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The Great EMI Recordings
Wolfgang Sawallisch
8809355970851
320 tracksReleased 2013-01-01
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8809355970851 is the Universal Product Code (UPC barcode) for the release “The Great EMI Recordings” by Wolfgang Sawallisch, released 2013-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 320 tracks, each with its own ISRC. Tracks include GBAYC8901865, GBAYC8901866, GBAYC8901867.
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Track List (320)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 2 | Symphony no. 1 in C, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto vivace - Trio | — | ||
| 4 | Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio | — | ||
| 6 | Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre: Adagio assai | — | ||
| 7 | Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio | — | ||
| 8 | Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto | — | ||
| 2-1 | Symphony no. 2 in D, op. 36: Ia. Adagio molto - | — | ||
| 2-2 | Symphony no. 2 in D, op. 36: Ib. Allegro con brio | — | ||
| 2-3 | Symphony no. 2 in D, op. 36: II. Larghetto | — | ||
| 2-4 | Symphony no. 2 in D, op. 36: IIIa. Scherzo: Allegro - | — | ||
| 2-5 | Symphony no. 2 in D, op. 36: IIIb. Trio | — | ||
| 2-6 | Symphony no. 2 in D, op. 36: IV. Allegro molto | — | ||
| 2-7 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio | — | ||
| 2-8 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando | — | ||
| 2-9 | Symphony no. 8 in F, op. 93: III. Tempo di Menuetto | — | ||
| 2-10 | Symphony no. 8 in F, op. 93: IV. Allegro vivace | — | ||
| 3-1 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace | — | ||
| 3-2 | Symphony no. 4 in B-flat, op. 60: II. Adagio | — | ||
| 3-3 | Symphony no. 4 in B-flat, op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro | — | ||
| 3-4 | Symphony no. 4 in B-flat, op. 60: IV. Allegro con brio | — | ||
| 3-5 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-6 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 3-7 | Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto | — | ||
| 3-8 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 4-5 | Symphony no. 6 in F, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country: Allegro ma non troppo | — | ||
| 4-6 | Symphony no. 6 in F, op. 68 "Pastoral": II. Scene at the Brook: Andante molto mosso | — | ||
| 4-7 | Symphony no. 6 in F, op. 68 "Pastoral": III. Peasants' Merrymaking: Allegro - | — | ||
| 4-8 | Symphony no. 6 in F, op. 68 "Pastoral": IV. The Storm: Allegro - | — | ||
| 4-9 | Symphony no. 6 in F, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm: Allegretto | — | ||
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": IIa. Molto vivace - | — | ||
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": IIb. Presto - | — | ||
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IIc. Molto vivace | — | ||
| 5-5 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | — | ||
| 5-6 | Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - | — | ||
| 5-7 | Symphony no. 9 in D minor, op. 125 "Choral": IVb. Recitativo: "O Freunde, nicht diese Töne!" - | — | ||
| 5-8 | Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai: "Freude, Freude!" - | — | ||
| 5-9 | Symphony no. 9 in D minor, op. 125 "Choral": IVd. Allegro assai vivace, alla marcia: "Froh, wie seine Sonnen fliegen" - | — | ||
| 5-10 | Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante maestoso: "Seid umschlungen, Millionen!" - | — | ||
| 5-11 | Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro energico, sempre ben marcato. "Seid umschlungen - Freude, schöner Götterfunken" - | — | ||
| 5-12 | Symphony no. 9 in D minor, op. 125 "Choral": IVg. Allegro ma non tanto: "Freude, Tochter aus Elysium!" - | — | ||
| 5-13 | Symphony no. 9 in D minor, op. 125 "Choral": IVh. Prestissimo: "Seid umschlungen, Millionen!" | — | ||
| 6-1 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro | — | ||
| 6-2 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 6-3 | Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo: Allegro | — | ||
| 6-4 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven) | — | ||
| 6-5 | Piano Concerto no. 20 in D minor, K. 466: II. Romanze | — | ||
| 6-6 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai (cadenza: Beethoven) | — | ||
| 7-1 | Symphony no. 1 in C minor, op. 68: Ia. Un poco sostenuto - | — | ||
| 7-2 | Symphony no. 1 in C minor, op. 68: Ib. Allegro | — | ||
| 7-3 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 7-4 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 7-5 | Symphony no. 1 in C minor, op. 68: IVa. Adagio | — | ||
| 7-6 | Symphony no. 1 in C minor, op. 68: IVb. Allegro non troppo, ma con brio | — | ||
| 7-7 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - | — | ||
| 7-8 | Schicksalslied, op. 54: Allegro - | — | ||
| 7-9 | Schicksalslied, op. 54: Adagio | — | ||
| 7-10 | Academic Festival Overture, op. 80 | — | ||
| 8-1 | Symphony no. 2 in D, op. 73: I. Allegro non troppo | — | ||
| 8-2 | Symphony no. 2 in D, op. 73: II. Adagio non troppo | — | ||
| 8-3 | Symphony no. 2 in D, op. 73: III. Allegretto grazioso (Quasi andantino - Presto ma non assai) | — | ||
| 8-4 | Symphony no. 2 in D, op. 73: IV. Allegro con spirito | — | ||
| 8-5 | Symphony no. 3 in F, op. 90: I. Allegro con brio | — | ||
| 8-6 | Symphony no. 3 in F, op. 90: II. Andante | — | ||
| 8-7 | Symphony no. 3 in F, op. 90: III. Poco allegretto | — | ||
| 8-8 | Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 9-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 9-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 9-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 9-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 9-5 | Tragic Overture, op. 81 | — | ||
| 9-6 | Variations on Joseph Haydn (St Anthony Chorale), op. 56a | — | ||
| 10-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 10-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 10-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | — | ||
| 11-1 | Piano Concerto no. 2 in B-flat, op. 83: I. Allegro non troppo | — | ||
| 11-2 | Piano Concerto no. 2 in B-flat, op. 83: II. Allegro appassionata | — | ||
| 11-3 | Piano Concerto no. 2 in B-flat, op. 83: III. Andante | — | ||
| 11-4 | Piano Concerto no. 2 in B-flat, op. 83: IV. Allegretto grazioso | — | ||
| 12-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 12-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 12-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau: Allegro - Allegretto - Tempo I (Cadenzas: Franz Beyer) | — | ||
| 12-4 | Violin Concerto in D, op. 77: I. Allegro ma non troppo | — | ||
| 12-5 | Violin Concerto in D, op. 77: II. Adagio (Cadenza: Joseph Joachim) | — | ||
| 12-6 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 13-1 | Double Concerto in A minor, op. 102: I. Allegro | — | ||
| 13-2 | Double Concerto in A minor, op. 102: II. Andante | — | ||
| 13-3 | Double Concerto in A minor, op. 102: III. Vivace non troppo | — | ||
| 13-4 | Horn Trio in E-flat, op. 40: I. Andante - Poco più animato | — | ||
| 13-5 | Horn Trio in E-flat, op. 40: II. Scherzo: Allegro - Molto meno allegro | — | ||
| 13-6 | Horn Trio in E-flat, op. 40: III. Adagio mesto | — | ||
| 13-7 | Horn Trio in E-flat, op. 40: IV. Finale: Allegro con brio | — | ||
| 14-1 | Symphony no. 4 in E-flat "Romantic": I. Bewegt, night zu schnell | — | ||
| 14-2 | Symphony no. 4 in E-flat "Romantic": II. Andante quasi Allegretto | — | ||
| 14-3 | Symphony no. 4 in E-flat "Romantic": IIIa. Scherzo (Bewegt) | — | ||
| 14-4 | Symphony no. 4 in E-flat "Romantic": IIIb. Trio (Nicht zu schnell, keinesfalls schleppend) | — | ||
| 14-5 | Symphony no. 4 in E-flat "Romantic": IV. Finale (Bewegt, doch nicht zu schnell) | — | ||
| 15-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | — | ||
| 15-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | — | ||
| 15-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace | — | ||
| 15-4 | Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro | — | ||
| 15-5 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 15-6 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 15-7 | Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato | — | ||
| 16-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-2 | Symphony no. 8 in G major, op. 88: II. Adagio | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-6 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-7 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (molto vivace) | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 16-8 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 17-1 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I. Allegro | — | ||
| 17-2 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. "Turandot", Scherzo. Moderato / Lebhaft | — | ||
| 17-3 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino | — | ||
| 17-4 | Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch | — | ||
| 17-5 | "Nobilissima Visione" - Suite: Ia. Einleitung: Sehr Langsam - | — | ||
| 17-6 | "Nobilissima Visione" - Suite: Ib. Rondo: Mässig Schnell | — | ||
| 17-7 | "Nobilissima Visione" - Suite: II. Marsch Und Pastorale: Lebhaft | — | ||
| 17-8 | "Nobilissima Visione" - Suite: III. Passacaglia: Feierlich Bewegt | — | ||
| 17-9 | "Mathis der Maler" - Symphonie: I. Engelkonzert: Ruhig bewegt - Ziemlich Lebhafte Halbe | — | ||
| 17-10 | "Mathis der Maler" - Symphonie: II. Grablegung: Sehr Langsam | — | ||
| 17-11 | "Mathis der Maler" - Symphonie: III. Versuchung des Heiligen Antonius: Sehr Langsam, frei im Zeitmass - Sehr Lebhaft | — | ||
| 18-1 | Symphony. 2 in B-flat, op. 52 "Lobgesang": I. Sinfonia | — | ||
| 18-2 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIa. Alles was Odem hat | — | ||
| 18-3 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IIb. Lobe den Hernn; Sages es | — | ||
| 18-4 | Symphony. 2 in B-flat, op. 52 "Lobgesang": III. Er zählet unsre Tränen | — | ||
| 18-5 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IV. Sagt es, die ihr erlöset seid | — | ||
| 18-6 | Symphony. 2 in B-flat, op. 52 "Lobgesang": V. Ich harrete des Herrn | — | ||
| 18-7 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VI. Stricke des Todes | — | ||
| 18-8 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VII. Die Nacht ist vergangen | — | ||
| 18-9 | Symphony. 2 in B-flat, op. 52 "Lobgesang": VIII. Nun danket alle Gott | — | ||
| 18-10 | Symphony. 2 in B-flat, op. 52 "Lobgesang": IX. Drum sing ich mit meinem Liede | — | ||
| 18-11 | Symphony. 2 in B-flat, op. 52 "Lobgesang": X. Ihr Völker! Bringet her | — | ||
| 19-1 | Piano Concerto no. 21 in C, K. 467: I. Allegro maestoso (cadenza: Busoni) | — | ||
| 19-2 | Piano Concerto no. 21 in C, K. 467: II. Andante | — | ||
| 19-3 | Piano Concerto no. 21 in C, K. 467: III. Allegro vivace assai(cadenza: Busoni) | — | ||
| 19-4 | Piano Concerto no. 22 in E-flat, K. 482: I. Allegro (cadenza: Hummel) | — | ||
| 19-5 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — | |
| 19-6 | Piano Concerto no. 22 in E-flat, K. 482: III. Rondo (Allegro) | — | ||
| 20-1 | Violin Concerto no. 3 in G, K. 216: I. Allegro | — | ||
| 20-2 | Violin Concerto no. 3 in G, K. 216: II. Adagio | — | ||
| 20-3 | Violin Concerto no. 3 in G, K. 216: III. Rondeau (Allegro) | — | ||
| 20-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 20-5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 20-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 21-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | — | ||
| 21-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | — | ||
| 21-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | — | ||
| 21-4 | Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | — | ||
| 21-5 | Carmina Burana: I. Primo vere: 5. Ecce gratum | — | ||
| 21-6 | Carmina Burana: Uf dem Anger: 6. Tanz | — | ||
| 21-7 | Carmina Burana: Uf dem Anger: 7. Floret silva | — | ||
| 21-8 | Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir | — | ||
| 21-9 | Carmina Burana: Uf dem Anger: 9. Reie | — | ||
| 21-10 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 21-11 | Carmina Burana: Uf dem Anger: 9. Chume, chum geselle min | — | ||
| 21-12 | Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe | — | ||
| 21-13 | Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min | — | ||
| 21-14 | Carmina Burana: II. In taberna: 11. Estuans interius | — | ||
| 21-15 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | — | ||
| 21-16 | Carmina Burana: II. In taberna: 13. Ego sum abbas | — | ||
| 21-17 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | — | ||
| 21-18 | Carmina Burana: III. Cours d'amour: 15. Amor volat undique | — | ||
| 21-19 | Carmina Burana: III. Cours d'amour: 16. Dies, nox et omnia | — | ||
| 21-20 | Carmina Burana: III. Cours d'amour: 17. Stetit puella | — | ||
| 21-21 | Carmina Burana: III. Cours d'amour: 18. Circa mea pectora | — | ||
| 21-22 | Carmina Burana: III. Cours d'amour: 19. Si puer cum puellula | — | ||
| 21-23 | Carmina Burana: III. Cours d'amour: 20. Veni, veni, venias | — | ||
| 21-24 | Carmina Burana: III. Cours d'amour: 21. In trutina | — | ||
| 21-25 | Carmina Burana: III. Cours d'amour: 22. Tempus est iocundum | — | ||
| 21-26 | Carmina Burana: III. Cours d'amour: 23. Dulcissime | — | ||
| 21-27 | Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | — | ||
| 21-28 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | — | ||
| 21-29 | Words of thanks by Carl Orff | — | ||
| 22-1 | Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso | — | ||
| 22-2 | Violin Concerto no. 1 in D, op. 6: II. Adagio espressivo | — | ||
| 22-3 | Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spiritoso) | — | ||
| 22-4 | Havanaise, op. 83 | — | ||
| 22-5 | Introduction and Rondo capriccioso, op. 28 | — | ||
| 23-1 | Symphony no. 1 in B-flat, op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace | — | ||
| 23-2 | Symphony no. 1 in B-flat, op. 38 "Spring": II. Larghetto | — | ||
| 23-3 | Symphony no. 1 in B-flat, op. 38 "Spring": III. Scherzo (Molto vivace) | — | ||
| 23-4 | Symphony no. 1 in B-flat, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 23-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 23-6 | Symphony no. 4 in D minor, op. 120: II. Romanze (Zeimlich langsam) | — | ||
| 23-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo Lebhaft | — | ||
| 23-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 23-9 | Overture, Scherzo and Finale, op. 52: I. Overture (Andante con moto - Allegro) | — | ||
| 23-10 | Overture, Scherzo and Finale, op. 52: II. Scherzo (Vivo) | — | ||
| 23-11 | Overture, Scherzo and Finale, op. 52: III. Finale (Allegro molto vivace) | — | ||
| 24-1 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 24-2 | Symphony no. 2 in C, op. 61: II. Scherzo. Allegro vivace | — | ||
| 24-3 | Symphony no. 2 in C, op. 61: III. Adagio espressivo | — | ||
| 24-4 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace | — | ||
| 24-5 | Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft | — | ||
| 24-6 | Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig) | — | ||
| 24-7 | Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 24-8 | Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich | — | ||
| 24-9 | Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft | — | ||
| 25-1 | Sheep May Safely Graze | — | ||
| 25-2 | Wachet auf | — | ||
| 25-3 | Ein' feste Burg ist unser Gott | — | ||
| 25-4 | Toccata and Fugue in D minor | — | ||
| 25-5 | Minuet | — | ||
| 25-6 | Moonlight Sonata (first movement) | — | ||
| 25-7 | Prelude in E minor | — | ||
| 25-8 | Panis angelicus | — | ||
| 25-9 | Andante cantabile | — | ||
| 25-10 | At the ball | — | ||
| 25-11 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T-906.638.690-1 | |
| 25-12 | La Cathérale engloutie | — | ||
| 25-13 | Preludes in C-sharp minor | — | ||
| 26-1 | Also sprach Zarathustra, op. 30: I. Anfang | — | ||
| 26-2 | Also sprach Zarathustra, op. 30: II. Von der Hinterweltlern | — | ||
| 26-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | — | ||
| 26-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | — | ||
| 26-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | — | ||
| 26-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | — | ||
| 26-7 | Also sprach Zarathustra, op. 30: VII. Ger Genesende | — | ||
| 26-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Nachtwanderlied | — | ||
| 26-9 | Don Juan, op. 20 | — | ||
| 26-10 | Til Eulenspiegels lustige Streiche, op. 28 | — | ||
| 27-1 | Ein Heldenleben, op. 40: I. Der Held: Lebhaft bewegt | — | ||
| 27-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher: Etwas langsamer | — | ||
| 27-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin: Erstes Zeitmaß (Lebhaft bewegt) | — | ||
| 27-4 | Ein Heldenleben, op. 40: IV. Thema der Siegesgewißheit: Mäßig langsam | — | ||
| 27-5 | Ein Heldenleben, op. 40: V. Des Helden Walstatt: Lebhaft | — | ||
| 27-6 | Ein Heldenleben, op. 40: VI. Kriesfanfaren: Festes Zeitmaß (Sehr lebhaft) | — | ||
| 27-7 | Ein Heldenleben, op. 40: VII. Des Helden Friedenswerke: Etwas breit - Des Helden Weltflucht und Vollendung: Mäßig langsam - Heftig bewegt | — | ||
| 27-8 | Ein Heldenleben, op. 40: VIII. Entsagung: Langsam | — | ||
| 28-1 | Violin Concerto in D minor, op. 8: I. Allegro | — | ||
| 28-2 | Violin Concerto in D minor, op. 8: II. Lento ma non troppo | — | ||
| 28-3 | Violin Concerto in D minor, op. 8: III. Finale: Rondo (Presto) | — | ||
| 28-4 | Violin Sonata in E-flat, op. 18: I. Allegro | — | ||
| 28-5 | Violin Sonata in E-flat, op. 18: II. Improvisation: Andante cantabile | — | ||
| 28-6 | Violin Sonata in E-flat, op. 18: III. Finale: Andante - Allegro | — | ||
| 29-1 | Horn Concerto no. 1 in E-flat, op. 11: I. Allegro | — | ||
| 29-2 | Horn Concerto no. 1 in E-flat, op. 11: II. Andante | — | ||
| 29-3 | Horn Concerto no. 1 in E-flat, op. 11: III. Allegro - Rondo (Allegro) | — | ||
| 29-4 | Horn Concerto no. 2 in E-flat: I. Allegro - Tranquillo | — | ||
| 29-5 | Horn Concerto no. 2 in E-flat: II. Andante con moto | — | ||
| 29-6 | Horn Concerto no. 2 in E-flat: III. Rondo (Allegro molto) | — | ||
| 30-1 | Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo | — | ||
| 30-2 | Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto | — | ||
| 30-3 | Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | — | ||
| 30-4 | Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato | — | ||
| 30-5 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro | — | ||
| 30-6 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto | — | ||
| 30-7 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice | — | ||
| 30-8 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato | — | ||
| 30-9 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro | — | ||
| 30-10 | Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace | — | ||
| 30-11 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato | — | ||
| 30-12 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro | — | ||
| 30-13 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse | — | ||
| 30-14 | Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace | — | ||
| 30-15 | Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro | — | ||
| 30-16 | Swan Lake, op. 20: Act I, no. 7: Sujet | — | ||
| 30-17 | Swan Lake, op. 20: Act I, no. 8: Danse des coupes: Tempo di polacca | — | ||
| 30-18 | Swan Lake, op. 20: Act I, no. 9: Finale: Andante | — | ||
| 30-19 | Swan Lake, op. 20: Act II, no. 10: Scene: Moderato | — | ||
| 30-20 | Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo | — | ||
| 30-21 | Swan Lake, op. 20: Act II, no. 12: Scene: Allegro | — | ||
| 30-22 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse | — | ||
| 30-23 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso | — | ||
| 30-24 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des cygnes: Tempo di valse | — | ||
| 30-25 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato | — | ||
| 30-26 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'action (Odette et le Prince): Andante - Andante non troppo - Allegro | — | ||
| 31-1 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse) | — | ||
| 31-2 | Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo | — | ||
| 31-3 | Swan Lake, op. 20: Act II, no. 14: Scène: Moderato | — | ||
| 31-4 | Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto | — | ||
| 31-5 | Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | — | ||
| 31-6 | Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse | — | ||
| 31-7 | Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto | — | ||
| 31-8 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai | — | ||
| 31-9 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro | — | ||
| 31-10 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto | — | ||
| 31-11 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato | — | ||
| 31-12 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro | — | ||
| 31-13 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice | — | ||
| 31-14 | Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto | — | ||
| 31-15 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Moderato: Andante | — | ||
| 31-16 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation I: Allegro moderato | — | ||
| 31-17 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation II: Allegro | — | ||
| 31-18 | Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Coda: Allegro molto vivace | — | ||
| 31-19 | Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | — | ||
| 31-20 | Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo | — | ||
| 31-21 | Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | — | ||
| 31-22 | Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto | — | ||
| 31-23 | Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka | — | ||
| 31-24 | Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo | — | ||
| 31-25 | Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato | — | ||
| 31-26 | Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo | — | ||
| 31-27 | Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato | — | ||
| 31-28 | Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace | — | ||
| 31-29 | Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso | — | ||
| 32-1 | Das Liebesverbot - Overture | — | ||
| 32-2 | Symphony in E (Allegro con spirito) | — | ||
| 32-3 | Faust - Overture | — | ||
| 32-4 | Five Poems for a Female Voice (Mathilde Wesendonck): I. Der Engel | — | ||
| 32-5 | Five Poems for a Female Voice (Mathilde Wesendonck): II. Stehe still! | — | ||
| 32-6 | Five Poems for a Female Voice (Mathilde Wesendonck): III. Im Treibhaus | — | ||
| 32-7 | Five Poems for a Female Voice (Mathilde Wesendonck): IV. Schmerzen | — | ||
| 32-8 | Five Poems for a Female Voice (Mathilde Wesendonck): V. Träume | — | ||
| 32-9 | Rienzi - Overture | — | ||
| 33-1 | Euryanthe: Overture | — | ||
| 33-2 | Der Beherrscher der Geister (Ruler of the Spirits) Overture | — | ||
| 33-3 | Abu Hassan: Overture | — | ||
| 33-4 | Jubel Overture | — | ||
| 33-5 | Der Freischütz: Overture | — | ||
| 33-6 | Preciosa: Overture | — | ||
| 33-7 | Oberon: Overture | — |
Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio
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Symphony no. 1 in C, op. 21: II. Andante cantabile con moto
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Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto vivace - Trio
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Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace
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Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio
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Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre: Adagio assai
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Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio
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Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto
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Symphony no. 2 in D, op. 36: Ia. Adagio molto -
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Symphony no. 2 in D, op. 36: Ib. Allegro con brio
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Symphony no. 2 in D, op. 36: II. Larghetto
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Symphony no. 2 in D, op. 36: IIIa. Scherzo: Allegro -
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Symphony no. 2 in D, op. 36: IIIb. Trio
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Symphony no. 2 in D, op. 36: IV. Allegro molto
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Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio
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Symphony no. 8 in F, op. 93: II. Allegretto scherzando
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Symphony no. 8 in F, op. 93: III. Tempo di Menuetto
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Symphony no. 8 in F, op. 93: IV. Allegro vivace
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Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace
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Symphony no. 4 in B-flat, op. 60: II. Adagio
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Symphony no. 4 in B-flat, op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro
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Symphony no. 4 in B-flat, op. 60: IV. Allegro con brio
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Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace
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Symphony no. 7 in A, op. 92: II. Allegretto
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Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto
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Symphony no. 7 in A, op. 92: IV. Allegro con brio
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Symphony no. 5 in C minor, op. 67: I. Allegro con brio
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Symphony no. 5 in C minor, op. 67: II. Andante con moto
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Symphony no. 5 in C minor, op. 67: III. Allegro
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Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto
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Symphony no. 6 in F, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country: Allegro ma non troppo
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Symphony no. 6 in F, op. 68 "Pastoral": II. Scene at the Brook: Andante molto mosso
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Symphony no. 6 in F, op. 68 "Pastoral": III. Peasants' Merrymaking: Allegro -
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Symphony no. 6 in F, op. 68 "Pastoral": IV. The Storm: Allegro -
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Symphony no. 6 in F, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm: Allegretto
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Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
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Symphony no. 9 in D minor, op. 125 "Choral": IIa. Molto vivace -
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Symphony no. 9 in D minor, op. 125 "Choral": IIb. Presto -
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Symphony no. 9 in D minor, op. 125 "Choral": IIc. Molto vivace
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Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile
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Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto -
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Symphony no. 9 in D minor, op. 125 "Choral": IVb. Recitativo: "O Freunde, nicht diese Töne!" -
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Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai: "Freude, Freude!" -
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Symphony no. 9 in D minor, op. 125 "Choral": IVd. Allegro assai vivace, alla marcia: "Froh, wie seine Sonnen fliegen" -
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Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante maestoso: "Seid umschlungen, Millionen!" -
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Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro energico, sempre ben marcato. "Seid umschlungen - Freude, schöner Götterfunken" -
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Symphony no. 9 in D minor, op. 125 "Choral": IVg. Allegro ma non tanto: "Freude, Tochter aus Elysium!" -
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Symphony no. 9 in D minor, op. 125 "Choral": IVh. Prestissimo: "Seid umschlungen, Millionen!"
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Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro
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Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso
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Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo: Allegro
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Piano Concerto no. 20 in D minor, K. 466: I. Allegro (cadenza: Beethoven)
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Piano Concerto no. 20 in D minor, K. 466: II. Romanze
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Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai (cadenza: Beethoven)
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Symphony no. 1 in C minor, op. 68: Ia. Un poco sostenuto -
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Symphony no. 1 in C minor, op. 68: Ib. Allegro
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Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
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Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
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Symphony no. 1 in C minor, op. 68: IVa. Adagio
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Symphony no. 1 in C minor, op. 68: IVb. Allegro non troppo, ma con brio
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Schicksalslied, op. 54: Langsam und sehnsuchtsvoll -
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Schicksalslied, op. 54: Allegro -
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Schicksalslied, op. 54: Adagio
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Academic Festival Overture, op. 80
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Symphony no. 2 in D, op. 73: I. Allegro non troppo
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Symphony no. 2 in D, op. 73: II. Adagio non troppo
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Symphony no. 2 in D, op. 73: III. Allegretto grazioso (Quasi andantino - Presto ma non assai)
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Symphony no. 2 in D, op. 73: IV. Allegro con spirito
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Symphony no. 3 in F, op. 90: I. Allegro con brio
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Symphony no. 3 in F, op. 90: II. Andante
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Symphony no. 3 in F, op. 90: III. Poco allegretto
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Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto
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Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
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Symphony no. 4 in E minor, op. 98: II. Andante moderato
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Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
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Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato
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Tragic Overture, op. 81
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Variations on Joseph Haydn (St Anthony Chorale), op. 56a
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Piano Concerto no. 1 in D minor, op. 15: I. Maestoso
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Piano Concerto no. 1 in D minor, op. 15: II. Adagio
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Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo
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Piano Concerto no. 2 in B-flat, op. 83: I. Allegro non troppo
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Piano Concerto no. 2 in B-flat, op. 83: II. Allegro appassionata
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Piano Concerto no. 2 in B-flat, op. 83: III. Andante
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Piano Concerto no. 2 in B-flat, op. 83: IV. Allegretto grazioso
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Violin Concerto no. 3 in G, K. 216: I. Allegro
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Violin Concerto no. 3 in G, K. 216: II. Adagio
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Violin Concerto no. 3 in G, K. 216: III. Rondeau: Allegro - Allegretto - Tempo I (Cadenzas: Franz Beyer)
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Violin Concerto in D, op. 77: I. Allegro ma non troppo
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Violin Concerto in D, op. 77: II. Adagio (Cadenza: Joseph Joachim)
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Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace
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Double Concerto in A minor, op. 102: I. Allegro
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Double Concerto in A minor, op. 102: II. Andante
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Double Concerto in A minor, op. 102: III. Vivace non troppo
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Horn Trio in E-flat, op. 40: I. Andante - Poco più animato
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Horn Trio in E-flat, op. 40: II. Scherzo: Allegro - Molto meno allegro
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Horn Trio in E-flat, op. 40: III. Adagio mesto
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Horn Trio in E-flat, op. 40: IV. Finale: Allegro con brio
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Symphony no. 4 in E-flat "Romantic": I. Bewegt, night zu schnell
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Symphony no. 4 in E-flat "Romantic": II. Andante quasi Allegretto
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Symphony no. 4 in E-flat "Romantic": IIIa. Scherzo (Bewegt)
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Symphony no. 4 in E-flat "Romantic": IIIb. Trio (Nicht zu schnell, keinesfalls schleppend)
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Symphony no. 4 in E-flat "Romantic": IV. Finale (Bewegt, doch nicht zu schnell)
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Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
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Symphony no. 7 in D minor, op. 70: II. Poco adagio
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Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace
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Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro
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Cello Concerto in B minor, op. 104: I. Allegro
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Cello Concerto in B minor, op. 104: II. Adagio ma non troppo
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Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato
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Symphony no. 8 in G major, op. 88: I. Allegro con brio
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphony no. 8 in G major, op. 88: II. Adagio
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphony no. 8 in G major, op. 88: III. Allegretto grazioso
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (molto vivace)
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
Philadelphia Orchestra, Wolfgang Sawallisch
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Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I. Allegro
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Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. "Turandot", Scherzo. Moderato / Lebhaft
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Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino
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Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch
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"Nobilissima Visione" - Suite: Ia. Einleitung: Sehr Langsam -
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"Nobilissima Visione" - Suite: Ib. Rondo: Mässig Schnell
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"Nobilissima Visione" - Suite: II. Marsch Und Pastorale: Lebhaft
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"Nobilissima Visione" - Suite: III. Passacaglia: Feierlich Bewegt
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"Mathis der Maler" - Symphonie: I. Engelkonzert: Ruhig bewegt - Ziemlich Lebhafte Halbe
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"Mathis der Maler" - Symphonie: II. Grablegung: Sehr Langsam
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"Mathis der Maler" - Symphonie: III. Versuchung des Heiligen Antonius: Sehr Langsam, frei im Zeitmass - Sehr Lebhaft
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Symphony. 2 in B-flat, op. 52 "Lobgesang": I. Sinfonia
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Symphony. 2 in B-flat, op. 52 "Lobgesang": IIa. Alles was Odem hat
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Symphony. 2 in B-flat, op. 52 "Lobgesang": IIb. Lobe den Hernn; Sages es
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Symphony. 2 in B-flat, op. 52 "Lobgesang": III. Er zählet unsre Tränen
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Symphony. 2 in B-flat, op. 52 "Lobgesang": IV. Sagt es, die ihr erlöset seid
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Symphony. 2 in B-flat, op. 52 "Lobgesang": V. Ich harrete des Herrn
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Symphony. 2 in B-flat, op. 52 "Lobgesang": VI. Stricke des Todes
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Symphony. 2 in B-flat, op. 52 "Lobgesang": VII. Die Nacht ist vergangen
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Symphony. 2 in B-flat, op. 52 "Lobgesang": VIII. Nun danket alle Gott
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Symphony. 2 in B-flat, op. 52 "Lobgesang": IX. Drum sing ich mit meinem Liede
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Symphony. 2 in B-flat, op. 52 "Lobgesang": X. Ihr Völker! Bringet her
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Piano Concerto no. 21 in C, K. 467: I. Allegro maestoso (cadenza: Busoni)
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Piano Concerto no. 21 in C, K. 467: II. Andante
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Piano Concerto no. 21 in C, K. 467: III. Allegro vivace assai(cadenza: Busoni)
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Piano Concerto no. 22 in E-flat, K. 482: I. Allegro (cadenza: Hummel)
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Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante
Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra
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Piano Concerto no. 22 in E-flat, K. 482: III. Rondo (Allegro)
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Violin Concerto no. 3 in G, K. 216: I. Allegro
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Violin Concerto no. 3 in G, K. 216: II. Adagio
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Violin Concerto no. 3 in G, K. 216: III. Rondeau (Allegro)
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Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
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Violin Concerto in E minor, op. 64: II. Andante
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Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
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Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
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Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera
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Carmina Burana: I. Primo vere: 3. Veris leta facies
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Carmina Burana: I. Primo vere: 4. Omnia Sol temperat
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Carmina Burana: I. Primo vere: 5. Ecce gratum
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Carmina Burana: Uf dem Anger: 6. Tanz
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Carmina Burana: Uf dem Anger: 7. Floret silva
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Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir
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Carmina Burana: Uf dem Anger: 9. Reie
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Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe
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Carmina Burana: Uf dem Anger: 9. Chume, chum geselle min
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Carmina Burana: Uf dem Anger: 9. Swaz hie gat umbe
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Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min
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Carmina Burana: II. In taberna: 11. Estuans interius
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Carmina Burana: II. In taberna: 12. Olim lacus colueram
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Carmina Burana: II. In taberna: 13. Ego sum abbas
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Carmina Burana: II. In taberna: 14. In taberna quando sumus
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Carmina Burana: III. Cours d'amour: 15. Amor volat undique
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Carmina Burana: III. Cours d'amour: 16. Dies, nox et omnia
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Carmina Burana: III. Cours d'amour: 17. Stetit puella
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Carmina Burana: III. Cours d'amour: 18. Circa mea pectora
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Carmina Burana: III. Cours d'amour: 19. Si puer cum puellula
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Carmina Burana: III. Cours d'amour: 20. Veni, veni, venias
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Carmina Burana: III. Cours d'amour: 21. In trutina
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Carmina Burana: III. Cours d'amour: 22. Tempus est iocundum
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Carmina Burana: III. Cours d'amour: 23. Dulcissime
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Carmina Burana: Blanziflor et Helena: 24. Ave formosissima
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Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna
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Words of thanks by Carl Orff
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Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso
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Violin Concerto no. 1 in D, op. 6: II. Adagio espressivo
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Violin Concerto no. 1 in D, op. 6: III. Rondo (Allegro spiritoso)
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Havanaise, op. 83
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Introduction and Rondo capriccioso, op. 28
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Symphony no. 1 in B-flat, op. 38 "Spring": I. Andante poco maestoso - Allegro molto vivace
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Symphony no. 1 in B-flat, op. 38 "Spring": II. Larghetto
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Symphony no. 1 in B-flat, op. 38 "Spring": III. Scherzo (Molto vivace)
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Symphony no. 1 in B-flat, op. 38 "Spring": IV. Allegro animato e grazioso
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Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft
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Symphony no. 4 in D minor, op. 120: II. Romanze (Zeimlich langsam)
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Symphony no. 4 in D minor, op. 120: III. Scherzo Lebhaft
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Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
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Overture, Scherzo and Finale, op. 52: I. Overture (Andante con moto - Allegro)
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Overture, Scherzo and Finale, op. 52: II. Scherzo (Vivo)
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Overture, Scherzo and Finale, op. 52: III. Finale (Allegro molto vivace)
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Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo
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Symphony no. 2 in C, op. 61: II. Scherzo. Allegro vivace
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Symphony no. 2 in C, op. 61: III. Adagio espressivo
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Symphony no. 2 in C, op. 61: IV. Allegro molto vivace
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Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft
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Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig)
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Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell
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Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich
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Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft
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Sheep May Safely Graze
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Wachet auf
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Ein' feste Burg ist unser Gott
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Toccata and Fugue in D minor
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Minuet
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Moonlight Sonata (first movement)
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Prelude in E minor
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Panis angelicus
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Andante cantabile
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At the ball
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The Philadelphia Orchestra, Wolfgang Sawallisch
La Cathérale engloutie
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Preludes in C-sharp minor
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Also sprach Zarathustra, op. 30: I. Anfang
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Also sprach Zarathustra, op. 30: II. Von der Hinterweltlern
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Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht
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Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften
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Also sprach Zarathustra, op. 30: V. Das Grablied
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Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft
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Also sprach Zarathustra, op. 30: VII. Ger Genesende
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Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Nachtwanderlied
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Don Juan, op. 20
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Til Eulenspiegels lustige Streiche, op. 28
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Ein Heldenleben, op. 40: I. Der Held: Lebhaft bewegt
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Ein Heldenleben, op. 40: II. Des Helden Widersacher: Etwas langsamer
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Ein Heldenleben, op. 40: III. Des Helden Gefährtin: Erstes Zeitmaß (Lebhaft bewegt)
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Ein Heldenleben, op. 40: IV. Thema der Siegesgewißheit: Mäßig langsam
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Ein Heldenleben, op. 40: V. Des Helden Walstatt: Lebhaft
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Ein Heldenleben, op. 40: VI. Kriesfanfaren: Festes Zeitmaß (Sehr lebhaft)
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Ein Heldenleben, op. 40: VII. Des Helden Friedenswerke: Etwas breit - Des Helden Weltflucht und Vollendung: Mäßig langsam - Heftig bewegt
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Ein Heldenleben, op. 40: VIII. Entsagung: Langsam
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Violin Concerto in D minor, op. 8: I. Allegro
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Violin Concerto in D minor, op. 8: II. Lento ma non troppo
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Violin Concerto in D minor, op. 8: III. Finale: Rondo (Presto)
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Violin Sonata in E-flat, op. 18: I. Allegro
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Violin Sonata in E-flat, op. 18: II. Improvisation: Andante cantabile
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Violin Sonata in E-flat, op. 18: III. Finale: Andante - Allegro
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Horn Concerto no. 1 in E-flat, op. 11: I. Allegro
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Horn Concerto no. 1 in E-flat, op. 11: II. Andante
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Horn Concerto no. 1 in E-flat, op. 11: III. Allegro - Rondo (Allegro)
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Horn Concerto no. 2 in E-flat: I. Allegro - Tranquillo
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Horn Concerto no. 2 in E-flat: II. Andante con moto
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Horn Concerto no. 2 in E-flat: III. Rondo (Allegro molto)
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Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo
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Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto
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Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
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Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato
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Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro
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Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto
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Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice
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Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato
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Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro
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Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace
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Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato
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Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro
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Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse
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Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace
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Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro
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Swan Lake, op. 20: Act I, no. 7: Sujet
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Swan Lake, op. 20: Act I, no. 8: Danse des coupes: Tempo di polacca
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Swan Lake, op. 20: Act I, no. 9: Finale: Andante
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Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
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Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo
—
Swan Lake, op. 20: Act II, no. 12: Scene: Allegro
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Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: I. Tempo di valse
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Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: II. Moderato assai - Molto piu mosso
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Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: III. Danses des cygnes: Tempo di valse
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Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato
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Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'action (Odette et le Prince): Andante - Andante non troppo - Allegro
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Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse)
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Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo
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Swan Lake, op. 20: Act II, no. 14: Scène: Moderato
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Swan Lake, op. 20: Act III, no. 15: Scène: Allegro giusto
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Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo
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Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse
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Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto
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Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai
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Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro
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Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato
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Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice
—
Swan Lake, op. 20: Act III, no. 19: Pas de six: Coda: Allegro molto
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Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Moderato: Andante
—
Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation I: Allegro moderato
—
Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Variation II: Allegro
—
Swan Lake, op. 20: Act III, Appendix 1: Pas de deux: Coda: Allegro molto vivace
—
Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace
—
Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo
—
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero)
—
Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto
—
Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka
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Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo
—
Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato
—
Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo
—
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato
—
Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace
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Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso
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Das Liebesverbot - Overture
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Symphony in E (Allegro con spirito)
—
Faust - Overture
—
Five Poems for a Female Voice (Mathilde Wesendonck): I. Der Engel
—
Five Poems for a Female Voice (Mathilde Wesendonck): II. Stehe still!
—
Five Poems for a Female Voice (Mathilde Wesendonck): III. Im Treibhaus
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Five Poems for a Female Voice (Mathilde Wesendonck): IV. Schmerzen
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Five Poems for a Female Voice (Mathilde Wesendonck): V. Träume
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Rienzi - Overture
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Euryanthe: Overture
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Der Beherrscher der Geister (Ruler of the Spirits) Overture
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Abu Hassan: Overture
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Jubel Overture
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Der Freischütz: Overture
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Preciosa: Overture
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Oberon: Overture
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Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante
Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000063098325000000008125570X00000000812814140000000081333122000000008352625100000000839028780000000106612663000000010661744800000001072099130000000108602733
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000000010904532600000001093541530000000109426524000000011016475200000001102750140000000110928863000000011437046500000001145501830000000114633667000000011471980700000001147657070000000114874583000000011512078300000001195461750000000120191498000000012107672300000001211442470000000121615037000000012167737700000001218170930000000121982005
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