UPC · Release
Wolfgang Sawallisch
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8809355970851 is the Universal Product Code (UPC barcode) for the release “The Great EMI Recordings” by Wolfgang Sawallisch, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 320 tracks, each with its own ISRC. Tracks include GBAYC8901865, GBAYC8901866, GBAYC8901867.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 2 | Symphony no. 1 in C, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto vivace - Trio | — | ||
| 4 | Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio | — | ||
| 6 | Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre: Adagio assai | — | ||
| 7 | Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio | — | ||
| 8 | Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto | — | ||
| 2-1 | Symphony no. 2 in D, op. 36: Ia. Adagio molto - | — | ||
| 2-2 | Symphony no. 2 in D, op. 36: Ib. Allegro con brio | — | ||
| 2-3 | Symphony no. 2 in D, op. 36: II. Larghetto | — | ||
| 2-4 | Symphony no. 2 in D, op. 36: IIIa. Scherzo: Allegro - | — | ||
| 2-5 | Symphony no. 2 in D, op. 36: IIIb. Trio | — | ||
| 2-6 | Symphony no. 2 in D, op. 36: IV. Allegro molto | — | ||
| 2-7 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio | — | ||
| 2-8 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando | — | ||
| 2-9 | Symphony no. 8 in F, op. 93: III. Tempo di Menuetto | — | ||
| 2-10 | Symphony no. 8 in F, op. 93: IV. Allegro vivace | — | ||
| 3-1 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 3-2 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 3-3 | Symphony no. 4 in B-flat, op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro | — | ||
| 3-4 | Symphony no. 4 in B-flat, op. 60: IV. Allegro con brio | — | ||
| 3-5 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-6 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 3-7 | Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto | — | ||
| 3-8 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 4-5 | Symphony no. 6 in F, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country: Allegro ma non troppo | — | ||
| 4-6 | Symphony no. 6 in F, op. 68 "Pastoral": II. Scene at the Brook: Andante molto mosso | — | ||
| 4-7 | Symphony no. 6 in F, op. 68 "Pastoral": III. Peasants' Merrymaking: Allegro - | — | ||
| 4-8 | Symphony no. 6 in F, op. 68 "Pastoral": IV. The Storm: Allegro - | — | ||
| 4-9 | Symphony no. 6 in F, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm: Allegretto | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": IIa. Molto vivace - | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": IIb. Presto - | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IIc. Molto vivace | — | ||
| 5-5 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 5-6 | Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - | — | ||
| 5-7 | Symphony no. 9 in D minor, op. 125 "Choral": IVb. Recitativo: "O Freunde, nicht diese Töne!" - | — | ||
| 5-8 | Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai: "Freude, Freude!" - | — | ||
| 5-9 | Symphony no. 9 in D minor, op. 125 "Choral": IVd. Allegro assai vivace, alla marcia: "Froh, wie seine Sonnen fliegen" - | — | ||
| 5-10 | Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante maestoso: "Seid umschlungen, Millionen!" - | — | ||
| 5-11 | Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro energico, sempre ben marcato. "Seid umschlungen - Freude, schöner Götterfunken" - | — | ||
| 5-12 | Symphony no. 9 in D minor, op. 125 "Choral": IVg. Allegro ma non tanto: "Freude, Tochter aus Elysium!" - | — | ||
| 5-13 | Symphony no. 9 in D minor, op. 125 "Choral": IVh. Prestissimo: "Seid umschlungen, Millionen!" | — | ||
| 6-1 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro | — | ||
| 6-2 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 6-3 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo: Allegro | — | ||
| 6-4 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven) | — | ||
| 6-5 | Piano Concerto no. 20 in D minor, K. 466: II. Romanze | — | ||
| 6-6 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai (cadenza: Beethoven) | — | ||
| 7-1 | Symphony no. 1 in C minor, op. 68: Ia. Un poco sostenuto - | — | ||
| 7-2 | Symphony no. 1 in C minor, op. 68: Ib. Allegro | — | ||
| 7-3 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 7-4 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 7-5 | Symphony no. 1 in C minor, op. 68: IVa. Adagio | — | ||
| 7-6 | Symphony no. 1 in C minor, op. 68: IVb. Allegro non troppo, ma con brio | — | ||
| 7-7 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - | — | ||
| 7-8 | Schicksalslied, op. 54: Allegro - | — | ||
| 7-9 | Schicksalslied, op. 54: Adagio | — | ||
| 7-10 | Academic Festival Overture, op. 80 | — | ||
| 8-1 | Symphony no. 2 in D, op. 73: I. Allegro non troppo | — | ||
| 8-2 | Symphony no. 2 in D, op. 73: II. Adagio non troppo | — | ||
| 8-3 | Symphony no. 2 in D, op. 73: III. Allegretto grazioso (Quasi andantino - Presto ma non assai) | — | ||
| 8-4 | Symphony no. 2 in D, op. 73: IV. Allegro con spirito | — | ||
| 8-5 | Symphony no. 3 in F, op. 90: I. Allegro con brio | — | ||
| 8-6 | Symphony no. 3 in F, op. 90: II. Andante | — | ||
| 8-7 | Symphony no. 3 in F, op. 90: III. Poco allegretto | — | ||
| 8-8 | Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 9-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 9-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 9-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 9-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 9-5 | Tragic Overture, op. 81 | — | ||
| 9-6 | Variations on Joseph Haydn (St Anthony Chorale), op. 56a | — | ||
| 10-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 10-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 10-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | — | ||
| 11-1 | Piano Concerto no. 2 in B-flat, op. 83: I. Allegro non troppo | — | ||
| 11-2 | Piano Concerto no. 2 in B-flat, op. 83: II. Allegro appassionata | — | ||
| 11-3 | Piano Concerto no. 2 in B-flat, op. 83: III. Andante | — | ||
| 11-4 | Piano Concerto no. 2 in B-flat, op. 83: IV. Allegretto grazioso | — | ||
| 12-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 12-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 12-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau: Allegro - Allegretto - Tempo I (Cadenzas: Franz Beyer) | — | ||
| 12-4 | Violin Concerto in D, op. 77: I. Allegro ma non troppo | — | ||
| 12-5 | Violin Concerto in D, op. 77: II. Adagio (Cadenza: Joseph Joachim) | — | ||
| 12-6 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 13-1 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 13-2 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 13-3 | Double Concerto in A minor, op. 102: III. Vivace non troppo | — | ||
| 13-4 | Horn Trio in E-flat, op. 40: I. Andante - Poco più animato | — | ||
| 13-5 | Horn Trio in E-flat, op. 40: II. Scherzo: Allegro - Molto meno allegro | — | ||
| 13-6 | Horn Trio in E-flat, op. 40: III. Adagio mesto | — | ||
| 13-7 | Horn Trio in E-flat, op. 40: IV. Finale: Allegro con brio | — | ||
| 14-1 | Symphony no. 4 in E-flat "Romantic": I. Bewegt, night zu schnell | — | ||
| 14-2 | Symphony no. 4 in E-flat "Romantic": II. Andante quasi Allegretto | — | ||
| 14-3 | Symphony no. 4 in E-flat "Romantic": IIIa. Scherzo (Bewegt) | — | ||
| 14-4 | Symphony no. 4 in E-flat "Romantic": IIIb. Trio (Nicht zu schnell, keinesfalls schleppend) | — | ||
| 14-5 | Symphony no. 4 in E-flat "Romantic": IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 15-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 15-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 15-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace | — | ||
| 15-4 | Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro | — | ||
| 15-5 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 15-6 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 15-7 | Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato | — | ||
| 16-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-2 | Symphony no. 8 in G major, op. 88: II. Adagio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (molto vivace) | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 17-1 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I. Allegro | — | ||
| 17-2 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. "Turandot", Scherzo. Moderato / Lebhaft | — | ||
| 17-3 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino | — | ||
| 17-4 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch | — | ||
| 17-5 | "Nobilissima Visione" - Suite: Ia. Einleitung: Sehr Langsam - | — | ||
| 17-6 | "Nobilissima Visione" - Suite: Ib. Rondo: Mässig Schnell | — | ||
| 17-7 | "Nobilissima Visione" - Suite: II. Marsch Und Pastorale: Lebhaft | — | ||
| 17-8 | "Nobilissima Visione" - Suite: III. Passacaglia: Feierlich Bewegt | — | ||
| 17-9 | "Mathis der Maler" - Symphonie: I. Engelkonzert: Ruhig bewegt - Ziemlich Lebhafte Halbe | — | ||
| 17-10 | "Mathis der Maler" - Symphonie: II. Grablegung: Sehr Langsam | — | ||
| 17-11 | "Mathis der Maler" - Symphonie: III. Versuchung des Heiligen Antonius: Sehr Langsam, frei im Zeitmass - Sehr Lebhaft | — | ||
| 18-1 | Symphony. 2 in B-flat, op. 52 "Lobgesang": I. Sinfonia | — | ||
| 18-2 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIa. Alles was Odem hat | — | ||
| 18-3 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIb. Lobe den Hernn; Sages es | — | ||
| 18-4 | Symphony. 2 in B-flat, op. 52 "Lobgesang": III. Er zählet unsre Tränen | — | ||
| 18-5 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IV. Sagt es, die ihr erlöset seid | — | ||
| 18-6 | Symphony. 2 in B-flat, op. 52 "Lobgesang": V. Ich harrete des Herrn | — | ||
| 18-7 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VI. Stricke des Todes | — | ||
| 18-8 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VII. Die Nacht ist vergangen | — | ||
| 18-9 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VIII. Nun danket alle Gott | — | ||
| 18-10 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IX. Drum sing ich mit meinem Liede | — | ||
| 18-11 | Symphony. 2 in B-flat, op. 52 "Lobgesang": X. Ihr Völker! Bringet her | — | ||
| 19-1 | Piano Concerto no. 21 in C, K. 467: I. Allegro maestoso (cadenza: Busoni) | — | ||
| 19-2 | Piano Concerto no. 21 in C, K. 467: II. Andante | — | ||
| 19-3 | Piano Concerto no. 21 in C, K. 467: III. Allegro vivace assai(cadenza: Busoni) | — | ||
| 19-4 | Piano Concerto no. 22 in E-flat, K. 482: I. Allegro (cadenza: Hummel) | — | ||
| 19-5 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — | |
| 19-6 | Piano Concerto no. 22 in E-flat, K. 482: III. Rondo (Allegro) | — | ||
| 20-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 20-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 20-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau (Allegro) | — | ||
| 20-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 20-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 20-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 21-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | — | ||
| 21-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | — | ||
| 21-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | — | ||
| 21-4 | Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | — | ||
| 21-5 | Carmina Burana: I. Primo vere: 5. Ecce gratum | — | ||
| 21-6 | Carmina Burana: Uf dem Anger: 6. Tanz | — | ||
| 21-7 | Carmina Burana: Uf dem Anger: 7. Floret silva | — | ||
| 21-8 | Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir | — | ||
| 21-9 | Carmina Burana: Uf dem Anger: 9. Reie | — | ||
| 21-10 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 21-11 | Carmina Burana: Uf dem Anger: 9. Chume, chum geselle min | — | ||
| 21-12 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 21-13 | Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min | — | ||
| 21-14 | Carmina Burana: II. In taberna: 11. Estuans interius | — | ||
| 21-15 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | — | ||
| 21-16 | Carmina Burana: II. In taberna: 13. Ego sum abbas | — | ||
| 21-17 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | — | ||
| 21-18 | Carmina Burana: III. Cours d'amour: 15. Amor volat undique | — | ||
| 21-19 | Carmina Burana: III. Cours d'amour: 16. Dies, nox et omnia | — | ||
| 21-20 | Carmina Burana: III. Cours d'amour: 17. Stetit puella | — | ||
| 21-21 | Carmina Burana: III. Cours d'amour: 18. Circa mea pectora | — | ||
| 21-22 | Carmina Burana: III. Cours d'amour: 19. Si puer cum puellula | — | ||
| 21-23 | Carmina Burana: III. Cours d'amour: 20. Veni, veni, venias | — | ||
| 21-24 | Carmina Burana: III. Cours d'amour: 21. In trutina | — | ||
| 21-25 | Carmina Burana: III. Cours d'amour: 22. Tempus est iocundum | — | ||
| 21-26 | Carmina Burana: III. Cours d'amour: 23. Dulcissime | — | ||
| 21-27 | Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | — | ||
| 21-28 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | — | ||
| 21-29 | Words of thanks by Carl Orff | — | ||
| 22-1 | Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso | — | ||
| 22-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio espressivo | — | ||
| 22-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spiritoso) | — | ||
| 22-4 | Havanaise, op. 83 | — | ||
| 22-5 | Introduction and Rondo capriccioso, op. 28 | — | ||
| 23-1 | Symphony no. 1 in B-flat, op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace | — | ||
| 23-2 | Symphony no. 1 in B-flat, op. 38 "Spring": II. Larghetto | — | ||
| 23-3 | Symphony no. 1 in B-flat, op. 38 "Spring": III. Scherzo (Molto vivace) | — | ||
| 23-4 | Symphony no. 1 in B-flat, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 23-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 23-6 | Symphony no. 4 in D minor, op. 120: II. Romanze (Zeimlich langsam) | — | ||
| 23-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo Lebhaft | — | ||
| 23-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 23-9 | Overture, Scherzo and Finale, op. 52: I. Overture (Andante con moto - Allegro) | — | ||
| 23-10 | Overture, Scherzo and Finale, op. 52: II. Scherzo (Vivo) | — | ||
| 23-11 | Overture, Scherzo and Finale, op. 52: III. Finale (Allegro molto vivace) | — | ||
| 24-1 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 24-2 | Symphony no. 2 in C, op. 61: II. Scherzo. Allegro vivace | — | ||
| 24-3 | Symphony no. 2 in C, op. 61: III. Adagio espressivo | — | ||
| 24-4 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace | — | ||
| 24-5 | Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft | — | ||
| 24-6 | Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig) | — | ||
| 24-7 | Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 24-8 | Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich | — | ||
| 24-9 | Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft | — | ||
| 25-1 | Sheep May Safely Graze | — | ||
| 25-2 | Wachet auf | — | ||
| 25-3 | Ein' feste Burg ist unser Gott | — | ||
| 25-4 | Toccata and Fugue in D minor | — | ||
| 25-5 | Minuet | — | ||
| 25-6 | Moonlight Sonata (first movement) | — | ||
| 25-7 | Prelude in E minor | — | ||
| 25-8 | Panis angelicus | — | ||
| 25-9 | Andante cantabile | — | ||
| 25-10 | At the ball | — | ||
| 25-11 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T-906.638.690-1 | |
| 25-12 | La Cathérale engloutie | — | ||
| 25-13 | Preludes in C-sharp minor | — | ||
| 26-1 | Also sprach Zarathustra, op. 30: I. Anfang | — | ||
| 26-2 | Also sprach Zarathustra, op. 30: II. Von der Hinterweltlern | — | ||
| 26-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | — | ||
| 26-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | — | ||
| 26-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | — | ||
| 26-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | — | ||
| 26-7 | Also sprach Zarathustra, op. 30: VII. Ger Genesende | — | ||
| 26-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Nachtwanderlied | — | ||
| 26-9 | Don Juan, op. 20 | — | ||
| 26-10 | Til Eulenspiegels lustige Streiche, op. 28 | — | ||
| 27-1 | Ein Heldenleben, op. 40: I. Der Held: Lebhaft bewegt | — | ||
| 27-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher: Etwas langsamer | — | ||
| 27-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin: Erstes Zeitmaß (Lebhaft bewegt) | — | ||
| 27-4 | Ein Heldenleben, op. 40: IV. Thema der Siegesgewißheit: Mäßig langsam | — | ||
| 27-5 | Ein Heldenleben, op. 40: V. Des Helden Walstatt: Lebhaft | — | ||
| 27-6 | Ein Heldenleben, op. 40: VI. Kriesfanfaren: Festes Zeitmaß (Sehr lebhaft) | — | ||
| 27-7 | Ein Heldenleben, op. 40: VII. Des Helden Friedenswerke: Etwas breit - Des Helden Weltflucht und Vollendung: Mäßig langsam - Heftig bewegt | — | ||
| 27-8 | Ein Heldenleben, op. 40: VIII. Entsagung: Langsam | — | ||
| 28-1 | Violin Concerto in D minor, op. 8: I. Allegro | — | ||
| 28-2 | Violin Concerto in D minor, op. 8: II. Lento ma non troppo | — | ||
| 28-3 | Violin Concerto in D minor, op. 8: III. Finale: Rondo (Presto) | — | ||
| 28-4 | Violin Sonata in E-flat, op. 18: I. Allegro | — | ||
| 28-5 | Violin Sonata in E-flat, op. 18: II. Improvisation: Andante cantabile | — | ||
| 28-6 | Violin Sonata in E-flat, op. 18: III. Finale: Andante - Allegro | — | ||
| 29-1 | Horn Concerto no. 1 in E-flat, op. 11: I. Allegro | — | ||
| 29-2 | Horn Concerto no. 1 in E-flat, op. 11: II. Andante | — | ||
| 29-3 | Horn Concerto no. 1 in E-flat, op. 11: III. Allegro - Rondo (Allegro) | — | ||
| 29-4 | Horn Concerto no. 2 in E-flat: I. Allegro - Tranquillo | — | ||
| 29-5 | Horn Concerto no. 2 in E-flat: II. Andante con moto | — | ||
| 29-6 | Horn Concerto no. 2 in E-flat: III. Rondo (Allegro molto) | — | ||
| 30-1 | Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo | — | ||
| 30-2 | Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto | — | ||
| 30-3 | Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | — | ||
| 30-4 | Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato | — | ||
| 30-5 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro | — | ||
| 30-6 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto | — | ||
| 30-7 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice | — | ||
| 30-8 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato | — | ||
| 30-9 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro | — | ||
| 30-10 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace | — | ||
| 30-11 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato | — | ||
| 30-12 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro | — | ||
| 30-13 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse | — | ||
| 30-14 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace | — | ||
| 30-15 | Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro | — | ||
| 30-16 | Swan Lake, op. 20: Act I, no. 7: Sujet | — | ||
| 30-17 | Swan Lake, op. 20: Act I, no. 8: Danse des coupes: Tempo di polacca | — | ||
| 30-18 | Swan Lake, op. 20: Act I, no. 9: Finale: Andante | — | ||
| 30-19 | Swan Lake, op. 20: Act II, no. 10: Scene: Moderato | — | ||
| 30-20 | Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo | — | ||
| 30-21 | Swan Lake, op. 20: Act II, no. 12: Scene: Allegro | — | ||
| 30-22 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse | — | ||
| 30-23 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso | — | ||
| 30-24 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des cygnes: Tempo di valse | — | ||
| 30-25 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato | — | ||
| 30-26 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'action (Odette et le Prince): Andante - Andante non troppo - Allegro | — | ||
| 31-1 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) | — | ||
| 31-2 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo | — | ||
| 31-3 | Swan Lake, op. 20: Act II, no. 14: Scène: Moderato | — | ||
| 31-4 | Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto | — | ||
| 31-5 | Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | — | ||
| 31-6 | Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse | — | ||
| 31-7 | Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto | — | ||
| 31-8 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai | — | ||
| 31-9 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro | — | ||
| 31-10 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto | — | ||
| 31-11 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato | — | ||
| 31-12 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro | — | ||
| 31-13 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice | — | ||
| 31-14 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto | — | ||
| 31-15 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Moderato: Andante | — | ||
| 31-16 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation I: Allegro moderato | — | ||
| 31-17 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation II: Allegro | — | ||
| 31-18 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Coda: Allegro molto vivace | — | ||
| 31-19 | Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | — | ||
| 31-20 | Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo | — | ||
| 31-21 | Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | — | ||
| 31-22 | Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto | — | ||
| 31-23 | Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka | — | ||
| 31-24 | Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo | — | ||
| 31-25 | Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato | — | ||
| 31-26 | Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo | — | ||
| 31-27 | Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato | — | ||
| 31-28 | Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace | — | ||
| 31-29 | Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | — | ||
| 32-1 | Das Liebesverbot - Overture | — | ||
| 32-2 | Symphony in E (Allegro con spirito) | — | ||
| 32-3 | Faust - Overture | — | ||
| 32-4 | Five Poems for a Female Voice (Mathilde Wesendonck): I. Der Engel | — | ||
| 32-5 | Five Poems for a Female Voice (Mathilde Wesendonck): II. Stehe still! | — | ||
| 32-6 | Five Poems for a Female Voice (Mathilde Wesendonck): III. Im Treibhaus | — | ||
| 32-7 | Five Poems for a Female Voice (Mathilde Wesendonck): IV. Schmerzen | — | ||
| 32-8 | Five Poems for a Female Voice (Mathilde Wesendonck): V. Träume | — | ||
| 32-9 | Rienzi - Overture | — | ||
| 33-1 | Euryanthe: Overture | — | ||
| 33-2 | Der Beherrscher der Geister (Ruler of the Spirits) Overture | — | ||
| 33-3 | Abu Hassan: Overture | — | ||
| 33-4 | Jubel Overture | — | ||
| 33-5 | Der Freischütz: Overture | — | ||
| 33-6 | Preciosa: Overture | — | ||
| 33-7 | Oberon: Overture | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
8809355970851 is a Universal Product Code (UPC) assigned to The Great EMI Recordings by Wolfgang Sawallisch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 320 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
8809355970851 is the Universal Product Code (UPC barcode) for the release “The Great EMI Recordings” by Wolfgang Sawallisch, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 320 tracks, each with its own ISRC. Tracks include GBAYC8901865, GBAYC8901866, GBAYC8901867.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 2 | Symphony no. 1 in C, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto vivace - Trio | — | ||
| 4 | Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio | — | ||
| 6 | Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre: Adagio assai | — | ||
| 7 | Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio | — | ||
| 8 | Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto | — | ||
| 2-1 | Symphony no. 2 in D, op. 36: Ia. Adagio molto - | — | ||
| 2-2 | Symphony no. 2 in D, op. 36: Ib. Allegro con brio | — | ||
| 2-3 | Symphony no. 2 in D, op. 36: II. Larghetto | — | ||
| 2-4 | Symphony no. 2 in D, op. 36: IIIa. Scherzo: Allegro - | — | ||
| 2-5 | Symphony no. 2 in D, op. 36: IIIb. Trio | — | ||
| 2-6 | Symphony no. 2 in D, op. 36: IV. Allegro molto | — | ||
| 2-7 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio | — | ||
| 2-8 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando | — | ||
| 2-9 | Symphony no. 8 in F, op. 93: III. Tempo di Menuetto | — | ||
| 2-10 | Symphony no. 8 in F, op. 93: IV. Allegro vivace | — | ||
| 3-1 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 3-2 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 3-3 | Symphony no. 4 in B-flat, op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro | — | ||
| 3-4 | Symphony no. 4 in B-flat, op. 60: IV. Allegro con brio | — | ||
| 3-5 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-6 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 3-7 | Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto | — | ||
| 3-8 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 4-5 | Symphony no. 6 in F, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country: Allegro ma non troppo | — | ||
| 4-6 | Symphony no. 6 in F, op. 68 "Pastoral": II. Scene at the Brook: Andante molto mosso | — | ||
| 4-7 | Symphony no. 6 in F, op. 68 "Pastoral": III. Peasants' Merrymaking: Allegro - | — | ||
| 4-8 | Symphony no. 6 in F, op. 68 "Pastoral": IV. The Storm: Allegro - | — | ||
| 4-9 | Symphony no. 6 in F, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm: Allegretto | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": IIa. Molto vivace - | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": IIb. Presto - | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IIc. Molto vivace | — | ||
| 5-5 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 5-6 | Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - | — | ||
| 5-7 | Symphony no. 9 in D minor, op. 125 "Choral": IVb. Recitativo: "O Freunde, nicht diese Töne!" - | — | ||
| 5-8 | Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai: "Freude, Freude!" - | — | ||
| 5-9 | Symphony no. 9 in D minor, op. 125 "Choral": IVd. Allegro assai vivace, alla marcia: "Froh, wie seine Sonnen fliegen" - | — | ||
| 5-10 | Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante maestoso: "Seid umschlungen, Millionen!" - | — | ||
| 5-11 | Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro energico, sempre ben marcato. "Seid umschlungen - Freude, schöner Götterfunken" - | — | ||
| 5-12 | Symphony no. 9 in D minor, op. 125 "Choral": IVg. Allegro ma non tanto: "Freude, Tochter aus Elysium!" - | — | ||
| 5-13 | Symphony no. 9 in D minor, op. 125 "Choral": IVh. Prestissimo: "Seid umschlungen, Millionen!" | — | ||
| 6-1 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro | — | ||
| 6-2 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 6-3 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo: Allegro | — | ||
| 6-4 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven) | — | ||
| 6-5 | Piano Concerto no. 20 in D minor, K. 466: II. Romanze | — | ||
| 6-6 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai (cadenza: Beethoven) | — | ||
| 7-1 | Symphony no. 1 in C minor, op. 68: Ia. Un poco sostenuto - | — | ||
| 7-2 | Symphony no. 1 in C minor, op. 68: Ib. Allegro | — | ||
| 7-3 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 7-4 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 7-5 | Symphony no. 1 in C minor, op. 68: IVa. Adagio | — | ||
| 7-6 | Symphony no. 1 in C minor, op. 68: IVb. Allegro non troppo, ma con brio | — | ||
| 7-7 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - | — | ||
| 7-8 | Schicksalslied, op. 54: Allegro - | — | ||
| 7-9 | Schicksalslied, op. 54: Adagio | — | ||
| 7-10 | Academic Festival Overture, op. 80 | — | ||
| 8-1 | Symphony no. 2 in D, op. 73: I. Allegro non troppo | — | ||
| 8-2 | Symphony no. 2 in D, op. 73: II. Adagio non troppo | — | ||
| 8-3 | Symphony no. 2 in D, op. 73: III. Allegretto grazioso (Quasi andantino - Presto ma non assai) | — | ||
| 8-4 | Symphony no. 2 in D, op. 73: IV. Allegro con spirito | — | ||
| 8-5 | Symphony no. 3 in F, op. 90: I. Allegro con brio | — | ||
| 8-6 | Symphony no. 3 in F, op. 90: II. Andante | — | ||
| 8-7 | Symphony no. 3 in F, op. 90: III. Poco allegretto | — | ||
| 8-8 | Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 9-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 9-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 9-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 9-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 9-5 | Tragic Overture, op. 81 | — | ||
| 9-6 | Variations on Joseph Haydn (St Anthony Chorale), op. 56a | — | ||
| 10-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 10-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 10-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | — | ||
| 11-1 | Piano Concerto no. 2 in B-flat, op. 83: I. Allegro non troppo | — | ||
| 11-2 | Piano Concerto no. 2 in B-flat, op. 83: II. Allegro appassionata | — | ||
| 11-3 | Piano Concerto no. 2 in B-flat, op. 83: III. Andante | — | ||
| 11-4 | Piano Concerto no. 2 in B-flat, op. 83: IV. Allegretto grazioso | — | ||
| 12-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 12-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 12-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau: Allegro - Allegretto - Tempo I (Cadenzas: Franz Beyer) | — | ||
| 12-4 | Violin Concerto in D, op. 77: I. Allegro ma non troppo | — | ||
| 12-5 | Violin Concerto in D, op. 77: II. Adagio (Cadenza: Joseph Joachim) | — | ||
| 12-6 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 13-1 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 13-2 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 13-3 | Double Concerto in A minor, op. 102: III. Vivace non troppo | — | ||
| 13-4 | Horn Trio in E-flat, op. 40: I. Andante - Poco più animato | — | ||
| 13-5 | Horn Trio in E-flat, op. 40: II. Scherzo: Allegro - Molto meno allegro | — | ||
| 13-6 | Horn Trio in E-flat, op. 40: III. Adagio mesto | — | ||
| 13-7 | Horn Trio in E-flat, op. 40: IV. Finale: Allegro con brio | — | ||
| 14-1 | Symphony no. 4 in E-flat "Romantic": I. Bewegt, night zu schnell | — | ||
| 14-2 | Symphony no. 4 in E-flat "Romantic": II. Andante quasi Allegretto | — | ||
| 14-3 | Symphony no. 4 in E-flat "Romantic": IIIa. Scherzo (Bewegt) | — | ||
| 14-4 | Symphony no. 4 in E-flat "Romantic": IIIb. Trio (Nicht zu schnell, keinesfalls schleppend) | — | ||
| 14-5 | Symphony no. 4 in E-flat "Romantic": IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 15-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 15-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 15-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace | — | ||
| 15-4 | Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro | — | ||
| 15-5 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 15-6 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 15-7 | Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato | — | ||
| 16-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-2 | Symphony no. 8 in G major, op. 88: II. Adagio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (molto vivace) | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 17-1 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I. Allegro | — | ||
| 17-2 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. "Turandot", Scherzo. Moderato / Lebhaft | — | ||
| 17-3 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino | — | ||
| 17-4 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch | — | ||
| 17-5 | "Nobilissima Visione" - Suite: Ia. Einleitung: Sehr Langsam - | — | ||
| 17-6 | "Nobilissima Visione" - Suite: Ib. Rondo: Mässig Schnell | — | ||
| 17-7 | "Nobilissima Visione" - Suite: II. Marsch Und Pastorale: Lebhaft | — | ||
| 17-8 | "Nobilissima Visione" - Suite: III. Passacaglia: Feierlich Bewegt | — | ||
| 17-9 | "Mathis der Maler" - Symphonie: I. Engelkonzert: Ruhig bewegt - Ziemlich Lebhafte Halbe | — | ||
| 17-10 | "Mathis der Maler" - Symphonie: II. Grablegung: Sehr Langsam | — | ||
| 17-11 | "Mathis der Maler" - Symphonie: III. Versuchung des Heiligen Antonius: Sehr Langsam, frei im Zeitmass - Sehr Lebhaft | — | ||
| 18-1 | Symphony. 2 in B-flat, op. 52 "Lobgesang": I. Sinfonia | — | ||
| 18-2 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIa. Alles was Odem hat | — | ||
| 18-3 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIb. Lobe den Hernn; Sages es | — | ||
| 18-4 | Symphony. 2 in B-flat, op. 52 "Lobgesang": III. Er zählet unsre Tränen | — | ||
| 18-5 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IV. Sagt es, die ihr erlöset seid | — | ||
| 18-6 | Symphony. 2 in B-flat, op. 52 "Lobgesang": V. Ich harrete des Herrn | — | ||
| 18-7 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VI. Stricke des Todes | — | ||
| 18-8 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VII. Die Nacht ist vergangen | — | ||
| 18-9 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VIII. Nun danket alle Gott | — | ||
| 18-10 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IX. Drum sing ich mit meinem Liede | — | ||
| 18-11 | Symphony. 2 in B-flat, op. 52 "Lobgesang": X. Ihr Völker! Bringet her | — | ||
| 19-1 | Piano Concerto no. 21 in C, K. 467: I. Allegro maestoso (cadenza: Busoni) | — | ||
| 19-2 | Piano Concerto no. 21 in C, K. 467: II. Andante | — | ||
| 19-3 | Piano Concerto no. 21 in C, K. 467: III. Allegro vivace assai(cadenza: Busoni) | — | ||
| 19-4 | Piano Concerto no. 22 in E-flat, K. 482: I. Allegro (cadenza: Hummel) | — | ||
| 19-5 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — | |
| 19-6 | Piano Concerto no. 22 in E-flat, K. 482: III. Rondo (Allegro) | — | ||
| 20-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 20-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 20-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau (Allegro) | — | ||
| 20-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 20-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 20-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 21-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | — | ||
| 21-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | — | ||
| 21-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | — | ||
| 21-4 | Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | — | ||
| 21-5 | Carmina Burana: I. Primo vere: 5. Ecce gratum | — | ||
| 21-6 | Carmina Burana: Uf dem Anger: 6. Tanz | — | ||
| 21-7 | Carmina Burana: Uf dem Anger: 7. Floret silva | — | ||
| 21-8 | Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir | — | ||
| 21-9 | Carmina Burana: Uf dem Anger: 9. Reie | — | ||
| 21-10 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 21-11 | Carmina Burana: Uf dem Anger: 9. Chume, chum geselle min | — | ||
| 21-12 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 21-13 | Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min | — | ||
| 21-14 | Carmina Burana: II. In taberna: 11. Estuans interius | — | ||
| 21-15 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | — | ||
| 21-16 | Carmina Burana: II. In taberna: 13. Ego sum abbas | — | ||
| 21-17 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | — | ||
| 21-18 | Carmina Burana: III. Cours d'amour: 15. Amor volat undique | — | ||
| 21-19 | Carmina Burana: III. Cours d'amour: 16. Dies, nox et omnia | — | ||
| 21-20 | Carmina Burana: III. Cours d'amour: 17. Stetit puella | — | ||
| 21-21 | Carmina Burana: III. Cours d'amour: 18. Circa mea pectora | — | ||
| 21-22 | Carmina Burana: III. Cours d'amour: 19. Si puer cum puellula | — | ||
| 21-23 | Carmina Burana: III. Cours d'amour: 20. Veni, veni, venias | — | ||
| 21-24 | Carmina Burana: III. Cours d'amour: 21. In trutina | — | ||
| 21-25 | Carmina Burana: III. Cours d'amour: 22. Tempus est iocundum | — | ||
| 21-26 | Carmina Burana: III. Cours d'amour: 23. Dulcissime | — | ||
| 21-27 | Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | — | ||
| 21-28 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | — | ||
| 21-29 | Words of thanks by Carl Orff | — | ||
| 22-1 | Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso | — | ||
| 22-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio espressivo | — | ||
| 22-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spiritoso) | — | ||
| 22-4 | Havanaise, op. 83 | — | ||
| 22-5 | Introduction and Rondo capriccioso, op. 28 | — | ||
| 23-1 | Symphony no. 1 in B-flat, op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace | — | ||
| 23-2 | Symphony no. 1 in B-flat, op. 38 "Spring": II. Larghetto | — | ||
| 23-3 | Symphony no. 1 in B-flat, op. 38 "Spring": III. Scherzo (Molto vivace) | — | ||
| 23-4 | Symphony no. 1 in B-flat, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 23-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 23-6 | Symphony no. 4 in D minor, op. 120: II. Romanze (Zeimlich langsam) | — | ||
| 23-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo Lebhaft | — | ||
| 23-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 23-9 | Overture, Scherzo and Finale, op. 52: I. Overture (Andante con moto - Allegro) | — | ||
| 23-10 | Overture, Scherzo and Finale, op. 52: II. Scherzo (Vivo) | — | ||
| 23-11 | Overture, Scherzo and Finale, op. 52: III. Finale (Allegro molto vivace) | — | ||
| 24-1 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 24-2 | Symphony no. 2 in C, op. 61: II. Scherzo. Allegro vivace | — | ||
| 24-3 | Symphony no. 2 in C, op. 61: III. Adagio espressivo | — | ||
| 24-4 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace | — | ||
| 24-5 | Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft | — | ||
| 24-6 | Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig) | — | ||
| 24-7 | Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 24-8 | Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich | — | ||
| 24-9 | Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft | — | ||
| 25-1 | Sheep May Safely Graze | — | ||
| 25-2 | Wachet auf | — | ||
| 25-3 | Ein' feste Burg ist unser Gott | — | ||
| 25-4 | Toccata and Fugue in D minor | — | ||
| 25-5 | Minuet | — | ||
| 25-6 | Moonlight Sonata (first movement) | — | ||
| 25-7 | Prelude in E minor | — | ||
| 25-8 | Panis angelicus | — | ||
| 25-9 | Andante cantabile | — | ||
| 25-10 | At the ball | — | ||
| 25-11 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T-906.638.690-1 | |
| 25-12 | La Cathérale engloutie | — | ||
| 25-13 | Preludes in C-sharp minor | — | ||
| 26-1 | Also sprach Zarathustra, op. 30: I. Anfang | — | ||
| 26-2 | Also sprach Zarathustra, op. 30: II. Von der Hinterweltlern | — | ||
| 26-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | — | ||
| 26-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | — | ||
| 26-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | — | ||
| 26-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | — | ||
| 26-7 | Also sprach Zarathustra, op. 30: VII. Ger Genesende | — | ||
| 26-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Nachtwanderlied | — | ||
| 26-9 | Don Juan, op. 20 | — | ||
| 26-10 | Til Eulenspiegels lustige Streiche, op. 28 | — | ||
| 27-1 | Ein Heldenleben, op. 40: I. Der Held: Lebhaft bewegt | — | ||
| 27-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher: Etwas langsamer | — | ||
| 27-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin: Erstes Zeitmaß (Lebhaft bewegt) | — | ||
| 27-4 | Ein Heldenleben, op. 40: IV. Thema der Siegesgewißheit: Mäßig langsam | — | ||
| 27-5 | Ein Heldenleben, op. 40: V. Des Helden Walstatt: Lebhaft | — | ||
| 27-6 | Ein Heldenleben, op. 40: VI. Kriesfanfaren: Festes Zeitmaß (Sehr lebhaft) | — | ||
| 27-7 | Ein Heldenleben, op. 40: VII. Des Helden Friedenswerke: Etwas breit - Des Helden Weltflucht und Vollendung: Mäßig langsam - Heftig bewegt | — | ||
| 27-8 | Ein Heldenleben, op. 40: VIII. Entsagung: Langsam | — | ||
| 28-1 | Violin Concerto in D minor, op. 8: I. Allegro | — | ||
| 28-2 | Violin Concerto in D minor, op. 8: II. Lento ma non troppo | — | ||
| 28-3 | Violin Concerto in D minor, op. 8: III. Finale: Rondo (Presto) | — | ||
| 28-4 | Violin Sonata in E-flat, op. 18: I. Allegro | — | ||
| 28-5 | Violin Sonata in E-flat, op. 18: II. Improvisation: Andante cantabile | — | ||
| 28-6 | Violin Sonata in E-flat, op. 18: III. Finale: Andante - Allegro | — | ||
| 29-1 | Horn Concerto no. 1 in E-flat, op. 11: I. Allegro | — | ||
| 29-2 | Horn Concerto no. 1 in E-flat, op. 11: II. Andante | — | ||
| 29-3 | Horn Concerto no. 1 in E-flat, op. 11: III. Allegro - Rondo (Allegro) | — | ||
| 29-4 | Horn Concerto no. 2 in E-flat: I. Allegro - Tranquillo | — | ||
| 29-5 | Horn Concerto no. 2 in E-flat: II. Andante con moto | — | ||
| 29-6 | Horn Concerto no. 2 in E-flat: III. Rondo (Allegro molto) | — | ||
| 30-1 | Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo | — | ||
| 30-2 | Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto | — | ||
| 30-3 | Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | — | ||
| 30-4 | Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato | — | ||
| 30-5 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro | — | ||
| 30-6 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto | — | ||
| 30-7 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice | — | ||
| 30-8 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato | — | ||
| 30-9 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro | — | ||
| 30-10 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace | — | ||
| 30-11 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato | — | ||
| 30-12 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro | — | ||
| 30-13 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse | — | ||
| 30-14 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace | — | ||
| 30-15 | Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro | — | ||
| 30-16 | Swan Lake, op. 20: Act I, no. 7: Sujet | — | ||
| 30-17 | Swan Lake, op. 20: Act I, no. 8: Danse des coupes: Tempo di polacca | — | ||
| 30-18 | Swan Lake, op. 20: Act I, no. 9: Finale: Andante | — | ||
| 30-19 | Swan Lake, op. 20: Act II, no. 10: Scene: Moderato | — | ||
| 30-20 | Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo | — | ||
| 30-21 | Swan Lake, op. 20: Act II, no. 12: Scene: Allegro | — | ||
| 30-22 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse | — | ||
| 30-23 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso | — | ||
| 30-24 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des cygnes: Tempo di valse | — | ||
| 30-25 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato | — | ||
| 30-26 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'action (Odette et le Prince): Andante - Andante non troppo - Allegro | — | ||
| 31-1 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) | — | ||
| 31-2 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo | — | ||
| 31-3 | Swan Lake, op. 20: Act II, no. 14: Scène: Moderato | — | ||
| 31-4 | Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto | — | ||
| 31-5 | Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | — | ||
| 31-6 | Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse | — | ||
| 31-7 | Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto | — | ||
| 31-8 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai | — | ||
| 31-9 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro | — | ||
| 31-10 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto | — | ||
| 31-11 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato | — | ||
| 31-12 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro | — | ||
| 31-13 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice | — | ||
| 31-14 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto | — | ||
| 31-15 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Moderato: Andante | — | ||
| 31-16 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation I: Allegro moderato | — | ||
| 31-17 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation II: Allegro | — | ||
| 31-18 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Coda: Allegro molto vivace | — | ||
| 31-19 | Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | — | ||
| 31-20 | Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo | — | ||
| 31-21 | Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | — | ||
| 31-22 | Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto | — | ||
| 31-23 | Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka | — | ||
| 31-24 | Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo | — | ||
| 31-25 | Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato | — | ||
| 31-26 | Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo | — | ||
| 31-27 | Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato | — | ||
| 31-28 | Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace | — | ||
| 31-29 | Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | — | ||
| 32-1 | Das Liebesverbot - Overture | — | ||
| 32-2 | Symphony in E (Allegro con spirito) | — | ||
| 32-3 | Faust - Overture | — | ||
| 32-4 | Five Poems for a Female Voice (Mathilde Wesendonck): I. Der Engel | — | ||
| 32-5 | Five Poems for a Female Voice (Mathilde Wesendonck): II. Stehe still! | — | ||
| 32-6 | Five Poems for a Female Voice (Mathilde Wesendonck): III. Im Treibhaus | — | ||
| 32-7 | Five Poems for a Female Voice (Mathilde Wesendonck): IV. Schmerzen | — | ||
| 32-8 | Five Poems for a Female Voice (Mathilde Wesendonck): V. Träume | — | ||
| 32-9 | Rienzi - Overture | — | ||
| 33-1 | Euryanthe: Overture | — | ||
| 33-2 | Der Beherrscher der Geister (Ruler of the Spirits) Overture | — | ||
| 33-3 | Abu Hassan: Overture | — | ||
| 33-4 | Jubel Overture | — | ||
| 33-5 | Der Freischütz: Overture | — | ||
| 33-6 | Preciosa: Overture | — | ||
| 33-7 | Oberon: Overture | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
