01 on Blue Note. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 201 tracks, each with its own ISRC. Tracks include DERG11300300, DERG11300303, DERG11300301.
Format
880GS1 prefix
9217Company prefix
57728Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBlue Note: Collectors Edition
ISRC131 recordings
ISWC132 works
IPI31 songwriters
Track List (201)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | AUTUMN LEAVES | CANNONBALL ADDERLEY | T-070.002.297-4 | |
| 2 | Love for Sale | Cannonball Adderley | T-070.097.242-4 | |
| 3 | Somethin’ Else | Cannonball Adderley | T-700.065.107-2 | |
| 4 | One for Daddy‐O | Cannonball Adderley | T-070.939.731-8 | |
| 5 | Dancing in the Dark | Cannonball Adderley | T-070.038.248-4 | |
| 6 | Alison’s Uncle (Bangoon) | Cannonball Adderley | — | |
| 2-1 | Warm‐Up and Dialogue Between Lee and Rudy | Art Blakey and The Jazz Messengers | — | |
| 2-2 | Moanin’ | Art Blakey and The Jazz Messengers | T-071.001.002-8 | |
| 2-3 | Are You Real? | Art Blakey and The Jazz Messengers | T-070.000.803-2 | |
| 2-4 | Along Came Betty | Art Blakey and The Jazz Messengers | T-700.091.590-4 | |
| 2-5 | The Drum Thunder Suite | Art Blakey and The Jazz Messengers | — | |
| 2-6 | Blues March | Art Blakey and The Jazz Messengers | T-070.234.540-1 | |
| 2-7 | Come Rain or Come Shine | Art Blakey and The Jazz Messengers | T-070.025.551-1 | |
| 2-8 | Moanin’ (alternate take) | Art Blakey and The Jazz Messengers | T-071.001.002-8 | |
| 3-1 | Chitlins Con Carne | Kenny Burrell | T-070.026.911-9 | |
| 3-2 | Mule | Kenny Burrell | — | |
| 3-3 | Soul Lament | Kenny Burrell | T-070.139.666-8 | |
| 3-4 | Midnight Blue | Kenny Burrell | T-070.111.837-7 | |
| 3-5 | Wavy Gravy | Kenny Burrell | T-070.203.895-6 | |
| 3-6 | Gee Baby, Ain’t I Good to You | Kenny Burrell | T-070.063.839-6 | |
| 3-7 | Saturday Night Blues | Kenny Burrell | T-070.140.734-2 | |
| 3-8 | Kenny’s Sound | Kenny Burrell | T-070.092.806-8 | |
| 3-9 | K Twist | Kenny Burrell | — | |
| 4-1 | Elijah | Donald Byrd | T-070.051.481-3 | |
| 4-2 | Beast of Burden | — | ||
| 4-3 | Cristo Redentor | Donald Byrd | T-070.881.642-5 | |
| 4-4 | The Black Disciple | — | ||
| 4-5 | Chant | — | ||
| 5-1 | Yesterdays | Paul Chambers | T-070.210.198-1 | |
| 5-2 | You'd Be So Nice to Come Home To | — | ||
| 5-3 | Chasin' the Bird | — | ||
| 5-4 | Dear Old Stockholm | Paul Chambers | T-900.312.305-5 | |
| 5-5 | The Theme | Paul Chambers | — | |
| 5-6 | Confessin' | — | ||
| 5-7 | Chamber Mates | — | ||
| 6-1 | Cool Struttin’ | Sonny Clark | T-700.006.998-9 | |
| 6-2 | Blue Minor | Sonny Clark | — | |
| 6-3 | Sippin’ at Bells | Sonny Clark | — | |
| 6-4 | Deep Night | Sonny Clark | T-070.038.703-6 | |
| 6-5 | Royal Flush | — | ||
| 6-6 | Lover | Sonny Clark | T-070.097.652-8 | |
| 7-1 | Blue Train | John Coltrane | T-070.880.862-1 | |
| 7-2 | Moment’s Notice | John Coltrane | T-071.001.008-4 | |
| 7-3 | Locomotion | John Coltrane | T-071.000.782-1 | |
| 7-4 | I’m Old Fashioned | John Coltrane | T-070.905.870-7 | |
| 7-5 | Lazy Bird | John Coltrane | T-071.000.683-9 | |
| 7-6 | Blue Train (alternate take) | John Coltrane | T-070.880.862-1 | |
| 7-7 | Lazy Bird (take 2, alternate) | John Coltrane | T-071.000.683-9 | |
| 8-1 | Hat and Beard | Eric Dolphy | T-010.171.200-8 | |
| 8-2 | Something Sweet, Something Tender | Eric Dolphy | — | |
| 8-3 | Gazzelloni | Eric Dolphy | — | |
| 8-4 | Out to Lunch | Eric Dolphy | T-070.902.992-4 | |
| 8-5 | Straight Up and Down | Eric Dolphy | — | |
| 9-1 | Blues Walk | Lou Donaldson | — | |
| 9-2 | Move | Lou Donaldson | T-070.234.187-4 | |
| 9-3 | The Masquerade Is Over | Lou Donaldson | T-070.905.678-9 | |
| 9-4 | Play Ray | Lou Donaldson | — | |
| 9-5 | Autumn Nocturne | Lou Donaldson | T-070.002.302-4 | |
| 9-6 | Callin’ All Cats | Lou Donaldson | — | |
| 10-1 | Cheese Cake | Dexter Gordon | — | |
| 10-2 | I Guess I'll Hang My Tears Out to Dry | — | ||
| 10-3 | Second Balcony Jump | — | ||
| 10-4 | Love for Sale | Cannonball Adderley | T-070.097.242-4 | |
| 10-5 | Where Are You? | — | ||
| 10-6 | Three O'Clock in the Morning | — | ||
| 11-1 | Idle Moments | Grant Green | T-903.558.205-9 | |
| 11-2 | Jean de Fleur | Grant Green | — | |
| 11-3 | Django | Grant Green | T-700.037.132-6 | |
| 11-4 | Nomad | Grant Green | T-060.567.113-3 | |
| 11-5 | Jean de Fleur (alternate take) | Grant Green | — | |
| 11-6 | Django (alternate take) | Grant Green | T-700.037.132-6 | |
| 12-1 | Maiden Voyage | Herbie Hancock | T-700.041.356-1 | |
| 12-2 | The Eye of the Hurricane | Herbie Hancock | T-700.012.991-1 | |
| 12-3 | Little One | — | ||
| 12-4 | Survival of the Fittest | — | ||
| 12-5 | Dolphin Dance | Herbie Hancock | T-700.010.032-5 | |
| 13-1 | Blue Bossa | Joe Henderson | T-070.233.056-0 | |
| 13-2 | La Mesha | Joe Henderson | — | |
| 13-3 | Homestretch | Joe Henderson | — | |
| 13-4 | Recordame (Remember Me) | Joe Henderson | T-070.243.116-0 | |
| 13-5 | Jinrikisha | Joe Henderson | — | |
| 13-6 | Out of the Night | Joe Henderson | — | |
| 14-1 | You’re My Everything | Freddie Hubbard | T-070.211.354-9 | |
| 14-2 | Prophet Jennings | Freddie Hubbard | — | |
| 14-3 | Hub-Tones | Freddie Hubbard | T-700.023.788-9 | |
| 14-4 | Lament for Booker | Freddie Hubbard | — | |
| 14-5 | For Spee’s Sake | Freddie Hubbard | — | |
| 14-6 | You’re My Everything (alternate take) | Freddie Hubbard | T-070.211.354-9 | |
| 14-7 | Hub-Tones (alternate take) | Freddie Hubbard | T-700.023.788-9 | |
| 14-8 | For Spee’s Sake (alternate take) | Freddie Hubbard | — | |
| 15-1 | Remember | Hank Mobley | T-070.126.365-1 | |
| 15-2 | This I Dig of You | — | ||
| 15-3 | Dig Dis | — | ||
| 15-4 | Split Feelin's | — | ||
| 15-5 | Soul Station | — | ||
| 15-6 | If I Should Lose You | — | ||
| 16-1 | Saturday And Sunday | — | ||
| 16-2 | Frankenstein | — | ||
| 16-3 | Blue Rondo | — | ||
| 16-4 | Ghost Town | — | ||
| 16-5 | Saturday And Sunday (Alternate Take) | — | ||
| 17-1 | Humph | Thelonious Monk | T-700.023.883-7 | |
| 17-2 | Evonce (alternate take) | Thelonious Monk | — | |
| 17-3 | EVONCE | THELONIOUS MONK | — | |
| 17-4 | Suburban Eyes | Thelonious Monk | — | |
| 17-5 | Suburban Eyes (alternate take) | Thelonious Monk | — | |
| 17-6 | Thelonious | Thelonious Monk | T-010.162.797-7 | |
| 17-7 | Nice Work If You Can Get It (alternate take) | Thelonious Monk | T-010.433.838-6 | |
| 17-8 | Nice Work If You Can Get It | Thelonious Monk | T-010.433.838-6 | |
| 17-9 | Ruby, My Dear (alternate take) | Thelonious Monk | T-070.243.287-8 | |
| 17-10 | Ruby My Dear | Thelonious Monk | T-070.243.287-8 | |
| 17-11 | Well, You Needn’t | Thelonious Monk | T-700.078.455-6 | |
| 17-12 | Well, You Needn’t (alternate take) | Thelonious Monk | T-700.078.455-6 | |
| 17-13 | April in Paris (alternate take) | Thelonious Monk | T-070.882.094-3 | |
| 17-14 | April in Paris | Thelonious Monk | T-070.882.094-3 | |
| 17-15 | Off Minor | Thelonious Monk | T-010.169.130-8 | |
| 17-16 | Introspection | Thelonious Monk | — | |
| 17-17 | In Walked Bud | Thelonious Monk | T-070.241.179-7 | |
| 17-18 | Monk’s Mood | Thelonious Monk | T-070.242.256-7 | |
| 17-19 | Who Knows | Thelonious Monk | T-700.080.292-8 | |
| 17-20 | ’Round Midnight | The Thelonious Monk Quintet | T-070.002.363-7 | |
| 17-21 | Who Knows (alternate take) | Thelonious Monk | T-700.080.292-8 | |
| 18-1 | The Sidewinder | Lee Morgan | T-910.407.203-9 | |
| 18-2 | Totem Pole | Lee Morgan | — | |
| 18-3 | Gary’s Notebook | Lee Morgan | — | |
| 18-4 | Boy, What a Night | Lee Morgan | — | |
| 18-5 | Hocus‐Pocus | Lee Morgan | T-910.406.518-1 | |
| 18-6 | Totem Pole | Lee Morgan | — | |
| 19-1 | Bouncing With Bud | Bud Powell | — | |
| 19-2 | Wail | — | ||
| 19-3 | Dance of the Infidels | Bud Powell's Modernists | T-700.008.381-0 | |
| 19-4 | 52nd Street Theme | — | ||
| 19-5 | You Go to My Head | — | ||
| 19-6 | Ornithology | — | ||
| 19-7 | Bouncing With Bud (alternate take #1) | — | ||
| 19-8 | Bouncing With Bud (alternate take #2) | — | ||
| 19-9 | Wail (alternate take) | — | ||
| 19-10 | Dance of the Infidels (alternate take) | — | ||
| 19-11 | Ornithology (alternate take) | — | ||
| 19-12 | Un Poco Loco | — | ||
| 19-13 | Over the Rainbow | — | ||
| 19-14 | A Night in Tunisia | Bud Powell | T-031.877.593-7 | |
| 19-15 | It Could Happen to You | — | ||
| 19-16 | Parisian Thoroughfare | — | ||
| 19-17 | Un Poco Loco (alternate take #1) | — | ||
| 19-18 | Un Poco Loco (alternate take #2) | — | ||
| 19-19 | A Night in Tunisia (alternate take) | — | ||
| 19-20 | It Could Happen to You (alternate take) | — | ||
| 20-1 | Loie | — | ||
| 20-2 | Lloro tu despedida | — | ||
| 20-3 | Goin' Home | — | ||
| 20-4 | Me 'n You | — | ||
| 20-5 | Liebestraum | — | ||
| 20-6 | Shu Shu | — | ||
| 20-7 | Blue Samba | — | ||
| 20-8 | Favela | — | ||
| 20-9 | Linda Fior | — | ||
| 20-10 | Loie (alternative take) | — | ||
| 20-11 | Shu Shu (alternative take) | — | ||
| 20-12 | Favela (alternative take) | — | ||
| 21-1 | A Night In Tunisia | Sonny Rollins | T-031.877.593-7 | |
| 21-2 | I've Got You Under My Skin | Sonny Rollins | T-070.907.808-9 | |
| 21-3 | A Night in Tunisia (Evening take) | — | ||
| 21-4 | Softly as in a Morning Sunrise (alternate take) | — | ||
| 21-5 | Four | Sonny Rollins | T-070.234.116-9 | |
| 21-6 | Introduction | — | ||
| 21-7 | Woody 'N You | Sonny Rollins | T-070.200.740-6 | |
| 21-8 | Introduction | — | ||
| 21-9 | Old Devil Moon | Sonny Rollins | T-070.178.687-9 | |
| 22-1 | What Is This Thing Called Love | — | ||
| 22-2 | Softly as in a Morning Sunrise | Sonny Rollins | T-070.136.432-0 | |
| 22-3 | Sonnymoon for Two | Sonny Rollins | T-070.243.835-4 | |
| 22-4 | I Can't Get Started | Sonny Rollins | T-031.885.275-3 | |
| 22-5 | I'll Remember April | — | ||
| 22-6 | Get Happy | Sonny Rollins | T-070.063.970-8 | |
| 22-7 | Striver's Row | Sonny Rollins | T-914.728.372-5 | |
| 22-8 | All the Things You Are | — | ||
| 23-1 | Witch Hunt | Wayne Shorter | T-070.940.853-6 | |
| 23-2 | Fee‐Fi‐Fo‐Fum | Wayne Shorter | T-070.881.398-2 | |
| 23-3 | Dance Cadaverous | Wayne Shorter | T-700.008.327-4 | |
| 23-4 | Speak No Evil | Wayne Shorter | T-070.243.872-9 | |
| 23-5 | Infant Eyes | Wayne Shorter | T-070.919.166-1 | |
| 23-6 | Wild Flower | Wayne Shorter | T-700.080.703-6 | |
| 23-7 | Dance Cadaverous (alternate take) | Wayne Shorter | T-700.008.327-4 | |
| 24-1 | Song for My Father | The Horace Silver Quintet | T-070.139.880-2 | |
| 24-2 | Calcutta Cutie | The Horace Silver Quintet | T-070.027.159-5 | |
| 24-4 | Que pasa | The Horace Silver Quintet | T-901.297.458-2 | |
| 24-5 | Lonely Woman | The Horace Silver Quintet | T-070.098.946-3 | |
| 24-9 | Que pasa (trio version) | Horace Silver | T-901.297.458-2 | |
| 24-10 | Silver Treads Among My Soul | The Horace Silver Quintet | T-070.139.880-2 | |
| 25-1 | I Got a Woman | Jimmy Smith | T-070.919.077-1 | |
| 25-2 | Sugar Hill | — | ||
| 25-4 | Messin' Around | — | ||
| 25-5 | Gracie | — | ||
| 25-6 | Come On Baby | — | ||
| 25-7 | Motorin' Along | — | ||
| 25-8 | Since I Fell for You | — | ||
| 25-9 | Apostrophe | — | ||
| 25-10 | Groanin' | — | ||
| 25-11 | Motorin' Along (alternate take) | — | ||
| 25-12 | Since I Fell for You (alternate take) | — |
Alison’s Uncle (Bangoon)
Cannonball Adderley
—
Warm‐Up and Dialogue Between Lee and Rudy
Art Blakey and The Jazz Messengers
—
The Drum Thunder Suite
Art Blakey and The Jazz Messengers
—
Mule
Kenny Burrell
—
K Twist
Kenny Burrell
—
Beast of Burden
—
The Black Disciple
—
Chant
—
You'd Be So Nice to Come Home To
—
Chasin' the Bird
—
The Theme
Paul Chambers
—
Confessin'
—
Chamber Mates
—
Blue Minor
Sonny Clark
—
Sippin’ at Bells
Sonny Clark
—
Royal Flush
—
Something Sweet, Something Tender
Eric Dolphy
—
Gazzelloni
Eric Dolphy
—
Straight Up and Down
Eric Dolphy
—
Blues Walk
Lou Donaldson
—
Play Ray
Lou Donaldson
—
Callin’ All Cats
Lou Donaldson
—
Cheese Cake
Dexter Gordon
—
I Guess I'll Hang My Tears Out to Dry
—
Second Balcony Jump
—
Where Are You?
—
Three O'Clock in the Morning
—
Jean de Fleur
Grant Green
—
Jean de Fleur (alternate take)
Grant Green
—
Little One
—
Survival of the Fittest
—
La Mesha
Joe Henderson
—
Homestretch
Joe Henderson
—
Jinrikisha
Joe Henderson
—
Out of the Night
Joe Henderson
—
Prophet Jennings
Freddie Hubbard
—
Lament for Booker
Freddie Hubbard
—
For Spee’s Sake
Freddie Hubbard
—
For Spee’s Sake (alternate take)
Freddie Hubbard
—
This I Dig of You
—
Dig Dis
—
Split Feelin's
—
Soul Station
—
If I Should Lose You
—
Saturday And Sunday
—
Frankenstein
—
Blue Rondo
—
Ghost Town
—
Saturday And Sunday (Alternate Take)
—
Evonce (alternate take)
Thelonious Monk
—
EVONCE
THELONIOUS MONK
—
Suburban Eyes
Thelonious Monk
—
Suburban Eyes (alternate take)
Thelonious Monk
—
Introspection
Thelonious Monk
—
Totem Pole
Lee Morgan
—
Gary’s Notebook
Lee Morgan
—
Boy, What a Night
Lee Morgan
—
Totem Pole
Lee Morgan
—
Bouncing With Bud
Bud Powell
—
Wail
—
52nd Street Theme
—
You Go to My Head
—
Ornithology
—
Bouncing With Bud (alternate take #1)
—
Bouncing With Bud (alternate take #2)
—
Wail (alternate take)
—
Dance of the Infidels (alternate take)
—
Ornithology (alternate take)
—
Un Poco Loco
—
Over the Rainbow
—
It Could Happen to You
—
Parisian Thoroughfare
—
Un Poco Loco (alternate take #1)
—
Un Poco Loco (alternate take #2)
—
A Night in Tunisia (alternate take)
—
It Could Happen to You (alternate take)
—
Loie
—
Lloro tu despedida
—
Goin' Home
—
Me 'n You
—
Liebestraum
—
Shu Shu
—
Blue Samba
—
Favela
—
Linda Fior
—
Loie (alternative take)
—
Shu Shu (alternative take)
—
Favela (alternative take)
—
A Night in Tunisia (Evening take)
—
Softly as in a Morning Sunrise (alternate take)
—
Introduction
—
Introduction
—
What Is This Thing Called Love
—
I'll Remember April
—
All the Things You Are
—
Sugar Hill
—
Messin' Around
—
Gracie
—
Come On Baby
—
Motorin' Along
—
Since I Fell for You
—
Apostrophe
—
Groanin'
—
Motorin' Along (alternate take)
—
Since I Fell for You (alternate take)
—
Additional database matches (18)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lonely Woman | The Horace Silver Quintet | T-070.098.946-3 |
| EVONCE (RUDY VAN GELDER 24-BIT MASTERING) (2001 DIGITAL REMASTER) | THELONIOUS MONK | — |
| Suburban Eyes | Thelonious Monk | — |
| Alison’s Uncle (Bangoon) | Cannonball Adderley | — |
| LOCOMOTION | John Coltrane, JOHN COLTRANE | T-010.161.162-4 |
| BLUE TRAIN: THE COMPLETE MASTERS | JOHN COLTRANE,ALFRED LION,RUDY VAN GELDER,RUDY VAN GELDER,JOHN COLTRANE,LEE MORGAN,CURTIS FULLER,KENNY DREW,PAUL CHAMBERS,PHILLY JOE JONES | T-071.001.008-4 |
| BLUE TRAIN: THE COMPLETE MASTERS | JOHN COLTRANE,ALFRED LION,RUDY VAN GELDER,RUDY VAN GELDER,LEE MORGAN,CURTIS FULLER,KENNY DREW,PAUL CHAMBERS,PHILLY JOE JONES,JOHNNY MERCER,JEROME KERN | T-070.905.870-7 |
| Suburban Eyes | Thelonious Monk | — |
| Lament for Booker | Freddie Hubbard | — |
| Prophet Jennings | Freddie Hubbard | — |
| Alison’s Uncle (Bangoon) | Cannonball Adderley | — |
| Sighin’ and Cryin’ | The Horace Silver Quintet | T-070.139.880-2 |
| Prophet Jennings | Freddie Hubbard | — |
| Lament for Booker | Freddie Hubbard | — |
| Introspection | Thelonious Monk | — |
| The Natives Are Restless Tonight | The Horace Silver Quintet | T-070.153.766-7 |
| The Kicker | The Horace Silver Quintet | — |
| LOCOMOTION | JOHN COLTRANE | T-010.161.162-4 |
The Horace Silver Quintet
EVONCE (RUDY VAN GELDER 24-BIT MASTERING) (2001 DIGITAL REMASTER)
THELONIOUS MONK
—
Suburban Eyes
Thelonious Monk
—
Alison’s Uncle (Bangoon)
Cannonball Adderley
—
John Coltrane, JOHN COLTRANE
JOHN COLTRANE,ALFRED LION,RUDY VAN GELDER,RUDY VAN GELDER,JOHN COLTRANE,LEE MORGAN,CURTIS FULLER,KENNY DREW,PAUL CHAMBERS,PHILLY JOE JONES
JOHN COLTRANE,ALFRED LION,RUDY VAN GELDER,RUDY VAN GELDER,LEE MORGAN,CURTIS FULLER,KENNY DREW,PAUL CHAMBERS,PHILLY JOE JONES,JOHNNY MERCER,JEROME KERN
Suburban Eyes
Thelonious Monk
—
Lament for Booker
Freddie Hubbard
—
Prophet Jennings
Freddie Hubbard
—
Alison’s Uncle (Bangoon)
Cannonball Adderley
—
The Horace Silver Quintet
Prophet Jennings
Freddie Hubbard
—
Lament for Booker
Freddie Hubbard
—
Introspection
Thelonious Monk
—
The Horace Silver Quintet
The Kicker
The Horace Silver Quintet
—
JOHN COLTRANE
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.162.797-7T-010.169.130-8T-010.171.200-8T-010.433.838-6T-010.162.797-7T-010.169.130-8T-010.171.200-8T-010.433.838-6T-031.877.593-7T-031.885.275-3
+122 more
T-031.877.593-7T-031.885.275-3T-070.002.297-4T-070.002.302-4T-070.002.363-7T-070.025.551-1T-070.026.911-9T-070.027.159-5T-070.038.248-4T-070.038.703-6T-070.063.839-6T-070.063.970-8T-070.097.242-4T-070.098.946-3T-070.126.365-1T-070.136.432-0T-070.139.880-2T-070.153.766-7T-070.178.687-9T-070.200.740-6T-070.210.198-1T-070.211.354-9T-070.233.056-0T-070.234.116-9T-070.234.187-4T-070.234.540-1T-070.241.179-7T-070.242.256-7T-070.243.116-0T-070.243.287-8T-070.880.862-1T-070.881.642-5T-070.882.094-3T-070.905.678-9T-070.905.870-7T-070.907.808-9T-070.919.077-1T-070.919.166-1T-070.939.731-8T-070.000.803-2T-070.002.297-4T-070.002.302-4T-070.002.363-7T-070.025.551-1T-070.026.911-9T-070.027.159-5T-070.038.248-4T-070.038.703-6T-070.063.839-6T-070.063.970-8T-070.096.620-6T-070.097.242-4T-070.098.084-2T-070.098.946-3T-070.126.365-1T-070.135.541-0T-070.136.432-0T-070.139.880-2T-070.153.766-7T-070.159.949-6T-070.178.687-9T-070.198.566-1T-070.199.342-1T-070.200.740-6T-070.210.198-1T-070.210.576-7T-070.211.122-5T-070.211.354-9T-070.233.056-0T-070.234.116-9T-070.234.187-4T-070.234.540-1T-070.241.179-7T-070.242.256-7T-070.242.608-1T-070.242.790-4T-070.243.116-0T-070.243.277-6T-070.243.287-8T-070.271.756-3T-070.880.862-1T-070.881.642-5T-070.882.094-3T-071.000.683-9T-071.000.782-1T-071.001.002-8T-071.001.008-4T-700.008.381-0T-700.010.032-5T-700.012.991-1T-700.023.788-9T-700.023.883-7T-700.037.132-6T-700.041.356-1T-700.065.107-2T-700.078.455-6T-700.080.292-8T-700.091.590-4T-900.312.305-5T-901.297.458-2T-910.406.518-1T-910.407.203-9T-914.728.372-5T-060.567.113-3T-070.000.803-2T-070.051.481-3T-070.092.806-8T-070.097.652-8T-070.111.837-7T-070.139.666-8T-070.139.880-2T-070.140.734-2T-070.203.895-6T-070.243.835-4T-070.243.872-9T-070.881.398-2T-070.902.992-4T-070.940.853-6T-700.006.998-9T-700.008.327-4T-700.080.703-6T-903.558.205-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000342938180000000055140079000000006308302700000000736622760000000077474491000000008146531X00000000818351810000000081897569000000009536638X000000010861737X
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00000001086819960000000108993797000000010911081000000001092891280000000109399028000000011034995X00000001103679200000000114363273000000011442644900000001144623000000000114929337000000011566991X000000011577669400000001194860610000000120183877000000012024912700000001214242060000000121484217000000012280792X0000000374378375
Identifier Graph
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What is UPC 8809217577280?
8809217577280 is a Universal Product Code (UPC) assigned to Blue Note: Collectors Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 201 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm